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Vous avez sélectionné:
Rude Timpani
Partitions à imprimer
9 partitions trouvées
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1
cor prudentis for Large Brass Ensemble & Timpani
cor prudentis for Large Brass Ensemble & Timpani
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Contemporain
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John Anthony Lennon
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cor prudentis for Large Brass
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Gordon Cherry
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SheetMusicPlus
Small Ensemble Timpani - Level 5 - SKU: A0.792357 Composed by John Anthony Lennon. 20th Century,Contemporary. Score and parts. 35 pages. Gordon Cherry #...
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Small Ensemble Timpani - Level 5 - SKU: A0.792357 Composed by John Anthony Lennon. 20th Century,Contemporary. Score and parts. 35 pages. Gordon Cherry #4806787. Published by Gordon Cherry (A0.792357). cor prudentis is a grand and noble work for 15-part brass ensemble and Timpani. Mr. Lennon’s work was commissioned in 1994 for the inauguration of Emory University's new president, William Chase and was premiered in the spring of 1995. The Latin phrase is the motto of the University, which is situated in Atlanta Georgia cor prudentis possidebit scientiam The English translation of the title is: The wise heart seeks knowledge For advanced performers this work of about 6 minutes in length is scored for: 4 Horns in F, 6 Trumpets in C, 3 Trombones, Tuba and Timpani
$32.50 ≈
29.95€
cor prudentis for Large Brass Ensemble & Timpani
cor prudentis for Large Brass Ensemble & Timpani
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Contemporain
#
Lennon, John Anthony
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Lennon, John Anthony
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cor prudentis for Large Brass
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Gordon Cherry
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SheetMusicPlus
Small Ensemble Bass Trombone,Horn,Timpani,Trumpet,Tuba - Level 5 - SKU: A0.792385 Composed by Lennon, John Anthony. Arranged by Lennon, John Anthony. 20...
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Small Ensemble Bass Trombone,Horn,Timpani,Trumpet,Tuba - Level 5 - SKU: A0.792385 Composed by Lennon, John Anthony. Arranged by Lennon, John Anthony. 20th Century,Contemporary. Score and parts. 35 pages. Gordon Cherry #4820203. Published by Gordon Cherry (A0.792385). cor prudentis is a grand and noble work for 15-part brass ensemble and Timpani. Mr. Lennon’s work was commissioned in 1994 for the inauguration of Emory University's new president, William Chase and was premiered in the spring of 1995. The Latin phrase is the motto of the University, which is situated in Atlanta Georgia: cor prudentis possidebit scientiam The English translation of the title is: The wise heart seeks knowledge For advanced performers this work of about 6 minutes in length is scored for: 4 Horns in F, 6 Trumpets in C, 3 Trombones, Tuba and Timpani
$32.50 ≈
29.95€
Rude - Timpani
Rude - Timpani
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Timbales
#
Reggae
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MAGIC!
#
Robert Longfield
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Reggae
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Rude - Timpani
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By MAGIC!. Arranged by Robert Longfield. Concert band. For Timpani. Pop; Reggae. Individual instrument part. 1 pages. Published by Hal Leonard - Digital Sheet M...
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By MAGIC!. Arranged by Robert Longfield. Concert band. For Timpani. Pop; Reggae. Individual instrument part. 1 pages. Published by Hal Leonard - Digital Sheet Music
$6.00 ≈
5.53€
Ambrosia 76a for String Quartet, Marimba, Timpani
Ambrosia 76a for String Quartet, Marimba, Timpani
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Celebrity Chamber Players
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Ambrosia 76a for String Quarte
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Father Ambrose Press
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SheetMusicPlus
Large Ensemble Cello,Percussion,Viola,Violin - Level 5 - Interactive Download SKU: A0.1085917 By Celebrity Chamber Players. By Marshall Thomas. This edit...
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Large Ensemble Cello,Percussion,Viola,Violin - Level 5 - Interactive Download SKU: A0.1085917 By Celebrity Chamber Players. By Marshall Thomas. This edition: Interactive Download. Classical,Film/TV. Score and parts. Duration 156. Father Ambrose Press #1tDRZZElNnseBJZ6JYCgN. Published by Father Ambrose Press (A0.1085917). Key: C major.A heart-wrenching confection...accompanying a Barzun quotation: The crudest entertainment takes people, as we say, out of themselves, to a better place. For the more thoughtful, high art provides an Aristotrlean catharsis of the emotions..
