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Vous avez sélectionné:
Roots for Full Orchestra
Partitions à imprimer
24 partitions trouvées
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1
Roots for Full Orchestra
Roots for Full Orchestra
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Orchestre
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INTERMÉDIAIRE
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incorporating aspects of Palo
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Gabrielle Liriano
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Roots for Full Orchestra
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Art Haus Music Publishing
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1183082 Composed by Gabrielle Liriano. 20th Century,Classical,Contemporary,Multicultural,World. Score and parts. 22 p...
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Full Orchestra - Level 3 - SKU: A0.1183082 Composed by Gabrielle Liriano. 20th Century,Classical,Contemporary,Multicultural,World. Score and parts. 22 pages. Art Haus Music Publishing #782800. Published by Art Haus Music Publishing (A0.1183082). This piece is a celebration of my heritage and ancestry. By incorporating aspects of Palo music in a traditionally Euro-centric style of music I hope to expand the boundaries for what is possible in contemporary classical music as it reflects the eclectic collage of where I come from. I hope to specifically illuminate the underrepresented aspects of my identity in composition as it is those aspects that can create uniqueness and innovation in the long history and tradition classical music. Performing my music is a rebellious act. Centuries of composers have been misguided to dismiss the study of complex rhythm and groove as it is a subject associated with the music of Africa. Now with time and exhaustion of European principles we must look to the countries of Africa with reverence for our missing education on one of the vital ingredients of music. I hope you enjoy the kaleidoscope of colors and weaved rhythms that come together to make this piece come alive! This piece is dedicated to all the ancestors that came before me. May I honor their lives with music. Format: Transposed Score in Tabloid (11'' x 17'')Instrumentation: 1 Piccolo, 1 Flute, 1 Oboe, 1 Clarinet in Bb, 1 Bassoon, 1 Horn in F, 1 Trumpet in Bb 1, 1 Trumpet in Bb 2, 1 Trombone, 1 Tuba, 1 Güira, 1 Woodblock, Congas 1 (3 Drums), Congas 2 (2 Drums), 1 Timbales, 5 Violin I, 5 Violin II, 3 Viola, 6 Violoncello, 2 ContrabassDuration: Approx. 4 minutes
$150.00 ≈
¥1088.88
Elegy Sentimentale for Orchestra
Elegy Sentimentale for Orchestra
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Orchestre
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Keith Terrett
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Elegy Sentimentale for Orchest
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Keith Terrett
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SheetMusicPlus
Full Orchestra - SKU: A0.746748 Composed by Keith Terrett. Contemporary,World. 33 pages. Keith Terrett #3129265. Published by Keith Terrett (A0.746748)....
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Full Orchestra - SKU: A0.746748 Composed by Keith Terrett. Contemporary,World. 33 pages. Keith Terrett #3129265. Published by Keith Terrett (A0.746748). ere at last is my ’’Elegy sentimentale’’ for orchestra, and my first original composition (opus 1), for full symphony orchestra.I hope it makes an excellent piece for amateur and professional orchestras alike; with some challenging and interesting string, woodwind and brass writing for all.I envisage the ’’Elegy’’ eventually making a good piece of film music, and in consequence any directors or producers looking for a movie theme; please feel free to contact me!Elegy Sentimenatle is a mournful & melancholic work, suited for performances on the concert platform.A Supreme Work of Art!The Elegy Sentimentale opens impressively. Keith Terrett plants a C deep in virgin soil; orchestrated brilliantly for bassoon, harp and delineated by pizzicato double basses this bass line is a tree of a forest; and we are at once held by the strength of the roots. The tonality is immediately clear, and there is a grand feeling of space and power in the wide layout of the score. A lone solo clarinet high in the tessitura accompanied by a solo cello with a counter subject state the opening eight bar theme which embodies the seeds of two ideas, which supplies the generating force for the slightly agitated Piu Mosso which follows. The counter subject given by the solo cello at the beginning is now reiterated by the plaintive voice of a solo oboe and a third motif makes an appearance in the solo clarinet; oboe and clarinet duet beautifully over arpeggiated rhythmic impulses in the harp. A new subject of an accompanying nature, derived from all the material thus far presented now comes off at a tangent on the strings cascading downwards and accompanying woodwind who, play the chief melodic subject while horns cry in anguish. This first section is then repeated; I found the whole experience spiritual, detached and wondering, intensified by the breath-taking stillness. Mr Terrett in the middle section that follows now uses his full orchestral forces; after a key change the emotional charge that follows is cataclysmic in its cry of anguish; the main theme is stated in a full dress orchestral tutti, which is then repeated. The music ebbs and flows with slight variations in the woodwind recalling the main ideas; at the very end high strings bring consolation and finally peace. Keith Terrett shows an admirable command of orchestration and melodic construction and combines these qualities with rare imagination and insight.Gerald Manning
$30.00 ≈
¥217.78
Concerto for Guitar and Orchestra
Concerto for Guitar and Orchestra
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Orchestre
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AVANCÉ
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Contemporain
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Robert E
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Concerto for Guitar and Orches
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R. E. Proctor
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.809837 Composed by Robert E. Proctor. Contemporary. Score and parts. 179 pages. R. E. Proctor #3526877. Published by ...
