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Preludes for Piano and Orchestra I
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Vous avez sélectionné:
Preludes for Piano and Orchestra I
Partitions à imprimer
12 partitions trouvées
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1
Preludes for Piano and Orchestra I
Preludes for Piano and Orchestra I
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Orchestre à Cordes
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FACILE
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Robert E
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Preludes for Piano and Orchest
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R. E. Proctor
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.809692 Composed by Robert E. Proctor. 20th Century,Romantic Period. Score and parts. 26 pages. R. E. Proctor #28383...
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String Orchestra - Level 2 - SKU: A0.809692 Composed by Robert E. Proctor. 20th Century,Romantic Period. Score and parts. 26 pages. R. E. Proctor #28383. Published by R. E. Proctor (A0.809692). My College Preludes for piano with a string orchestra. Early intermediate to intermediate. Appropriate for senior high school music students depending on their level of ability. An opportunity to work on ensemble playing with different types of bowing. The music is in a comfortable range for all instruments so the conductor or director can focus on play ensemble playing and dynamic ranges. Included is the score and set of parts.
$7.95 ≈
7.44€
Piano Concerto No. 5
Piano Concerto No. 5
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2 Pianos, 4 mains
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AVANCÉ
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Rodion Shchedrin
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II: Gong [h
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Piano Concerto No. 5
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Schott Music - Digital
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SheetMusicPlus
Piano and orchestra - difficult - SKU: S9.Q3160 Composed by Rodion Shchedrin. This edition: piano reduction for 2 pianos. Downloadable, Piano reduction....
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Piano and orchestra - difficult - SKU: S9.Q3160 Composed by Rodion Shchedrin. This edition: piano reduction for 2 pianos. Downloadable, Piano reduction. Duration 32 minutes. Schott Music - Digital #Q3160. Published by Schott Music - Digital (S9.Q3160). Shchedrin, son of a composer and music teacher, underwent a thorough musical training in Moscow. His versatility and dazzling competence across a wide variety of musical genres are surely a result of his studies. The composer is also an exceptional pianist and frequently performs his own piano works (concertos, sonatas, 24 preludes and fugues, etc.) on the concert platform. While employing a variety of modern compositional techniques he has, nevertheless, succeeded in uniting traditional and contemporary forms. His work is suffused with his love for Russian folkmusic, poetry and literature, yet it is not just relevant in his homeland but speaks to a wider audience. His more recent works too, are characterized by this fusion of a deep Slavic sensitivity with outstanding virtuosity.3 (3. auch Picc.) · 3 (3. auch Engl. Hr.) · 2 · 2 – 4 · 3 · 3 · 1 – 4 P. S. (I: hg. Crot. [chrom.] · Tr. [h.] · Choclo · Glass-chimes; II: Gong [h.] · Tamt. [t.] · Tr. [m.] · Choclo · Guiro [m.]; III: Sonagli [Troika] · gr. Tr. · Bambusi [oder Guiro h.]) (3 Spieler) – Str. (16 · 14 · 12 · 10 · 8).
$43.99 ≈
41.17€
Rachmaninoff: Alla Marcia in g Minor ~ Full Orchestra (Score)
Rachmaninoff: Alla Marcia in g Minor ~ Full Orchestra (Score)
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Orchestre
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INTERMÉDIAIRE
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Classique
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Sergei Rachmaninoff
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Michael Barrera
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Rachmaninoff: Alla Marcia in g
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Michael Barrera
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SheetMusicPlus
Full Orchestra - Intermediate - Composed by Sergei Rachmaninoff (1873-1943). Arranged by Michael Barrera. Romantic Period. Score. 16 pages. Publishe...
