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Safe Place To Land
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Vous avez sélectionné:
Safe Place To Land
Partitions à imprimer
27 partitions trouvées
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1
26
A Safe Place To Land
A Safe Place To Land
#
Chorale 3 parties
#
INTERMÉDIAIRE
#
Contemporain
#
Sara Bareilles
#
Skip Stradtman
#
A Safe Place To Land
#
Skip Stradtman
#
SheetMusicPlus
Choral Choir (SSA) - Level 3 - SKU: A0.984786 By Sara Bareilles. By Lori McKenna and Sara Bareilles. Arranged by Skip Stradtman. Contemporary. Octavo. 1...
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Choral Choir (SSA) - Level 3 - SKU: A0.984786 By Sara Bareilles. By Lori McKenna and Sara Bareilles. Arranged by Skip Stradtman. Contemporary. Octavo. 10 pages. Skip Stradtman #4849019. Published by Skip Stradtman (A0.984786). Safe Place to Land for SSAA choir, 1-2 soloists, and piano accompaniment. Great for high school and collegiate women's choirs.
$1.99 ≈
1.86€
Safe Place To Land
Safe Place To Land
#
Chorale SATB
#
INTERMÉDIAIRE
#
Christian Burghardt
#
Katherine Bodor
#
Safe Place To Land
#
Katherine Bodor
#
SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.1372784 By Christian Burghardt. By Christian Burghardt, Derek Fuhrmann, Gregg Steven Wattenberg, N...
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Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.1372784 By Christian Burghardt. By Christian Burghardt, Derek Fuhrmann, Gregg Steven Wattenberg, Nathan Ferraro, and Todd Clark. Arranged by Katherine Bodor. A Cappella,Contemporary,Pop. 11 pages. Katherine Bodor #957094. Published by Katherine Bodor (A0.1372784). A cappella arrangement, voicing is SSATBB +Lead +VP.
$3.99 ≈
3.73€
A Safe Place To Land
A Safe Place To Land
#
Chorale 3 parties
#
FACILE
#
Sara Bareilles feat
#
Katie Pryce
#
A Safe Place To Land
#
Katherine Pryce
#
SheetMusicPlus
Choral Choir (SAB) - Level 2 - SKU: A0.1256135 By Sara Bareilles feat. John Legend. By Lori McKenna and Sara Bareilles. Arranged by Katie Pryce. 21st Ce...
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Choral Choir (SAB) - Level 2 - SKU: A0.1256135 By Sara Bareilles feat. John Legend. By Lori McKenna and Sara Bareilles. Arranged by Katie Pryce. 21st Century,Contemporary,Pop. Octavo. 8 pages. Katherine Pryce #849603. Published by Katherine Pryce (A0.1256135). A beautiful ballad originally for solo male and female voice, arranged for SAB choir.
$1.99 ≈
1.86€
A Safe Place To Land (feat. John Legend) (arr. Mac Huff)
A Safe Place To Land (feat. John Legend) (arr. Mac Huff)
#
Chorale SATB
#
John Legend and Sara Bareilles
#
Mac Huff
#
A Safe Place To Land
#
Hal Leonard - Digital
#
SheetMusicPlus
(SATB) - SKU: HX.455677 By John Legend and Sara Bareilles. Arranged by Mac Huff. Concert,Festival,Pop. Choral. 15 pages. Published by Hal Leonard - Digi...
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(SATB) - SKU: HX.455677 By John Legend and Sara Bareilles. Arranged by Mac Huff. Concert,Festival,Pop. Choral. 15 pages. Published by Hal Leonard - Digital (HX.455677).
$2.25 ≈
2.11€
A Safe Place to Land
A Safe Place to Land
#
John Legend and Sara Bareilles
#
Mac Huff
#
A Safe Place to Land
#
Hal Leonard - Digital
#
SheetMusicPlus
(Full Performance) - SKU: HX.460207 By John Legend and Sara Bareilles. By Lori McKenna and Sara Bareilles. Arranged by Mac Huff. American,Concert,Pop. C...
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(Full Performance) - SKU: HX.460207 By John Legend and Sara Bareilles. By Lori McKenna and Sara Bareilles. Arranged by Mac Huff. American,Concert,Pop. Choral. Duration 293. Published by Hal Leonard - Digital (HX.460207).
