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Vous avez sélectionné:
SATIE: Les anges
Partitions à imprimer
10 partitions trouvées
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Erik Satie, 'Les Anges' from Trois Melodies for Clarinet and Piano
Erik Satie, 'Les Anges' from Trois Melodies for Clarinet and Piano
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Clarinette
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FACILE
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Classique
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Contemporain
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Erik Satie
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Mario Méndez
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Erik Satie, 'Les Anges' from T
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Mario Méndez
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SheetMusicPlus
Clarinet Solo - Level 2 - SKU: A0.894514 Composed by Erik Satie. Arranged by Mario Méndez. 20th Century. Individual part. 4 pages. Mario Méndez #2...
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Clarinet Solo - Level 2 - SKU: A0.894514 Composed by Erik Satie. Arranged by Mario Méndez. 20th Century. Individual part. 4 pages. Mario Méndez #2964347. Published by Mario Méndez (A0.894514). Erik Satie, 'Les Anges' from Trois Melodies. Arragement for Clarinet and Piano.
$3.99
SATIE: Les anges (transposed to B major)
SATIE: Les anges (transposed to B major)
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Piano, Voix
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Classique
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Contemporain
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Erik Satie
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ArtSongTranspositions
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SATIE: Les anges
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AST Publications, LLC
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SheetMusicPlus
Piano,Vocal,Voice - SKU: A0.538689 Composed by Erik Satie. Arranged by ArtSongTranspositions.com. Romantic Period. Score. 4 pages. AST Publications, LLC...
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Piano,Vocal,Voice - SKU: A0.538689 Composed by Erik Satie. Arranged by ArtSongTranspositions.com. Romantic Period. Score. 4 pages. AST Publications, LLC #4623911. Published by AST Publications, LLC (A0.538689). ⇨ PAY $0.00 with INSTITUTIONAL MEMBERSHIP✓ 10,000+ art songs and Baroque aria PDFs✓ Transpose sheet music to any key✓ Free for faculty, students, staff, and employees✓ Campus-wide access via IP authentication✓ Off-campus access via EZproxy or SAML
$9.99
L'ENFANCE DE KO-QUO (RECOMMANDATIONS MATERNELLES)
L'ENFANCE DE KO-QUO (RECOMMANDATIONS MATERNELLES)
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Orchestre d'harmonie
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FACILE
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Classique
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Contemporain
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Erik Satie
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James Bicigo
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L'ENFANCE DE KO-QUO
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Polar Publications
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.758032 Composed by Erik Satie. Arranged by James Bicigo. 20th Century,Concert,Contemporary,Instructional,Standards. Sco...
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Concert Band - Level 2 - SKU: A0.758032 Composed by Erik Satie. Arranged by James Bicigo. 20th Century,Concert,Contemporary,Instructional,Standards. Score and parts. 54 pages. Polar Publications #6318037. Published by Polar Publications (A0.758032). These three short movements were composed to introduce children to the sounds of modern music in 1913. The original is in the key of A for piano. Here it is set in Bb for band with limited ranges. Grade 2.5 for chromatic notes and expanded tonality. but rhythmically and technically grade 2.Ces trois courts mouvements ont été composés pour initier les enfants aux sons de la musique moderne en 1913. L'original est dans la tonalité de A pour piano. Ici, il est réglé en Sib pour un groupe avec des plages limitées. Grade 2,5 pour les notes chromatiques et la tonalité élargie. mais rythmiquement et techniquement niveau 2.
$50.00
Marie-Agnès Nataf: IL FUOCO RUBATO Anamorphoses III for piano
Marie-Agnès Nataf: IL FUOCO RUBATO Anamorphoses III for piano
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Piano seul
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INTERMÉDIAIRE
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Marie-Agnès Nataf
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Marie-Agnès Nataf: IL F
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.533330 Composed by Marie-Agnès Nataf. Concert,Contemporary. Score. 7 pages. Musik Fabrik Music Publishing #2344341. Pu...
