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Shallow Waters
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Vous avez sélectionné:
Shallow Waters
Partitions à imprimer
4 partitions trouvées
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1
Shallow Waters
Shallow Waters
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
#
Billy Mayerl
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Michelle Taylor-Cohen
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Shallow Waters
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Michelle Taylor-Cohen
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.1295348 Composed by Billy Mayerl. Arranged by Michelle Taylor-Cohen. 20th Century,Chamber,Classical. Score and part. 7 p...
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Piano,Viola - Level 4 - SKU: A0.1295348 Composed by Billy Mayerl. Arranged by Michelle Taylor-Cohen. 20th Century,Chamber,Classical. Score and part. 7 pages. Michelle Taylor-Cohen #885629. Published by Michelle Taylor-Cohen (A0.1295348).
$10.00 ≈
8.98€
Sharktooth Frenzy
Sharktooth Frenzy
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Christine Southworth
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Sharktooth Frenzy
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Airplane Ears Music
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SheetMusicPlus
Instrumental Duet Drums,Instrumental Duet,Piano - Level 5 - SKU: A0.1013054 Composed by Christine Southworth. 20th Century,Contemporary,Jazz. Score and ...
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Instrumental Duet Drums,Instrumental Duet,Piano - Level 5 - SKU: A0.1013054 Composed by Christine Southworth. 20th Century,Contemporary,Jazz. Score and parts. 7 pages. Airplane Ears Music #5802089. Published by Airplane Ears Music (A0.1013054). Sharktooth Frenzy (2014, 4') solo pianist with snare drum and bass drum. For Danny Holt. Composed at The Hermitage Artist Retreat. I wrote Sharktooth Frenzy for Danny Holt in January 2014, while in residence at The Hermitage Artist Retreat in Manasota Key, Florida, a special place, paleotologically, because fossilized shark teeth from up to 50 million years ago wash up on the beach here every day. Around 50 million years ago, Florida was completely under the ocean, and layers of limestone accumulated to create the bed rock of Florida. Starting around 30 million years ago, as the Earth cooled, sea levels dropped and Orange Island emerged in what is now north central Florida. 10 million years later, in the Miocene period, tectonic activity forced uplift around Orange Island and Florida began to resemble the land mass it is today. The coastal area was still covered by a shallow sea, but land animals lived inland. Further north the Appalachian Mountains were forming and sediment was flowing into Florida making very nutrient rich waters, which sank to the bottom of these shallow seas entombing dead marine animals and teeth from sharks (sharks loose teeth frequently, going through up to 30,000 in their lives). This continued until around 5 million years ago. There is an abundance of these fossilized teeth and other bones in the Peace River Formation and Myakka River, which washes out into the gulf each day, and then subsequently the fossils wash up onto the beaches of Manasota Key and Venice Beach. So while I was composing this piece for Danny, I was also obsessively collecting shark teeth. I’d go out each day as the tide was retracting and collect hundreds, actually thousands, of teeth. And it was a bit of a frenzy. So I decided this piece had to be about this process, collecting as many teeth as I could find and coming back to write music!About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$5.00 ≈
4.49€
The Edmund Fitzgerald - Concerto for Piano and Strings
The Edmund Fitzgerald - Concerto for Piano and Strings
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Orchestre à Cordes
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AVANCÉ
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Contemporain
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Geoffrey Peterson
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The Edmund Fitzgerald - Concer
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Geoffrey Peterson
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Publishe...
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String Orchestra - Level 5 - SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.
$9.99 ≈
8.97€
River of Grass (Everglades)
River of Grass (Everglades)
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Donald A
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Donald A
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River of Grass
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Donald A Mills
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SheetMusicPlus
String Ensemble,String Trio - Level 4 - SKU: A0.928971 Composed by Donald A. Mills, 2018. Arranged by Donald A. Mills, 2018. 20th Century,Concert,Folk. ...
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String Ensemble,String Trio - Level 4 - SKU: A0.928971 Composed by Donald A. Mills, 2018. Arranged by Donald A. Mills, 2018. 20th Century,Concert,Folk. Score and parts. 5 pages. Donald A Mills #4269957. Published by Donald A Mills (A0.928971). This number reflects the peaceful, beautiful Everglades National Park. In the heart of the State of Florida is a huge, shallow lake, a swamp, with slow-moving waters. The flow of water causes the ever-present grasses to bend in one direction, creating what seems to be...a River of Grass. Picture the grazing deer, the submerged and sun-bathing alligators, the turtles, and a myriad of beautiful birds in a land all their own. It is we who are the visitors...This number for a string trio is peaceful and tranquil. It is appropriate for an intermediate to high level of expertise. It may be played as a chamber piece in a smaller room or venue, or as a concert piece. Two or three of each instrument would give the piece depth of tone. Feel free to interpret the notes and phrases with tempi and dynamic feelings in the bows and strings. Revised January, 2019.
$2.99 ≈
2.69€
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Shallow Waters