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Full Orchestra - Intermediate - Composed by Sergei Rachmaninoff (1873-1943). Arranged by Michael Barrera. Romantic Period. Score. 16 pages. Published by Michael Barrera
ProgramNotes
Sergei Rachmaninoff?s Alla Marciain g Minor is arguably one of his most popular pieces that is still playedtoday. This prelude was included asnumber 5 in his Opus 23, a set of ten preludes for solo piano. Rachmaninoff himself premiered this preludein Moscow in 1903, along with Preludes 1 and 2 from this set. It begins with quiet yet decisive sixteenthnote figures setting the mood for a minor march. Following this, the relative major Eb comesin full force expanding this sixteenth note figure with a descant-like melody. After a return to g minor, the energy of theopening march dissipates as a new lyrical melody takes the forefront,accompanied by sweeping arpeggios. Thissection is much melancholier than before. As this theme fades, the march returns slowly out of the mist that theprevious section created. It builds tothe return of the Eb major section that leads into a continuation of the marchtheme. This fades into a quick risingfigure to finish the prelude. Thisarrangement captures both the energy of the march and the beauty of the lyricalmiddle section.
Instrumentation
2 Flutes
2 Oboes
2 Clarinets (B flat)
2 Bassoons
4 Horns (F)
3 Trumpets (B flat)
2 Trombones
1 Bass Trombone
1 Tuba
Timpani
Snare Drum
Tambourine
Harp (substitute piano ifnecessary)
Violins I and II
Viola
Violincello
Double Bass
$19.99 ≈
18.71€
Rachmaninoff: Alla Marcia in g Minor | Full Orchestra (Set of Parts)
Rachmaninoff: Alla Marcia in g Minor | Full Orchestra (Set of Parts)
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Orchestre
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INTERMÉDIAIRE
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Classique
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Sergei Rachmaninoff
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Michael Barrera
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Rachmaninoff: Alla Marcia in g
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Michael Barrera
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.998578 Composed by Sergei Rachmaninoff. Arranged by Michael Barrera. Romantic Period. 76 pages. Michael Barrera #6256...
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Full Orchestra - Level 3 - SKU: A0.998578 Composed by Sergei Rachmaninoff. Arranged by Michael Barrera. Romantic Period. 76 pages. Michael Barrera #6256209. Published by Michael Barrera (A0.998578). Https://www.michaelbarreraflute.com/shop/p/alla-marcia-orchestra-parts Program Notes Sergei Rachmaninoff’s Alla Marcia in g Minor is arguably one of his most popular pieces that is still played today. This prelude was included as number 5 in his Opus 23, a set of ten preludes for solo piano. Rachmaninoff himself premiered this prelude in Moscow in 1903, along with Preludes 1 and 2 from this set. It begins with quiet yet decisive sixteenth note figures setting the mood for a minor march. Following this, the relative major Eb comes in full force expanding this sixteenth note figure with a descant-like melody. After a return to g minor, the energy of the opening march dissipates as a new lyrical melody takes the forefront, accompanied by sweeping arpeggios. This section is much melancholier than before. As this theme fades, the march returns slowly out of the mist that the previous section created. It builds to the return of the Eb major section that leads into a continuation of the march theme. This fades into a quick rising figure to finish the prelude. This arrangement captures both the energy of the march and the beauty of the lyrical middle section. Instrumentation 2 Flutes 2 Oboes 2 Clarinets (B flat) 2 Bassoons 4 Horns (F) 3 Trumpets (B flat) 2 Trombones 1 Bass Trombone 1 Tuba Timpani Snare Drum Tambourine Harp (substitute piano if necessary) Violins I and II Viola Violincello Double Bass.
$79.99 ≈
74.85€
Prayer (Bassoon & Piano)
Prayer (Bassoon & Piano)
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Basson, Piano (duo)
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Willard Zirk
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Prayer
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Imagine Music - Digital
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SheetMusicPlus
Bassoon & piano - SKU: IZ.IMS178 Composed by Willard Zirk. Score and Parts. 7 pages. Imagine Music - Digital #IMS178. Published by Imagine Music - Digit...