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Piano Solo - Level 3 - SKU: A0.533330 Composed by Marie-Agnès Nataf. Concert,Contemporary. Score. 7 pages. Musik Fabrik Music Publishing #2344341. Published by Musik Fabrik Music Publishing (A0.533330). Il fuoco rubato is one of the 3 pieces for piano solo Anamorphoses whose titles areBartoquade I, Bartoquade II b and Il fuoco rubato. These pieces can be linked together as awhole, in that order. The duration is of 5 minutes. They can also be played separately, orgrouped by two (Bartoquades I et II b, duration 3’). The same approach governs the writing ofthese compositions : taking model on works of the repertoire and transforming them as muchas possible while keeping a lot of important parameters.There are many cautionary accidentals. They are not enclosed in brackets to avoidoverloading writing. They are not systematically mentionned. In case of doubt, one willconsider the logic of the composition. When useful, one can distribute differently notesbetween the 2 hands on the condition of respecting the balance between voices. The sign *[on measure 80 means chromatic cluster (F-F#-G). Marie-Agnès NATAF was born on March 2, 1952 at Issy-les-Moulineaux, in the suburbs of Paris, Before deciding to devote herself completely to music, she began by studying both mathematics and musics at the same time. She had a varied base in her musical training, which allowed her to understand the teaching of her main teacher Narcis BONET. She studied the piano, chamber music, musical analysis, harmony and also to a lesser degree the flute, counterpoint and conducting. As a pianist, she received a First Prize in Piano and in Chamber Music at the Orsay Conservatory, the Gold Medla at the National Music School of Cahcan and the Artist Diploma at the Ecole Normale de Musique de Paris – in the class of Germaine MOUNIER. For composition, she studied with Narcis BONET (who later invited her to the Conservatoire Américain of Fontainebleau as accompanist and teacher of French Diction), Yoshihisa TAÃRA, and Edith CANAT de CHIZY. Having taught for a time at the Ecole Normale de Musique de Paris, she is currently professor of piano at the Conservatoire Erik Satie of Villebon-sur-Yvette, Marie-Agnès Nataf has a double career of performer and composer. In both areas, she is especially attracted to chamber music, for the rich musical and human exchanges that this type of music permits. She has written her works Trois mélodies sur des poèmes de Marie-Isabelle SOLANO, Révolte sans paroles and Elan brisé for her colleagues the mezzo-soprano Nicole PARAMYTHIOTTI and the flutiste Isabelle MARCHAL with whom he has given concerts for many years. As a performer, she has premiered works by composers such as Gian-Paolo CHITI, Gloria COATES, Jean-Marie MACHADO, Yoshifumi UMEZAWA, Miao Wen WANG, without speaking of her own compositions. She also tries to discover high quality works of music which are rarely performed, especially works by women composers such as Thérèse BRENET, Dianne GOOLKASIAN-RAHBEE, Ruth LOMON. Her principal works are Trois mélodies sur des poèmes de Marie-Isabelle SOLANO, for mezzo-soprano and piano, 8'30, 1981-83-86. Bartoquade I - Anamorphoses I, 1', et Bartoquade II b - Anamorphoses II, 2', for piano, 1990 revised in 2012. Il fuoco rubato - Anamorphoses III for piano, 2', 1991 revised in 2012. Révolte sans paroles for mezzo-soprano, flute and piano, 16'30, 2000. and Elan brisé and flute and piano, 6'30, 2005. In 2001, on the ocassion of the premier of Révolte sans paroles at the Centre Culturel Jacques Brel of of Villebon-sur-Yvette, she was invited to give a conference on her works at the Conservatoire Erik Satie. In April 2002, her songs were selected by the ensemble North /South Consonance directed by Max LIFCHITZ in a competition. In 2012, the Bartoquades were chosen to be on the list of works proposed by the FFEM for their examination list for intermediate pianists. On the su.
$7.95
4th Nocturne
4th Nocturne
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Orchestre
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INTERMÉDIAIRE
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Classique
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Contemporain
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Erik Satie
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Robert Myers
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4th Nocturne
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WheatMyer Music
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.976714 Composed by Erik Satie. Arranged by Robert Myers. 20th Century. Score and parts. 36 pages. WheatMyer Music #47...
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Full Orchestra - Level 3 - SKU: A0.976714 Composed by Erik Satie. Arranged by Robert Myers. 20th Century. Score and parts. 36 pages. WheatMyer Music #4793377. Published by WheatMyer Music (A0.976714). Near the end of his career, Erik Satie wrote five pieces for piano designated as nocturnes. Contrary to most of his oeuvre, these were serious works lacking the satire, wit, and non-conformity Satie usually exhibited. Still, they are unmistakably Satie: soothing, floating, and very French. This work is a straightforward arrangement of Satie’s 4th nocturne, applying the color and dynamic ranges of the orchestra to his piano writing. It maintains the enchanting dance-like character of the original work while the musical lines move among and between the instrument families to exploit the variety of orchestral timbres. 4th NOCTURNE is suited for the concert hall among a program of impressionist or French music, an exploration of lesser known works, or wherever a charming and brief movement would be fitting.Instrumentation: 2d1,1+1,2+1,2 2,2(Bb or C),3,1 Glock/Chimes, Perc StringsFind more music and news at wheatmyermusic.com/ and www.facebook.com/WheatMyerMusic.
$45.00
Stargazing - Piano Solo
Stargazing - Piano Solo
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Piano seul
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INTERMÉDIAIRE
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Michael E
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Stargazing - Piano Solo
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Michael Edmond Buss
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.999543 Composed by Michael E. Buss. 20th Century,Broadway,Contemporary,Instructional,Musical/Show. Score. 5 pages. Michae...
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Piano Solo - Level 3 - SKU: A0.999543 Composed by Michael E. Buss. 20th Century,Broadway,Contemporary,Instructional,Musical/Show. Score. 5 pages. Michael Edmond Buss #6329761. Published by Michael Edmond Buss (A0.999543). 'Stargazing' is a mesmerizing and passionate piece, with intriguing key and time signature changes. The piece is inspired by Satie, Chopin, and the Lalaland Original soundtrack. The piece starts off jazzy then turns into a gymnopedie type waltz. 'Stargazing' is very unique and many piano playing techniques are involved. The piece would be great for a performance of any kind, because if performed well, it displays an understanding of numerous techniques and styles.
$3.99
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SATIE: Les anges
