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Prelude in H Minor
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Vous avez sélectionné:
Prelude in H Minor
Partitions à imprimer
44 partitions trouvées
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1
26
Prelude in H Minor
Prelude in H Minor
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Lena Orsa
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Prelude in H Minor
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Lena Orsa
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.913800 Composed by Lena Orsa. 20th Century,Contemporary,Instructional,Standards. Score. 3 pages. Lena Orsa #4831289. Publ...
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Piano Solo - Level 4 - SKU: A0.913800 Composed by Lena Orsa. 20th Century,Contemporary,Instructional,Standards. Score. 3 pages. Lena Orsa #4831289. Published by Lena Orsa (A0.913800). Prelude in H Minor from 24 Preludes for Piano
$2.99 ≈
2.75€
Prelude in D Minor
Prelude in D Minor
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Piano seul
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Elizabeth W
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Prelude in D Minor
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The FJH Music Company - Digital
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SheetMusicPlus
Piano - early intermediate - SKU: F0.W9348 Composed by Elizabeth W. Greenleaf. Sheet Music. Written For You. This spirited solo will surely be a hit wit...
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Piano - early intermediate - SKU: F0.W9348 Composed by Elizabeth W. Greenleaf. Sheet Music. Written For You. This spirited solo will surely be a hit with young football players. Solo Sheet. 4 pages. The FJH Music Company - Digital #W9348. Published by The FJH Music Company - Digital (F0.W9348). UPC: 674398225460.A musical flight of fancy for the late elementary student, Prelude in D Minor is a study in legato phrasing as the presto melody continually flows from the L.H to the R.H, and then intersperses L.H. staccato with R.H. legato in the B section. This charming piece then returns to the original legato flow and ends with flourish! Sure to delight your students and audience alike. About FJH Written For You Piano SolosSparkling and lyrical pieces which promote musical expression.
$2.50 ≈
2.30€
Prelude in A minor for Piano
Prelude in A minor for Piano
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Piano seul
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AVANCÉ
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Nathan H
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Prelude in A minor for Piano
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Nathan H. Payne
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.987775 Composed by Nathan H. Payne. 20th Century,Contemporary,Instructional,Standards. Score. 4 pages. Nathan H. Payne #4...
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Piano Solo - Level 5 - SKU: A0.987775 Composed by Nathan H. Payne. 20th Century,Contemporary,Instructional,Standards. Score. 4 pages. Nathan H. Payne #40327. Published by Nathan H. Payne (A0.987775). Prelude in A minor for Piano provides a challenge for the advanced piano player through the incorporation of varied tempos, slight polyrhythmic rhythms, and intricate articulation, all of which will contribute to the player’s technical abilities. -(Written in May 2015. Released June 2015. Duration: c.37 sec., Intended for performance, contact at nathanhpayne@gmail.com for further performance details or for submissions of audio from perfomance.).
$1.99 ≈
1.83€
Prelude and Fugue in D-minor BWV 549a for clarinet quartet
Prelude and Fugue in D-minor BWV 549a for clarinet quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Richard J
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Prelude and Fugue in D-minor B
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AMA Editions
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet,Bassethorn,Contra Alto Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1308807 Composed by Johann Sebastia...
