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Prelude and Fugue in D Minor: I. Prelude
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Prelude and Fugue in D Minor: I. Prelude
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Prelude and Fugue in D Minor: I. Prelude
Prelude and Fugue in D Minor: I. Prelude
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Orgue, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Mitch Boucher
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Prelude and Fugue in D Minor:
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Mitch Boucher
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SheetMusicPlus
Instrumental Duet,Piano Harpsichord,Instrumental Duet,Organ,Piano - Level 3 - SKU: A0.990410 Composed by Mitch Boucher. Baroque. Score and parts. 1 page...
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Instrumental Duet,Piano Harpsichord,Instrumental Duet,Organ,Piano - Level 3 - SKU: A0.990410 Composed by Mitch Boucher. Baroque. Score and parts. 1 pages. Mitch Boucher #5749263. Published by Mitch Boucher (A0.990410).
$4.00 ≈
3.74€
Prelude and Fugue in D-minor BWV 549a for clarinet quartet
Prelude and Fugue in D-minor BWV 549a for clarinet quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Richard J
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Prelude and Fugue in D-minor B
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AMA Editions
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet,Bassethorn,Contra Alto Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1308807 Composed by Johann Sebastia...
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet,Bassethorn,Contra Alto Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1308807 Composed by Johann Sebastian Bach. Arranged by Richard J. Alder, Jr. Baroque,Chamber,Classical,Early Music,Religious. 32 pages. AMA Editions #898055. Published by AMA Editions (A0.1308807). Flexible Instrumentation:Transposed Score(Eâ™, Bâ™, Alto, Bass)I. Eâ™ or Bâ™ ClarinetII. Bâ™ Clarinet, Basset Horn, or Alto ClarinetIII. Bâ™ Clarinet, Basset Horn, Alto Clarinet, or Bass ClarinetIV. Bass Clarinet or Eâ™ Contra-Alto ClarinetLength: 5 minutesDifficulty: Intermediate/AdvancedNotes:J.S. Bach’s Prelude and Fugue BWV 549a in D-minor is one of his earlier works, believed to have been transcribed later to C-minor (BWV 549). This arrangement has been scored for clarinet quartet using flexible instrumentation for increased accessibility. The score has been written for Eâ™, Bâ™, alto, and bass clarinet, however, any combination of the included parts is acceptable.A Bâ™ clarinet part has been included for Part III to allow for one of the most common and accessible clarinet quartet settings of three Bâ™ clarinets and one bass clarinet, however, it required transposing a couple passages up an octave when it became too low, so using a basset horn, alto clarinet, or bass clarinet is preferable. The bass clarinets do not require the extended low range. (AMA-008).Richard originally arranged BWV 549 in C-minor for SATB saxophone quartet (AMA-006) and I adapted it for clarinets (AMA-007), then made the BWV 549a in D-minor version. The editing of this arrangement has been in consultÂÂation with the Bärenreiter (1972) and Breitkopf & Härtel (2013) Urtext editions for organ.Dr Jason Alder, editor.
$20.00 ≈
18.72€
Maestoso and Fugue in D minor for String Orchestra - Based on Ludwig van Beethoven Unv 7 Hess 40 & O
Maestoso and Fugue in D minor for String Orchestra - Based on Ludwig van Beethoven Unv 7 Hess 40 & O
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Orchestre à Cordes
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Classique
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Ludwig van Beethoven, Cees Nie
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Upstream Music
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Maestoso and Fugue in D minor
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Upstream Music
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SheetMusicPlus
String Orchestra - SKU: A0.933521 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and parts. 18 pages...
