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Second Line for Brass Quintet
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Vous avez sélectionné:
Second Line for Brass Quintet
Partitions à imprimer
63 partitions trouvées
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Second Line for Brass Quintet (Beginner)
Second Line for Brass Quintet (Beginner)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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DÉBUTANT
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Jazz
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Traditional
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Ryan Gabbart
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Second Line for Brass Quintet
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Ryan Gabbart
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SheetMusicPlus
Brass Ensemble Baritone Horn TC,Bass Trombone,E-Flat Cornet,Euphonium,Trumpet,Tuba - Level 1 - SKU: A0.1050313 Composed by Traditional. Arranged by Ryan...
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Brass Ensemble Baritone Horn TC,Bass Trombone,E-Flat Cornet,Euphonium,Trumpet,Tuba - Level 1 - SKU: A0.1050313 Composed by Traditional. Arranged by Ryan Gabbart. Jazz,Standards,Traditional. Score and parts. 22 pages. Ryan Gabbart #654675. Published by Ryan Gabbart (A0.1050313). A short arrangement (2:20) of the classic New Orleans street band tune for beginner brass band in B-flat major. Pairs well with my arrangement of When the Saints Go Marching In. This is a simple arrangement using short improvisatory variations that your students will find FUN to play! Ideal for the middle or high school group that is beginning to learn about jazz and improvisation! This is an Easy Flexible Brass Arrangement that can be played with 5 or more players using optional instrumentation choices. Part 1: Bb & Eb // Part 2: Bb, Eb, Horn in F // Part 3: Horn in F, Bb, Eb & Bass Clef // Part 4: Bass Clef, Bb & Tuba // Optional Drum Part Thank you! Please check out my other works!
$10.00 ≈
8.96€
Second Line for Brass Quintet (Beginner)
Second Line for Brass Quintet (Beginner)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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DÉBUTANT
#
Jazz
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Traditional
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Ryan Gabbart
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Second Line for Brass Quintet
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Ryan Gabbart
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SheetMusicPlus
Small Ensemble Alto Saxophone,B-Flat Trumpet,B-Flat instrument,Baritone Horn BC,Baritone Horn TC,Bass Clef Instrument,Cornet,E-Flat Instrument,Euphonium,Tenor S...
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Small Ensemble Alto Saxophone,B-Flat Trumpet,B-Flat instrument,Baritone Horn BC,Baritone Horn TC,Bass Clef Instrument,Cornet,E-Flat Instrument,Euphonium,Tenor Saxophone,Tenor Trombone,Tuba - Level 1 - SKU: A0.600955 Composed by Traditional. Arranged by Ryan Gabbart. Jazz,Standards,Traditional. Score and parts. 22 pages. Ryan Gabbart #209494. Published by Ryan Gabbart (A0.600955). A short arrangement (2:20) of the classic New Orleans street band tune for beginner brass band in B-flat major. Pairs well with my arrangement of When the Saints Go Marching In. This is a simple arrangement using short improvisatory variations that your students will find FUN to play! Ideal for the middle or high school group that is beginning to learn about jazz and improvisation! This is an Easy Flexible Brass Arrangement that can be played with 5 or more players using optional instrumentation choices. Part 1: Bb & Eb // Part 2: Bb, Eb, Horn in F // Part 3: Horn in F, Bb, Eb & Bass Clef // Part 4: Bass Clef, Bb & Tuba // Optional Drum Part Thank you! Please check out my other works!
$10.00 ≈
8.96€
Beethoven: Sonata Op. 49 No. 2 for Brass Quintet
Beethoven: Sonata Op. 49 No. 2 for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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Beethoven: Sonata Op. 49 No. 2
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jmsgu3
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Tuba - Level 3 - SKU: A0.549869 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,St...
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Brass Ensemble Horn,Trombone,Tuba - Level 3 - SKU: A0.549869 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Standards,Wedding,World. Score and parts. 57 pages. Jmsgu3 #3559131. Published by jmsgu3 (A0.549869). Beethoven Sonata Op. 49 No. 2 arranged for brass quintet. Duration: ca: 10:15 Score: 30 pages, 242 measures. In two movements. A great recital piece to demonstrate the many subtle nuances of the brass quintet. Sonata Op. 49 No. 2 Arranged from Beethoven’s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$49.95 ≈
44.73€
Bach: Wachet auf for Brass Quintet
Bach: Wachet auf for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Brass Qui
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jmsgu3
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SheetMusicPlus
Level 3 - SKU: A0.549857 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Wedding. 17 pages. Jmsgu3 #355693...