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet,Bassethorn,Contra Alto Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1308807 Composed by Johann Sebastian Bach. Arranged by Richard J. Alder, Jr. Baroque,Chamber,Classical,Early Music,Religious. 32 pages. AMA Editions #898055. Published by AMA Editions (A0.1308807). Flexible Instrumentation:Transposed Score(Eâ™, Bâ™, Alto, Bass)I. Eâ™ or Bâ™ ClarinetII. Bâ™ Clarinet, Basset Horn, or Alto ClarinetIII. Bâ™ Clarinet, Basset Horn, Alto Clarinet, or Bass ClarinetIV. Bass Clarinet or Eâ™ Contra-Alto ClarinetLength: 5 minutesDifficulty: Intermediate/AdvancedNotes:J.S. Bach’s Prelude and Fugue BWV 549a in D-minor is one of his earlier works, believed to have been transcribed later to C-minor (BWV 549). This arrangement has been scored for clarinet quartet using flexible instrumentation for increased accessibility. The score has been written for Eâ™, Bâ™, alto, and bass clarinet, however, any combination of the included parts is acceptable.A Bâ™ clarinet part has been included for Part III to allow for one of the most common and accessible clarinet quartet settings of three Bâ™ clarinets and one bass clarinet, however, it required transposing a couple passages up an octave when it became too low, so using a basset horn, alto clarinet, or bass clarinet is preferable. The bass clarinets do not require the extended low range. (AMA-008).Richard originally arranged BWV 549 in C-minor for SATB saxophone quartet (AMA-006) and I adapted it for clarinets (AMA-007), then made the BWV 549a in D-minor version. The editing of this arrangement has been in consultÂÂation with the Bärenreiter (1972) and Breitkopf & Härtel (2013) Urtext editions for organ.Dr Jason Alder, editor.
$20.00 ≈
18.42€
Prelude and Fugue in C-minor BWV 549 for clarinet quartet
Prelude and Fugue in C-minor BWV 549 for clarinet quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
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Richard J
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Prelude and Fugue in C-minor B
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AMA Editions
#
SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet,Bassethorn,Contra Alto Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1308811 Composed by Johann Sebastia...
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet,Bassethorn,Contra Alto Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1308811 Composed by Johann Sebastian Bach. Arranged by Richard J. Alder, Jr. Baroque,Chamber,Classical,Early Music,Religious. 32 pages. AMA Editions #898047. Published by AMA Editions (A0.1308811). Flexible Instrumentation:Transposed Score (Eâ™, Bâ™, Alto, Bass)I. Eâ™ or Bâ™ ClarinetII. Bâ™ Clarinet, Basset Horn, or Alto ClarinetIII. Bâ™ Clarinet, Basset Horn, Alto Clarinet, or Bass ClarinetIV. Bass Clarinet (to low D) or Eâ™ Contra-Alto ClarinetLength: 5 minutesDifficulty: Intermediate/AdvancedNotes:J.S. Bach’s Prelude and Fugue BWV 549 in C-minor is one of his earlier works, believed to be a transcription of a work originally in D-minor (BWV 549a). This arrangement has been scored for clarinet quartet using flexible instrumentation for increased accessibility. The score has been written for Eâ™, Bâ™, alto, and bass clarinet, however, any combination of the included parts is acceptable.A Bâ™ clarinet part has been included for Part III to allow for one of the most common and accessible clarinet quartet settings of three Bâ™ clarinets and one bass clarinet, however, it required transposing some passages up an octave when it became too low, so using a basset horn, alto clarinet, or bass clarinet is preferable. The Part IV bass clarinet requires several low Ds so an extended range instrument is necessary. For a version that doesn’t require an extended range bass clarinet, BWV 549a in D-minor is available (AMA-008). This version also retains more of the original octaves in III. Bâ™ Clarinet.Richard originally arranged this work for SATB saxophone quartet and I have adapted it for clarinets. The editing of this arrangement has been in consultation with the Bärenreiter (1972) and Breitkopf & Härtel (2013) Urtext editions for organ.Dr Jason Alder, editor.
$20.00 ≈
18.42€
Prelude No.2 In A - minor - Ruben Dimitrashuk (Op.5 No.2)
Prelude No.2 In A - minor - Ruben Dimitrashuk (Op.5 No.2)
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Piano seul
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INTERMÉDIAIRE
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Classique
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Ruben Dimitrashuk
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Ruben Dimitrashuk
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Prelude No.2 In A - minor - Ru
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Ruben Dimitrashuk
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1150187 By Ruben Dimitrashuk. By Ruben Dimitrashuk. Arranged by Ruben Dimitrashuk. Classical. Score. 1 pages. Ruben Dimit...
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Piano Solo - Level 3 - SKU: A0.1150187 By Ruben Dimitrashuk. By Ruben Dimitrashuk. Arranged by Ruben Dimitrashuk. Classical. Score. 1 pages. Ruben Dimitrashuk #750358. Published by Ruben Dimitrashuk (A0.1150187). This is my 2nd Prelude. It is remarkably short in length, but has challenging L.H. jumps. It is a very fun learn!