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String Orchestra - SKU: A0.933521 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and parts. 18 pages. Upstream Music #6353295. Published by Upstream Music (A0.933521). Both the Adagio molto (Hess 40) and the unfinished, originally intended Fugue date from November, 1817. It was the publisher Tobias Haslinger who requested a prelude and fugue for a publication in line with works published earlier. Beethoven completed the prelude but with the fugue he stopped after merely four bars of music. The short original fugue theme was later inserted into the second part (Molto vivace) of the Ninth Symphony (Opus 125).The prelude (Beethoven did not give any time indication) starts with 37 bars of solemn music followed by 12 bars Allegro. In terms of form, rhythm, and key, this material shows great similarity to the Molto vivace from Opus 125 referred to above. The present version has been arranged for a string orchestra instead of for a string quintet, thus being the first publication which enables it to be performed in its entirety. In order to balance the foundation, I opted for introducing a contrabass part, which largely follows the cello part composed by Beethoven. As regards the phrasing, dynamics, and rests as well as the time indication, this publication follows those in Willy Hess’ publication. So the prescribed time ‘Adagio molto’ is not that of Beethoven himself.The arguments to link the Maestoso to the Fugue in D major (Opus 137) published later are multiple. In the first place, the Fugue also dates from 1817. Secondly, the key is the same as is the number of instruments for a string quintet with two separate alto parts. Not only does the original fugue theme start at the tone a, but the timing too is the same, that is 3/8. So it seems reasonable to assume that Beethoven intended both works as a couple.The abnormal rhythmics of the bars 38 up to and including 49 is remarkable. I have preserved it because the part has been authentically composed by Beethoven, while it did not seem logical to me to have it immediately followed by the Fugue completed by myself. I have composed a number of bars of music based on the beginning of the prelude by way of a smooth transition.In the Fugue, I closely adhere to Beethoven, at the same time introducing a contrabass part here as well, so as to support the cello. At a number of places in the score, Beethoven recorded neither music nor rests. This refers to the bars 5 (second viola and cello), 11, 12, 25 and 26 (first and second violins), 39 to 41 (all parts), 43 and 44 (all parts except the first violin), 45 (first viola) and finally 45 and 46 (second violin). As in Willy Hess’ publication, I have just inserted rests here.
$29.00 ≈
27.14€
Prelude and Fugue in C-minor BWV 549 for clarinet quartet
Prelude and Fugue in C-minor BWV 549 for clarinet quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Richard J
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Prelude and Fugue in C-minor B
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AMA Editions
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet,Bassethorn,Contra Alto Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1308811 Composed by Johann Sebastia...
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet,Bassethorn,Contra Alto Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1308811 Composed by Johann Sebastian Bach. Arranged by Richard J. Alder, Jr. Baroque,Chamber,Classical,Early Music,Religious. 32 pages. AMA Editions #898047. Published by AMA Editions (A0.1308811). Flexible Instrumentation:Transposed Score (Eâ™, Bâ™, Alto, Bass)I. Eâ™ or Bâ™ ClarinetII. Bâ™ Clarinet, Basset Horn, or Alto ClarinetIII. Bâ™ Clarinet, Basset Horn, Alto Clarinet, or Bass ClarinetIV. Bass Clarinet (to low D) or Eâ™ Contra-Alto ClarinetLength: 5 minutesDifficulty: Intermediate/AdvancedNotes:J.S. Bach’s Prelude and Fugue BWV 549 in C-minor is one of his earlier works, believed to be a transcription of a work originally in D-minor (BWV 549a). This arrangement has been scored for clarinet quartet using flexible instrumentation for increased accessibility. The score has been written for Eâ™, Bâ™, alto, and bass clarinet, however, any combination of the included parts is acceptable.A Bâ™ clarinet part has been included for Part III to allow for one of the most common and accessible clarinet quartet settings of three Bâ™ clarinets and one bass clarinet, however, it required transposing some passages up an octave when it became too low, so using a basset horn, alto clarinet, or bass clarinet is preferable. The Part IV bass clarinet requires several low Ds so an extended range instrument is necessary. For a version that doesn’t require an extended range bass clarinet, BWV 549a in D-minor is available (AMA-008). This version also retains more of the original octaves in III. Bâ™ Clarinet.Richard originally arranged this work for SATB saxophone quartet and I have adapted it for clarinets. The editing of this arrangement has been in consultation with the Bärenreiter (1972) and Breitkopf & Härtel (2013) Urtext editions for organ.Dr Jason Alder, editor.