$1.99 ≈
1.86€
A Safe Place To Land (feat. John Legend) (arr. Mac Huff)
A Safe Place To Land (feat. John Legend) (arr. Mac Huff)
#
Chorale 3 parties
#
John Legend and Sara Bareilles
#
Mac Huff
#
A Safe Place To Land
#
Hal Leonard - Digital
#
SheetMusicPlus
(SSA) - SKU: HX.455680 By John Legend and Sara Bareilles. Arranged by Mac Huff. Concert,Festival,Pop. Choral. 15 pages. Published by Hal Leonard - Digit...
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(SSA) - SKU: HX.455680 By John Legend and Sara Bareilles. Arranged by Mac Huff. Concert,Festival,Pop. Choral. 15 pages. Published by Hal Leonard - Digital (HX.455680).
$2.25 ≈
2.11€
A Safe Place to Land
A Safe Place to Land
#
John Legend and Sara Bareilles
#
Mac Huff
#
A Safe Place to Land
#
Hal Leonard - Digital
#
SheetMusicPlus
(Accompaniment Only) - SKU: HX.460208 By John Legend and Sara Bareilles. By Lori McKenna and Sara Bareilles. Arranged by Mac Huff. American,Concert,Pop....
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(Accompaniment Only) - SKU: HX.460208 By John Legend and Sara Bareilles. By Lori McKenna and Sara Bareilles. Arranged by Mac Huff. American,Concert,Pop. Choral. Duration 293. Published by Hal Leonard - Digital (HX.460208).
$24.99 ≈
23.39€
A Safe Place To Land (feat. John Legend)
A Safe Place To Land (feat. John Legend)
#
Piano, Voix et Guitare
#
Pop musique
#
Sara Bareilles feat
#
A Safe Place To Land
#
Hal Leonard - Digital
#
SheetMusicPlus
By Sara Bareilles feat. John Legend and Sara Bareilles. This edition: Interactive Download. Pop. Piano/Vocal/Guitar. 5 pages. Published by Hal Leonard...
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By Sara Bareilles feat. John Legend and Sara Bareilles. This edition: Interactive Download. Pop. Piano/Vocal/Guitar. 5 pages. Published by Hal Leonard - Digital
$4.99 ≈
4.67€
A Safe Place to Land [advanced] by The Piano Lounge - Piano Solo
#
Piano seul
#
AVANCÉ
#
The Piano Lounge
#
A Safe Place to Land [advanced
#
Musicnotes
Sheet Music for A Safe Place to Land [advanced] by The Piano Lounge arranged for Instrumental Solo;Piano/Chords in Bb Major. Digital sheet music from Musicnotes...
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Sheet Music for A Safe Place to Land [advanced] by The Piano Lounge arranged for Instrumental Solo;Piano/Chords in Bb Major. Digital sheet music from Musicnotes.
$7.99 ≈
7.48€
A Safe Place to Land [easy] by The Piano Lounge - Piano Solo
#
Piano seul
#
FACILE
#
The Piano Lounge
#
A Safe Place to Land [easy]
#
Musicnotes
Sheet Music for A Safe Place to Land [easy] by The Piano Lounge arranged for Instrumental Solo;Piano/Chords in Bb Major. Digital sheet music from Musicnotes. ...
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Sheet Music for A Safe Place to Land [easy] by The Piano Lounge arranged for Instrumental Solo;Piano/Chords in Bb Major. Digital sheet music from Musicnotes.
$6.99 ≈
6.54€
A Safe Place to Land - 10 Prints by Sara Bareilles feat. John Legend - SATB Choir A Cappella
#
Chorale SATB
#
Rock Alternatif
#
Sara Bareilles feat. John Lege
#
A Safe Place to Land - 10 Prin
#
Musicnotes
Performed by: Sara Bareilles feat. John Legend: A Safe Place to Land Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: SAT...
(+)
Performed by: Sara Bareilles feat. John Legend: A Safe Place to Land Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: SATB Choir A Cappella, instruments: SATB Choir; 15 pages -- Pop~~Adult Alternative~~Singer-Songwriter
$2.99 ≈
2.80€
A Safe Place to Land by Sara Bareilles feat. John Legend - Piano/Vocal/Guitar
#
Piano, Voix et Guitare
#
Rock Alternatif
#
Sara Bareilles feat. John Lege
#
A Safe Place to Land
#
Musicnotes
Performed by: Sara Bareilles feat. John Legend: A Safe Place to Land Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Pia...
