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September When It Comes
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Vous avez sélectionné:
September When It Comes
Partitions à imprimer
12 partitions trouvées
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1
September When It Comes
September When It Comes
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Voix seule
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Country
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Johnny Cash and Rosanne Cash
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September When It Comes
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.376325 By Johnny Cash and Rosanne Cash. Country. Pro Vocal. 4 pages. Published by Hal Leonard - Digital (HX.376325). ...
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SKU: HX.376325 By Johnny Cash and Rosanne Cash. Country. Pro Vocal. 4 pages. Published by Hal Leonard - Digital (HX.376325).
$4.99 ≈
4.67€
September When It Comes by Rosanne Cash - Piano/Vocal/Guitar
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Piano, Voix et Guitare
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Rosanne Cash
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September When It Comes
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Musicnotes
Performed by: Rosanne Cash: September When It Comes Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement contains com...
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Performed by: Rosanne Cash: September When It Comes Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 7 pages -- Country~~Progressive Country~~Contemporary Country~~Neo-Traditionalist Country
$5.50 ≈
5.15€
September When It Comes by Rosanne Cash - Piano/Vocal/Guitar
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Piano, Voix et Guitare
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Country
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Rosanne Cash
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September When It Comes
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Musicnotes
Performed by: Rosanne Cash: September When It Comes Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement contains com...
(+)
Performed by: Rosanne Cash: September When It Comes Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 7 pages -- Country~~Contemporary Country~~Neo-Traditionalist Country
$5.50 ≈
5.15€
September When It Comes
September When It Comes
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Piano, Voix et Guitare
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Country
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Roseanne Cash
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Pop
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September When It Comes
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Roseanne Cash. Country; Pop. Piano/Vocal/Guitar. 7 pages. Published by Hal Leonard - Digital Sheet Music...
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By Roseanne Cash. Country; Pop. Piano/Vocal/Guitar. 7 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
4.67€
John Leventhal: September When It Comes for voice, piano and guitar
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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John Leventhal
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Virtualsheetmusic
Instantly downloadable sheet music by John Leventhal for voice, piano and guitar of MEDIUM skill level.
Instantly downloadable sheet music by John Leventhal for voice, piano and guitar of MEDIUM skill level.
$7.99 ≈
7.48€
9.28.85
9.28.85
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Trombone
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AVANCÉ
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Drake Mabry
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9.28.85
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Drake Mabry
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SheetMusicPlus
Trombone Solo - Level 5 - SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published ...
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Trombone Solo - Level 5 - SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published by Drake Mabry (A0.799352). 9.28.85 was written in 1985 and the date refers to the date of completion, September 28, 1985. Excerpts of this piece are included in Benny Sluchin’s book on contemporary trombone excerpts. This work includes my invention of the idea of playing lip multiphonics. Here's the story. During the Spring of 1985, I participated in the l'atelier de recherche instrumental department for acoustic instrument exploration at IRCAM working with Pierre-Yves Artaud (flute), Daniel Kientzy (saxophone) and Benny Sluchin (trombone). Most of the research was based on looking at new ways to produce sound with acoustic instruments and the department was open to performers and composers. A few months after the IRCAM workshops Benny Sluchin and I decided to work on a piece for him. We worked together to explore various contemporary techniques which I might select for the piece. After a while I narrowed down my choices to a movement with air, one with lip multiphonics, and one using the spatial characteristics of the bell, singing, and sending sound out the back by an alternate F tube. Benny is great to work with as he’s a wonderful musician, anything is possible, he’s open to trying out new ideas and he’s a great human being. The perfect combination for a composer. First, about the lip multiphonics in the second movement. During one of our work sessions we looked at singing and playing multiphonics but I wanted something different. So I asked Benny what would happen if he placed his embouchure between two partials of the overtone series. The result was amazing!! A number of partials sounded at the same time and the textural colors were varied and beautiful. The only problem with this was the window for placing the embouchure was very narrow. Slightly too high or slightly too low would result in a terribly out of tune and uncentered partial. Reminded me of what a sick cow might sound like. This difficulty was less pronounced between partials of a fifth but became more difficult when the partials were closer together. Fourths were okay but major and minor third partials were extremely difficult and risky. We decided what the heck and I wrote the second movement knowing the risks. But when the embouchure is well placed it produces such a beautiful sound. Benny mentioned that the idea had a pedagogical side benefit. He said from being able to focus on placing the embouchure in such a limited ‘window’ it made placing the embouchure for normal note much easier. My invention has been used by other composers since including Xenakis in 1986 and an Icelandic composer a couple of years later. The alternate movement come about after Benny had played the piece for a couple of years. He’s able to get these multiphonics but realized that maybe there would not be many other players able to do so. To avoid the problem that this movement might scare players away from the piece we decided that it would be good to have an alternate movement which would use the same ideas but in a less stressful way for the performer. I thought this was a good idea and wrote, what for me, is a more meditative piece based on the same material. I also imagined that it could be played by itself if the player wished. There is a misprint in the score at the end of the first line where there appears a multiphonic based on placing the embouchure between an Eb and an A natural. The A should be an Ab. The first movement explores the subtleties of various vowel and consonant formations in the mouth while playing. Since the trombone is such a perfect amplifier these small details can be heard. For instance the difference between ‘ts’ and ‘tsh’ comes off well. I think of this movement as a vocal conversation or discourse which becomes highly animated at the end. The dynamics play an important role in providing additional colors. The player should really ‘speak’ without speaking for this movement to work. The third movement is my circus piece. I know it is complicated to.