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Level 3 - SKU: A0.549857 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Wedding. 17 pages. Jmsgu3 #3556935. Published by jmsgu3 (A0.549857). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Program this for church services during Easter or as a recital encore. Also great for Weddings. Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the prelude, and a four-part chorale. He casts the new lyrics as recitatives – like the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the guards singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears; it catches the listener off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First, Johann Sebastian Bach may be the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. His most famous vocal works seem to include the most noteworthy Mass in B Minor. Also, most notable are the St. John Passion and, indeed, the Christmas Oratorio.  History Bach came from a long line of musicians and, above all, composers. Consequently, he first of all pursued a career as a church organist. As a result, he gained employment in various Protestant churches in Germany. He worked as a court musician in Weimar and Köthen for a while. Here, he probably developed his organ style and, likewise, his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here, he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his unique style. This new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach's works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will use an S (Schmieder) as an abbreviation for BWV. Â
$39.95 ≈
35.78€
On the Air (for Brass Quintet & Marimba)
On the Air (for Brass Quintet & Marimba)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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AVANCÉ
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Dr
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On the Air
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https://gildedmusicpress.com/
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1158411 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Contemporary,Historic. 33 pages...
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Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1158411 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Contemporary,Historic. 33 pages. Https://gildedmusicpress.com/ #758693. Published by https://gildedmusicpress.com/ (A0.1158411). The year 2022 marked a milestone for the United States Air Force, as the world’s greatest airpower celebrated 75 years of air and space dominance. Omaha’s classical radio station was also celebrating a milestone year with its 50th anniversary. The resulting composition, cleverly titled “On the Air,†was written to observe both momentous anniversaries. The introduction plays on a cleverly adapted four-bar rhythmic motif that repeats, each time growing in intensity, conjuring images of a radio newsroom about to air breaking news. This opening rhythm is derived from Morse code letters K, V, N, & O (__ . __ | . . . __ | __ . | __ __ __), which is Omaha’s classical radio station. The main melodic theme begins after the intense introduction, stemming from the KVNO motif, and exudes energy worthy of the greatest of celebrations, replete with trumpets punctuating the strains with fanfare-like figures. After the KVNO transition to an exciting new key, the theme occurs a second time in the trumpets before simmering down to the second theme in a slower tempo, intended to be retrospective of the last 75 and 50 years of the two celebrating entities. In homage to the conflicts, sacrifices, and losses during 75 years of Air Force history, this melancholy melody in the horn repeats in octaves with horn and tuba, contrasting with the opening jubilation. However, without starkly “snapping back†to a celebratory mood, the original theme gently makes its reentry in the form of a mellow waltz with duetting trumpets, as a hopeful look to the future. The second iteration of the waltz brings back hints of the Morse code letters in the introduction, as underlying accompaniment to build energy and drive. It pivots fully with the KVNO introductory motif that changes keys while exploding with the recapitulation of the original full theme, intensifying the celebratory mood for the present festivities. The waltz version of the theme comes back, fragmented, hinting toward a fugato treatment. The non-fugal fragmentation is laced with virtuosically ornamented accompanimental lines reminiscent of a British-style brass band, and quickly settles into a full climactic presentation of the waltz iteration. The work ends full circle, with repeated KVNO rhythmic statements, in grand fashion for a firework finale.
$24.95 ≈
22.34€
Brass Quintet - Three Pastoral Sketches
Brass Quintet - Three Pastoral Sketches
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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AVANCÉ
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Contemporain
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Mike Lyons
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Brass Quintet - Three Pastoral
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Servic...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00 ≈
25.08€
Lexicon II for Brass Quintet
Lexicon II for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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AVANCÉ
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Contemporain
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Sy Brandon
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Lexicon II for Brass Quintet
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Sy Brandon
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.755271 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 41 pages. Sy Brandon #4355513. Published b...
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Brass Ensemble - Level 5 - SKU: A0.755271 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 41 pages. Sy Brandon #4355513. Published by Sy Brandon (A0.755271). Lexicon II is the second composition in a series that defines words through music. The first movement, Ballyhoo, means clamor or outcry. This is achieved musically through a fast tempo, wide intervals, asymetric meter, imitative sixteenth note patterns, and mild dissonance. The second movement, Clandestine, uses pyramids to disguise the melodic line and asymetrical meter to disguise the beat in order to represent the definition of characterized by, done in, or executed with secrecy or concealment, especially for purposes of subversion or deception. The brass instruments are muted throughout this movement. In order to represent Eerie, the word for the third movement, a slow tempo and sparse instrumentation are used along with dissonance, extreme dynamics, trills and glissandi. Eerie means uncanny, so as to inspire superstitious fear. The fourth movement, Amok, is filled with dissonance, counterpoint, and chromaticism in order to represent its definition; to behave uncontrollably and disruptively. Sections of order seem to break down into sections of chaos and the movement ends on an unsettled chord.