$1.99 ≈
1.83€
J. S. Bach : Orgelbüchlein ("Little Organ Book") BWV 599−644): 45 chorale preludes arranged for SATB
J. S. Bach : Orgelbüchlein ("Little Organ Book") BWV 599−644): 45 chorale preludes - SATB
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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J. S. Bach : Orgelbüchlei
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.534471 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.534471 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Christmas,Easter,Sacred. 207 pages. Musik Fabrik Music Publishing #3520187. Published by Musik Fabrik Music Publishing (A0.534471). The Orgelbüchlein (Little Organ Book) BWV 599−644 is a collectionof 45 chorale preludes for organ written by Johann Sebastian Bach. Allbut three of them were composed during the period 1708–1717, whileBach was court organist at the ducal court in Weimar. The remainingthree, along with a short two-bar fragment, were added in 1726 or later,after Bach's appointment as cantor at the Thomasschule in Leipzig. The45 comlete pieces are divided up according to the liturigcal year:L’Orgelbüchlein (Le Petit LIvre D‘Orgue) BWV 599−644 est unecollection de 45 chorale preludes for organ écrites par Johann SebastianBach. Tout, sauf trois ont été composées pendant la période ou Bach étaitl’organiste titualaire au cour du Duc de Weimar entre 1708 et 1717, whileBach was court organist at the ducal court in Weimar. Les trois resentanteont été ajoutée vers 1726, après la nomination de Bach comme Maître deChapelle au Thomasschule à Leipzig. Les 45 pièces sont divisée selonThe 45 comlete pieces are divided up according to the liturigcal year:Advent /Avent1. Nun komm' der Heiden Heiland, BWV 599 (A minor)2. Gott, durch deine Güte, BWV 600 (F major)3. Herr Christ, der einge Gottessohn, BWV 601 (A major)4. Lob sei dem allmächtigen Gott, BWV 602 (D minor)Christmas/Noël5. Puer natus in Bethlehem, BWV 603 (G minor)6. Gelobet seist du, Jesu Christ, BWV 604 (G major)7. Der Tag, der ist so freudenreich, BWV 605 (G major)8. Vom Himmel hoch, da komm ich her, BWV 606 (D major)9. Vom Himmel kam der Engel Schaar, BWV 607 (G minor)10. In dulci jubilo, BWV 608 (A major)11. Lobt Gott, ihr Christen, allzugleich, BWV 609 (G major)12. Jesu, meine Freude, BWV 610 (C minor)13. Christum wir sollen loben schon, BWV 611 (E minor)14. Wir Christenleut', BWV 612 (G minor)New Year/Nouvelle Année15. Helft mir Gottes Güte preisen, BWV 613 (B minor)16. Das alte Jahr vergangen ist, BWV 614 (A minor)17. In dir ist Freude, BWV 615 (G major)Epiphany (Feast of the Purification)18. Mit Fried’ und Freud’ ich fahr’ dahin, BWV 616 (D minor)19. Herr Gott, nun schleuß den Himmel auf, BWV 617 (A minor)Passion20. O Lamm Gottes, unschuldig, BWV 618 (F major)21. Christe, du Lamm Gottes, BWV 619 (F major)22. Christus, der uns selig macht, BWV 620 (A minor)23. Da Jesus an dem Kreuze stund, BWV 621 (A minor)24. O Mensch, bewein’ dein’ Sünde groß, BWV 622 (E-flat major)25. Wir danken dir, Herr Jesu Christ, BWV 623 (G major)26. Hilf, Gott, daß mir's gelinge, BWV 624 (G minor)Easter/Pâques27. Christ lag in Todes Banden, BWV 625 (D minor)28. Jesus Christus, unser Heiland, BWV 626 (A minor)29. Christ ist erstanden, BWV 627 (D minor)30. Erstanden ist der heil’ge Christ, BWV 628 (D major)31. Erschienen ist der herrliche Tag, BWV 629 (D minor)32. Heut’ triumphiret Gottes Sohn, BWV 630 (D minor)Pentecost/Pentecôte33. Komm, Gott Schöpfer, Heiliger Geist, BWV 631 (G major)34. Herr Jesu Christ, dich zu uns wend’, BWV 632 (F major)35. Liebster Jesu, wir sind hier, BWV 633 (A major)Cathechism36. Dies sind die heil’gen zehn Gebot’, BWV 635 (C major)37. Vater unser im Himmelreich, BWV 636 (D minor)38. Durch Adam’s Fall ist ganz verderbt, BWV 637 (A minor)39. Es ist das Heil uns kommen her, BWV 638 (D major)Christian life/Vie Chrétienne40. Ich ruf’ zu dir, Herr Jesu Christ, BWV 639 (F minor)41. In dich hab’ ich gehoffet, Herr, BWV 640 (E minor)42. Wenn wir in höchsten Nöthen sein, BWV 641 (G major)43. Wer nur den lieben Gott lässt walten, BWV 642 (A minor)Death and Burial/La Mort et l’Enterrement44. Alle Menschen müssen sterben, BWV 643 (G major)45. Ach wie nichtig, ach wie flüchtig, BWV 644 (G minor)
