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Sing! For a Boy Has Been Born
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Vous avez sélectionné:
Sing! For a Boy Has Been Born
Partitions à imprimer
17 partitions trouvées
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1
Sing! For a Boy Has Been Born (SATB choir and piano)
Sing! For a Boy Has Been Born (SATB choir and piano)
#
Chorale SATB
#
INTERMÉDIAIRE
#
Colin Kirkpatrick
#
Alto: A3 - D5
#
Sing! For a Boy Has Been Born
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.522271 Composed by Colin Kirkpatrick. Christmas,Contemporary,Praise & Worship. 13 pages. Colin Kirkpatric...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.522271 Composed by Colin Kirkpatrick. Christmas,Contemporary,Praise & Worship. 13 pages. Colin Kirkpatrick Publications #6463439. Published by Colin Kirkpatrick Publications (A0.522271). Sing! For a Boy has been BornThis is a really lively setting of a colorful text by Danny Alorean. The main theme is in 7/8 time, divided into 2, 2, and 3. It might look a bit daunting to some, but it's easy when counted as 1-2-1-2-1-2-3. Its recommended that singers practise this rhythm first, perhaps by clapping on the off-beats. There’s plenty of contrast in the piece and singers are sure to enjoy the music. It’s scored for SATB choir with keyboard accompaniment. The middle section uses much vocal counterpoint and has almost a waltz feeling to it. Choir members need to be reasonably experienced at singing independent vocal parts. The piano part is of moderate difficulty but could be handled by any competent pianist. This is a new arrangement (as of Seotember 2023) in which the music has been transposed down one tone from the original. This joyful anthem would be a great addition to your Christmas concert or service. The vocal range is as follows: Soprano: C4 - F5; Alto: A3 - D5; Tenor C3 - E flat 4; Bass F2 - B flat 3 (Duration 03:03).
$3.99 ≈
3.72€
Sing! For a Boy Has Been Born (SSA choir and piano)
Sing! For a Boy Has Been Born (SSA choir and piano)
#
Chorale 3 parties
#
INTERMÉDIAIRE
#
Colin Kirkpatrick
#
Soprano 2 (C4 - D5)
#
Sing! For a Boy Has Been Born
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Choral Choir,Choral (SSA) - Level 3 - SKU: A0.522272 Composed by Colin Kirkpatrick. Christmas,Contemporary,Praise & Worship. 13 pages. Colin Kirkpatrick...
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Choral Choir,Choral (SSA) - Level 3 - SKU: A0.522272 Composed by Colin Kirkpatrick. Christmas,Contemporary,Praise & Worship. 13 pages. Colin Kirkpatrick Publications #6463441. Published by Colin Kirkpatrick Publications (A0.522272). Sing! For a Boy has been Born This is a really lively setting of a colorful text by Danny Alorean. This is a revised version (September 2023) of the original arrangement and has been transposed down a tone with improved voice movement. The main theme is in 7/8 time, divided into 2, 2, and 3. It might sound tricky but singers will soon get to feel the rhythm and become completely at home in this time signature. Its recommended that the singers practise by counting 1-2-1-2-1-2-3 perhaps by also clapping on the off-beats. There’s plenty of contrast in the piece and singers are sure to enjoy the music. It’s scored for SSA choir (or boy choir) with keyboard accompaniment. The middle section uses much vocal counterpoint and has almost a waltz feeling to it so the singers would need to feel confident with indepedent vocal lines. There are no divisi sections and the piano part is of moderate difficulty but should be playable by any competent pianist. This joyful, rhythmic anthem would be a great addition to your Christmas concert or service. The voice ranges are as follows: Soprano 1 (C4 -F5); Soprano 2 (C4 - D5); Alto (A flat 3 – D5). (Duration 03:00) Â
$3.99 ≈
3.72€
Sing! For a Boy has been Born (SAT choir and piano)
Sing! For a Boy has been Born (SAT choir and piano)
#
Chorale 3 parties
#
INTERMÉDIAIRE
#
Colin Kirkpatrick
#
Alto: A3 - D5
#
Sing! For a Boy has been Born
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Choral Choir,Choral (SAT) - Level 3 - SKU: A0.1294135 Composed by Colin Kirkpatrick. Christian,Christmas,Contest,Festival. 13 pages. Colin Kirkpatrick P...