$14.99 ≈
13.42€
Shiloh (Early American Christmas Carol) for Brass Quintet
Shiloh (Early American Christmas Carol) for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Noël
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William Billings
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Nathaniel Hontz
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Shiloh
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TigerSong LLC
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1323071 Composed by William Billings. Arranged by Nathaniel Hontz. Advent,Christmas,Early M...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1323071 Composed by William Billings. Arranged by Nathaniel Hontz. Advent,Christmas,Early Music,Holiday,Sacred. 18 pages. TigerSong LLC #911345. Published by TigerSong LLC (A0.1323071). Early American composer William Billings utilizes the same Christmas text Methinks I hear a Heavenly Host for both his tunes Shiloh and Boston. Shiloh, is a lively tune, alternating between 4/4 time for the verse and 3/2 time for the chorus. This arrangement for brass quintet presents three iterations. The first places the melody in the horn, mimicking the early American proclivity for placing the melody in the tenor voice and a counter line in the soprano voice. The second iteration is a multi-part canon between the trumpets, the low brass, and the horn. The final recapitulation restates the carol, this time with the melody in the first trumpet to soar above the other parts. The iterations can be played individually or together.
$12.99 ≈
11.63€
AWAY IN A MANGER, Two Settings for Brass Quintet
AWAY IN A MANGER, Two Settings for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Kent Stewart Burchill
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Kent S
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AWAY IN A MANGER, Two Settings
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WINDCREST
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SheetMusicPlus
Level 4 - SKU: A0.1102874 By Kent Stewart Burchill. By Traditional. Arranged by Kent S. Burchill. Christmas,Historic,Holiday,Praise & Worship,Traditiona...
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Level 4 - SKU: A0.1102874 By Kent Stewart Burchill. By Traditional. Arranged by Kent S. Burchill. Christmas,Historic,Holiday,Praise & Worship,Traditional. 15 pages. WINDCREST #706204. Published by WINDCREST (A0.1102874). This arrangement for the brass quintet is a level level of 3.5 to 4 and has been created to share two of the most beautiful melodies of the Christmas Season, two different melodies sharing the same words and sentiment. This arrangement offers more modern harmonies and a diversion from the ordinary. It requires the French Horn player on a couple occasions to ascend to A and Bb above the staff. The tuba player must ascend to 4 space G several times and to fifth line A. Performance duration is about 3 minutes and 40 seconds.
$15.00 ≈
13.43€
Riu, Riu, Chiu - brass quintet, percussion (bodhran, tambourine)
Riu, Riu, Chiu - brass quintet, percussion (bodhran, tambourine)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Mateo Flecha
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Todd Marchand
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Riu, Riu, Chiu - brass quintet
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Con Spirito Music
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SheetMusicPlus
Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.726138 Composed by Mateo Flecha (1481-1553). Arranged by Todd Marchand. Chri...
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Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.726138 Composed by Mateo Flecha (1481-1553). Arranged by Todd Marchand. Christmas,Latin,Sacred. Score and parts. 34 pages. Con Spirito Music #6565627. Published by Con Spirito Music (A0.726138). Riu, Riu, Chiu is a villancico (carol) attributed to Mateo Flecha the Elder (1481-1553), a Catalonian composer and cathedral music director of the Renaissance era.Flecha (Catalan: Mateu Flexta) was well-known for his ensaladas (literally, salads - works for four or five voices - and villancicos, a type of popular song in the vernacular (common language). Orignally a secular genre, villancicos gained popularity in the second half of the 16th century as a religious song form. Devotional villancicos, which were often intended to teach and reinforce theological principles, became very popular in the 17th century and continued in popularity until the decline of the genre in the 18th-19th centuries.Riu, Riu, Chiu is a lesson in Catholic doctrine on the Immaculate Conception of the Virgin Mary and the Incarnation of Christ the Redeemer. This arrangement presents four of the carol's seven verses as well as the refrain that opens the song and is repeated between verses. With engaging rhythms, clever harmonizations, and lively percussion, this arrangement is an ideal change-of-pace for any Christmas music program and a showcase for your ensemble.©Copyright 2021 Todd Marchand / ConSpiritoMusic. Visit www.conspiritomusic.com
$15.00 ≈
13.43€
Five Miniatures for the Aspiring Brass Quintet, Op. 134
Five Miniatures for the Aspiring Brass Quintet, Op. 134
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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FACILE
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Dr
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Five Miniatures for the Aspiri
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https://gildedmusicpress.com/
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SheetMusicPlus
Brass Quintet - Level 2 - SKU: A0.1489486 Composed by Dr. Daniel N. Thrower. Chamber,Classical,Contest,Festival,Instructional. 45 pages. Https://gildedm...
