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Sing Out! Cantate!
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Vous avez sélectionné:
Sing Out! Cantate!
Partitions à imprimer
8 partitions trouvées
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1
Cantate Domino (Sing unto the Lord)
Cantate Domino (Sing unto the Lord)
#
Ensemble de cuivres
#
INTERMÉDIAIRE
#
Giuseppe Ottavio Pitoni
#
Mark Arnold
#
Cantate Domino
#
Brass & Bronze Music
#
SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.905049 Composed by Giuseppe Ottavio Pitoni. Arranged by Mark Arnold. Baroque,Sacred. Score and parts. 9 pages. Brass ...
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Brass Ensemble - Level 3 - SKU: A0.905049 Composed by Giuseppe Ottavio Pitoni. Arranged by Mark Arnold. Baroque,Sacred. Score and parts. 9 pages. Brass & Bronze Music #3506297. Published by Brass & Bronze Music (A0.905049). From the mid-to-late baroque, this setting of the opening verses of Psalm 149 was originally a choral motet for mixed voices. In this arrangement for brass quintet, the original part writing has been preserved, with some added doubling, while the key has been changed to better suit the range of the brasses. The judicious editing will ease rehearsal without inhibiting the style of the piece. Well within the abilities of school groups, it will be a useful and enjoyable addition to the repertoire of advanced amateur and professional quintets as well.
$9.99 ≈
9.33€
CANTATE DOMINO - O sing unto the Lord - H. Purcell - For SATB Choir
CANTATE DOMINO - O sing unto the Lord - H. Purcell - For SATB Choir
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Chorale SATB
#
Henry Purcell
#
Renato Tagliabue
#
CANTATE DOMINO - O sing unto t
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Renato Tagliabue
#
SheetMusicPlus
Choral Choir (SATB) - SKU: A0.724517 Composed by Henry Purcell. Arranged by Renato Tagliabue. Baroque,Christian,Sacred,Spiritual. Octavo. 7 pages. Renat...
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Choral Choir (SATB) - SKU: A0.724517 Composed by Henry Purcell. Arranged by Renato Tagliabue. Baroque,Christian,Sacred,Spiritual. Octavo. 7 pages. Renato Tagliabue #4302817. Published by Renato Tagliabue (A0.724517). https://www.youtube.com/watch?v=ZokQQcfNiBI
$2.60 ≈
2.43€
Cantate Domino for Trombone or Low Brass Octet
Cantate Domino for Trombone or Low Brass Octet
#
Renaissance
#
Eric Burger Music
#
Cantate Domino for Trombone or
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Eric Burger Music
#
SheetMusicPlus
Brass Ensemble Euphonium,Trombone,Tuba - Level 2 - SKU: A0.508386 Arranged by Eric Burger Music. Renaissance. Score and parts. 24 pages. Eric Burger Mus...
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Brass Ensemble Euphonium,Trombone,Tuba - Level 2 - SKU: A0.508386 Arranged by Eric Burger Music. Renaissance. Score and parts. 24 pages. Eric Burger Music #3884441. Published by Eric Burger Music (A0.508386). View the score with playback at: https://youtu.be/dRycCITfCrA Please review score and playback for additional information. This quality work is published by Eric Burger Music: www.EricBurgerMusic.com Each of these Trombone and Low Brass Ensemble works are arranged and transcribed with the intent of provide the musician with an opportunity to play works from notable composers otherwise not available to them, using the construct and voicings the compose intended. Please review the video for questions on range and difficulty. If you need parts modified to different clefs or keys, please write me direct at: EricBurgerMusic@gmail.com Custom work also available. If you are unhappy with any of my work, write me directly for a replacement.
$14.00 ≈
13.07€
Cantate Domino for Trombone or Low Brass Duodectet (12 Part Ensemble)
Cantate Domino for Trombone or Low Brass Duodectet (12 Part Ensemble)
#
Ensemble de cuivres
#
INTERMÉDIAIRE
#
Classique
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Eric Burger Music
#
Cantate Domino for Trombone or
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Eric Burger Music
#
SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.508385 Arranged by Eric Burger Music. Baroque. Score and parts. 20 pages. Eric Burger Music #3884439. Published by Er...