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Bassoon & piano - SKU: IZ.IMS178 Composed by Willard Zirk. Score and Parts. 7 pages. Imagine Music - Digital #IMS178. Published by Imagine Music - Digital (IZ.IMS178). 9 x 12 in inches.Prayer originated as an interlude for flute and piano in my choral setting of Psalm 19, Requiem, written in memory ofMarie Mountain Clark. She was a friend and former principal flute in the Ann Arbor Symphony Orchestra (andCongressional Gold Medal recipient for her service as a WWII Women's Air Service Pilot aEUR WASP). Since thepremiere of Requiem in 2009, several of my friends have asked me to transcribe Prayer for their instruments. It hasbeen used for weddings, funerals, offertories, and preludes.Prayer precedes the final verses of Psalm 19 in the Requiem, and it introduces the Psalmist's poignant text on thehuman weakness of willful transgression. Cleanse thou me from secret faultsaEUR|. Let the words of my mouth, and themeditation of my heart, be acceptable in thy sight, O Lord, my strength, and my redeemer (KJV).I think the fact that I had a bad cold while writing this music added to its effectiveness, for I was feeling quite sorry formyself. The melody portrays my prayer rising ever higher, asking forgiveness for my sins. The plagal (Amen) cadenceat the end acknowledges God's gracious forgiveness.Difficulty level: College or advanced high school, requiring full control of intonation and long tones in all ranges.Performance Time: 3' 40
$10.00 ≈
9.36€
Four Impressions on Debussy (4 Piano Preludes arranged for Full Orchestra) ? Score and Parts
Four Impressions on Debussy (4 Piano Preludes - Full Orchestra) ? Score and Parts
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy
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Ben Trigg
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Four Impressions on Debussy
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OlivePress Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1370381 Composed by Claude Debussy. Arranged by Ben Trigg. 19th Century,Romantic Period. 221 pages. OlivePress Music ...
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Full Orchestra - Level 4 - SKU: A0.1370381 Composed by Claude Debussy. Arranged by Ben Trigg. 19th Century,Romantic Period. 221 pages. OlivePress Music #954757. Published by OlivePress Music (A0.1370381). From Debussyâ??s Préludes, Book I:I: The Wind Over The PlainsII: The Girl With The Flaxen HairIII: Puckâ??s DanceIV: The Sunken CathedralDebussyâ??s piano music is filled with colour, texture, vibrancy, sonority. To play it is to be taken inside a sound world greater than the instrument itself. In other words, it seems to demand orchestration. Whether the fanfare call of Puckâ??s Dance, the sotto voce flurries evoking The Wind Over The Plains, or the deepest and highest reaches of the musical spectrum explored in the under-water world of The Sunken Cathedral, Debussyâ??s music seems to drop hints at obvious orchestral manoeuvres. His great skill, of course, was condensing these musical ideas to the piano. But the fruit is there fo the taking, and indeed other orchestrations exist of the complete suite of piano preludes â?? Books I and II. So, why another?This particular suite cherry-picks some of my own favourite movements from the suite, and arranges them in a â??symphonicâ?? structure to present an opening, expository movement (The Wind Over The Plains), a romantic Adagio (The Girl With The Flaxen Hair), a sprightly â??scherzoâ?? (Puckâ??s Dance), concluding with an epic finale (The Sunken Cathedral). This condensed suite may make the music more approachable for some orchestras, and offers something shorter to concert programmes wishing to feature other major works alongside, instead of performing all 24 preludes.I hope you enjoy performing this suite as much as I enjoyed arranging it.Instrumentation: Piccolo 2 Flutes 2 Oboes Cor Anglais 2 Clarinets in Bâ? Bass Clarinet in Bâ? 2 Bassoons Contrabassoon 4 Horns in F 3 Trumpets in Bâ? 2 Trombones Bass Trombone Tuba Timpani Percussion (3/4 players): Triangle, Crash Cymbals, Suspended Cymbal, Bass Drum, Tam-Tam, Glockenspiel, Tubular Bells Celesta Harp Violin 1 (divisi à 4) Violin 2 (divisi à 4) Viola (divisi à 4) Violoncello (divisi à 4) Contrabass (B extension where possible) (divisi à 4)
$99.99 ≈
93.57€
E. Satie - "Le Fils des Étoiles", Preludes I,II,III, Orchestrated by A. Leytush - Score Only
E. Satie - "Le Fils des Étoiles", Preludes I,II,III, Orchestrated by A. Leytush - Score Only
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E
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A
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E. Satie - "Le Fils des &
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1455596 Composed by E. Satie. Arranged by A. Leytush. 20th Century. 36 pages. Arkady Leytush #1034690. Published by Arkady Leyt...