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Choral Choir,Choral (SAT) - Level 3 - SKU: A0.1294135 Composed by Colin Kirkpatrick. Christian,Christmas,Contest,Festival. 13 pages. Colin Kirkpatrick Publications #884558. Published by Colin Kirkpatrick Publications (A0.1294135). This is a really lively setting of a colorful text by Danny Alorean. The main theme is in 7/8 time, divided into 2, 2, and 3. It might look a bit daunting to some, but it's easy when counted as 1-2-1-2-1-2-3. Its recommended that singers practise this rhythm first, perhaps by clapping on the off-beats. There’s plenty of contrast in the piece and singers are sure to enjoy the music. It’s scored for SAT choir with keyboard accompaniment. It is thus a useful piece for high school or college choirs that have no bass section. The middle section uses much vocal counterpoint and has almost a waltz feeling to it. Choir members need to be reasonably experienced at singing independent vocal parts. The piano part is of moderate difficulty but could be handled by any competent pianist. This is a new arrangement (as of Seotember 2023) in which the music has been transposed down one tone from the original. This joyful anthem would be a great addition to your Christmas concert or service. The vocal range is as follows: Soprano: C4 - F5; Alto: A3 - D5; Tenor C3 - E4. (Duration 03:03).
$3.99 ≈
3.72€
In the Bleak Mid-winter (SATB accompanied)
In the Bleak Mid-winter (SATB accompanied)
#
Chorale SATB
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Colin Kirkpatrick
#
In the Bleak Mid-winter
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.522055 Composed by Colin Kirkpatrick. A Cappella,Christian,Christmas,Praise & Worship,Sacred. Octavo. 10 pages. ...
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Choral Choir (SATB) - Level 3 - SKU: A0.522055 Composed by Colin Kirkpatrick. A Cappella,Christian,Christmas,Praise & Worship,Sacred. Octavo. 10 pages. Colin Kirkpatrick Publications #4614491. Published by Colin Kirkpatrick Publications (A0.522055). This is a new setting of the famous words by Christina Rossetti (1830-1894) and it is in 5/8 time. Singers will easily get into the habit of thinking this is terms of three beats followed by two beats. The setting follows the format of the original poem and there is a short, easy-to-sing a cappella section in the middle. It’s scored for SATB choir with keyboard accompaniment. The piano part is of medium difficulty. This piece will be a popular addition to your Nativity play or Christmas services. If you like this choral piece, you might also be interested in the other Colin Kirkpatrick Nativity Anthems in this SATB series (also available as SSA): And a Star is Shining in the East, See this Little Town, While Shepherds Watched their Flocks by Night, I Saw Three Ships, Sing! For a Boy has been Born and Rejoice and Sing on Christmas Morn. In the audio recording, soprano is played by flute, alto by oboe, tenor by clarinet and bass by bassoon. (Duration 03:00)
$2.99 ≈
2.79€
While Shepherds Watched (SSA choir and piano)
While Shepherds Watched (SSA choir and piano)
#
Chorale 3 parties
#
FACILE
#
Noël
#
Colin Kirkpatrick
#
While Shepherds Watched
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Choral Choir,Choral (SSA) - Level 2 - SKU: A0.522049 Composed by Colin Kirkpatrick. A Cappella,Christmas,Praise & Worship. 10 pages. Colin Kirkpatrick P...
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Choral Choir,Choral (SSA) - Level 2 - SKU: A0.522049 Composed by Colin Kirkpatrick. A Cappella,Christmas,Praise & Worship. 10 pages. Colin Kirkpatrick Publications #4607913. Published by Colin Kirkpatrick Publications (A0.522049). This is a dramatic and attractive setting of the traditional text by Nahum Tate (1652-1715). Tate was an Anglo-Irish poet, hymn writer and lyricist, who became Poet Laureate in 1692. He’s best known for The History of King Lear, his 1681 adaptation of Shakespeare's play. He also wrote the libretto for Henry Purcell's timeless opera, Dido and Aeneas. The traditional melody of While Shepherds Watched is well-known, but this new setting brings in a wealth of new musical material. This is a tuneful work and is sure to be enjoyed by your singers and audiences alike. It is in 2/2 time throughout but journeys through several contrasting keys. It’s also available for SAT and SATB choirs with keyboard accompaniment.  There’s an a cappella section in the middle and more suited to experienced singers. The piano part is not difficult and should be within the reach of any competent pianist. This piece would be ideal for Nativity presentations or would make an excellent addition to your Christmas service or concert. With a duration of 03:05 the vocal ranges in this SSA version are as follows: Soprano 1: D4 – G5; Soprano 2: C4 – F3 and Alto G3 – D5.If you like this choral piece, you might also be interested in other Colin Kirkpatrick Nativity Anthems in this series And a Star is Shining in the East, See this Little Town, I Saw Three Ships, Sing! For a Boy has been Born and Rejoice and Sing on Christmas Morn.
