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Vous avez sélectionné:
Plainchant melody
Partitions à imprimer
38 partitions trouvées
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Of the Father's Love Begotten - SATB choir
Of the Father's Love Begotten - SATB choir
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Chorale SATB
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INTERMÉDIAIRE
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Plainchant melody
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Todd Marchand
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Of the Father's Love Begotten
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Con Spirito Music
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.726116 Composed by Plainchant melody. Arranged by Todd Marchand. Christmas,Classical,Sacred. Octavo. 4 pages. Co...
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Choral Choir (SATB) - Level 3 - SKU: A0.726116 Composed by Plainchant melody. Arranged by Todd Marchand. Christmas,Classical,Sacred. Octavo. 4 pages. Con Spirito Music #6198933. Published by Con Spirito Music (A0.726116). Set to one of the most beautiful plainchant melodies (DIVINUM MYSTERIUM), this traditional Christmas hymn is arranged for a capella SATB voices and features solo male voice on verse 1, SA voices on verse 2, and full choir on verses 3-4 with harmonies that evoke both the ancient and the modern. Copyright 2020 Todd Marchand / www.ConSpiritoMusic.com
$2.00 ≈
¥14.51
Humbly I Adore Thee (ADORO TE DEVOTE) — trombone and piano or organ
Humbly I Adore Thee (ADORO TE DEVOTE) — trombone and piano or organ
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Trombone et Piano
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INTERMÉDIAIRE
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Traditional plainchant melody
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Todd Marchand
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Humbly I Adore Thee
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Con Spirito Music
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.1098129 Composed by Traditional plainchant melody. Arranged by Todd Marchand. Medieval,Religious,Sacred. Score and pa...
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Piano,Trombone - Level 3 - SKU: A0.1098129 Composed by Traditional plainchant melody. Arranged by Todd Marchand. Medieval,Religious,Sacred. Score and part. 7 pages. Con Spirito Music #702001. Published by Con Spirito Music (A0.1098129). “Humbly I Adore Thee†is a eucharistic, or communion, hymn with text by St. Thomas Aquinas (1225-1274).The origin of the melody, “Adoro te Devote,†is unclear. In some places it is simply described as a Gregorian chant; in others as a 13th-century Benedictine plainsong; in others as a French church melody published in the Paris Processionale (hymnal or liturgical manual) of 1697. Regardless, it is a lovely, flowing tune well-suited for the legato “singing†capabilities of the trombone, euphonium, or cello.In this arrangement, the soloist plays the tune through on the first verse in D major, adds a descant over the melody played by keyboard in the second verse and, following a short modulation, recapitulates the tune in the concluding key of G major.©Copyright 2022 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$6.00 ≈
¥43.54
Meditation on "Veni, Emmanuel" — trombone and piano or organ
Meditation on "Veni, Emmanuel" — trombone and piano or organ
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Trombone et Piano
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INTERMÉDIAIRE
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Plainchant melody
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Todd Marchand
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Meditation on "Veni, Emma
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Con Spirito Music
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.726102 Composed by Plainchant melody. Arranged by Todd Marchand. Advent,Christian,Sacred. Score and part. 10 pages. C...
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Piano,Trombone - Level 3 - SKU: A0.726102 Composed by Plainchant melody. Arranged by Todd Marchand. Advent,Christian,Sacred. Score and part. 10 pages. Con Spirito Music #6092177. Published by Con Spirito Music (A0.726102). “O Come, O Come Emmanuel†are the opening words of John Mason Neale’s (1818-1866) translation of the Medieval text, “Veni, Emmanuel,†with music arranged by Thomas Helmore (1811-1890), for The Hymnal Noted (London, 1856). The text of this most famous of Advent hymns is taken from various “‘O’ Antiphons,†verses sung or recited before and after the Magnificat during the evening Vespers service in the last week of Advent. Each antiphon is a name of Christ, and together they echo the foretelling of the long-expected Messiah by the prophet Isaiah.The origin of the music is uncertain. Some claim it to be from a 15th-century French processionale (hymnal, liturgical manual) for Franciscan nuns; others believe it to be of earlier, eighth-century Gregorian plainsong origins.This arrangement features both traditional and contemporary harmonies and a meditative original introduction prior to the opening presentation of the melody by trombone, which is echoed in countermelodies in later presentations.Includes both bass clef and Bb treble clef solo parts.©Copyright 2020 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$6.00 ≈
¥43.54
Of the Father's Love Begotten
Of the Father's Love Begotten
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Noël
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Medieval plainchant melody
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Todd Marchand
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Of the Father's Love Begotten
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Con Spirito Music
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SheetMusicPlus
Composed by Medieval plainchant melody. Arranged by Todd Marchand. Christian, Sacred, Christmas. 9 pages. Published by Con Spirito Music (S0.180001). - - Chris...