(+)
Performed by: Sara Bareilles feat. John Legend: A Safe Place to Land Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal/Guitar, instruments: Voice 1;Piano;Guitar;Voice 2; 5 pages -- Pop~~Adult Alternative~~Singer-Songwriter
$5.79 ≈
5.42€
A Safe Place to Land by Sara Bareilles feat. John Legend - Piano/Vocal/Chords, Singer Pro
#
Piano, Voix et Guitare
#
Rock Alternatif
#
Sara Bareilles feat. John Lege
#
A Safe Place to Land
#
Musicnotes
Performed by: Sara Bareilles feat. John Legend: A Safe Place to Land Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable d...
(+)
Performed by: Sara Bareilles feat. John Legend: A Safe Place to Land Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal/Chords;Singer Pro, instruments: Voice;Piano; 6 pages -- Pop~~Adult Alternative~~Singer-Songwriter
$5.79 ≈
5.42€
Sara Bareilles: A Safe Place To Land (feat. John Legend) (arr. Mac Huff) - choir (SSA: soprano, alto)
#
Chorale 3 parties
#
INTERMÉDIAIRE
#
Pop musique
#
Sara Bareilles
#
Virtualsheetmusic
Instantly printable sheet music by Sara Bareilles for choir (SSA: soprano, alto) of MEDIUM skill level. / pop,concert,festival
Instantly printable sheet music by Sara Bareilles for choir (SSA: soprano, alto) of MEDIUM skill level. / pop,concert,festival
$6.23 ≈
5.83€
Sara Bareilles: A Safe Place To Land (feat. John Legend) (arr. Mac Huff) - choir (SATB: soprano, alto, tenor, bass)
#
Chorale SATB
#
INTERMÉDIAIRE
#
Pop musique
#
Sara Bareilles
#
Virtualsheetmusic
Instantly printable sheet music by Sara Bareilles for choir (SATB: soprano, alto, tenor, bass) of MEDIUM skill level. / pop,concert,festival
Instantly printable sheet music by Sara Bareilles for choir (SATB: soprano, alto, tenor, bass) of MEDIUM skill level. / pop,concert,festival
$6.23 ≈
5.83€
Sara Bareilles: A Safe Place To Land (feat. John Legend) - voice, piano or guitar
#
Piano, Voix et Guitare
#
INTERMÉDIAIRE
#
Pop musique
#
Sara Bareilles
#
Virtualsheetmusic
Instantly printable sheet music by Sara Bareilles for voice, piano or guitar of MEDIUM skill level. / pop
Instantly printable sheet music by Sara Bareilles for voice, piano or guitar of MEDIUM skill level. / pop
$5.97 ≈
5.59€
The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
#
Chorale TTBB
#
FACILE
#
Arlo Guthrie
#
Craig Hanson
#
The Story Of Reuben Clamzo &am
#
Edition Craig Hanson
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
3.73€
Vichnaya Pamyat
Vichnaya Pamyat
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Various
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Rob Bushnell
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Vichnaya Pamyat
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RBMusic
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SheetMusicPlus
Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Trumpet,Tuba - Level 2 - SKU: A0.752458 By Various. By Hildur Gudnadottir. Arranged by Rob Bushnell. Con...