$64.95 ≈
59.82€
Präludium h-Moll / Prelude b minor BWV 855a Bach / Siloti
Präludium h-Moll / Prelude b minor BWV 855a Bach / Siloti
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Musique Sacrée
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Johann Sebstian Bach / Alexand
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Präludium h-Moll / Prelud
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Uwe Roessler
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SheetMusicPlus
Piano Trio Cello,Double Bass,Piano,Violin - Level 4 - SKU: A0.1229325 Composed by Johann Sebstian Bach / Alexander Siloti. Arranged by Uwe Rössler Ro...
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Piano Trio Cello,Double Bass,Piano,Violin - Level 4 - SKU: A0.1229325 Composed by Johann Sebstian Bach / Alexander Siloti. Arranged by Uwe Rössler Roessler Rassler. Baroque,Instructional,Praise & Worship,Religious,Wedding. 9 pages. Uwe Roessler #825231. Published by Uwe Roessler (A0.1229325). Originally written for piano solo (hence the video link) here comes our arrangement for piano trio/quartet/quintet. Two iterations: In the first one the emphasis is put on the 16th-passages in the piano while all strings play pizzicato. In the second iteration violin1 and cello change to arco for the theme while the piano plays pp and with sostenuto pedal. A very rewarding effect.Minimum instrumentation: violin1, piano. Can be enlarged to piano trio / quartet / quintet.Comes with full score an all individual parts. Professional sheet material!
$20.00 ≈
18.42€
50 Preludes and Fugues Book 1
50 Preludes and Fugues Book 1
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Orgue
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Howard Skempton
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50 Preludes and Fugues Book 1
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Oxford University Press Digital
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SheetMusicPlus
Organ - SKU: OX.9780193572966 Composed by Howard Skempton. Score. 39 pages. Oxford University Press Digital #9780193572966. Published by Oxford Universi...
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Organ - SKU: OX.9780193572966 Composed by Howard Skempton. Score. 39 pages. Oxford University Press Digital #9780193572966. Published by Oxford University Press Digital (OX.9780193572966). ISBN 9780193572966.This is the first of two books of preludes and fugues for solo organ by Howard Skempton. Each book comprises 25 pairs of preludes and fugues based around the 24 major and minor keys with an additional entry in each book employing the notes B-A-C-H and the initials of the composer as the thematic material.
$22.99 ≈
21.18€
50 Preludes and Fugues Book 2
50 Preludes and Fugues Book 2
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Orgue
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Howard Skempton
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50 Preludes and Fugues Book 2
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Oxford University Press Digital
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SheetMusicPlus
Organ - SKU: OX.9780193572980 Composed by Howard Skempton. Score. 33 pages. Oxford University Press Digital #9780193572980. Published by Oxford Universi...