$2.99 ≈
2.79€
While Shepherds Watched (SATB choir and piano)
While Shepherds Watched (SATB choir and piano)
#
Chorale SATB
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Colin Kirkpatrick
#
Alto A3 – D5
#
While Shepherds Watched
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.522059 Composed by Colin Kirkpatrick. A Cappella,Christmas,Praise & Worship,Sacred. 10 pages. Colin Kirkp...
(+)
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.522059 Composed by Colin Kirkpatrick. A Cappella,Christmas,Praise & Worship,Sacred. 10 pages. Colin Kirkpatrick Publications #4628229. Published by Colin Kirkpatrick Publications (A0.522059). This is a dramatic and attractive setting of the traditional text by Nahum Tate (1652-1715). Tate was an Anglo-Irish poet, hymn writer and lyricist, who became Poet Laureate in 1692. He’s best known for The History of King Lear, his 1681 adaptation of Shakespeare's play. He also wrote the libretto for Henry Purcell's timeless opera, Dido and Aeneas. The traditional melody of While Shepherds Watched is well-known, but this new setting brings in a wealth of new musical material. This is a tuneful work and is sure to be enjoyed by your singers and audiences alike. It is in 2/2 time throughout but journeys through several contrasting keys. It’s also available for SSA and SAT choirs with keyboard accompaniment.  There’s an a cappella section in the middle and more suited to experienced singers. The piano part is not difficult and should be within the reach of any competent pianist. This piece would be ideal for Nativity presentations or would make an excellent addition to your Christmas service or concert. With a duration of 03:05 the vocal ranges in the SATB version are as follows: Soprano: D4 – G5; Alto A3 – D5; Tenor: C3 – E4 and Bass F2 – C4. If you like this choral piece, you might also be interested in other Colin Kirkpatrick Nativity Anthems in this series And a Star is Shining in the East, See this Little Town, I Saw Three Ships, Sing! For a Boy has been Born and Rejoice and Sing on Christmas Morn.Â
$3.99 ≈
3.72€
While Shepherds Watched (SAT choir and piano)
While Shepherds Watched (SAT choir and piano)
#
Chorale 3 parties
#
INTERMÉDIAIRE
#
Noël
#
Colin Kirkpatrick
#
While Shepherds Watched
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Choral Choir,Choral (SAT) - Level 3 - SKU: A0.1301985 Composed by Colin Kirkpatrick. Advent,Christian,Christmas. 10 pages. Colin Kirkpatrick Publication...
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Choral Choir,Choral (SAT) - Level 3 - SKU: A0.1301985 Composed by Colin Kirkpatrick. Advent,Christian,Christmas. 10 pages. Colin Kirkpatrick Publications #891584. Published by Colin Kirkpatrick Publications (A0.1301985). This is a dramatic and attractive setting of the traditional text by Nahum Tate (1652-1715). Tate was an Anglo-Irish poet, hymn writer and lyricist, who became Poet Laureate in 1692. He’s best known for The History of King Lear, his 1681 adaptation of Shakespeare's play. He also wrote the libretto for Henry Purcell's timeless opera, Dido and Aeneas. The traditional melody of While Shepherds Watched is well-known, but this new setting brings in a wealth of new musical material. This is a tuneful work and is sure to be enjoyed by your singers and audiences alike. It is in 2/2 time throughout but journeys through several contrasting keys. It’s also available for SSA and SATB choirs with keyboard accompaniment.  There’s an a cappella section in the middle and more suited to experienced singers. The piano part is not difficult and should be within the reach of any competent pianist. This piece would be ideal for Nativity presentations or would make an excellent addition to your Christmas service or concert. With a duration of 03:05 the vocal ranges in the SAT version are as follows: Soprano: D4 – G5; Alto A3 – D5 and Tenor: C3 – E4. If you like this choral piece, you might also be interested in other Colin Kirkpatrick Nativity Anthems in this series And a Star is Shining in the East, See this Little Town, I Saw Three Ships, Sing! For a Boy has been Born and Rejoice and Sing on Christmas Morn.