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Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Trumpet,Tuba - Level 2 - SKU: A0.752458 By Various. By Hildur Gudnadottir. Arranged by Rob Bushnell. Contemporary,Film/TV,Folk,Religious,Sacred. 17 pages. RBMusic #6506025. Published by RBMusic (A0.752458). In 1982, the Vladimir Ilyich Lenin Nuclear Power Plant started a series of tests to simulate an electrical power outage to help create procedures for maintaining the circulation of the reactor coolant for the 60-75 seconds needed until the back-up generators got to full power. This was key to ensure that the coolant pumps did not stop working; otherwise, it could lead to the core overheating or, worse, the core melting down. The first test was unsuccessful, and, after some modifications, the test was repeated in 1984 and 1985. On 25 April 1986, a fourth test was scheduled to take place at 1415hrs during a controlled power-down of one of the reactors. However, at 1400hrs, another regional power station went offline, causing the test to be delayed by 10-hours. With the well-prepared day and evening crews’ shifts over, the test was left to the unprepared night crew. Unbeknownst to them, safety systems and protocols had been disabled or ignored earlier in the day, power-output issues had left the reactor in an unstable condition and there were basic design flaws with the reactor when it was constructed. All of this led to an uncontrolled chain reaction and, at some point around 01:23:45 in the morning of 26 April 1986, explosions and a fire destroyed a reactor building of reactor number 4 at Chernobyl. Radioactive contamination was released into the surrounding areas, 100,000s of people were evacuated, a 30-kilometre exclusion zone was put in place and whilst, officially, only 31 people died from this disaster, it has been estimated that between 4,000 and 16,000 fatalities are related to the events of that day. The area is likely to be unsafe for the next 20,000 years. The soundtrack to the TV mini-series Chernobyl is by the Icelandic composer, Hildur Guðnadóttir. The music is made, almost entirely, from sounds that she recorded at a decommissioned Nuclear power plant in Lithuania, giving it a very raw quality. She says the show itself portrays the disaster with respect and realism, and I was adamant the score reflects this. I wanted to show the viewer how it would feel to be there, and to tell this story of fear, loss and, ultimately, human error. Vichnaya Pamyat translated to Memory Eternal in Ukrainian, but a better English equivalent would be Rest in Peace. It is a hymn used during Ukrainian Orthodox Christian church funerals and memorial services. Guðnadóttir’s arrangement is heard at the end of the final episode of the series. This arrangement is not in the original key and has been transposed to make it easier to play. A version in the original key is available, item number H0.1099667-SC004126925. The arrangement also includes alternative parts for tenor horn, treble-clef trombone/euphonium and tuba. A recording of the music from the original soundtrack can be found on YouTube: https://www.youtube.com/watch?v=4Poc3MF8GFk.
$13.99 ≈
13.09€
Vichnaya Pamyat
Vichnaya Pamyat
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Various
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Rob Bushnell
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Vichnaya Pamyat
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RBMusic
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SheetMusicPlus
Brass Ensemble Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Trumpet,Tuba - Level 3 - SKU: A0.752457 By Various. By Hildur Gudnadottir. Arranged by Ro...
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Brass Ensemble Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Trumpet,Tuba - Level 3 - SKU: A0.752457 By Various. By Hildur Gudnadottir. Arranged by Rob Bushnell. Contemporary,Film/TV,Folk,Sacred,Traditional. Score and parts. 17 pages. RBMusic #6504099. Published by RBMusic (A0.752457). In 1982, the Vladimir Ilyich Lenin Nuclear Power Plant started a series of tests to simulate an electrical power outage to help create procedures for maintaining the circulation of the reactor coolant for the 60-75 seconds needed until the back-up generators got to full power. This was key to ensure that the coolant pumps did not stop working; otherwise, it could lead to the core overheating or, worse, the core melting down. The first test was unsuccessful, and, after some modifications, the test was repeated in 1984 and 1985. On 25 April 1986, a fourth test was scheduled to take place at 1415hrs during a controlled power-down of one of the reactors. However, at 1400hrs, another regional power station went offline, causing the test to be delayed by 10-hours. With the well-prepared day and evening crews’ shifts over, the test was left to the unprepared night crew. Unbeknownst to them, safety systems and protocols had been disabled or ignored earlier in the day, power-output issues had left the reactor in an unstable condition and there were basic design flaws with the reactor when it was constructed. All of this led to an uncontrolled chain reaction and, at some point around 01:23:45 in the morning of 26 April 1986, explosions and a fire destroyed a reactor building of reactor number 4 at Chernobyl. Radioactive contamination was released into the surrounding areas, 100,000s of people were evacuated, a 30-kilometre exclusion zone was put in place and whilst, officially, only 31 people died from this disaster, it has been estimated that between 4,000 and 16,000 fatalities are related to the events of that day. The area is likely to be unsafe for the next 20,000 years. The soundtrack to the TV mini-series Chernobyl is by the Icelandic composer, Hildur Guðnadóttir. The music is made, almost entirely, from sounds that she recorded at a decommissioned Nuclear power plant in Lithuania, giving it a very raw quality. She says the show itself portrays the disaster with respect and realism, and I was adamant the score reflects this. I wanted to show the viewer how it would feel to be there, and to tell this story of fear, loss and, ultimately, human error. Vichnaya Pamyat translated to Memory Eternal in Ukrainian, but a better English equivalent would be Rest in Peace. It is a hymn used during Ukrainian Orthodox Christian church funerals and memorial services. Guðnadóttir’s arrangement is heard at the end of the final episode of the series. This arrangement is in the original key. A transposed version, making it easier to play, is available, item number H0.1100563-SC004126925. The arrangement also includes alternative parts for tenor horn, treble-clef trombone/euphonium and tuba. A recording of the music from the original soundtrack can be found on YouTube: https://www.youtube.com/watch?v=4Poc3MF8GFk.