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Full Orchestra - Level 5 - SKU: A0.809837 Composed by Robert E. Proctor. Contemporary. Score and parts. 179 pages. R. E. Proctor #3526877. Published by R. E. Proctor (A0.809837). Concerto for Guitar and Orchestra – Description and performance notes. The concerto provides a challenge for the performer and is delightful to the listener. It is written in the standard three movement concerto format: fast – slow – fast. A variety of musical colors, rhythms, and techniques are used. The first movement begins with an Adagio section which is marked Poco Rubato, followed by Allegro for the balance of the movement. The second movement is darker, and perhaps, a little sullen. The third movement is bright and harkens back to the guitar’s Spanish roots. The movement is happy and light, it has an abrupt and unexpected ending. Throughout the concerto the guitarist will use a wide range of techniques. The full sound spectrum of the guitar is utilized. The guitarist is asked to perform several rapid arpeggios (noted as Finger Roll) wherein the performer utilizes the thumb and fingers to rapidly play the notes in a chord. In other places, chords are to be played with three fingers playing up and the thumb to play down, using the nail (Flamenco style) – up and down referring to pitch. In the first movement, the thumb is used to tap the sound board. The guitar part is partially edited with suggested fingerings for clarity of intent. The balance is left for to the performer’s interpretation. In the second movement there is a completed tremolo section which requires the player to include the little or c finger. The inclusion of the c finger keeps the melodic line following without interruption. The second movement also has the melody played in artificial harmonics with the thumb playing simple a bass line. The third movement is the shortest. It has a challenging arpeggio pattern that uses the fingers strumming up and the thumb strumming down with rapid chord changes. The movements are in 4/4, 6/8, and 3/4 time respectively. Duration is approx. 13:18.
$19.95 ≈
¥144.82
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Jazz
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Silvano A
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Introduction, Theme and Variat
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Soundnotation
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SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95 ≈
¥101.27
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Jazz
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Silvano A
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Introduction, Theme and Variat
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Soundnotation
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SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95 ≈
¥101.27
Let's Live For Today
Let's Live For Today
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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The Grass Roots
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Dick Tunney
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Let's Live For Today
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Dick Tunney
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1399564 By The Grass Roots. By Giulio Rapetti, Michael Julien, and Norman Shapiro. Arranged by Dick Tunney. Folk,Pop,...
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Full Orchestra - Level 4 - SKU: A0.1399564 By The Grass Roots. By Giulio Rapetti, Michael Julien, and Norman Shapiro. Arranged by Dick Tunney. Folk,Pop,Rock. 56 pages. Dick Tunney #982856. Published by Dick Tunney (A0.1399564). This arrangement is from the original Grass Roots recording from 1967. Â The Score is formatted to 11 x 17 (Tabloid) and the Parts are formatted to 8.5 x 11 for printing. Â The arrangement is for full orchestra with singers and rhythmn section.
$50.00 ≈
¥362.96
Feierlicher Einzug by Richard Strauss for Brass Ensemble
Feierlicher Einzug by Richard Strauss for Brass Ensemble
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Jari A
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Feierlicher Einzug by Richard
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JV MUSIC
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.722798 Composed by Richard Strauss. Arranged by Jari A. Villanueva. Romantic Per...