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Brass Quintet - Level 2 - SKU: A0.1489486 Composed by Dr. Daniel N. Thrower. Chamber,Classical,Contest,Festival,Instructional. 45 pages. Https://gildedmusicpress.com/ #1066349. Published by https://gildedmusicpress.com/ (A0.1489486). This collection of short compositions for brass quintet was conceived specifically to supplement a dearth of appropriate and artistic original compositions for the young aspiring brass quintet. These pieces are most fitting for a good high school quintet or a beginning college ensemble that wants a conquerable challenge. With a variety of keys, styles, and tempos, they lend themselves well for deep work on the core ensemble skills of rhythmic accuracy, intonation, and dynamic balance. These brief works are also quite enjoyable for the professional quintet to perform for ever-popular school shows, or simply to read as a warmup with the focus of improving ensemble skills. Performance time for all five pieces is approximately five minutes.“Blackhawk” (duration 0:45) was originally composed in D-sharp minor as a melody to be used in Comprehensive Trumpet Skills, Book 9: Sightreading and Transposition (p. 39). The quintet version is in concert D minor for more manageable execution. This brisk four-four work is perhaps the most difficult in the collection, with demands of multiple tonguing for all the instruments as well as fairly advanced intervallic jumps. “Lamb of God” (duration 1:00) is one of many hymn tunes originally composed by Dr. Thrower for use in Comprehensive Trumpet Skills, Book 7: Ensemble Skills (p. 54), intended to be used to tune unisons and octaves. As a tuning study it was published in the key of F major for B-flat trumpet, or concert E-flat major. The quintet version retained the original key of concert E-flat. The reverently subdued four-four tempo makes this the easiest piece in the collection, technically, though the three core ensemble skills listed in the introductory paragraph (rhythm, intonation, and balance) must still be extensively addressed. The horn part is perhaps the most demanding in “Lamb of God,” with arpeggiated discant lines toward the end.“Summer Solstice” (duration 1:10) was started on June 21, 2023, which was the summer solstice. It is a bright, cheerful piece in concert F major with a lot of interest in all the parts. One source of the title’s inspiration came from my family’s new situation living in Tokyo, Japan, where the dawn sky brightens around 4:00 AM on the longest days of the year, which obviously coincide with the summer solstice. The 70-second piece was completed four days after conception while the long days started at their earliest.“Triumph: Children’s March” (duration 1:00) was the catalyst for this collection. It started as a cute little brass quintet piece in the key of concert B-flat major, to be performed for children, such as for school concerts. The cut-time tempo is very brisk for a march, but animated little legs (or a more manageable audience activity of clapping hands) can easily handle the task. Although the first trumpet part ends up on a high C, there is an alternate note for a more comfortable ending.“Waltzing Puma” (duration 0:30) is an evocative title for an evocative piece. Like “Blackhawk,” this melody was composed as a melody for Comprehensive Trumpet Skills, Book 9: Sightreading and Transposition (p. 36). The melodies in that series took on titles of military aircraft, and this one was the helicopter “Puma.” Since this tune is in a fast three-four, it became the “Waltzing Puma.” The quintet version retains the original key of concert F minor.
$24.95 ≈
22.34€
Down by the Riverside - Brass Quintet arranged in Trad. New Orleans Brass Band Style
Down by the Riverside - Brass Quintet arranged in Trad. New Orleans Brass Band Style
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Gospel Spirituel
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African - American Spiritual
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Dennis Ruello
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or Jazz Funeral
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Down by the Riverside - Brass
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Chicory Music
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1230998 By African - American Spiritual. By Traditional Spiritual. Arranged by Dennis Ruell...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1230998 By African - American Spiritual. By Traditional Spiritual. Arranged by Dennis Ruello. 20th Century,Historic,Jazz,Spiritual,Traditional. 23 pages. Chicory Music #826635. Published by Chicory Music (A0.1230998). Gospel music has infiltrated the New Orleans jazz repertoire since the very early days of jazz. Although gospel songs were traditionally played by jazz bands at funerals or church, it is now common that these songs are also played in secular venues. “Down by the Riverside†is an example of such a song, adapted by jazz musicians to fit the New Orleans jazz or brass band style. It has been a staple in New Orleans jazz since at least the early 1920s. This arrangement for Brass Quintet plus optional Acoustic Bass and Drum Set is written in the style of a New Orleans Brass Band, the kind of tune you might hear at a Second Line Parade or Jazz Funeral. Play this piece with the attitude: Laissez les bons temps rouler ( Let the good times roll ).  Performance Time: Approx. 2 minutes 40 seconds
$15.99 ≈
14.32€
Down by the Riverside - Woodwind Quintet arranged in Trad. New Orleans Brass Band Style
Down by the Riverside - Woodwind Quintet arranged in Trad. New Orleans Brass Band Style
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Gospel Spirituel
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African - American Spiritual
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Dennis Ruello
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or Jazz Funeral
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Down by the Riverside - Woodwi
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Chicory Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1226025 By African - American Spiritual. By Traditional Spiritua...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1226025 By African - American Spiritual. By Traditional Spiritual. Arranged by Dennis Ruello. 20th Century,Historic,Jazz,Spiritual,Traditional. 23 pages. Chicory Music #822026. Published by Chicory Music (A0.1226025). Gospel music has infiltrated the New Orleans jazz repertoire since the very early days of jazz. Although gospel songs were traditionally played by jazz bands at funerals or church, it is now common that these songs are also played in secular venues. “Down by the Riverside†is an example of such a song, adapted by jazz musicians to fit the New Orleans jazz or brass band style. It has been a staple in New Orleans jazz since at least the early 1920s. This arrangement for Woodwind Quintet plus optional Acoustic Bass and Drum Set is written in the style of a New Orleans Brass Band, the kind of tune you might hear at a Second Line Parade or Jazz Funeral. Play this piece with the attitude: Laissez les bons temps rouler ( Let the good times roll ). Performance Time: Approx. 2 minutes 40 seconds