$13.99 ≈
13.09€
Mountain Goats And Other Creatures
Mountain Goats And Other Creatures
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Vessela Stoyanova
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Mountain Goats And Other Creat
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Vessela Stoyanova
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1201464 By Vessela Stoyanova. By Vessela Stoyanova. Folk,Multicultural,World. Score and parts. 89 pages. Vessela St...
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String Orchestra - Level 4 - SKU: A0.1201464 By Vessela Stoyanova. By Vessela Stoyanova. Folk,Multicultural,World. Score and parts. 89 pages. Vessela Stoyanova #798931. Published by Vessela Stoyanova (A0.1201464). “Mountain Goats and Other Creatures†was Commissioned by Rachel Jayson and the Lexington High School Symphony Orchestra.It was inspired by the folk music of my native land of Bulgaria, informed by my experience as a rock musician, reimagined through the lense of my place inside of a community of like-minded artists and musicians, where I have made my real home today. The first movement - Mountain Goats - is a sort of celebration of renewal, promise, and hope. It represents the tenacious will of grass growing through the snow of early spring, the powerful longing for human connection, the warmth of the sun against your skin on a bright chilly day. It carries both the pristine optimism of youth, and the nervous energy of trying something for the first time. The second movement - Samodivi - in contrast is dark, heavy and full of passion and desire. According to Balkan myths, Samodivi are gorgeous nymphs who live in the woods and often seduce men with their beautiful song and dance. They are feared and envied at the same time. The music of the second movement represents the mysterious dark forest at night - lower strings create the moss under your feet, higher strings use extended techniques to simulate the noise of branches clicking the wind, a few soloists represent different creatures - both real and imaginary - scurry through the woods above your head. Then you hear the lone song of a Samodiva in the distance, your heart is beating hard, your steps are leading you straight towards the call against your better judgement. It is the ancient story of fear and desire, of self control and complete abandon. You, the listener, become witness to a wild dance, fire in the woods, snakes in their long blond hairs, slender bodies dressed in white clouds dancing to an imaginary beat.  Then it all ends abruptly and you left to wonder: Was it real? Did I see it? Am I safe?The third and final movement of the piece is based on a popular rhythmic folk dance in Bulgaria called Kopanitsa, while the melody creates a fugue between the different voices of the orchestra. The Kids are the little of the mountain goats - free to frolic high above tree line, above any human traces, as close to the clouds as one can get and still be touching the ground below. They are carefree, daring, and somewhat naive, yet safe under the watchful gaze of their parent. The movements ends in cascading repetitions of a musical motif in 5/8 representing the relentless passing of time or at least our perception of it.
$100.00 ≈
93.58€
Prelude in G major, Op. 1, No. 3
Prelude in G major, Op. 1, No. 3
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Michael Swedberg
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Prelude in G major, Op. 1, No.
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Niska Music Publishing
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1357038 By Michael Swedberg. By Terrence Niska. 20th Century,Classical,Romantic Period. Score. 8 pages. Niska Music Publi...
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Piano Solo - Level 4 - SKU: A0.1357038 By Michael Swedberg. By Terrence Niska. 20th Century,Classical,Romantic Period. Score. 8 pages. Niska Music Publishing #941665. Published by Niska Music Publishing (A0.1357038). The people of the town gather at the dock to hear of the grand adventure about to take place. The trumpets play a fanfare as the brave crew board the ship and make ready for their imminent departure. The captain steps to the front, and the crowd grows silent as he tells of the glories and perils that await. The families, friends and loved ones listen intently while offering their silent prayers for the safe return of all those on board. They are sailing into uncharted waters, so there is no guarantee that they will ever again set foot upon their homeland, but they are undaunted and grow restless for they hear the call of the open sea. Soon all is ready and the captain closes his oration with a promise to return and share all the tales of their exploits. All those assembled on shore let out a final cheer as the courageous band of explorers set forth to meet whatever fate awaits them.