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Composed by Medieval plainchant melody. Arranged by Todd Marchand. Christian, Sacred, Christmas. 9 pages. Published by Con Spirito Music (S0.180001). - - Christian,Sacred,Christmas - Con Spirito Music
$15.00 ≈
¥108.84
Ubi caritas et amor
Ubi caritas et amor
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Murice Dufuflé
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J
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Ubi caritas et amor
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José Carlos Cordonero
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.1384186 Composed by Murice Dufuflé (1902-1986). Arranged by J. Mark Baker. 20th Century,A Cappe...
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Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.1384186 Composed by Murice Dufuflé (1902-1986). Arranged by J. Mark Baker. 20th Century,A Cappella,Christian,Lent,Religious. 3 pages. José Carlos Cordonero #968549. Published by José Carlos Cordonero (A0.1384186). Maurice Duruflé based this famous motet on an ancient plainchant melody. This new adaptation makes the motet more accessible by an intelligent redistribution of parts: in its opening and closing sections, the first tenor line is reassigned to the altos, and the alto line is given to the tacet sopranos. All of Duruflé's sumptuous harmonies are retained.Maurice Duruflé basó este famoso motete en una antigua melodÃa de canto llano. Esta nueva adaptación hace que el motete sea más accesible mediante una redistribución inteligente de las partes: en sus secciones de apertura y cierre, se conservan todas las suntuosas armonÃas de Duruflé.
$9.00 ≈
¥65.31
Tantum Ergo
Tantum Ergo
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Chorale SATB
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INTERMÉDIAIRE
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Gregorian Chant/ Text: St
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Thomas Quigley
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Tantum Ergo
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Thomas Quigley
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.732176 Composed by Gregorian Chant/ Text: St.Thomas Aquinas. Arranged by Thomas Quigley. Christian,Classical,Sac...
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Choral Choir (SATB) - Level 3 - SKU: A0.732176 Composed by Gregorian Chant/ Text: St.Thomas Aquinas. Arranged by Thomas Quigley. Christian,Classical,Sacred. Octavo. 7 pages. Thomas Quigley #5316689. Published by Thomas Quigley (A0.732176). A new dimension has been added to this famous plainchant melody with the inclusion of subtle, tasteful, modal harmonies. The texture varies and the overall musical effect is sublime. Choirs will enjoy the accessibility of the arrangement, whilst at the same time appreciating the power of the original hymn tune. Very impressive! .
$2.20 ≈
¥15.96
Ave Maris Stella (Hail Star of the Sea)
Ave Maris Stella (Hail Star of the Sea)
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Chorale SATB
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FACILE
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Andrew Wyndham
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Ave Maris Stella
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Andrew Wyndham
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.1008771 Composed by Andrew Wyndham. 20th Century,Christian,Classical,Sacred. Octavo. 12 pages. Andrew Wyndham #6...
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Choral Choir (SATB) - Level 2 - SKU: A0.1008771 Composed by Andrew Wyndham. 20th Century,Christian,Classical,Sacred. Octavo. 12 pages. Andrew Wyndham #6023961. Published by Andrew Wyndham (A0.1008771). A modern setting of the plainchant melody, Ave Maris Stella, praising Mary. Written for unaccompanied satb voices.Copy includes scores with and without rehearsal piano. Translation included.Effective but not too challenging. Approx 3 minutes.
$1.99 ≈
¥14.44
Five Variations on Tantum Ergo - Woodwind Quartet
Five Variations on Tantum Ergo - Woodwind Quartet
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Flûte, Hautbois, Clarinette, Basson
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DÉBUTANT
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John F
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Catherine Ing
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Five Variations on Tantum Ergo
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Deusa Flauta Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 1 - SKU: A0.1008886 Composed by John F. Wade. Arranged by Catherine Ing. Easter,Sacred. 15 pages. Deusa Flaut...
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Woodwind Ensemble,Woodwind Quartet - Level 1 - SKU: A0.1008886 Composed by John F. Wade. Arranged by Catherine Ing. Easter,Sacred. 15 pages. Deusa Flauta Music #5728827. Published by Deusa Flauta Music (A0.1008886). A new take on the well-known plainchant melody with the inclusion of subtle modal harmonies suitable for religious ceremony. A simple yet highly effective piece, it can be used with a small ensemble for reflection or in tandem with the traditional text for either Tantum Ergo or Pange Lingua. Can be used for Eucharistic adoration, or at any time throughout the liturgical year. Available for both string and woodwind quartet. Thank you for your interest! If you’ve enjoyed this arrangement, or have any questions about this or any of our other arrangements, please contact us on Facebook or Twitter @deusaflauta, or at www.wordpress.com/page/deusaflauta.