$15.99 ≈
14.32€
Down by the Riverside - Sax Quintet arranged in Trad. New Orleans Brass Band Style
Down by the Riverside - Sax Quintet arranged in Trad. New Orleans Brass Band Style
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE/AVANCÉ
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African - American Spiritual
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Dennis Ruello
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Down by the Riverside - Sax Qu
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Chicory Music
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1226523 By African - America...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1226523 By African - American Spiritual. By Spiritual. Arranged by Dennis Ruello. 20th Century,Historic,Jazz,March,Spiritual. 23 pages. Chicory Music #822527. Published by Chicory Music (A0.1226523). Gospel music has infiltated the New Orleans jazz repertoire since the very early days of jazz. Although gospel songs were traditionally played by jazz bands at funerals or church, it is now common that these songs are also played in secular venues. “Down by the Riverside†is an example of such a song, adapted by jazz musicians to fit the New Orleans jazz or brass band style. It has been a staple in New Orleans jazz since at least the early 1920s. This arrangement for Sax Quintet plus optional Acoustic Bass and Drum Set is written in the style of a New Orleans Brass Band, the kind of tune you might hear at a Second Line Parade or Jazz Funeral. Play this piece with the attitude: Laissez les bons temps rouler ( Let the good times roll ).Performance Time: Approx. 2 minutes 40 seconds
$15.99 ≈
14.32€
Three Moods for Brass Quintet
Three Moods for Brass Quintet
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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AVANCÉ
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Contemporain
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Sy Brandon
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Three Moods for Brass Quintet
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Sy Brandon
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.754923 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 55 pages. Sy Br...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.754923 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 55 pages. Sy Brandon #3218447. Published by Sy Brandon (A0.754923). The first movement, Agog, uses fanfare figures and meter changes to create a sense of excitement. The second movement, Pensive uses muted colors and lyrical lines to create a pensive mood. The last movement, Capricious, has a wondering chromatic melody and counterpoint. It uses transformed material from the other two movements to reflect its impulsive and unpredictable nature. This work is recorded by the Hartford Brass Quintet on the Emeritus label.
$14.99 ≈
13.42€
The Brass Player: Fantasy on Ich bin ein Musikant
The Brass Player: Fantasy on Ich bin ein Musikant
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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F
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The Brass Player: Fantasy on I
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1303802 Composed by F. Leslie Smith. 21st Century,Chamber,Children,Historic,Multicultural,W...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1303802 Composed by F. Leslie Smith. 21st Century,Chamber,Children,Historic,Multicultural,World. 77 pages. Sweetwater Brass Press #893335. Published by Sweetwater Brass Press (A0.1303802).     A song learned in primary school years and years ago had words something along the lines of the following:         Oh! I’m a young musician,         From distant lands I come.         Singing and playing,         Ever I’m straying.    Also known as “I Am a Fine Musician,†“I Am a Gay Musician†and perhaps other titles, that song is still around and has evolved into many different versions. The original was probably a German folk song from the early 1800s. As published in an 1889 collection of children’s songs, it bears the title, “Ich bin ein Musikant.â€Â That translates as “I am a musician.â€Â In the lyrics the musician claims to be “from Schwabenland†(Swabia) and to play geige (violin: “Dide schum schum schumâ€), flöte (flute: “Päde wäpp päpp päppâ€) and basse (bass: “Dide schum schum schump, päde wäpp päpp päpp). Later versions list the instruments played by the musician as bassoon, bells, clarinet, drum, guitar, piano, piccolo, triangle, trombone, trumpet, tuba, tympani, viola and just about every instrument and noisemaker you can think of.     Anyway, that’s the tune on which “The Brass Player†was built. But here, the musician is concerned only with brass. Which brass? Well, possibly trumpet. Or maybe horn in F. Or trombone. Or tuba. Or perhaps all four; certainly, all are featured in this piece.    “The Brass Player†comprises four sections. The first is in the key of C major and is played at a moderate 2/4 tempo. After a brief Trumpet/Tuba ostinato, Trombone introduces the main theme. Other instruments join in and play around with a variation or two.     The second section is a sweet, nostalgic rendition in 4/4 carried mainly by Horn in F, with help from Trumpets and Trombone.     In section three, the mood changes radically. Time signature goes to 3/4; tempo speeds up to vivace and the key changes to B Minor. All five instruments participate, and some odd things take place rhythmically at I through K (measures 200 through 262), but Tuba seems to carry the melody most of the time.    Section four, in G Major, clips along at a fast 4/4 time. It returns to the main theme and (as in “Ich bin ein Musikant†and its multitudinous derivations) presents in call-and-response form. The first few measures are straight, but discord quickly creeps in. The melody begins to include smears, flutter tonguing and off-beat rhythmic figures. There is even a brief section in G Minor. Gradually, order and theme are restored and the piece ends in a glorious, upbeat statement.    This piece, completed in 2023, consists of 398 measures, a little over nine minutes in length. There are four changes of key and four changes of time signature. Trumpet 1’s highest note is A above its staff; Trombone’s is F above the staff. Trumpet 2 has a few G-below-its-staff notes.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Contact him at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99 ≈
6.26€
Lo! How a Rose E’er Blooming (Brass Quintet)
Lo! How a Rose E’er Blooming (Brass Quintet)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Traditional
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Roger Wallace
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Lo! How a Rose E’er Bloo
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Roger Wallace
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SheetMusicPlus
Brass Quintet Baritone Horn TC,Euphonium,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.512780 Composed by Traditional. Arranged by Roger Wallace. Baroque,Ch...