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Organ - SKU: OX.9780193572980 Composed by Howard Skempton. Score. 33 pages. Oxford University Press Digital #9780193572980. Published by Oxford University Press Digital (OX.9780193572980). ISBN 9780193572980.This is the second of two books of preludes and fugues for solo organ by Howard Skempton. Each book comprises 25 pairs of preludes and fugues based around the 24 major and minor keys with an additional entry in each book employing the notes B-A-C-H and the initials of the composer as the thematic material.
$22.99 ≈
21.18€
Rubank Treasures for Trombone (Baritone B.C.)
Rubank Treasures for Trombone (Baritone B.C.)
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Air Gai (Berlioz) &bull
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Rubank Treasures for Trombone
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Rubank Publications
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SheetMusicPlus
Trombone, Baritone B.C. - Grade 2-4 SKU: HL.121448 Book with Online Audio (stream or download). Edited by H. Voxman. Rubank Book/Audio Products. C...
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Trombone, Baritone B.C. - Grade 2-4 SKU: HL.121448 Book with Online Audio (stream or download). Edited by H. Voxman. Rubank Book/Audio Products. Classical, Contest, Festival. Softcover Media Online. 24 pages. Published by Rubank Publications (HL.121448). ISBN 9781480352551. UPC: 884088923143. 9x12 inches.Available for the first time: easy to advanced solo works from the Rubank archives with online performance and accompaniment recordings, printable piano accompaniments, and PLAYBACK+ audio tools. This new collection of 14 Rubank solos includes many that have long been unavailable. All are suitable for contest and festival performance (grades 2-4). Purchase includes exceptional performance tracks (recorded by pro players), accompaniment tracks for practice, and PDF piano accompaniments for use at contest. Includes: Air and Variation on a Civil War Song (“Tramp, Tramp, Tramp”) (Root) • Air Gai (Berlioz) • American Patrol (Meacham) • Andante and Allegro (Clerisse) • Aria and Allegro (Haydn) • Ave Maria (Schubert) • Concerto in F Minor (Lauga) • Jabberwocky (Walters) • Lyric Interlude (Johnson) • Orientale (Barat) • Prayer (Mascagni) • Prelude et Divertissement (Clerisse) • Summer Serenade (Hurrell) • Toreador's Song (Bizet).
Song List
: Ave Maria Prayer American Patrol Andante And Allegro Orientale Air Gai Lyric Interlude Toreador's Song Air And Variation On A Civil War Song ('Tramp, Tramp, Tramp') Aria And Allegro Concerto In F Minor Jabberwocky Prelude et Divertissement Summer Serenade
$17.99 ≈
16.57€
Concert and Contest Collection for Trombone
Concert and Contest Collection for Trombone
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Concert and Contest Collection
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Rubank Publications
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SheetMusicPlus
Trombone - Grade 3-4 SKU: HL.4002521 Accompaniment CD. Edited by H. Voxman. Concert Band Method. Rubank CD. Classical, Contest, Solos. CD-ROM. Pub...
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Trombone - Grade 3-4 SKU: HL.4002521 Accompaniment CD. Edited by H. Voxman. Concert Band Method. Rubank CD. Classical, Contest, Solos. CD-ROM. Published by Rubank Publications (HL.4002521). UPC: 884088111168. 9x12 inches.This top-rated collection of solo literature from the celebrated Rubank catalog is known by teachers and students everywhere. Each edition offers a superb variety of solos customized for that instrument. Most state solo/ensemble contest lists include several solos from this collection. This item (accompaniment CD) includes full performance and accompaniment only tracks (all pieces) and tempo adjustment software (most pieces).Also available:• Solo Book (HL04471790)• Piano Accompaniment Book (HL04471800)• Solo Book with Online Media (Performance/Accompaniment Recordings (stream or download) and Printable Piano Accompaniments) (HL04002522)Contents: Allegro Vivace from Concerto for Trombone (Rimsky-Korsakov) • Après un Rêve (After a Dream) (Faure) • Canzonetta (Mozart) • Concerto in F Minor (Lauga) • Concerto Miniature (Ostransky) • Crepuscule (Twilight) (Faure) • Love Thoughts (Pryor) • Morceau de Concours (Missa) • Prelude and Fanfaronade (Koepke) • Sarabande and Vivace (Handel) • Solo de Concert (Dubois) • Thème de Concours (Clerisse) • Two Spanish Dances (Ostransky) • Valse Sentimentale (Tchaikovsky).