$13.00 ≈
11.98€
Sandstorm
Sandstorm
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Pop musique
#
Darude
#
Kristof Lemiegre
#
Sandstorm
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Kristof Lemiegre
#
SheetMusicPlus
Percussion Ensemble Bongos,Cymbals,Glockenspiel,Marimba,Snare Drum,Tambourine,Timpani,Tubular Bells,Vibraphone,Xylophone - Level 3 - SKU: A0.1140519 By ...
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Percussion Ensemble Bongos,Cymbals,Glockenspiel,Marimba,Snare Drum,Tambourine,Timpani,Tubular Bells,Vibraphone,Xylophone - Level 3 - SKU: A0.1140519 By Darude. By Jaakko Sakari Salovaara and Ville Virtanen. Arranged by Kristof Lemiegre. Pop. Score and parts. 52 pages. Kristof Lemiegre #740749. Published by Kristof Lemiegre (A0.1140519). Arrangement for large percussion ensemble of the European 2000 dancehit Sandstorm by Darude.
$40.00 ≈
36.86€
Gaúcho - Corta-Jaca By Chiquinha Gonzaga for flute
Gaúcho - Corta-Jaca By Chiquinha Gonzaga for flute
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Flûte traversière
#
INTERMÉDIAIRE
#
Idalmo Santos
#
Idalmo Santos
#
Gaúcho - Corta-Jaca By
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Idalmo Santos
#
SheetMusicPlus
Flute Solo - Level 3 - SKU: A0.1083310 By Idalmo Santos. By Francisca Gonzaga (Chiquinha Gonzaga 1847-1935). Arranged by Idalmo Santos. Latin,Multicultu...
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Flute Solo - Level 3 - SKU: A0.1083310 By Idalmo Santos. By Francisca Gonzaga (Chiquinha Gonzaga 1847-1935). Arranged by Idalmo Santos. Latin,Multicultural,World. Individual part. 2 pages. Idalmo Santos #687512. Published by Idalmo Santos (A0.1083310). The famous Corta-jaca, the name with which the tango Gaúcho became popular, is one of Chiquinha Gonzaga's most recorded and best-known songs, along with Ó abre alas, Lua branca, and Atraente. It was born on the stages of musical theaters, where it was danced in the final scene of the burlesque operetta of national costumes Zizinha Maxixe, imitated from French by an anonymous author, performed at the Teatro Éden Lavradio, in August 1895. Actor Machado Careca (José Machado Pinheiro e Costa), the anonymous author of the play, ended up putting verses to the music of Corta-jaca, helping to popularize it, especially after his version was recorded on disc by the duo Os Geraldos. Throughout history, Corta-jaca frequented other stages and repertoires: café-cantante, chope-berrante, rodas de choro... But it was at the Palácio do Catete, in 1914, that it achieved its glory. Performed on the guitar by first lady Nair de Teffé, it caused political scandal and ended up nicknaming the administration of Hermes da Fonseca. The reaction can be measured by the impassioned speech that Senator Rui Barbosa made from the rostrum. When asked what was the corta-jaca he had heard so much about, he concluded: The lowest, the most vulgar, the rudest of all wild dances, the twin sister of batuque, cateretê and samba. But at presidential receptions the corta-jaca is performed with all the honors of Wagner's music, and one does not want the conscience of this country to revolt, our faces to blush and the youth to laugh! Never before in the history of Brazil had eminently popular music been performed at the seat of government, in front of the diplomatic corps and the country's elite. Corta-jaca has become a classic of the great repertoire of Brazilian instrumental music, meriting recordings by, among others, Abel Ferreira, Altamiro Carrilho, Antonio Adolfo, Artur Moreira Lima, Clara Sverner, Conjunto Regional do Donga, Eudóxia de Barros, Guio de Morais, Itamar Assieré, Leandro Braga, Marcus Viana, Maria Teresa Madeira, Marcelo Verzoni, Paulo Moura, Radamés Gnatalli, Rosária Gatti, Talitha Peres, TurÃbio Santos, countless bands, and some sung versions. It was written by the maestro also for singing and piano and small orchestra: oboe, viola, timpani, horns (bass), bassoon.
$1.99 ≈
1.83€
Gaúcho - Corta Jaca (Brazilian Music)
Gaúcho - Corta Jaca (Brazilian Music)
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Quatuor à cordes: 2 violons, alto, violoncelle
#
Chiquinha Gonzaga
#
Renato Esteves
#
Gaúcho - Corta Jaca
#
Renato Esteves
#
SheetMusicPlus
String Quartet String Quartet - SKU: A0.508952 Composed by Chiquinha Gonzaga. Arranged by Renato Esteves. Multicultural,World. Score and parts. 16 pages...