$20.00 ≈
18.72€
Mozart-Bach Prelude and Fugue I from K.404a (arranged for woodwind quintet)
Mozart-Bach Prelude and Fugue I from K.404a (arranged for woodwind quintet)
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W
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Daniel Kaplan
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Mozart-Bach Prelude and Fugue
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Daniel Kaplan
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,English Horn,Flute - Level 3 - SKU: A0.1408729 Composed by W.A. Mozart, J.S. Bach. Arranged by Danie...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,English Horn,Flute - Level 3 - SKU: A0.1408729 Composed by W.A. Mozart, J.S. Bach. Arranged by Daniel Kaplan. 19th Century,Baroque,Chamber,Classical. 30 pages. Daniel Kaplan #991327. Published by Daniel Kaplan (A0.1408729). Arrangement by Daniel Kaplan for woodwind quintet of Mozart's Prelude and Fugue No. 1 from his Six Preludes and Fugues for String Trio, K.404a. This is an original prelude by Mozart plus his arrangement of the Fugue in D minor by J.S. Bach, BWV 853 (from Book 1 of the Well Tempered Clavier). Mozart wrote this to play at the Sunday musicales of Baron van Swieten in Vienna, who insisted that all participants perform music of Bach or Handel. Kaplan is engaged in a project to make classics from other genres available to woodwind players and has also arranged several other great works for this ensemble. The woodwind quintet is especially well suited for contrapuntal music since the distinctive tone colors of the wind instruments bring out the contrapuntal lines and make them clearer to the listener.Note that all six preludes and all six fugues from this work are also available as a single purchase on this website. This first Prelude and Fugue is being made available here for those who would rather buy one prelude and fugue at a time.
$4.95 ≈
4.63€
Bach Prelude and Fugue No. 6 BWV 851 in D Minor. The Well-Tempered Clavier Book I
Bach Prelude and Fugue No. 6 BWV 851 in D Minor. The Well-Tempered Clavier Book I
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Public Domain
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Bach Prelude and Fugue No. 6 B
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John Travos
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1183879 Composed by Johann Sebastian Bach. Arranged by Public Domain. Baroque. Score. 4 pages. John Travos #783574. Publi...
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Piano Solo - Level 4 - SKU: A0.1183879 Composed by Johann Sebastian Bach. Arranged by Public Domain. Baroque. Score. 4 pages. John Travos #783574. Published by John Travos (A0.1183879). Bach Prelude and Fugue No. 6 BWV 851 in D Minor. The Well-Tempered Clavier Book I including finger numbers.
$5.85 ≈
5.47€
Bach - Prelude and Fugue No.6 in D minor BWV 851 for Piano
Bach - Prelude and Fugue No.6 in D minor BWV 851 for Piano
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Piano seul
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INTERMÉDIAIRE
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Classique
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Bach Johann Sebastian
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Santino Cara
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Bach - Prelude and Fugue No.6
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Santino Cara
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.517576 Composed by Bach Johann Sebastian. Arranged by Santino Cara. Baroque. Score. 5 pages. Santino Cara #6220925. Publi...
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Piano Solo - Level 3 - SKU: A0.517576 Composed by Bach Johann Sebastian. Arranged by Santino Cara. Baroque. Score. 5 pages. Santino Cara #6220925. Published by Santino Cara (A0.517576). Complete score of the Prelude and Fugue No.6 in D minor BWV 851 for Piano. Composed in 1722 by Johann Sebastian Bach. Rewritten and elaborated in 2019 by Santino Cara from The Well Tempered Clavier - Book I.