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.722798 Composed by Richard Strauss. Arranged by Jari A. Villanueva. Romantic Period. Score and parts. 34 pages. JV MUSIC #5205297. Published by JV MUSIC (A0.722798). Feierlicher Einzug by Richard Strauss for Brass Ensemble Arranged by Jari Villanueva Feierlicher Einzug (Solemn Processional) was written by Richard Strauss in 1909. The occasion was an investiture ceremony for the Knights of St. John, a fraternal organization with roots going back as far as the 11th Century. Today, offshoots of this venerable order still exist, doing charitable works–primarily in aiding the poor and the sick–around the world. The original scoring of this piece included parts for 15 Eb Trumpets, 4 Eb Horns, 4 Trombones, 2 Tubas, and Timpani. Strauss later scored the work for full orchestra, including organ and optional chorus. An arrangement by Max Reger (1873-1916) for organ, 2 trombones, and timpani is still frequently performed today. This arrangement was originally done for the US Air Force Band and has been performed by the New England Conservatory Brass and Texas Christian University Wind Symphony.
$25.00 ≈
¥181.48
Bell Carol Fantasy for Orchestra (Score)
Bell Carol Fantasy for Orchestra (Score)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Mykola Leontovych
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Kim Diehnelt
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Bell Carol Fantasy for Orchest
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Kim Diehnelt
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.809060 Composed by Mykola Leontovych. Arranged by Kim Diehnelt. Christmas,Contemporary,Holiday. 14 pages. Kim Diehnel...
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Full Orchestra - Level 4 - SKU: A0.809060 Composed by Mykola Leontovych. Arranged by Kim Diehnelt. Christmas,Contemporary,Holiday. 14 pages. Kim Diehnelt #5294071. Published by Kim Diehnelt (A0.809060). Based on the choral piece Shchedryk (Carol of the Bells) by MykolaLeontovych, this full orchestra version brings to life the spirit of this favorite carol. Perfect holiday concert closer! When an orchestra player expressed interest in playing Carol of the Bells as part of a fun December rehearsal, I checked out what arrangements already existed. To me, they all seemed too simple and repetitive, so I set about writing my own. I discovered that the familiar carol has its roots in a traditional folk chant about a swallow bringing a New Year’s message of a plentiful new year, and the title comes from the Ukrainian word for bountiful.
$6.99 ≈
¥50.74
"Italian Traditional Medley"------String Orchestra-------Heritage Series # 16
"Italian Traditional Medley"------String Orchestra-------Heritage Series # 16
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Orchestre à Cordes
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INTERMÉDIAIRE
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John Philips
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"Italian Traditional Medl
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John Philips Music Service
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.947263 Arranged by John Philips. Folk,World. Score and parts. 44 pages. John Philips Music Service #1999437. Publis...
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String Orchestra - Level 3 - SKU: A0.947263 Arranged by John Philips. Folk,World. Score and parts. 44 pages. John Philips Music Service #1999437. Published by John Philips Music Service (A0.947263). These five selections have old roots in the culture of Italy. Your audience might not know their names ( unless they're Italians ), but they will surely recognize and enjoy them. They have all been around for generations. See the back cover for the tune list. This is one of a series of charts for string orchestra that are easy to play and each relate to a single theme---patriotic, ethnic, activity, holiday or age related songs. Being easy to play---nothing past an eighth note and no hemi-demi-semi-quavers--they will be more apt to be in tune and this is good for all concerned. They all are in tempo and have a swing feeling to them to make your audience like them. After all--this is about making music and not displaying technique. Parts are Violin 1 & 2 / Violin 3 (Viola Part) / Viola /Cello / Optional Acoustic Guitar (No Electrics) / Bass / Piano / Full Score / Front & Back Bass and piano are required to make these arrangements work. See the back cover for the tune list and tempos. Electric bass works if read. Maybe you could convert to a cello or upright player? Covers. Bass and piano are required to make these arrangements work. See the back cover for the tune list and tempos.
$15.00 ≈
¥108.89
Rosenberg Sonata for Violin and Piano
Rosenberg Sonata for Violin and Piano
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Violon et Piano
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Contemporain
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Peter MachajdÃk
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Pavel Burdych
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Rosenberg Sonata for Violin an
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Pavel Burdych
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SheetMusicPlus
Piano,Violin - SKU: A0.1090293 Composed by Peter MachajdÃk. Arranged by Pavel Burdych. Contemporary. Full Performance. Duration 832. Pavel Burdych #3...