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Brass Quintet Baritone Horn TC,Euphonium,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.512780 Composed by Traditional. Arranged by Roger Wallace. Baroque,Christmas,Sacred. 52 pages. Roger Wallace #4785765. Published by Roger Wallace (A0.512780). Christmas Quintet with Multiple Part Options. The melody of this hymn (in chorale style) is introduced in the first verse. The second verse includes a counter melody woven by the fourth voice. The third verse features antiphonal lines accompanying the melody played by the bottom voices.Designed mainly for family groups such as brass, woodwinds and strings. Mixing voice types can be done with care. See cover sheet on arrangement for instrumentation.The audio sample represents a Brass Quintet (2 Trumpets, Horn, Trombone, Tuba).This arrangement is also available for many other ensembles and soloists. Look for more arrangements by Roger Wallace.
$9.99 ≈
8.95€
Dance of the Little Swans for Brass Quintet
Dance of the Little Swans for Brass Quintet
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Classique
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P
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Diego Marani
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C Minor)
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Dance of the Little Swans for
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Diego Marani
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.527715 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Classical,Concert,Instruct...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.527715 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and parts. 20 pages. Diego Marani #3125277. Published by Diego Marani (A0.527715). Danse des petits cygnes is a famous dance from Tchaikovsky's Swan Lake, from the ballet’s second act, the fourth movement of No. 13. Translated from French, it means Dance of the Little Swans, also known as Dance of the cygnets. It is very challenging because all dancers must look the same.Ivanov's choreography—created for the famous revival of Swan Lake in 1895—was meant to imitate the way cygnets huddle and move together for protection. Four dancers enter the stage in a line and move across with their arms crossed in front of one another, grasping the next dancer's hand. They move sideways, doing sixteen pas de chat. Ideally the dancers move in exact or near-exact unison. At the very end, they break their chain and try to fly, only to drop to the ground.This arrangement for brass quintet includes the following parts: Bb Trumpet 1, Bb Trumpet 2, F Horn, Trombone, Tuba.There are two different keys (D Minor & C Minor) in the arrangement to meet all the quintet's execution capabilities.
$14.99 ≈
13.42€
Americana Fanfares, Vol. 2, Op. 137
Americana Fanfares, Vol. 2, Op. 137
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Dr
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Americana Fanfares, Vol. 2, Op
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https://gildedmusicpress.com/
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SheetMusicPlus
Brass Quintet - Level 4 - SKU: A0.1489490 Composed by Dr. Daniel N. Thrower. Chamber,Classical,Historic,Patriotic. 38 pages. Https://gildedmusicpress.co...