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String Quartet String Quartet - SKU: A0.508952 Composed by Chiquinha Gonzaga. Arranged by Renato Esteves. Multicultural,World. Score and parts. 16 pages. Published by Renato Esteves (A0.508952). The famous Corta-jaca, the name with which the Gaucho tango became popular, is one of the most recorded and known songs by Chiquinha Gonzaga, alongside Ó abre alas, Lua Branca and Atraente. He was born on the stages of musical theaters, where he was danced in the final scene of the burlesque operetta of national customs Zizinha Maxixe, imitated from French by an anonymous author, performed at Teatro Éden Lavradio, in August 1895. Actor Machado Careca (José Machado Pinheiro e Costa ), anonymous author of the play, ended up putting verses in Corta-jaca's music, helping to popularize it, especially after its version was recorded on disk by the duo Os Geraldos. Throughout history, Corta-jaca attended other stages and repertoires: coffee-singers, beer-beauties, choro circles… But it was at the Palácio do Catete, in 1914, that it reached its glory. Performed on the guitar by First Lady Nair de Teffé, it caused political scandal and ended up calling the administration Hermes da Fonseca. The reaction can be measured by the impassioned speech that Senator Rui Barbosa delivered from the gallery. When inquiring what the cut-jaca that he had heard so much about is, he concludes: “The lowest, the most foul, the rudest of all wild dances, the twin sister of batuque, cateretê and samba. But at presidential receptions, the cut-jaca is performed with all the honors of Wagner's music, and we don't want the conscience of this country to revolt, our faces redden and the youth to laugh!†Never before in the history of Brazil has eminently popular music been performed in the seat of government, in front of the diplomatic corps and the country's elite. Corta-jaca became a classic of the great repertoire of Brazilian instrumental music, deserving recordings, among others, by Abel Ferreira, Altamiro Carrilho, Antonio Adolfo, Artur Moreira Lima, Clara Sverner, Conjunto Regional do Donga, Eudóxia de Barros, Guio de Morais, Itamar Assieré, Leandro Braga, Marcus Viana, Maria Teresa Madeira, Marcelo Verzoni, Paulo Moura, Radamés Gnatalli, Rosária Gatti, Talitha Peres, TurÃbio Santos, numerous bands and some sung versions. It was also written by the conductor for singing and piano and for a small orchestra: oboe, viola, timpani, horns (fá), bassoon. Edinha Diniz, 2011.
$20.00 ≈
18.43€
Gaúcho - Corta-Jaca By Chiquinha Gonzaga for band
Gaúcho - Corta-Jaca By Chiquinha Gonzaga for band
#
Orchestre d'harmonie
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FACILE
#
Francisca Gonzaga
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Idalmo Santos
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Gaúcho - Corta-Jaca By
#
Idalmo Santos
#
SheetMusicPlus
Concert Band - Level 2 - SKU: A0.978107 Composed by Francisca Gonzaga (Chiquinha Gonzaga 1847-1935). Arranged by Idalmo Santos. 20th Century,Latin,World...
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Concert Band - Level 2 - SKU: A0.978107 Composed by Francisca Gonzaga (Chiquinha Gonzaga 1847-1935). Arranged by Idalmo Santos. 20th Century,Latin,World. Score and parts. 23 pages. Idalmo Santos #6679863. Published by Idalmo Santos (A0.978107). The famous Corta-jaca, the name with which the tango Gaúcho became popular, is one of Chiquinha Gonzaga's most recorded and best-known songs, along with Ó abre alas, Lua branca, and Atraente. It was born on the stages of musical theaters, where it was danced in the final scene of the burlesque operetta of national costumes Zizinha Maxixe, imitated from French by an anonymous author, performed at the Teatro Éden Lavradio, in August 1895. Actor Machado Careca (José Machado Pinheiro e Costa), the anonymous author of the play, ended up putting verses to the music of Corta-jaca, helping to popularize it, especially after his version was recorded on disc by the duo Os Geraldos. Throughout history, Corta-jaca frequented other stages and repertoires: café-cantante, chope-berrante, rodas de choro... But it was at the Palácio do Catete, in 1914, that it achieved its glory. Performed on the guitar by first lady Nair de Teffé, it caused political scandal and ended up nicknaming the administration of Hermes da Fonseca. The reaction can be measured by the impassioned speech that Senator Rui Barbosa made from the rostrum. When asked what was the corta-jaca he had heard so much about, he concluded: The lowest, the most vulgar, the rudest of all wild dances, the twin sister of batuque, cateretê and samba. But at presidential receptions the corta-jaca is performed with all the honors of Wagner's music, and one does not want the conscience of this country to revolt, our faces to blush and the youth to laugh! Never before in the history of Brazil had eminently popular music been performed at the seat of government, in front of the diplomatic corps and the country's elite. Corta-jaca has become a classic of the great repertoire of Brazilian instrumental music, meriting recordings by, among others, Abel Ferreira, Altamiro Carrilho, Antonio Adolfo, Artur Moreira Lima, Clara Sverner, Conjunto Regional do Donga, Eudóxia de Barros, Guio de Morais, Itamar Assieré, Leandro Braga, Marcus Viana, Maria Teresa Madeira, Marcelo Verzoni, Paulo Moura, Radamés Gnatalli, Rosária Gatti, Talitha Peres, TurÃbio Santos, countless bands, and some sung versions. It was written by the maestro also for singing and piano and small orchestra: oboe, viola, timpani, horns (bass), bassoon.