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Full Orchestra - SKU: A0.1455596 Composed by E. Satie. Arranged by A. Leytush. 20th Century. 36 pages. Arkady Leytush #1034690. Published by Arkady Leytush (A0.1455596).
$50.00 ≈
46.79€
Preludio n.4 in Do minore
Preludio n.4 in Do minore
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Piano seul
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FACILE
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Marco Poggi
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Preludio n.4 in Do minore
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Marco Poggi
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1284475 By Marco Poggi. By Marco Poggi. 21st Century,Classical,Contemporary. Score. 3 pages. Marco Poggi #875648. Publish...
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Piano Solo - Level 2 - SKU: A0.1284475 By Marco Poggi. By Marco Poggi. 21st Century,Classical,Contemporary. Score. 3 pages. Marco Poggi #875648. Published by Marco Poggi (A0.1284475). This short piece for solo piano is part of a collection of ten preludes written in Rome between 2008 and 2013. Like preludes 2 & 3, it was conceived in a romantic mood, tinged with longing and tenderness. In this case, I wanted to write a piece with a catchy theme, harmonically and formally (ABA') simple in order to make it appreciable at first listen. I fall in love (!) with this piece, especially when played by strings, and so I derived from it other pieces: Agnus Dei for SATB choir & string orchestra, Andante for string quartet and Simple Song for solo organ.
$3.49 ≈
3.27€
Prayer
Prayer
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Trompette, Piano
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Willard Zirk
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Prayer
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Imagine Music - Digital
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SheetMusicPlus
Trumpet & piano - SKU: IZ.IMS1924 Composed by Willard Zirk. Score and Parts. 7 pages. Imagine Music - Digital #IMS1924. Published by Imagine Music - Dig...
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Trumpet & piano - SKU: IZ.IMS1924 Composed by Willard Zirk. Score and Parts. 7 pages. Imagine Music - Digital #IMS1924. Published by Imagine Music - Digital (IZ.IMS1924). 9 x 12 in inches.Prayer originated as an interlude for flute and piano in my choral setting of Psalm 19, Requiem, written in memory of Marie Mountain Clark. She was a friend and former principal flute in the Ann Arbor Symphony Orchestra (and Congressional Gold Medal recipient for her service as a WWII Women's Air Service Pilot - WASP). Since the premiere of Requiem in 2009, several of my friends have asked me to transcribe Prayer for their instruments. It has been used for weddings, funerals, offertories, and preludes. Prayer precedes the final verses of Psalm 19 in the Requiem, and it introduces the Psalmist's poignant text on the human weakness of willful transgression. Cleanse thou me from secret faults.... Let the words of my mouth, and the meditation of my heart, be acceptable in thy sight, O Lord, my strength, and my redeemer (KJV). I think the fact that I had a bad cold while writing this music added to its effectiveness, for I was feeling quite sorry for myself. The melody portrays my prayer rising ever higher, asking forgiveness for my sins. The plagal (Amen) cadence at the end acknowledges God's gracious forgiveness. Difficulty level: College or advanced high school, requiring full control of intonation and long tones in all ranges.Performance Time: 3' 40.
$10.00 ≈
9.36€
Prayer
Prayer
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Hautbois, Piano (duo)
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Willard Zirk
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Prayer
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Imagine Music - Digital
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SheetMusicPlus
Oboe & piano - SKU: IZ.IMF1819 Composed by Willard Zirk. Score and Parts. 7 pages. Imagine Music - Digital #IMF1819. Published by Imagine Music - Digita...