Song List
: Love Thoughts (Pryor) Crepuscule (Pares) Concerto In F Minor (Lauga) Allegro Vivace(Con-Rim.Korsakof) Canzonetta (Mozart) Concerto Miniature (Ostransky) Morceau De Concours (Missa) Prelude & Fanfaronade (Koepke) Sarabande & Vivace (Handel) Solo De Concert (Dubois) Theme De Concours (Clerisse) Two Spanish Dances (Ostransky) Valse Sentimentale (Tchaikovsky) Après un rêve Apres Un Reve
$9.95 ≈
9.16€
Concert and Contest Collection for Bb Tenor Saxophone
Concert and Contest Collection for Bb Tenor Saxophone
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Concert and Contest Collection
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Rubank Publications
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SheetMusicPlus
Book with Online Media Tenor Saxophone - Grade 3-4 SKU: HL.4002516 Solo Book with Online Media. Edited by H. Voxman. Concert Band Method. Rubank B...
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Book with Online Media Tenor Saxophone - Grade 3-4 SKU: HL.4002516 Solo Book with Online Media. Edited by H. Voxman. Concert Band Method. Rubank Book/Audio Products. Classical, Contest, Solos. Softcover Media Online. 24 pages. Published by Rubank Publications (HL.4002516). ISBN 9781423477204. UPC: 884088111113. 9.0x12.0x0.13 inches.This top-rated collection of solo literature from the celebrated Rubank catalog is known by teachers and students everywhere. Each edition offers a superb variety of solos customized for that instrument. Most state solo/ensemble contest lists include several solos from this collection. In addition to the solo book, this item includes online access to: • Full-performance and accompaniment-only audio tracks • PDF piano accompaniment - download and print only what you need • PLAYBACK+ A multi-function audio player that allows you to adjust tempo without changing pitch, change keys, and create practice loops - available exclusively from Hal Leonard. Online audio/media is accessed at halleonard.com/mylibrary Contents: Adagio and Allegro (from Sonata No. 6 – Handel) • Allegretto (Arensky) • Contradance (Mozart) • First Concertino (Guilhaud) • Gigue (from Partita III – Bach) • Menuetto and Presto (from Trio V – Haydn) • Novelette (Sporck) • The Old Castle (from Pictures at an Exhibition – Mussorgsky) • Pièce in G Minor (Pierné) • Prelude and Allegro (Ostransky) • Première Étude de Concours (Petit) • Sinfonia (Arioso) (from Cantata No. 156 – Bach) • Two Little Tales (Desportes) • Valse Nouvelle (from Album for the Young – Tchaikovsky). Also available: • Solo Book (HL04471710) • Piano Accompaniment Book (HL04471720).
Song List
: Old Castle, The (Mussorgsky) Sinfonia (Arioso-Cantata 156) Bach First Concertino (Guilhaud) Allegretto (Arensky) Contradance (Mozart) Gigue (Partita Iii) Bach Menuetto & Presto (Trio V) (Haydn) Novelette (Sporck) Piece In G Min. (Pierne) Prem. Etude De Concours(Petit) Two Little Tales (Desportes) Prelude And Allegro Valse Nouvelle (Tchaikovsky) Adagio And Allegro
$16.99 ≈
15.65€
Concert and Contest Collection for Bb Tenor Saxophone
Concert and Contest Collection for Bb Tenor Saxophone
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Concert and Contest Collection
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Rubank Publications
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SheetMusicPlus
Tenor Saxophone - Grade 3-4 SKU: HL.4002515 Accompaniment CD. Edited by H. Voxman. Concert Band Method. Rubank CD. Classical, Contest, Solos. CD-R...