$3.99 ≈
3.73€
American West Folk Suite
American West Folk Suite
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Orchestre d'harmonie
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INTERMÉDIAIRE
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David Ahrens
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American West Folk Suite
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Baseline Music Publishing
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1294499 Composed by David Ahrens. 21st Century,Classical,Contest,Festival,Folk,Historic. 119 pages. Baseline Music Publ...
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Concert Band - Level 3 - SKU: A0.1294499 Composed by David Ahrens. 21st Century,Classical,Contest,Festival,Folk,Historic. 119 pages. Baseline Music Publishing #884874. Published by Baseline Music Publishing (A0.1294499). A setting of three classic American folk songs for Wind Band. Transport your audience back to the “Old West†as you cross the nation by covered wagon to join the California Gold Rush, move a herd of cattle over the plains to new grasing lands, and be a part of the adventure of early rail commerce.Price discounted on my website “Sweet Betsy from Pike†is a comic folk ballad chronicling the trials and successes of Betsy, a mid-19th century pioneer woman, as she migrates from (perhaps) Pike County, Missouri (or Illinois) to the California Gold Rush town of Placerville (known colloquially as ‘Hangtown’). The journey across the Wild West was full of hardship, peril, and loss This song battles the very real struggles with levity and humor. It was first published in 1858.“Git Along, Little Dogies†is a cowboy ballad, also known as “Whoopie Ti Yi Yoâ€. While likely older, the first mention of the song was in author Owen Wister’s 1893 journal. It was first published in 1910. “Dogies†is a reference to small or orphaned calves. The narrative of the song quotes a cowboy singing to the slow or stray dogies as they move along the cattle drive to Wyoming.“Rock Island Line†refers the Rock Island and La Salle Railroad company (established 1947) which soon after became the Chicago and Rock Island Railroad. When construction of the railroad arrived at Rock Island in 1854, it became the first to connect Chicago with the Mississippi River. This folk song references an encounter between an operator of a toll gate and a train engineer who is let through without paying by lying about his payload. Once safely through, he yells back his confession as the train speeds onward. The earliest known version of the song was published in 1929.Grade 3.5 Performance time: 10:00.
$95.00 ≈
88.90€
You Can't Tell a Newfie - accompaniment in D
You Can't Tell a Newfie - accompaniment in D
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Piano, Voix et Guitare
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FACILE
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the Newfoundland dog, whoâ€
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David Kai
#
#
You Can't Tell a Newfie - acco
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David Kai
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.893869 Composed by David Kai. Country,Folk,Pop. Score. 6 pages. David Kai #6140185. Published by David Kai ...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.893869 Composed by David Kai. Country,Folk,Pop. Score. 6 pages. David Kai #6140185. Published by David Kai (A0.893869). ACCOMPANIMENT IN DA fun song about a famous symbol of Newfoundland - the Newfoundland Dog!You Can’t Tell a Newfie words and music by David Kai ©1990 No you can’t tell a Newfie a thing he should do, To sit or to stay or to come back to you He’s hairy and slobbery, as strong as a horse, It’s the Newfoundland dog that I sing of, of course. He’s the kind of a dog that will never be scared, For to serve and protect he was bred and prepared And there’s many a swimmer whose life has been spared, By the Newfoundland dog, who’s like a lifeguard with hair. But you can’t tell a Newfie a thing he should do, To sit or to stay or to come back to you He’s hairy and slobbery, as strong as a horse, It’s the Newfoundland dog that I sing of, of course. You can hook up a Newfie to a cart or a sleigh, It will bear all your burdens, not tiring all day It can carry a line from a boat to the land, To rescue the perishing, saving all hands But you can’t tell a Newfie a thing it should do, To sit or to stay or to come back to you It’s hairy and slobbery, as strong as a horse, It’s the Newfoundland dog that I sing of, of course. She is strong but so gentle, a real teddy bear, But there won’t be a place where you won’t find her hair She will care for the children, watch them just like a Mum, And keep them in safety ‘til labours are done But you can’t tell a Newfie a thing she should do, To sit or to stay or to come back to you She’s hairy and slobbery, as strong as a horse, It’s the Newfoundland dog that I sing of, of course. It’s the Newfoundland dog that I sing of, of course.