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Piano,Violin - SKU: A0.1090293 Composed by Peter MachajdÃk. Arranged by Pavel Burdych. Contemporary. Full Performance. Duration 832. Pavel Burdych #31423. Published by Pavel Burdych (A0.1090293). Slovak composer and sound artist Peter MachajdÃk (b. 1961) occupies a unique place in the world of contemporary music. He won international acclaim for his multimedia project Intimate Music at the Inventionen 1994 festival in Berlin. MachajdÃk has worked with numerous chamber ensembles and orchestras, choreographers, dancers and visual artists. He writes music for film and theatre. He is the holder of Slovakia´s most prestigious classical music award, the Ján Levoslav Bella Prize. His Rosenberg Sonata for Violin and Piano, of 2010, is a composition whose structure sets it in a class of its own, and which plays around with the minimalist style, whilst at the same time attesting to the breadth of the composer's musical and philosophical understanding. The Czechoslovak Chamber Duo premiered Rosenberg Sonata at the Forfest in KroměřÞ, Czech Republic. For further information go to Peter MachajdÃk´s web site - www.machajdik.de. Performers: The Czechoslovak Chamber Duo was formed in 2004 by Czech violinist Pavel Burdych and Slovak pianist Zuzana BereÅ¡ová. Both artists have been regular guests at music festivals in the Czech Republic, Slovakia and Germany, as well as making frequent concert appearances in capitals around the globe, including Rome, Paris, Lisbon, Seoul, Bucharest, Sofia, Athens, Prague, and Bratislava. Thanks to their Czechoslovakian roots, they often receive invitations from Czech and Slovak expatriate communities in various countries. Every year, they mount projects centred around anniversaries of major composers. The Czechoslovak Chamber Duo has earnt the accolades of audiences and critics alike for its high professional standards, flawless coordination, and musicality. For more detailed information go to the Duo´s website www.chamberduo.eu. Pavel Burdych studied violin firstly at the Conservatory in Pardubice, and thereafter with Bohumil Smejkal at the JanáÄek Academy of Music and Performing Arts in Brno. Zuzana BereÅ¡ová studied piano at the Conservatory in KoÅ¡ice, at the Academy of Performing Arts in Bratislava, and then with Jiřà Skovajsa and Jaroslav Smýkal at the JanáÄek Academy of Music and Performing Arts in Brno.
$2.99 ≈
¥21.70
Robert W. Smith: Tap Roots - string orchestra (full score)
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Orchestre à Cordes
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INTERMÉDIAIRE
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Methodes
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Robert W. Smith
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Virtualsheetmusic
Instantly printable sheet music by Robert W. Smith for string orchestra (full score) of EASY/MEDIUM skill level. / instructional
Instantly printable sheet music by Robert W. Smith for string orchestra (full score) of EASY/MEDIUM skill level. / instructional
$7.99 ≈
¥58.00
Soon Hee Newbold: Full Score Celtic Roots: Score - string orchestra
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Orchestre à Cordes
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Soon Hee Newbold
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Virtualsheetmusic
Instantly printable sheet music by Soon Hee Newbold for string orchestra of MEDIUM skill level. /
Instantly printable sheet music by Soon Hee Newbold for string orchestra of MEDIUM skill level. /
$8.98 ≈
¥65.19
John Paul Jones - Symphonic Overture (instrumental parts)
John Paul Jones - Symphonic Overture (instrumental parts)
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Orchestre
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INTERMÉDIAIRE
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WAGSTAFF, Julian
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John Paul Jones - Symphonic Ov
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Julian Wagstaff
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.971716 Composed by WAGSTAFF, Julian. 20th Century,Contemporary,Holiday,Musical/Show,Patriotic. Score and parts. 201 p...