$7.99 ≈
7.48€
Nocturne No 1 - A restless night in June 2016
Nocturne No 1 - A restless night in June 2016
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Stuart Brown
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Nocturne No 1 - A restless nig
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Stuart Brown Music
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.835450 Composed by Stuart Brown. Concert,Contemporary. Score. 12 pages. Stuart Brown Music #2859967. Published by Stuart ...
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Piano Solo - Level 4 - SKU: A0.835450 Composed by Stuart Brown. Concert,Contemporary. Score. 12 pages. Stuart Brown Music #2859967. Published by Stuart Brown Music (A0.835450). This is not your typical nocturne. This is night as it really is for many people: a time of restlessness, of anxiety, in which you lie awake or even feel the need to get out of the house for a while. This music is for all of those nights when you wonder what on earth is happening to the world around you, when you feel troubled by the contradictions between you and the world, when you dread the morning news of the results of an election or referendum; when you just want to shout at the world, I'm out of here ... imagine a night in which you need to step outside to gather your thoughts. You feel the chill of the night air as you stand gazing up at the sky. As clouds move above, you turn over in your mind the things that are troubling you. Gradually you begin to see more clearly the difference between the things you cannot change and those that you can; and with that realisation comes serenity and finally you are able to sleep.The composer, who is a passionate believer in unity rather than division, wrote this music three days after Britain's 2016 referendum on its continued membership of the European Union, reflecting his feelings about the outcome. This is, therefore, as deeply personal a piece of music as you'll get. Include it in a program and it will help to put the rest of the program into perspective.The music itself demonstrates that nonatonic and octatonic modes of limited transposition can be used to create melodies and harmonic progressions that combine tension with great beauty. At notated tempi the work lasts just under ten minutes. It is of advanced intermediate difficulty, the main challenges for the player being the complex modality and the shifting rhythms. The sound file provided here is the composer's own live performance, recorded on Saturday, September 10th, 2016. It is possibly appropriate for high school performance: students who are interested are welcome to get in touch with the composer via www.facebook.com/StuartBrownComposer/
$2.50 ≈
2.34€
Calico Skies
Calico Skies
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Paul McCartney
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Paul Kirk
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Calico Skies
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Paul Stephen Kirk
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.945715 By Paul McCartney. By Paul McCartney. Arranged by Paul Kirk. Contemporary. Score. 7 pages. Paul Stephen Kirk #6306...