$5.40 ≈
5.05€
Bach : Le Clavier bien tempéré, Livre I – Prélude et Fugue n° 6 en ré mineur, BWV 851
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Piano seul
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INTERMÉDIAIRE
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Classique
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Bach
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Le Clavier bien tempéré, Liv
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Tomplay
Telechargez la partition Piano Le Clavier bien tempere, Livre I – Prelude et Fugue n° 6 en re mineur, BWV 851 de Bach. Partition pour Piano seul -- Classi...
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Telechargez la partition Piano Le Clavier bien tempere, Livre I – Prelude et Fugue n° 6 en re mineur, BWV 851 de Bach. Partition pour Piano seul -- Classique
3.99€
Bach-Gounod: Ave Maria, Schwencke version for Oboe d'Amore & Piano
Bach-Gounod: Ave Maria, Schwencke version for Oboe d'Amore & Piano
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 2 - SKU: A0.550930 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,S...
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Instrumental Solo,Oboe d'Amore,Piano - Level 2 - SKU: A0.550930 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and individual part. 12 pages. Jmsgu3 #4888395. Published by jmsgu3 (A0.550930). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95 ≈
30.83€
Bach-Gounod: Ave Maria for Oboe d'Amore & Piano
Bach-Gounod: Ave Maria for Oboe d'Amore & Piano
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Bach-Gounod
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James M
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Piano - S0
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Bach-Gounod: Ave Maria for Obo
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 2 - SKU: A0.549360 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Eas...
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Instrumental Solo,Oboe d'Amore,Piano - Level 2 - SKU: A0.549360 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and individual part. 12 pages. Jmsgu3 #3490109. Published by jmsgu3 (A0.549360). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Oboe d'Amore & Piano - S0.661867. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95 ≈
30.83€
BEST OF BACH (20 TUNES) - Sheet Music Collection [EASY PIANO]
BEST OF BACH (20 TUNES) - Collection [EASY PIANO]
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Piano Facile
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FACILE
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Classique
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Johann Sebastian Bach
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Darek
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BEST OF BACH
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Darek
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.1326457 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Darek. Baroque,Classical,Early Music,Religious. S...
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Easy Piano - Level 2 - SKU: A0.1326457 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Darek. Baroque,Classical,Early Music,Religious. Score. 56 pages. Darek #914599. Published by Darek (A0.1326457). BEST OF BACH (20 TUNES) - Sheet Music Collection [EASY PIANO]Sheet music for piano or keyboard in easy arrangements for beginner pianists. Johann Sebastian Bach and 20 of the composer's most famous works. Easy sheet music | Baroque | Classical Music | Easy Sheet Music Collection | Piano | Keyboard | Grand Piano | Easy version for pianists | Beginner Version | Easy Piano Sheet Music | Arrangement for Beginners Included: Articulation, Dynamics, Fingering and a simplified Youtube tutorial. Song List:1. Adagio from Oboe Concerto in D Minor (BWV 974)2. Air on the G String from Suite No. 3 (BWV 1068)3. Ave Maria (Prelude in C major, BWV 846) (Bach/Gounod)4. Badinerie from Orchestral Suite No. 2 in B Minor (BWV 1067)5. Bourrée in E Minor (BWV 996)6. Brandenburg Concerto No. 3 in G Major, First Movement (BWV 1048)7. Cantata: Jesu, Joy of Man’s Desiring (BWV 147)8. Cello Suite No. 1, Prelude (BWV 1007)9. Goldberg Variations, Aria (BWV 988)10.  Invention No. 1 in C Major (BWV 772)11.  Invention No. 8 in F Major (BWV 779)12.  Italian Concerto in F Major, First Movement (BWV 971)13.  Minuet in G Major (BWV Anh. 114)14.  Minuet in G Minor (BWV Anh. 115)15.  Minuet in G Major (BWV Anh. 116)16.  Musette in D Major (BWV Anh. 126)17.  Partita No. 2 in C Minor, I. Sinfonia (BWV 826)18.  Passacaglia in C Minor (BWV 582)19.  Prelude in C (BWV 846)20.  Toccata and Fugue in D Minor (BWV 565).