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Tenor Saxophone - Grade 3-4 SKU: HL.4002515 Accompaniment CD. Edited by H. Voxman. Concert Band Method. Rubank CD. Classical, Contest, Solos. CD-ROM. Published by Rubank Publications (HL.4002515). UPC: 884088111106. 9x12 inches.This top-rated collection of solo literature from the celebrated Rubank catalog is known by teachers and students everywhere. Each edition offers a superb variety of solos customized for that instrument. Most state solo/ensemble contest lists include several solos from this collection. This item (performance/accompaniment CD) includes full performance and accompaniment only tracks (all pieces) and tempo adjustment software (most pieces).Also available:• Solo Book (HL04471710)• Piano Accompaniment Book (HL04471720)• Solo Book with Online Media (Performance/Accompaniment Recordings (stream or download) and Printable Piano Accompaniments) (HL04002516)Contents: Adagio and Allegro (from Sonata No. 6 – Handel) • Allegretto (Arensky) • Contradance (Mozart) • First Concertino (Guilhaud) • Gigue (from Partita III – Bach) • Menuetto and Presto (from Trio V – Haydn) • Novelette (Sporck) • The Old Castle (from Pictures at an Exhibition – Mussorgsky) • Pièce in G Minor (Pierne) • Prelude and Allegro (Ostransky) • Première Étude de Concours (Petit) • Sinfonia (Arioso) (from Cantata No. 156 – Bach) • Two Little Tales (Desportes) • Valse Nouvelle (from Album for the Young – Tchaikovsky).
Song List
: Old Castle, The (Mussorgsky) Sinfonia (Arioso-Cantata 156) Bach First Concertino (Guilhaud) Allegretto (Arensky) Contradance (Mozart) Gigue (Partita Iii) Bach Menuetto & Presto (Trio V) (Haydn) Novelette (Sporck) Piece In G Min. (Pierne) Prem. Etude De Concours(Petit) Two Little Tales (Desportes) Valse Nouvelle (Tchaikovsky) Prelude And Allegro
$9.95 ≈
9.16€
Concert and Contest Collections - Trombone (Piano Accompaniment Part)
Concert and Contest Collections - Trombone (Piano Accompaniment Part)
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Concert and Contest Collection
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Rubank Publications
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SheetMusicPlus
Trombone - Piano Part Piano Accompaniment; Trombone - Grade 3-4 SKU: HL.4471800 Piano Accompaniment. Edited by H. Voxman. Concert Band Method. Rub...
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Trombone - Piano Part Piano Accompaniment; Trombone - Grade 3-4 SKU: HL.4471800 Piano Accompaniment. Edited by H. Voxman. Concert Band Method. Rubank Solo Collection. Classical, Contest, Solos. Softcover. 72 pages. Rubank Publications #RUBL296B. Published by Rubank Publications (HL.4471800). ISBN 9781423445609. UPC: 073999718003. 9.0x12.0x0.173 inches.A top-rated collection of solo literature offering each instrument a variety that is simply superb. A very high percentage of the solos in these books are included on various state contest lists. Piano accompaniments published separately.
Song List
: Love Thoughts (Pryor) Crepuscule (Pares) Concerto In F Minor (Lauga) Allegro Vivace(Con-Rim.Korsakof) Canzonetta (Mozart) Concerto Miniature (Ostransky) Morceau De Concours (Missa) Prelude & Fanfaronade (Koepke) Sarabande & Vivace (Handel) Solo De Concert (Dubois) Theme De Concours (Clerisse) Two Spanish Dances (Ostransky) Valse Sentimentale (Tchaikovsky) Après un rêve Apres Un Reve
$11.99 ≈
11.04€
Concert and Contest Collections - Trombone (Trombone Solo Part)
Concert and Contest Collections - Trombone (Trombone Solo Part)
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Concert and Contest Collection
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Rubank Publications
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SheetMusicPlus
Trombone - Solo Part Trombone - Grade 3-4 SKU: HL.4471790 Solo Book Only. Edited by H. Voxman. Concert Band Method. Rubank Solo Collection. Classi...