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Piano Solo - Level 3 - SKU: A0.945715 By Paul McCartney. By Paul McCartney. Arranged by Paul Kirk. Contemporary. Score. 7 pages. Paul Stephen Kirk #6306725. Published by Paul Stephen Kirk (A0.945715). Calico Skies is the sixth song on Paul McCartney's 1997 album, Flaming Pie. McCartney had been staying on Long Island when the category-three storm Hurricane Bob that made landfall had hit in August 1991. This made McCartney sit with an acoustic guitar and write what he describes as a gentle love song that becomes a 1960s protest song. The song was co-produced by George Martin and McCartney, being started, finished, and mixed within a single session on 3 September 1992 in Sussex, England. It is the earliest recording on Flaming Pie. Around the time of the release of the album, McCartney's Wife of nearly 30 years, Linda, was suffering from breast cancer and sadly passed away 7 months later. The music video also portrays this with shots of the two of them together in her last days. Put simply, the song, lyrics, melody are for her and trying to tell the story of how the two of them were destined to love each other forever.ÂÂ
$8.99 ≈
8.41€
Calico Skies
Calico Skies
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Contemporain
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Paul McCartney
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Paul Kirk
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Calico Skies
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Paul Stephen Kirk
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SheetMusicPlus
Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.945717 By Paul McCartney. By Paul McCartney. Arranged by Paul Kirk. Contemporary. 22 pages. Pau...
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Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.945717 By Paul McCartney. By Paul McCartney. Arranged by Paul Kirk. Contemporary. 22 pages. Paul Stephen Kirk #6306687. Published by Paul Stephen Kirk (A0.945717). Calico Skies is the sixth song on Paul McCartney's 1997 album, Flaming Pie. McCartney had been staying on Long Island when the category-three storm Hurricane Bob that made landfall had hit in August 1991. This made McCartney sit with an acoustic guitar and write what he describes as a gentle love song that becomes a 1960s protest song. The song was co-produced by George Martin and McCartney, being started, finished, and mixed within a single session on 3 September 1992 in Sussex, England. It is the earliest recording on Flaming Pie.Around the time of the release of the album, McCartney's Wife of nearly 30 years, Linda, was suffering from breast cancer and sadly passed away 7 months later. The music video also portrays this with shots of the two of them together in her last days. Put simply, the song, lyrics, melody are for her and trying to tell the story of how the two of them were destined to love each other forever.
$14.99 ≈
14.03€
Calico Skies
Calico Skies
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Contemporain
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Paul McCartney
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Paul Kirk
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Calico Skies
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Paul Stephen Kirk
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SheetMusicPlus
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - SKU: A0.945716 By Paul McCartney. By Paul McCartney. Arranged by Paul Kirk. Con...
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - SKU: A0.945716 By Paul McCartney. By Paul McCartney. Arranged by Paul Kirk. Contemporary. 14 pages. Paul Stephen Kirk #6306685. Published by Paul Stephen Kirk (A0.945716). Calico Skies is the sixth song on Paul McCartney's 1997 album, Flaming Pie. McCartney had been staying on Long Island when the category-three storm Hurricane Bob that made landfall had hit in August 1991. This made McCartney sit with an acoustic guitar and write what he describes as a gentle love song that becomes a 1960s protest song. The song was co-produced by George Martin and McCartney, being started, finished, and mixed within a single session on 3 September 1992 in Sussex, England. It is the earliest recording on Flaming Pie.Around the time of the release of the album, McCartney's Wife of nearly 30 years, Linda, was suffering from breast cancer and sadly passed away 7 months later. The music video also portrays this with shots of the two of them together in her last days. Put simply, the song, lyrics, melody are for her and trying to tell the story of how the two of them were destined to love each other forever.
$14.99 ≈
14.03€
Calico Skies
Calico Skies
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Rock
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Paul McCartney
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Paul Kirk
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Calico Skies
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Paul Stephen Kirk
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.945714 By Paul McCartney. By Paul McCartney. Arranged by Paul Ki...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.945714 By Paul McCartney. By Paul McCartney. Arranged by Paul Kirk. Rock. 14 pages. Paul Stephen Kirk #6306663. Published by Paul Stephen Kirk (A0.945714). Calico Skies is the sixth song on Paul McCartney's 1997 album, Flaming Pie. McCartney had been staying on Long Island when the category-three storm Hurricane Bob that made landfall had hit in August 1991. This made McCartney sit with an acoustic guitar and write what he describes as a gentle love song that becomes a 1960s protest song. The song was co-produced by George Martin and McCartney, being started, finished, and mixed within a single session on 3 September 1992 in Sussex, England. It is the earliest recording on Flaming Pie. Around the time of the release of the album, McCartney's Wife of nearly 30 years, Linda, was suffering from breast cancer and sadly passed away 7 months later. The music video also portrays this with shots of the two of them together in her last days. Put simply, the song, lyrics, melody are for her and trying to tell the story of how the two of them were destined to love each other forever.ÂÂ
$14.99 ≈
14.03€
Moonlight Serenade for Tuba Quintet (Jazz for 5 Series)
Moonlight Serenade for Tuba Quintet (Jazz for 5 Series)
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Ensemble de Tubas
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INTERMÉDIAIRE
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Jazz
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Glenn Miller
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Keith Terrett
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Moonlight Serenade for Tuba Qu
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Music for all Occasions
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SheetMusicPlus
Tuba, Euphonium, Tuba Quintet - Intermediate - Composed by Glenn Miller. Arranged by Keith Terrett. 20th Century, Jazz, Swing, Old-time. Score, Set ...