$20.00 ≈
18.72€
10 tunes for FLUTE of Bach
10 tunes for FLUTE of Bach
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Flûte traversière
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FACILE
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Classique
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Johann Sebastian Bach
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Leyandder Trustworthy
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10 tunes for FLUTE of Bach
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Leyandder Trustworthy
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SheetMusicPlus
Flute Solo - Level 2 - SKU: A0.964349 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Christian,Instructional,Standards,Wo...
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Flute Solo - Level 2 - SKU: A0.964349 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Christian,Instructional,Standards,World. Individual part. 8 pages. Leyandder Trustworthy #6219791. Published by Leyandder Trustworthy (A0.964349). The present collection was the result of research and dedication, in order to analyze and select well-known works of good execution, for this instrument (flute), unfortunately, it was necessary to leave some better known works out of the collection, such as: Toccata and Fuga in D minor; BWV 565 and the Brandemburgo Concerts, as soon as, these are not so favorable for execution on wind instruments, as well as they are of high difficulty. The purpose of this work is for beginners and interediate practitioners on wind instruments, and it can be used effectively by teachers and musical educators who need a material of easy accessibility, as well as good reading and interpretation quality. This material also has the aid of a cipher to be used in accompaniment of a harmonic instrument, because there is not always the availability of a professional pianist to accompany the student. In view of the above-mentioned considerations, I conclude by saying that the inspiration for the fabrication of this work is due to the reality observed in many music schools that are in a precarious state, not only of musical instruments or basic teaching materials, but also the lack of good quality musical editions accessible to educators and students, so that they have access to the great works making our musical future guaranteed of good musical quality and accessible to all.AIR ON THE G STRING; BWV 1068ARIOSO (Sinfonia); BWV 156GAVOTTE I; BWV 808FUGUE IN C MINOR; BWV 847bMINUET IN G MAJOR; BWV Ahn. 114MUSETTE IN D MAJOR; BWV Ahn. 126BOURRÉE; BWV 996PRELUDE; BWV 1007JESU, JOY OF MAN'S DESIRING; BWV 147BADINERIE; BWV 1067MINUET; BWV 825
$6.99 ≈
6.54€
'Pachelbel & Son' for Clarinet Trio (1st movt) & Clarinet Quartet (2nd movt).
'Pachelbel & Son' for Clarinet Trio (1st movt) & Clarinet Quartet (2nd movt).
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3 Clarinettes (trio)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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J
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Stephen Davies
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'Pachelbel & Son' for Clar
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Stephen Davies
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SheetMusicPlus
Level 4 - SKU: A0.891890 Composed by J.C.Pachelbel / W.H.Pachelbel. Arranged by Stephen Davies. Baroque. 72 pages. Stephen Davies #3468152. Published by...
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Level 4 - SKU: A0.891890 Composed by J.C.Pachelbel / W.H.Pachelbel. Arranged by Stephen Davies. Baroque. 72 pages. Stephen Davies #3468152. Published by Stephen Davies (A0.891890). Apologies if you've arrived here expecting the famous Canon in D! But don't go just yet! Pachelbel wrote a great deal of wonderful music other than the afore mentioned Canon. Here I have chosen the beautifully exquisite Chaconne in F Minor by Johann Christoph Pachelbel for CLARINET TRIO, its packed full of deep expression and challenging passages, and quite frankly very catchy and memorable!! The following piece, the Prelude & Fugue in D Major, is by his son, Wilhelm Hieronymus Pachelbel here arranged for CLARINET QUARTET, which contrasts his Fathers piece in many ways, its sheer eccentricity and brilliance shines through the whole work! A loose comparison would be that he shares some challenging passages with Dad!! (... and at bars 66/68 a door bell can heard, revolutionary!!) So, 2 Pachelbels for the price of one, settle back and listen to PACHELBEL & SON!
$19.99 ≈
18.71€
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Prelude and Fugue in D Minor: I. Prelude