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Full Orchestra - Level 3 - SKU: A0.971716 Composed by WAGSTAFF, Julian. 20th Century,Contemporary,Holiday,Musical/Show,Patriotic. Score and parts. 201 pages. Julian Wagstaff #3421021. Published by Julian Wagstaff (A0.971716). The Symphonic Overture (for orchestra) has its roots in Julian Wagstaff's stage musical John Paul Jones, which premiered in Edinburgh, Scotland in 2001 and was revived professionally with the Scottish Chamber Orchestra in 2010. Essentially a tragedy of ambition, the musical tells the story of the son of a Scottish gardener who became a hero of the American Revolution as the father of the American navy.The work is in three clearly discernible sections: The first interlaces the Scots jig in 6/8 (which opens the musical) with the anthemic 'Freedom Arise' theme in 4/4 (which closes it), by means of metric modulation. The second, slower section is essentially a canon and variation on the 'Home Again' ballad from Act I of the show, while the third and final section is a radical development of the 'Battle of Flamborough Head' sequence from Act I of the musical. For more information visit www.julianwagstaff.com or www.johnpauljonesmusical.com.
$69.99 ≈
¥508.07
John Paul Jones - Symphonic Overture (score)
John Paul Jones - Symphonic Overture (score)
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Orchestre
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WAGSTAFF, Julian
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John Paul Jones - Symphonic Ov
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Julian Wagstaff
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SheetMusicPlus
Full Orchestra - SKU: A0.971701 Composed by WAGSTAFF, Julian. 20th Century,Contemporary,Holiday,Musical/Show,Patriotic. Score and parts. 58 pages. Julia...
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Full Orchestra - SKU: A0.971701 Composed by WAGSTAFF, Julian. 20th Century,Contemporary,Holiday,Musical/Show,Patriotic. Score and parts. 58 pages. Julian Wagstaff #14603. Published by Julian Wagstaff (A0.971701). The Symphonic Overture (for orchestra) has its roots in Julian Wagstaff's stage musical John Paul Jones, which premiered in Edinburgh, Scotland in 2001 and was revived professionally with the Scottish Chamber Orchestra in 2010. Essentially a tragedy of ambition, the musical tells the story of the son of a Scottish gardener who became a hero of the American Revolution as the father of the American navy.The work is in three clearly discernible sections: The first interlaces the Scots jig in 6/8 (which opens the musical) with the anthemic 'Freedom Arise' theme in 4/4 (which closes it), by means of metric modulation. The second, slower section is essentially a canon and variation on the 'Home Again' ballad from Act I of the show, while the third and final section is a radical development of the 'Battle of Flamborough Head' sequence from Act I of the musical. For more information visit www.julianwagstaff.com or www.johnpauljonesmusical.com.
$14.99 ≈
¥108.82
Colors Of The Wind
Colors Of The Wind
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Orchestre
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AVANCÉ
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Film Walt Disney
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Vanessa Williams
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Brian Strohmetz
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Colors Of The Wind
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Brian Strohmetz
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1020746 By Vanessa Williams. By Alan Menken. Arranged by Brian Strohmetz. Contemporary. Score and parts. 61 pages. Br...
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Full Orchestra - Level 5 - SKU: A0.1020746 By Vanessa Williams. By Alan Menken. Arranged by Brian Strohmetz. Contemporary. Score and parts. 61 pages. Brian Strohmetz #6657095. Published by Brian Strohmetz (A0.1020746). Colors of the Wind is a song written by composer Alan Menken and lyricist Stephen Schwartz for Walt Disney Pictures' 33rd animated feature film, Pocahontas (1995). The film's theme song, Colors of the Wind was originally recorded by American singer and actress Judy Kuhn in her role as the singing voice of Pocahontas. A pop ballad, the song's lyrics are about animism and respecting nature, finding its roots in indigenous Native American culture, perspectives which have later been adopted in both transcendentalist literature and New Age spirituality.This song received an Oscar for Best Original song.
$74.99 ≈
¥544.37
Make His Praise a Glorious Thing (Orchestration)
Make His Praise a Glorious Thing (Orchestration)
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Orchestre
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INTERMÉDIAIRE
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Musique Sacrée
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Gospel Spirituel
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Robert Myers
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Make His Praise a Glorious Thi
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WheatMyer Music
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.976726 Composed by Robert Myers. Christian,Gospel,Sacred. Score and parts. 60 pages. WheatMyer Music #5191479. Publis...