$2.99 ≈
2.79€
I Saw Three Ships (SSA choir and piano)
I Saw Three Ships (SSA choir and piano)
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Chorale 3 parties
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FACILE
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Noël
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Colin Kirkpatrick
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I Saw Three Ships
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Colin Kirkpatrick Publications
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SheetMusicPlus
Choral Choir,Choral (SSA) - Level 2 - SKU: A0.522050 Composed by Colin Kirkpatrick. Christmas. 12 pages. Colin Kirkpatrick Publications #4607915. Publis...
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Choral Choir,Choral (SSA) - Level 2 - SKU: A0.522050 Composed by Colin Kirkpatrick. Christmas. 12 pages. Colin Kirkpatrick Publications #4607915. Published by Colin Kirkpatrick Publications (A0.522050). This is a lively arrangement based on the traditional text. The joyful main theme is in 7/8 time and divides into two plus two plus three. It might sound tricky but singers will soon get to feel the rhythm and become completely at home in this time signature. It’s scored for SSA choir with keyboard accompaniment. In the middle section, sopranos are divisi and there are opportunities for solos though they are optional. Audiences and singers alike are sure to enjoy this joyful music and the keyboard part is fairly straightforward. It would be a great addition to your Christmas concert or service. If you like this choral piece, you might also be interested in the other Colin Kirkpatrick Nativity Anthems in this SSA series (also available for SATB):  And a Star is Shining in the East, See this Little Town, In the Bleak Mid-winter, While Shepherds Watched their Flocks by Night, Sing! For a Boy has been Born and Rejoice and Sing on Christmas Morn.  In the audio recording, soprano 1 is played by flute, soprano 2 by oboe and alto by clarinet (Duration: 02:24)
$2.99 ≈
2.79€
Carol for St. Steven
Carol for St. Steven
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Chorale SATB
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Alexander Goehr
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Carol for St. Steven
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Schott Music - Digital
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SheetMusicPlus
Mixed choir - SKU: S9.Q6579 For SATB choir. Composed by Alexander Goehr. This edition: choral score. Choral Music of Our Time. Downloadable, chor...
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Mixed choir - SKU: S9.Q6579 For SATB choir. Composed by Alexander Goehr. This edition: choral score. Choral Music of Our Time. Downloadable, choral score. Duration 4 minutes. Schott Music - Digital #Q6579. Published by Schott Music - Digital (S9.Q6579). English.Written in memory of Erich Fried (1921-1988), a writer who wrote the libretto for Goehr's opera Arden Must Die and whose poems were set in Warngedichte (op. 22), Carol for St Steven is a short and playful carol about St Steven as a servant boy in King Herod’s Hall. Seeing the Star and realising that Jesus has been born, the boy tells King Herod whose overreaction results in Steven being stoned to death (explaining why the Vigil of St Stephen takes place on Christmas Night). With a treble soloist singing the lines of Steven and a bass singing the parts of Herod, Goehr’s carol for St Steven is an alternative carol in many senses, but one that would be ideal for both amateur and professional choirs looking for new repertoire.
$4.99 ≈
4.66€
And a Star is Shining in the East (SSA Choir and piano)
And a Star is Shining in the East (SSA Choir and piano)
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Chorale 3 parties
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FACILE
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Musique Sacrée
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Colin Kirkpatrick
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And a Star is Shining in the E
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Colin Kirkpatrick Publications
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SheetMusicPlus
Choral Choir,Choral (SSA) - Level 2 - SKU: A0.522046 Composed by Colin Kirkpatrick. A Cappella,Christmas,Praise & Worship,Sacred. 10 pages. Colin Kirkpa...