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Tuba, Euphonium, Tuba Quintet - Intermediate - Composed by Glenn Miller. Arranged by Keith Terrett. 20th Century, Jazz, Swing, Old-time. Score, Set of Parts. 8 pages. Published by Music for all Occasions
Moonlight Serenade" arranged here for Tuba Quintet, is an American popular song composed by Glenn Miller with subsequent lyrics by Mitchell Parish. It was an immediate phenomenon when first released in May 1939 as an instrumental arrangement and was adopted as Miller?s signature tune. In 1991, Miller?s recording of "Moonlight Serenade" was inducted into the Grammy Hall of Fame.
The song, recorded on April 4, 1939 on RCA Bluebird, was a Top Ten hit on the U.S. pop charts in 1939, reaching number three on the Billboard charts, where it stayed for fifteen weeks. It was the number 5 top pop hit of 1939 in the Billboard year-end tally. Glenn Miller had five records in the top 20 songs of 1939 on Billboard′s list.
In the UK, "Moonlight Serenade" was released as the A-side of a 78 on His Master?s Voice, with "American Patrol" as the B-side. The recording reached number twelve in the UK in March 1954, staying on the chart for one week. In a medley with "Little Brown Jug" and "In the Mood", "Moonlight Serenade" reached number thirteen on the UK charts in January 1976, in a chart run of eight weeks.
The recording was also issued as a V-Disc, No. 39A, in November 1943.
The recording used a clarinet-led saxophone section, which is widely considered[citation needed] the classic Glenn Miller style. Miller studied the Schillinger technique with Joseph Schillinger, who is credited with helping Miller create the "Miller sound", and under whose tutelage he himself composed "Moonlight Serenade".
The song evolved from a 1935 version entitled "Now I Lay Me Down to Weep", with music by Glenn Miller and lyrics by Eddie Heyman to a version called "Gone with the Dawn" with lyrics by George Simon, and "The Wind in the Trees" with lyrics by Mitchell Parish. In his biography of Glenn Miller, George T. Simon recounted how vocalist Al Bowlly of the Ray Noble Orchestra sang him the Eddie Heyman lyrics to the Glenn Miller music of "Now I Lay Me Down to Weep" in 1935. The Noble Orchestra never recorded the song. Finally it ended up as "Moonlight Serenade" because Robbins Music bought the music and learned that Miller was recording a cover of "Sunrise Serenade", a Frankie Carle associated song, for RCA Victor. They thought "Moonlight" would be a natural association for "Sunrise".
"Now I Lay Me Down to Weep" was composed in 1935 with lyrics by Eddie Heyman and music by Glenn Miller. After "Moonlight Serenade", originally released solely as an instrumental, became a smash hit in 1939, Mitchell Parish wrote new lyrics for the music under that title.
A notable vocal version can be found on Frank Sinatra?s Moonlight Sinatra released in 1965, which also contains "Moon Love", "Moonlight Becomes You", and "Oh, You Crazy Moon", which were recorded by Glenn Miller and his Orchestra. "Moonlight Serenade" can also be found on Nothing But the Best, a 2008 Frank Sinatra greatest hits compilation by Reprise, on My Way: The Best of Frank Sinatra from 1997 by Warner Bros., and the Frank Sinatra compilation Greatest Love Songs from 2002. Frank Sinatra also released the song as part of an 7" EP 33RPM single in 1966, Reprise SR1018. The song also appeared on the 2015 centennial collection Ultimate Sinatra. In 1939, Count Basie and His Orchestra recorded one of the earliest versions to feature the lyrics added by Mitchell Parish which was released as a 78 single, Vocalion 5036.