(+)
Brass Ensemble - Level 3 - SKU: A0.508385 Arranged by Eric Burger Music. Baroque. Score and parts. 20 pages. Eric Burger Music #3884439. Published by Eric Burger Music (A0.508385). View the score with playback at: https://youtu.be/ycDlesoXGxc Please review score and playback for additional information. This quality work is published by Eric Burger Music: www.EricBurgerMusic.com Each of these Trombone and Low Brass Ensemble works are arranged and transcribed with the intent of provide the musician with an opportunity to play works from notable composers otherwise not available to them, using the construct and voicings the compose intended. Please review the video for questions on range and difficulty. If you need parts modified to different clefs or keys, please write me direct at: EricBurgerMusic@gmail.com Custom work also available. If you are unhappy with any of my work, write me directly for a replacement.
$13.00 ≈
12.14€
Cantate Domino (fanfare for SATB chorus) - SCORE with piano reduction
Cantate Domino (fanfare for SATB chorus) - SCORE with piano reduction
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Kc Daugirdas
#
Cantate Domino
#
Kc Daugirdas
#
SheetMusicPlus
Choir, SATB - Advanced Intermediate - Digital Download Composed by Kc Daugirdas. 21st Century, Contemporary Classical, Sacred, European, Recital. Oct...
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Choir, SATB - Advanced Intermediate - Digital Download Composed by Kc Daugirdas. 21st Century, Contemporary Classical, Sacred, European, Recital. Octavo, Piano Reduction. 22 pages. Published by Kc Daugirdas
An energetic new setting of the classic sacred text, "Cantate Domino" was commissioned as a competition piece by maestro Rolandas Daugela for the Cantate Domino International Choral Festival and Competition of 2017.
The piece opens with a triumphant fanfare, accompanied by an energetic rhythmic figure in the tenors and basses. This first theme is contrasted by the second section - a warm, contemporary "benedicite" theme, followed by a lyrical, folk-inspired "quia mirabilia". The final section is an exciting reprise of the first theme, but this time the tenors and basses carry the fanfare in four-part harmony while the sopranos and altos provide the driving accompaniment. In the final bars of the piece, the choir ascends in a powerful crescendo to a magnificent final cadence.
For a cappella SATB chorus with some divisi. Score includes piano reduction (for rehearsal). Also included: bonus version without piano reduction (for easier reading for singers).
Also available:
TTBB version
SSAA version
$2.50 ≈
2.33€
Élégie
Élégie
#
Guitare
#
INTERMÉDIAIRE
#
Contemporain
#
Francis Bebey
#
Ingrid Riollot
#
Élégie
#
Les Editions Doberman-Yppan
#
SheetMusicPlus
Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO...
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Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95 ≈
3.69€
Sing Out! Cantate!
Sing Out! Cantate!
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Chorale 2 parties
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Classique
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Antonio Vivaldi
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Patrick M
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Sing Out! Cantate!
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Composed by Antonio Vivaldi (1678-1741). Arranged by Patrick M. Liebergen. 2-Part. Classical. Choral. 4 pages. Published by Hal Leonard - Digital Sheet Music ...
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Composed by Antonio Vivaldi (1678-1741). Arranged by Patrick M. Liebergen. 2-Part. Classical. Choral. 4 pages. Published by Hal Leonard - Digital Sheet Music
$2.50 ≈
2.33€
Antonio Vivaldi: Sing Out! Cantate! - choir (2-Part)
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Chorale 2 parties
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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Virtualsheetmusic
Instantly printable sheet music by Antonio Vivaldi for choir (2-Part) of MEDIUM skill level. / classical
Instantly printable sheet music by Antonio Vivaldi for choir (2-Part) of MEDIUM skill level. / classical
$5.48 ≈
5.12€
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Sing Out! Cantate!