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Choral Choir,Choral (SSA) - Level 2 - SKU: A0.522046 Composed by Colin Kirkpatrick. A Cappella,Christmas,Praise & Worship,Sacred. 10 pages. Colin Kirkpatrick Publications #4607903. Published by Colin Kirkpatrick Publications (A0.522046). And a star is shining in the East A lovely melody in 3/4 time, quietly reflective with a short a cappella section in the middle. Colin Kirkpatrick’s setting of the text by Danny Alorean is sure to please, and quite easy to sing. The text looks at Bethlehem through the eyes of the shepherds. This piece would be ideal for a nativity play or part of a Christmas service or concert. The SSA voicing makes this choral piece ideal for a girl-choir or boy-choir or indeed any community choir which has no tenor or bass singers. The vocal ranges are: Soprano 1: C4 - F5; Soprano 2: B flat 5 - D5 and Alto: A flat 3 - C5. (Duration: 02:50)If you like this choral piece, you might also be interested in the other Colin Kirkpatrick Nativity Anthems in this SSA series (also available for SAT and SATB): See this Little Town, I Saw Three Ships, Sing! For a Boy has been Born and Rejoice and Sing on Christmas Morn.
$2.99 ≈
2.79€
Nineteen Skeletal Duets for Trombones
Nineteen Skeletal Duets for Trombones
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2 Trombones (duo)
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FACILE
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Jazz
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Gregory Fritze
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Nineteen Skeletal Duets for Tr
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Musica Nova USA
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SheetMusicPlus
Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Individual Part, Score. 44 pages. Published ...
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Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Individual Part, Score. 44 pages. Published by Musica Nova USA
Nineteen Skeletal Duets for Trombones is a set of duets of easy to moderately difficult specifically for teachers and students in private lessons. The first 15 duets are arranged from Fifteen Safari Duets for Tubas which was composed in 1989 for playing with my tuba students at Berklee College of Music. They are at different levels of difficulty and in various styles so that we always had duets to play no matter what was the ability of the student. The additional four duets were added in 2020 for trombones for this set. The title of each duet is also a name for a bone in the human body, hence the name Skeletal Duets. There is something in each duet for students to learn: the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. Nineteen Skeletal Duets for Euphoniums are the same duets but in treble clef. Twenty-two Skeletal Duets for Hornsuses the first 19 of the trombone set with three additional duets added. Some of the trombone and horn duets are in the same key so they can be played together.
1. Cranium
This duet presents the cantabile ?singing? style as studied for playing the trombone. I find that this duet helps the student much like the melodies of Borgodni (Rochet) etudes.
2. Stirrup
This duet provides an opportunity to read basic rhythms and articulations. I find that the more advanced students can read in a faster tempo while the less skilled students work best in the slower tempos ? a common choice for all of the duets.
3. Humerus
This waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase.
4. Vertebra
This is in a ?rock? style with syncopated rhythms with cantabile melodies. Articulations are especially important in this duet.
5. Axis
Legato scales and syncopated rhythms are the features of this duet. This is a good exercise for legato playing on trombone, especially when the legato tongue is needed versus when the trombonist does not need to tongue when moving across partials.
6. Tibia
This duet alternates in rock style and swing. Articulations and manipulation of ?swing? rhythms are important.
7. Clavicle
The key of A for this duet provides variation for the students.
8. Fibula nd
This duet uses the easiest of rhythms and range, especially for the 2
9. Scapula
This duet is non-metric and uses graphic notation. This was a favorite duet of my students as many had never experienced this notation before.
10. Atlas ndThis is an Invention in the Bach style. This is probably the best duet to play when the 2 part is played by bass trombone.
(student) part.
11. Radius
This duet is in a ?Medium Swing? jazz style. Each part has a chance to play a little bit of a ?walking? bass line. Articulations and manipulation of ?swing? rhythms are important in this duet.
12. Femur
This duet works on double time and half time tempo changes.
13. Patella
This is another duet that includes graphic notation. In this duet ?Free rapid legato lines? are used.
14. Anvil
This gallop displays different types of articulation.
15. Hammer
This duet is in the style of a fanfare.
16. Rib
This duet is a melody, ?Magallon Blues?, that I originally composed when I taught at a summer music camp in Magallon, Spain. In that camp each of the students would practice playing a jazz solo. This duet also has jazz chord changes so you can add piano or guitar. The use of drums is also an added option.