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Brass Quintet - Level 4 - SKU: A0.1489490 Composed by Dr. Daniel N. Thrower. Chamber,Classical,Historic,Patriotic. 38 pages. Https://gildedmusicpress.com/ #1066354. Published by https://gildedmusicpress.com/ (A0.1489490). Three of these seven short pieces are worthy to open any brass quintet concert or recital. Two fanfares are too short for a concert feature but work extremely well in a ceremony or celebratory setting. The last two short pieces aptly serve contrasting special purposes, as explained below.“Fort Pierre Fanfare” is about 40 seconds in duration, and was composed to open the feature concert at the South Dakota Bandmasters Association convention in 2022. Offutt Brass, from the US Air Force Heartland of America Band, was invited to perform that concert. Before the final piece of the concert, when gifts were exchanged between the sponsor and performers, beautiful presentation copies of the sheet music were presented to the sponsor. In performance, staging directions on the music can be extremely effective or cringy, depending on how they are conveyed. If there is any inkling that there may be a cringe factor, ignore them, and play the fanfare already on stage.“Enduring Freedom Fanfare” is nearly a minute of music. It was composed as a gift for the outgoing Commander of the US Air Force Heritage of America Band, Major Rafael Toro-Quiñones. His leadership was strong and inspiring, and he held a place of high esteem among many of the fine military musicians that he led. The Change of Command ceremony was toward the end of the Covid-19 shut-downs, so the work was not performed at the ceremony. Chief Remley, from the command’s satellite location in Nebraska, hand-delivered some finely printed presentation copies to Major Toro-Quiñones.“Noble Eagle Fanfare” is slightly over a minute in length, and, like “Enduring Freedom Fanfare,” was composed as a gift for another outgoing Commander of the US Air Force Heritage of America Band, Captain David Neil Regner.“Pilgrims’ Fanfare” was composed on what many Americans acknowledge as “Pioneer Day,” 24 July 2023. Not only honoring the thousands of pioneers that settled the western United States, but also the pilgrims that voyaged across the ocean to settle in the new continent. It is about 15 seconds in duration and is effective for any occasion in need of a magnificent fanfare.“Flightline Fanfare,” as its title implies, was composed for the ribbon cutting ceremony of the dedication of the newly renovated flightline at Offutt Air Force Base in Nebraska. Unfortunately, the ceremony itself was altered last-minute, and the 15-second fanfare was not used. However, like “Pilgrims’ Fanfare,” it is very handy for any event demanding a splash of pomp.“American Interlude” is a soft 75-second underscore for an MC’s moving speech or dedication. It was originally composed as a smooth segue between two moving patriotic pieces of different keys in a concert setting, but can be used in any similar appropriate situation.“Troop 184” is dedicated to my childhood BSA Scoutmaster, Gerry Nielson, who molded me in significant ways into the man I am decades later. It is functional music, akin to a fight song, and can be easily marched to. Words may be crafted as a customized hiking ditty, or it can be featured before or after ceremonies as prelude or processional music. The duration can also be customized, as there is a written optional repeat, lengthening the tune from 45 seconds to a minute and a half.
$24.95 ≈
22.34€
SECOND LINE - Brass Quintet - New Orleans Parade Music
SECOND LINE - Brass Quintet - New Orleans Parade Music
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Wynton Marsalis
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Dennis Ruello
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SECOND LINE - Brass Quintet -
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Chicory Music
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SheetMusicPlus
Level 4 - SKU: A0.734401 By Wynton Marsalis. By Joe Avery. Arranged by Dennis Ruello. Blues,Contemporary,Jazz,Wedding. 26 pages. Chicory Music #4347739....
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Level 4 - SKU: A0.734401 By Wynton Marsalis. By Joe Avery. Arranged by Dennis Ruello. Blues,Contemporary,Jazz,Wedding. 26 pages. Chicory Music #4347739. Published by Chicory Music (A0.734401). Second Line, some time called Joe Avery’s Blues, is a song written by the eponymous trombonist that is popular at second line parades. The song is based on a simple 12-bar blues form and has a very singable melody. Before the melody starts, the trumpet plays a loud, high call to which the crowd responds, Hey! The band then proceeds to play the melody while second line parade festivities ensue.This arrangement, written at the Advanced / Intermediate level for Brass Quintet, is a fun and easy to perform tune for students or professionals. Solos for Trumpet, Trombone and Tuba may be played as written or improvised with the included chord symbols. An optional Drum Set part is also included for a more realistic performance. Performance time approx. 2 min. 40 sec.
$19.99 ≈
17.90€
SECOND LINE - Brass Quintet - New Orleans Parade Music - Practice MP3
SECOND LINE - Brass Quintet - New Orleans Parade Music - Practice MP3
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Batterie
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Wynton Marsalis
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Dennis Ruello
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SECOND LINE - Brass Quintet -
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Chicory Music
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SheetMusicPlus
Drum Set - SKU: A0.1071239 By Wynton Marsalis. By Traditional New Orleans Parade Music. Arranged by Dennis Ruello. Blues,Contemporary,Holiday,Jazz,Weddi...
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Drum Set - SKU: A0.1071239 By Wynton Marsalis. By Traditional New Orleans Parade Music. Arranged by Dennis Ruello. Blues,Contemporary,Holiday,Jazz,Wedding. Accompaniment. Duration 168. Chicory Music #4640693. Published by Chicory Music (A0.1071239). Second Line, some time called Joe Avery’s Blues, is a song written by the eponymous trombonist that is popular at second line parades. It is played for wedding receptions, parties, parades and at the end of a jazz funeral. The song is based on a simple 12-bar blues form and has a very singable melody. Before the melody starts, the trumpet plays a loud, high call to which the crowd responds, Hey! The band then proceeds to play the melody while second line parade festivities ensue.This Practice Play-Along mp3 will help insure that the performance has the correct Second Line parade feel.