$13.33 ≈
12.28€
Divinum Mysterium
Divinum Mysterium
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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12th Century Plainchant
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Robert Myers
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Oboe 1,2
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Divinum Mysterium
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WheatMyer Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score ...
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Full Orchestra - Level 4 - SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score and parts. 76 pages. WheatMyer Music #4798079. Published by WheatMyer Music (A0.976721). DIVINUM MYSTERIUM is a chant tune dating to the 12th century which is associated with the hymn, Of the Father's Love Begotten, based on the Latin hymn, Corde natus ex parentis, written by Prudentius in the late 4th / early 5th century. This is thus one of the very oldest texts and tunes still sung in our churches today. The shape and flow of this arrangement, which includes quotations from CANTIQUE de NOEL (O Holy Night) – Adolphe Adam (1844), was strongly influenced by what one writer described as the strong wave shapes of the tune. I’ve attempted to make these waves a significant feature of the piece, featured in both the constant crescendo/decrescendos and the interweaving of the two tunes. And, just as ocean waves don’t arrive in steady rhythms, these musical waves are variable – sometimes closely spaced, sometimes not, and sometimes overlapping. The unique character of each of the three major sections is implied in their headings: (1) with mystery and wonder, (2) Joyfully – a child is born, and (3) contemplative – God is with us. The opening section portrays the mystery of the trinity (the hymn text was written as an apology for the Nicene Creed) mixed with the wonder of the Creator God lying in a manger. Since the tune is derived from medieval chant, I wanted this section to reflect the loose metrical nature of that genre, so the melodic phrasing should predominate over any sense of meter up to letter C. The initial tonal and metrical ambiguity and the fractured melodic lines gradually meld into conventional tonality and clear statements of the two main themes. Don’t let the poco rit. just before C be too poco. Build a definite sense of tension in anticipation of the Presto section. The Presto section presents the first complete statement of the main theme. I felt a strong, rhythmic treatment should follow the ambiguity of the opening to reflect the joy of the Messiah’s incarnation realized. However, the gravity of the text demands avoidance of frivolity and banality. Thus, I used a combination of the long, flowing lines with a syncopated pulse and echoing rhythms to produce what I hope is a fresh but still reverent treatment of this ancient hymn – one that produces a kaleidoscope of tonal color. Arriving at the third section at letter F, the asymmetrical pulse gradually shifts into a straight 3 pattern. The slower tempo and return of the secondary theme call us to reflect on the import of God now with us. The marking of Let off the gas and coast to the end is a word picture of how the tempo should draw to a close, as would an expert helmsman allow the ship’s momentum to stop just as it taps the dock. One parting moment is provided to savor the woodwinds closing phrase from CANTIQUE de NOEL. Robert Myers S.D.G. INSTRUMENTATION Fl 1,2; Oboe 1,2; Bb Cl 1,2 ; Bsn 1,2 Hn in F 1/2, 3/4; C Tpt 1,2 (Opt Bb Tpt 1,2); Tbn 1, 2; Tuba Timpani Perc. 1 (cymbals, tam-tam, vibraphone) Perc. 2 (chimes, snare) Perc. 3 (concert toms (4), bass drum) Vln 1,2; Vla 1,2; VC; DB
$75.00 ≈
69.11€
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Rude Timpani