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Trombone - Solo Part Trombone - Grade 3-4 SKU: HL.4471790 Solo Book Only. Edited by H. Voxman. Concert Band Method. Rubank Solo Collection. Classical, Contest, Solos. Softcover. 24 pages. Rubank Publications #RUBL296A. Published by Rubank Publications (HL.4471790). ISBN 9781423445586. UPC: 073999717907. 9.0x12.0x0.084 inches.A top-rated collection of solo literature offering each instrument a variety that is simply superb. A very high percentage of the solos in these books are included on various state contest lists. Piano accompaniments published separately.
Song List
: Love Thoughts (Pryor) Crepuscule (Pares) Concerto In F Minor (Lauga) Allegro Vivace(Con-Rim.Korsakof) Canzonetta (Mozart) Concerto Miniature (Ostransky) Morceau De Concours (Missa) Prelude & Fanfaronade (Koepke) Sarabande & Vivace (Handel) Solo De Concert (Dubois) Theme De Concours (Clerisse) Two Spanish Dances (Ostransky) Valse Sentimentale (Tchaikovsky) Après un rêve Apres Un Reve
$7.99 ≈
7.36€
Bach: Wachet auf for Euphonium & Piano
Bach: Wachet auf for Euphonium & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Euphonium
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standar...
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Euphonium,Piano - Level 2 - SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555095. Published by jmsgu3 (A0.549854). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95 ≈
22.98€
Bach: Wachet auf for Viola & Piano
Bach: Wachet auf for Viola & Piano
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Alto, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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#
Bach: Wachet auf for Viola &am
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.549837 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. ...
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Piano,Viola - Level 2 - SKU: A0.549837 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554477. Published by jmsgu3 (A0.549837). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95 ≈
22.98€
Bach: Wachet auf for Alto Flute & Piano
Bach: Wachet auf for Alto Flute & Piano
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Flûte traversière et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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#
Bach: Wachet auf for Alto Flut
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.549847 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. ...
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Flute,Piano - Level 2 - SKU: A0.549847 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554865. Published by jmsgu3 (A0.549847). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$24.95 ≈
22.98€
Bach: Wachet auf for Trumpet & Piano
Bach: Wachet auf for Trumpet & Piano
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Trompette
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Trumpet &
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jmsgu3
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 2 - SKU: A0.549835 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,St...
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B-Flat Trumpet,Piano - Level 2 - SKU: A0.549835 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554463. Published by jmsgu3 (A0.549835). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$24.95 ≈
22.98€
Bach: Wachet auf for Clarinet & Piano
Bach: Wachet auf for Clarinet & Piano
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Clarinette et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Clarinet
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 2 - SKU: A0.549841 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,S...
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B-Flat Clarinet,Piano - Level 2 - SKU: A0.549841 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554817. Published by jmsgu3 (A0.549841). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95 ≈
22.98€
Bach: Wachet auf for Trombone & Piano
Bach: Wachet auf for Trombone & Piano
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Trombone et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Trombone
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 2 - SKU: A0.549853 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standard...
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Piano,Trombone - Level 2 - SKU: A0.549853 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555091. Published by jmsgu3 (A0.549853). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95 ≈
22.98€
Bach: Wachet auf for Bass Flute & Piano
Bach: Wachet auf for Bass Flute & Piano
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Bass Flut
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 2 - SKU: A0.549846 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Ea...
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Bass Flute,Instrumental Solo,Piano - Level 2 - SKU: A0.549846 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3554877. Published by jmsgu3 (A0.549846). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95 ≈
22.98€
Bach: Wachet auf BWV 140 for Flute & Piano
Bach: Wachet auf BWV 140 for Flute & Piano
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Flûte traversière et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf BWV 140 for F
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.549839 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Standards. Score an...
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Flute,Piano - Level 2 - SKU: A0.549839 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554485. Published by jmsgu3 (A0.549839). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings,or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &nb.
$26.95 ≈
24.82€
Bach: Wachet auf for Cello & Piano
Bach: Wachet auf for Cello & Piano
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Violoncelle, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Cello &am
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.549838 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. ...
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Cello,Piano - Level 2 - SKU: A0.549838 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554481. Published by jmsgu3 (A0.549838). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95 ≈
22.98€
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Prelude in H Minor