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Oboe & piano - SKU: IZ.IMF1819 Composed by Willard Zirk. Score and Parts. 7 pages. Imagine Music - Digital #IMF1819. Published by Imagine Music - Digital (IZ.IMF1819). 9 x 12 in inches.Prayer originated as an interlude for flute and piano in my choral setting of Psalm 19, Requiem, written in memory of Marie Mountain Clark. She was a friend and former principal flute in the Ann Arbor Symphony Orchestra (and Congressional Gold Medal recipient for her service as a WWII Women's Air Service Pilot - WASP). Since the premiere of Requiem in 2009, several of my friends have asked me to transcribe Prayer for their instruments. It has been used for weddings, funerals, offertories, and preludes.Prayer precedes the final verses of Psalm 19 in the Requiem, and it introduces the Psalmist's poignant text on the human weakness of willful transgression. Cleanse thou me from secret faults.... Let the words of my mouth, and the meditation of my heart, be acceptable in thy sight, O Lord, my strength, and my redeemer (KJV).I think the fact that I had a bad cold while writing this music added to its effectiveness, for I was feeling quite sorry for myself. The melody portrays my prayer rising ever higher, asking forgiveness for my sins. The plagal (Amen) cadence at the end acknowledges God's gracious forgiveness.Difficulty level: College or advanced high school, requiring full control of intonation and long tones in all ranges.Performance Time: 3' 40.
$10.00 ≈
9.36€
Kyrie, Gott heiliger Geist BWV 671 - AWV 9
Kyrie, Gott heiliger Geist BWV 671 - AWV 9
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Charles E
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Kyrie, Gott heiliger Geist BWV
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Askew Music Productions
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1305511 Composed by Johann Sebastian Bach. Arranged by Charles E. Askew. Baroque,Christian,Religious,Sacred. 48 pa...
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Chamber Orchestra - Level 4 - SKU: A0.1305511 Composed by Johann Sebastian Bach. Arranged by Charles E. Askew. Baroque,Christian,Religious,Sacred. 48 pages. Askew Music Productions #894959. Published by Askew Music Productions (A0.1305511). BWV 671 is one of my favorite chorale preludes. I think that it is an excellent teaching piece for understanding species counterpoint. I had always wondered how it would sound if orchestrated, but I could not find any examples. So, I decided to create my own.It is scored for Flute, 2 Clarinets, Bassoon, Contrabassoon, 2 Horns, Piano, and Strings (Orchestra or Quintet). Parts are included.
$40.00 ≈
37.43€
S. Prokofiev: Fleetingness, op. 22, (1915-17), orchestrated by A. Leytush - Score Only
S. Prokofiev: Fleetingness, op. 22, (1915-17), orchestrated by A. Leytush - Score Only
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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S
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A
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Comfort 2
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S. Prokofiev: Fleetingness, op
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1344002 Composed by S. Prokofiev. Arranged by A. Leytush. 20th Century. 181 pages. Arkady Leytush #929484. Published ...
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Full Orchestra - Level 3 - SKU: A0.1344002 Composed by S. Prokofiev. Arranged by A. Leytush. 20th Century. 181 pages. Arkady Leytush #929484. Published by Arkady Leytush (A0.1344002). 1. Fear & Comfort 2. Slumber 3. Under & Above Water 4. Manipulate Magician 5. Bird Commotion 6. Tree of Us 7. Harp (original name) 8. Melancholy 9. In the Park 10. Grimaces 11. Jester 12. Lame Grasshopper & Dragonfly 13. Laziness 14. Tin Soldiers & Ballerina 15. Premonition of Impending Disaster 16. Unrealistic Hopes 17. Tears & Calm 18. Reverie 19. Overturn 20. Dreams About the FutureThe reason for writing was the poems of K. D. Balmont, two lines of which Prokofiev chose as an epigraph: “In every fleeting moment I see worlds, full of changing rainbow playâ€. In 1940-42, the famous avant-garde artist Alexander Rodchenko created a series of drawings illustrating “Fleetingnessâ€.
$100.00 ≈
93.58€
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Preludes for Piano and Orchestra I