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Full Orchestra - Level 3 - SKU: A0.976726 Composed by Robert Myers. Christian,Gospel,Sacred. Score and parts. 60 pages. WheatMyer Music #5191479. Published by WheatMyer Music (A0.976726). Make His Praise a Glorious Thing is a new setting of the English language's great doxology from the pen of Thomas Ken. It builds on his words with references to the multitude of Psalmic exhortations to exuberantly praise God in manifold ways and make His praise glorious. The character of the piece reflects this with a joyous and spirited aesthetic above a driving tempo. The text also juxtaposes our contemporary praises within the historic stream of doxologies from saints past and future as a precursor to the eternal, magnificent, and heavenly doxologies portrayed in Revelation 5 and 7. The melody correspondingly has roots in the traditional Old 100th Psalm tune as well, although it will take a keen ear to catch it.Although set for SATB choir, it is hoped that the accessible melody will find a place in your congregational singing also. Make His Praise a Glorious Thing is a wonderful call to worship, responsorial, or sacred concert opening or closing. Choral octavos with piano accompaniment are available separately.
$45.00 ≈
¥326.66
Hineni Muchan
Hineni Muchan
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Chorale 2 parties
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Peter Rothbart
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Hineni Muchan
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Roger Dean Publishing
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SheetMusicPlus
By Peter Rothbart. For Two-part choir, Optional Full Orchestra. Educational Octavo. Janet Galvan Roots & Wings Series. Medium. Published by Roger Dean Publishin...
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By Peter Rothbart. For Two-part choir, Optional Full Orchestra. Educational Octavo. Janet Galvan Roots & Wings Series. Medium. Published by Roger Dean Publishing
$2.50 ≈
¥18.15
To a wild rose
To a wild rose
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Alto, Piano
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FACILE
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Edward MacDowell
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Wolfgang Birtel
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To a wild rose
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Schott Music - Digital
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SheetMusicPlus
Viola and piano - easy - SKU: S9.Q11834 From Woodland Sketches. Composed by Edward MacDowell. Arranged by Wolfgang Birtel. This edition: Sheet mu...
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Viola and piano - easy - SKU: S9.Q11834 From Woodland Sketches. Composed by Edward MacDowell. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Op. 51/1. Schott Music - Digital #Q11834. Published by Schott Music - Digital (S9.Q11834). The American composer and pianist Edward MacDowell (1860–1908) is rather unknown in Germany although he had his artistic roots there for he was trained as a pianist in Paris, Stuttgart, Wiesbaden and Frankfurt. After returning to his home country, he worked as a teacher while also being the director of the Boston Symphony Orchestra.for eight years. During that time (1896), he wrote 'Woodland Sketches' Op. 51 which is among his best known compositions for piano, particularly the opening piece of these musical landscape paintings: 'To a wild rose', a simple, yet expressively harmonized melody full of grace and peace.
$4.99 ≈
¥36.22
To a wild rose
To a wild rose
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Edward MacDowell
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Wolfgang Birtel
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To a wild rose
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Schott Music - Digital
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SheetMusicPlus
Saxophone in Eb and piano - easy - SKU: S9.Q11838 From Woodland Sketches. Composed by Edward MacDowell. Arranged by Wolfgang Birtel. This edition...
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Saxophone in Eb and piano - easy - SKU: S9.Q11838 From Woodland Sketches. Composed by Edward MacDowell. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Op. 51/1. Schott Music - Digital #Q11838. Published by Schott Music - Digital (S9.Q11838). The American composer and pianist Edward MacDowell (1860–1908) is rather unknown in Germany although he had his artistic roots there for he was trained as a pianist in Paris, Stuttgart, Wiesbaden and Frankfurt. After returning to his home country, he worked as a teacher while also being the director of the Boston Symphony Orchestra.for eight years. During that time (1896), he wrote 'Woodland Sketches' Op. 51 which is among his best known compositions for piano, particularly the opening piece of these musical landscape paintings: 'To a wild rose', a simple, yet expressively harmonized melody full of grace and peace.
$4.99 ≈
¥36.22
To a wild rose
To a wild rose
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Flûte traversière et Piano
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Edward MacDowell
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Wolfgang Birtel
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To a wild rose
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Schott Music - Digital
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SheetMusicPlus
Flute and piano - easy to intermediate - SKU: S9.Q11836 From Woodland Sketches. Composed by Edward MacDowell. Arranged by Wolfgang Birtel. This e...