$2.99 ≈
2.68€
Second Line for Beginner Brass Quintet
Second Line for Beginner Brass Quintet
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Flûte, Hautbois, Clarinette, Basson
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DÉBUTANT
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Traditional
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Ryan Gabbart
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Second Line for Beginner Brass
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Ryan Gabbart
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 1 - SKU: A0.586733 Composed by Traditional. Arranged by Ryan Gabbart. Blues,Jazz,Standards. ...
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 1 - SKU: A0.586733 Composed by Traditional. Arranged by Ryan Gabbart. Blues,Jazz,Standards. Score and parts. 26 pages. Ryan Gabbart #195981. Published by Ryan Gabbart (A0.586733). A short arrangement (2:20) of the classic New Orleans street band tune for beginner brass band in B-flat major. Pairs well with my arrangement of When the Saints Go Marching In. This is a simple arrangement using short improvisatory variations that your students will find FUN to play! Ideal for the middle or high school group that is beginning to learn about jazz and improvisation! This is an Easy Flexible Brass Arrangement that can be played with 5 or more players using optional instrumentation choices. Part 1: Trumpet in Bb (range up to concert F5) // Part 2: Trumpet in Bb or Horn in F // Part 3: Trombone/Euphonium (C & Bb) or Horn in F (range up to concert F4) // Part 4: Trombone/Euphonium (C & Bb) // Part 5: Tuba/Trombone/Euphonium (C & Bb). Thank you! Please check out my other works!
$12.00 ≈
10.75€
Lo! How a Rose E'er Blooming (String Quintet)
Lo! How a Rose E'er Blooming (String Quintet)
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Quintette à cordes: 2 violons, alto, violoncelle, basse
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INTERMÉDIAIRE/AVANCÉ
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Traditional
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Roger Wallace
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Lo! How a Rose E'er Blooming
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Roger Wallace
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SheetMusicPlus
String Quintet Cello,Double Bass,Viola,Violin - Level 4 - SKU: A0.1227458 Composed by Traditional. Arranged by Roger Wallace. Baroque,Christmas,Sacred. ...
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String Quintet Cello,Double Bass,Viola,Violin - Level 4 - SKU: A0.1227458 Composed by Traditional. Arranged by Roger Wallace. Baroque,Christmas,Sacred. 52 pages. Roger Wallace #823433. Published by Roger Wallace (A0.1227458). Christmas Quintet with Multiple Part Options. The melody of this hymn (in chorale style) is introduced in the first verse. The second verse includes a counter melody woven by the fourth voice. The third verse features antiphonal lines accompanying the melody played by the bottom voices.Designed mainly for family groups such as brass, woodwinds and strings. Mixing voice types can be done with care. See cover sheet on arrangement for instrumentation.The audio sample represents a String Quintet (2 Violins, Viola, Cello, Bass).This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
$9.99 ≈
8.95€
Lo! How a Rose E'er Blooming (Clarinet Quintet)
Lo! How a Rose E'er Blooming (Clarinet Quintet)
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Quintette de Clarinettes: 5 clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Traditional
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Roger Wallace
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Lo! How a Rose E'er Blooming
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Roger Wallace
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SheetMusicPlus
Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1227455 Composed by Traditional. Arranged by Roger Wallace. Baroque...
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1227455 Composed by Traditional. Arranged by Roger Wallace. Baroque,Christmas,Sacred. 52 pages. Roger Wallace #823430. Published by Roger Wallace (A0.1227455). Christmas Quintet with Multiple Part Options. The melody of this hymn (in chorale style) is introduced in the first verse. The second verse includes a counter melody woven by the fourth voice. The third verse features antiphonal lines accompanying the melody played by the bottom voices.Designed mainly for family groups such as brass, woodwinds and strings. Mixing voice types can be done with care. See cover sheet on arrangement for instrumentation.The audio sample represents a Clarinet Quintet (2 Clarinets, Alto Clarinet, Bass Clarinet, Contrabass Clarinet).This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
$9.99 ≈
8.95€
Lo! How a Rose E’er Blooming (Saxophone Quintet)
Lo! How a Rose E’er Blooming (Saxophone Quintet)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Traditional
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Roger Wallace
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Lo! How a Rose E’er Bloo
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Roger Wallace
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.512795 Compos...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.512795 Composed by Traditional. Arranged by Roger Wallace. Baroque,Christmas,Sacred. 52 pages. Roger Wallace #4786191. Published by Roger Wallace (A0.512795). Christmas Quintet with Multiple Part Options. The melody of this hymn (in chorale style) is introduced in the first verse. The second verse includes a counter melody woven by the fourth voice. The third verse features antiphonal lines accompanying the melody played by the bottom voices.Designed mainly for family groups such as brass, woodwinds and strings. Mixing voice types can be done with care. See cover sheet on arrangement for instrumentation.The audio sample represents a Saxophone Quintet (Soprano, Alto, Tenor, Baritone, Bass).This arrangement is also available for many other ensembles and soloists. Look for more arrangements by Roger Wallace.
$9.99 ≈
8.95€
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Second Line for Brass Quintet