17. Sacrum
This duet is a short arrangement of Mozart?s ?Eine Kleine Nachtmusic?.
18. Ulna
This duet is a short arrangement of the traditional Irish folk song ?Londonderry Air?, more commonly known as ?Danny Boy?.
19. Ilium
This duet is a short arrangement of the Beethoven?s song ?Ode to Joy? which represents the triumph of universal brotherhood against war and desperation.
Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Tuba Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally including First Prize in the 1991 TUBA Etude Contest for Twenty Characteristic Etudes for Tuba, an award from The American Prize for his Petite Suite for Brass Quintet and others. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.
His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00 ≈
18.67€
The True Colors of Weedle • Vocal Selections
The True Colors of Weedle • Vocal Selections
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Music by Allison Brewster Fran
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Allison Brewster Franzetti
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The True Colors of Weedle &bul
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Shining Sharon Music
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1143939 Composed by Music by Allison Brewster Franzetti • Lyrics by June Rachelson-Ospa. Arranged by ...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1143939 Composed by Music by Allison Brewster Franzetti • Lyrics by June Rachelson-Ospa. Arranged by Allison Brewster Franzetti. Broadway,Contemporary,Musical/Show. Score. 87 pages. Shining Sharon Music #744248. Published by Shining Sharon Music (A0.1143939). 11 songs, by June Rachelson-Ospa and Allison Brewster Franzetti, from this very funny and sometimes sobering musical for Young People in Piano-Vocal settings help to tell the story of a boy, born colorless. As such, he has been bullied, because everyone else around him has lots of colors. Ostracized, Weedle sets out to find a companion/soul-mate, Marvello Maxumo Marmaduke (who ends up having three heads) after he receives a sympathetic letter from him. Like Weedle, Marmaduke has been forced into seclusion by the Falafarinians of Falifarinum, so together they hatch a plan for revenge on those who hurt have them. Weedle then must decide if he will take revenge on those who have wronged him, or if he will live his life in peace. After choosing to take revenge, Weedle feels so bad that he cries. Then, to everyone's amazement, his tears are full of vibrant colors, proving that he had it within himself all the time... Bullying has become an epidemic, causing many children pain. Our story confronts this issue in a fun-filled way, without shying away from the issue at hand. Perhaps, this show is needed now more than ever! It is the hope of the authors that the producers will utilize actors of all genders, abilities/disabilities, and special needs, aiming to entertain and teach an important life lesson to kids: that anything is possible with the right outlook. Teaching children and families to accept people for who they are, no matter what they look like… is vital, especially when the outcome includes forgiveness. From Leicester Bay Theatricals. The most moving theatrical experience... Peter Filichia, Broadway Radio The True Colors of Weedle is also available as an illustrated storybook for children in Kindle and Paperback editions. Look for it.
$19.95 ≈
18.62€
The Great Comic Songs. Dandy Pat. Song and Dance
The Great Comic Songs. Dandy Pat. Song and Dance
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Piano, Voix
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William Carleton
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The Great Comic Songs. Dandy P
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.18252 Composed by William Carleton. Caricatures, Cartoons, Near East, Native dress, Kissing, Fighting, Prayer, Cats, Immigrant...
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Piano and voice - SKU: LV.18252 Composed by William Carleton. Caricatures, Cartoons, Near East, Native dress, Kissing, Fighting, Prayer, Cats, Immigrants--Ireland, Courtship & love. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.18252). The Great Comic Songs. Dandy Pat. Song and Dance. Written by Wm. Carleton. Published 1868 by Frederick Blume, 1125 Broadway in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Caricatures, Cartoons, Near East, Native dress, Kissing, Fighting, Prayer, Cats, Immigrants--Ireland, Courtship & love. First line reads Oh! I'm the boy call'd Dandy Pat, Dandy Pat; I was born in the town of Ballinafat.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.59€
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Karl Friedrich Abel
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Guido Menestrina
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Karl Friedrich Abel - Sinfonia
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Guido Menestrina
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido ...