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Flute and piano - easy to intermediate - SKU: S9.Q11836 From Woodland Sketches. Composed by Edward MacDowell. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Op. 51/1. Schott Music - Digital #Q11836. Published by Schott Music - Digital (S9.Q11836). The American composer and pianist Edward MacDowell (1860–1908) is rather unknown around here, even though he had his artistic roots in here: For he was trained as a pianist in Paris, Stuttgart, Wiesbaden, and Frankfurt. After his return to his home country, he worked as a teacher but was also director of the Boston Symphony Orchestra for eight years. During that time (1896) he composed 'Woodland Sketches' Op. 51 which is among the best-known of his piano compositions, especially the opening piece of his musical landscape paintings: 'To a wild rose' which is a simple, yet harmonically spiced melody full of peace and ease, without any technical tricks.
$4.99 ≈
¥36.22
To a wild rose
To a wild rose
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Clarinette et Piano
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Edward MacDowell
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Wolfgang Birtel
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To a wild rose
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Schott Music - Digital
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SheetMusicPlus
Clarinet in Bb and piano - easy to intermediate - SKU: S9.Q11837 From Woodland Sketches. Composed by Edward MacDowell. Arranged by Wolfgang Birte...
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Clarinet in Bb and piano - easy to intermediate - SKU: S9.Q11837 From Woodland Sketches. Composed by Edward MacDowell. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Op. 51/1. Schott Music - Digital #Q11837. Published by Schott Music - Digital (S9.Q11837). The American composer and pianist Edward MacDowell (1860–1908) is rather unknown around here, even though he had his artistic roots in here: For he was trained as a pianist in Paris, Stuttgart, Wiesbaden, and Frankfurt. After his return to his home country, he worked as a teacher but was also director of the Boston Symphony Orchestra for eight years. During that time (1896) he composed 'Woodland Sketches' Op. 51 which is among the best-known of his piano compositions, especially the opening piece of his musical landscape paintings: 'To a wild rose' which is a simple, yet harmonically spiced melody full of peace and ease, without any technical tricks.
$4.99 ≈
¥36.22
To a wild rose
To a wild rose
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Violoncelle, Piano
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Edward MacDowell
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Wolfgang Birtel
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To a wild rose
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Schott Music - Digital
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SheetMusicPlus
Cello and piano - easy to intermediate - SKU: S9.Q11835 From Woodland Sketches. Composed by Edward MacDowell. Arranged by Wolfgang Birtel. This e...
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Cello and piano - easy to intermediate - SKU: S9.Q11835 From Woodland Sketches. Composed by Edward MacDowell. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Op. 51/1. Schott Music - Digital #Q11835. Published by Schott Music - Digital (S9.Q11835). The American composer and pianist Edward MacDowell (1860–1908) is rather unknown around here, even though he had his artistic roots in here: For he was trained as a pianist in Paris, Stuttgart, Wiesbaden, and Frankfurt. After his return to his home country, he worked as a teacher but was also director of the Boston Symphony Orchestra for eight years. During that time (1896) he composed 'Woodland Sketches' Op. 51 which is among the best-known of his piano compositions, especially the opening piece of his musical landscape paintings: 'To a wild rose' which is a simple, yet harmonically spiced melody full of peace and ease, without any technical tricks.
$4.99 ≈
¥36.22
To a wild rose
To a wild rose
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Violon et Piano
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Edward MacDowell
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Wolfgang Birtel
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To a wild rose
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Schott Music - Digital
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SheetMusicPlus
Violin and piano - easy to intermediate - SKU: S9.Q11833 From Woodland Sketches. Composed by Edward MacDowell. Arranged by Wolfgang Birtel. This ...
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Violin and piano - easy to intermediate - SKU: S9.Q11833 From Woodland Sketches. Composed by Edward MacDowell. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Op. 51/1. Schott Music - Digital #Q11833. Published by Schott Music - Digital (S9.Q11833). The American composer and pianist Edward MacDowell (1860–1908) is rather unknown around here, even though he had his artistic roots in here: For he was trained as a pianist in Paris, Stuttgart, Wiesbaden, and Frankfurt. After his return to his home country, he worked as a teacher but was also director of the Boston Symphony Orchestra for eight years. During that time (1896) he composed 'Woodland Sketches' Op. 51 which is among the best-known of his piano compositions, especially the opening piece of his musical landscape paintings: 'To a wild rose' which is a simple, yet harmonically spiced melody full of peace and ease, without any technical tricks.
$4.99 ≈
¥36.22
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1
Roots for Full Orchestra