$4.00 ≈
3.74€
You Can't Tell a Newfie - lead sheet in D
You Can't Tell a Newfie - lead sheet in D
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Piano, Voix et Guitare
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the Newfoundland dog, whoâ€
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David Kai
#
#
You Can't Tell a Newfie - lead
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David Kai
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - SKU: A0.893867 Composed by David Kai. Country,Folk,Pop. Score. 2 pages. David Kai #6140181. Published by David Kai (A0.893867...
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Guitar,Piano,Vocal,Voice - SKU: A0.893867 Composed by David Kai. Country,Folk,Pop. Score. 2 pages. David Kai #6140181. Published by David Kai (A0.893867). LEAD SHEET IN DA fun song about a famous symbol of Newfoundland - the Newfoundland dog.You Can’t Tell a Newfie words and music by David Kai ©1990 No you can’t tell a Newfie a thing he should do, To sit or to stay or to come back to you He’s hairy and slobbery, as strong as a horse, It’s the Newfoundland dog that I sing of, of course. He’s the kind of a dog that will never be scared, For to serve and protect he was bred and prepared And there’s many a swimmer whose life has been spared, By the Newfoundland dog, who’s like a lifeguard with hair. But you can’t tell a Newfie a thing he should do, To sit or to stay or to come back to you He’s hairy and slobbery, as strong as a horse, It’s the Newfoundland dog that I sing of, of course. You can hook up a Newfie to a cart or a sleigh, It will bear all your burdens, not tiring all day It can carry a line from a boat to the land, To rescue the perishing, saving all handsBut you can’t tell a Newfie a thing it should do,To sit or to stay or to come back to you It’s hairy and slobbery, as strong as a horse, It’s the Newfoundland dog that I sing of, of course. She is strong but so gentle, a real teddy bear, But there won’t be a place where you won’t find her hair She will care for the children, watch them just like a Mum, And keep them in safety ‘til labours are done But you can’t tell a Newfie a thing she should do, To sit or to stay or to come back to you She’s hairy and slobbery, as strong as a horse, It’s the Newfoundland dog that I sing of, of course. It’s the Newfoundland dog that I sing of, of course.
$2.00 ≈
1.87€
You Can't Tell a Newfie a Thing He Should Do
You Can't Tell a Newfie a Thing He Should Do
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Basse electrique
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INTERMÉDIAIRE
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David Kai
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David Kai
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You Can't Tell a Newfie a Thin
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David Kai
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SheetMusicPlus
Mixed Percussion Accordion,Acoustic Guitar,Electric Bass Guitar - Level 3 - SKU: A0.1105293 By David Kai. By David Kai. Arranged by David Kai. Celtic,Co...
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Mixed Percussion Accordion,Acoustic Guitar,Electric Bass Guitar - Level 3 - SKU: A0.1105293 By David Kai. By David Kai. Arranged by David Kai. Celtic,Comedy,Country,Folk,Irish. Full Performance. Duration 190. David Kai #708538. Published by David Kai (A0.1105293). A song about a famous symbol of Newfoundland - the Newfoundland dog. This song features the use of an Ugly Stick, a traditional Newfoundland percussion instrument. You Can’t Tell a Newfie words and music by David Kai ©1990 No you can’t tell a Newfie a thing he should do To sit or to stay or to come back to you He’s hairy and slobbery, as strong as a horse It’s the Newfoundland dog that I sing of, of course. He’s the kind of a dog that will never be scared For to serve and protect he was bred and prepared And there’s many a swimmer whose life has been spared By the Newfoundland dog, who’s like a lifeguard with hair. But you can’t tell a Newfie a thing he should do To sit or to stay or to come back to you He’s hairy and slobbery, as strong as a horse It’s the Newfoundland dog that I sing of, of course. You can hook up a Newfie to a cart or a sleigh It will bear all your burdens, not tiring all day It can carry a line from a boat to the land To rescue the perishing, saving all hands But you can’t tell a Newfie a thing it should do To sit or to stay or to come back to you It’s hairy and slobbery, as strong as a horse It’s the Newfoundland dog that I sing of, of course. She is strong but so gentle, a real teddy bear But there won’t be a place where you won’t find her hair She will care for the children, watch them just like a Mum And keep them in safety ‘til labours are done But you can’t tell a Newfie a thing she should do To sit or to stay or to come back to you She’s hairy and slobbery, as strong as a horse It’s the Newfoundland dog that I sing of, of course. It’s the Newfoundland dog that I sing of, of course.
$1.99 ≈
1.86€
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Safe Place To Land