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Chamber Orchestra - Level 3 - SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido Menestrina #122893. Published by Guido Menestrina (A0.828700). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Adagio Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse, tacet on 2nd movement), 2 violins, viola and cello (originally basse de violon). Abel was born in Köthen, a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787. One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. Follow the score on youtube: https://www.youtube.com/watch?v=_urGVpH7Pls.
$7.99 ≈
7.46€
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Primo Movimento - Allegro
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Primo Movimento - Allegro
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Classique
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Karl Friedrich Abel
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Guido Menestrina
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Karl Friedrich Abel - Sinfonia
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Guido Menestrina
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SheetMusicPlus
Small Ensemble Cello,English Horn,Oboe,Viola,Violin - Level 3 - SKU: A0.828699 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical....
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Small Ensemble Cello,English Horn,Oboe,Viola,Violin - Level 3 - SKU: A0.828699 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 37 pages. Guido Menestrina #119775. Published by Guido Menestrina (A0.828699). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Primo Movimento - Allegro Karl Friedrich Abel - Symphony Op. 7 n. 1 - First Movement - Allegro Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse), 2 violins, viola and cello (originally basse de violon). Abel was born in Köthen,[3][4] a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787.[citation needed] One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. https://www.youtube.com/watch?v=bN3mtmg-rLI.
$7.99 ≈
7.46€
White Horses
White Horses
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Orchestre
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FACILE
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Ben Nisbet and Michael Carr
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Kevin Riley
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White Horses
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.872299 Composed by Ben Nisbet and Michael Carr. Arranged by Kevin Riley. 20th Century,Film/TV. Score and parts. 26 pa...
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Full Orchestra - Level 2 - SKU: A0.872299 Composed by Ben Nisbet and Michael Carr. Arranged by Kevin Riley. 20th Century,Film/TV. Score and parts. 26 pages. Kevin Riley #478743. Published by Kevin Riley (A0.872299). The theme song to the German version was played by Ivo Robić. The UK theme song - written by Michael Carr and Ben Nisbet and later back dubbed onto all versions, was simply titled White Horses, and credited to Jacky - was sung by Irish-born Jackie Lee. It became a top 10 hit in the UK charts in April 1968. The book The Penguin Television Companion claimed it to be the best television theme in history.[3] It has been copied and used many times since, including: The theme was covered in 1968 by Claudine Longet, as a B-side to the single Nothing to Lose. Trixie's Big Red Motorbike covered the song on their second John Peel session in 1983.[4] Scottish female group Sophisticated Boom Boom covered the song in 1982 on their Peel Session. Jamie Wednesday recorded the track for their EP Vote for Love in 1987. The Trashcan Sinatras featured a version of the song on their EP Circling the Circumference (1990) The English band Kitchens of Distinction recorded a cover of the theme song during the sessions for what would be their final album, Cowboys and Aliens (1994). The song was first released in the UK as a b-side on the album's first single, Now It's Time to Say Goodbye; it was later released in the US as a b-side on the album's title track Morwenna Banks released a cover version in 1995 as her Absolutely character, The Little Girl. The film Me Without You (2001) used the Jacky stereo version on its opening credits, and a version by Lucy Street during the end credits Cerys Matthews performed the song on the compilation Songs for the Young at Heart (2007) The theme was covered by Dean and Britta on their album Back Numbers (2007) The theme was covered by Andrea Ross on her album Moon River (2007) The theme was covered by Mari Wilson on her album Pop Deluxe (2016).
$60.00 ≈
56.00€
Marching Through Georgia. Song & Chorus
Marching Through Georgia. Song & Chorus
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Piano, Voix
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H
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Marching Through Georgia. Song
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.22224 Composed by H. C. Work. Civil War--Union, Patriotism, Campaigns & battles, William Tecumseh Sherman. Lester S. Levy Coll...
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Piano and voice - SKU: LV.22224 Composed by H. C. Work. Civil War--Union, Patriotism, Campaigns & battles, William Tecumseh Sherman. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.22224). Marching Through Georgia. Song & Chorus. No. 5044 Musical Bouquet. Composed by H.C. Work. Published [n.d.] by C. Sheard, Musical Bouquet Officer, 192 High Holborn in London. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Civil War--Union, Patriotism, Campaigns & battles, William Tecumseh Sherman. First line reads Bring the good old bugle, boys, we'll sing another song.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.59€
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1
Sing! For a Boy Has Been Born