"Moonlight Serenade" has been covered by Barry Manilow, Carly Simon, The Airmen of Note of the U.S. Air Force with Air Force Strings, Charlie Haden, Marc Reift, Chet Baker with The Mariachi Brass in 1966, Santo and Johnny, Thelma Houston, Carol Burnett, Toots Thielemans, Deodato, who reached number 18 on the Billboard Easy Listening Chart, Count Basie and his Orchestra with vocals by Helen Humes in 1939, Benny Goodman and his Orchestra, Cab Calloway, The Modernaires, Gene Krupa and his Orchestra, Freddy Martin and his Orchestra, Bert Kaempfert, Ray Conniff, Mina, Dick Todd on RCA Bluebird, Geoff Love and His Orchestra, Lloyd Gregory on solo guitar, Dick Hyman, Maxwell Davis and his Orchestra, Tony Evans, Los Indios Tabajaras, David Rose, Richard Himber, Fi Dells Quartet, Waikikis, The Universal-International Orchestra conducted by Joseph Gershenson, Oleg Lundstrom, Charlie Byrd, Taco, Alix Combelle, Richard Vaughn, Lisa Ono, Eddie Maynard, Simone Kopmajer, Hamburg Philharmonia, Frankie Capp, Dave, Robert Banks Trio, Karel Vlach, Transatlantic Swing Band, the Frankie Condon Orchestra, The Romantic Strings, Paul Mauriat, Tommy Leonetti, Johnny Desmond, the Boston Pops under Arthur Fiedler, John Williams, and Keith Lockhart, Charlie Calello Orchestra, J.P. Torres and the Cuban All Stars, Tex Beneke and His Orchestra, the Manhattan Jazz Orchestra, Urbie Green, Bob Mintzer, Laura Fygi, Max Greger, Mario Pezzotta and His Orchestra, 101 Strings, Andrés Ramiro and His Orchestra, The Hiltonaires, Big Warsaw Band, Pep Poblet, Ray Anthony, Cheryl Bentyne, jazz trumpeter Bobby Hackett in 1965, The 12 Cellists of the Berlin Philharmonic, Joe Loss, Ted Heath, Lawrence Welk, Henry Mancini, James Last, Michael Maxwell and His Orchestra, John Blair, Ray Eberle, Enoch Light, Modern Folk Quartet, Buddy Emmons on steel guitar, The Rivieras, a 1950s Doo Wop group whose recording reached number 47 on the pop charts in 1959, Tuxedo Junction, Yasuko Agawa, George Melachrino, German bandleader Kurt Edelhagen, Ella Fitzgerald, Oscar Rabin, Henry Jerome and his Orchestra as a 45 single, Decca 25545, Kurt Elling, Syd Lawrence, The Ventures, Archie Bleyer, Mantovani, Bobby Vinton, who reached number 97 on the Billboard Hot 100 in 1976, and the rock band Chicago as a 1995 3 inch CD single in Japan and on the big band album Night & Day Big Band.
Jazz critic Gary Giddins wrote about the song?s impact and legacy; "Miller exuded little warmth on or off the bandstand, but once the band struck up its theme, audiences were done for: throats clutched, eyes softened. Can any other record match ?Moonlight Serenade? for its ability to induce a Pavlovian slobber in so many for so long?" (The New Yorker, May 24, 2004).
"Moonlight Serenade" released as V-Disc 39A, VP 75, Theme Song, by the U.S. War Department in November 1943. In November 1939, Miller had a 15-minute radio series on CBS called Moonlight Serenade that ran three times a week, Tuesdays, Wednesdays, and Thursdays at 10:00 PM Eastern Time (shifting to 7:15 PM in May 1942), until September 1942, sponsored by Chesterfield.
Wartime release:
The 1939 RCA Victor studio recording of "Moonlight Serenade" was released by the U.S. War Department as V-Disc 39A, VP 75, Theme Song, in November, 1943. The recording was also released on the Navy V-Disc No. 160A. A V-Disc test pressing of a recording of the song from November 17, 1945 by the AAF Band was made but the disc was not issued. A new recording by Glenn Miller with the American Band of the Allied Expeditionary Forces was broadcast to Germany in 1944 on the radio program The Wehrmacht Hour.
Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$12.99 ≈
12.15€
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