$11.75 ≈
¥85.26
Brass Band - Ave Maris Stella
Brass Band - Ave Maris Stella
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Christian contemporain
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Musique Sacrée
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Mike Lyons
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Brass Band - Ave Maris Stella
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Lyons Music Services
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.767267 Composed by Mike Lyons. Contemporary,Sacred. Brass Band. 38 pages. Lyons Music Services #3139447. Published by Lyons Music Services (A0.767267). Ave Maris Stella - Hail Star of the Sea. This is a hymn to the Virgin Mary from the catholic liturgy. I was inspired to write it after a combiation of teaching species counterpoint and a watching a rather poignant documentary about some of the rituals surrounding the Virgin Mary in several parts of the world, especially in Italy. The piece has an Incipit in the euphonium at the start, which can be omitted if you aren't using it in church, but it sets the tone of the piece rather well. This incipit is based on a plainchant melody from the 16th century. The music evolves in a polyphonic style, using the rules of counterpoint until the fanfares, which I see as proclaiming the role of the Mother of Jesus, which break with the mediaeval traditions and use modern harmonic structures to bring the work to a rousing finish. All the parts are A5, landscape format to match the common hymn book size for UK bands.
$15.00 ≈
¥108.84
Urbs Beata Ierusalem
Urbs Beata Ierusalem
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Orgue
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INTERMÉDIAIRE
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Contemporain
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Frederick Frahm
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Urbs Beata Ierusalem
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Frederick Frahm
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SheetMusicPlus
Instrumental Solo,Organ - Level 3 - SKU: A0.1124970 Composed by Frederick Frahm. 20th Century. Individual part. 6 pages. Frederick Frahm #725742. Publis...
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Instrumental Solo,Organ - Level 3 - SKU: A0.1124970 Composed by Frederick Frahm. 20th Century. Individual part. 6 pages. Frederick Frahm #725742. Published by Frederick Frahm (A0.1124970). Music on the classic plainchant melody. Suitable for All Saints or other Saint’s Day commemorations.
$4.99 ≈
¥36.21
Five Variations on Tantum Ergo
Five Variations on Tantum Ergo
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Quatuor à cordes: 2 violons, alto, violoncelle
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Musique Sacrée
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John F
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Catherine Ing
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Five Variations on Tantum Ergo
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Deusa Flauta Music
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SheetMusicPlus
SKU: A0.1070718 Composed by John F. Wade. Arranged by Catherine Ing. Sacred. Accompaniment. Duration 222. Deusa Flauta Music #5747105. Published by Deus...
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SKU: A0.1070718 Composed by John F. Wade. Arranged by Catherine Ing. Sacred. Accompaniment. Duration 222. Deusa Flauta Music #5747105. Published by Deusa Flauta Music (A0.1070718). A new take on the well-known plainchant melody with the inclusion of subtle modal harmonies suitable for religious ceremony. A simple yet highly effective piece, it can be used with a small ensemble for reflection or in tandem with the traditional text for either Tantum Ergo or Pange Lingua. Can be used for Eucharistic adoration, or at any time throughout the liturgical year. Available for both string and woodwind quartet.
$1.99 ≈
¥14.44
Five Variations on Tantum Ergo - String Quartet
Five Variations on Tantum Ergo - String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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DÉBUTANT
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Musique Sacrée
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John F
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Catherine Ing
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Five Variations on Tantum Ergo
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Deusa Flauta Music
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SheetMusicPlus
String Quartet String Quartet - Level 1 - SKU: A0.1008884 Composed by John F. Wade. Arranged by Catherine Ing. Easter,Sacred. Score and parts. 15 pages....
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String Quartet String Quartet - Level 1 - SKU: A0.1008884 Composed by John F. Wade. Arranged by Catherine Ing. Easter,Sacred. Score and parts. 15 pages. Deusa Flauta Music #5728821. Published by Deusa Flauta Music (A0.1008884). A new take on the well-known plainchant melody with the inclusion of subtle modal harmonies suitable for religious ceremony. A simple yet highly effective piece, it can be used with a small ensemble for reflection or in tandem with the traditional text for either Tantum Ergo or Pange Lingua. Can be used for Eucharistic adoration, or at any time throughout the liturgical year. Available for both string and woodwind quartet. Thank you for your interest! If you’ve enjoyed this arrangement, or have any questions about this or any of our other arrangements, please contact us on Facebook or Twitter @deusaflauta, or at www.wordpress.com/page/deusaflauta.
$11.75 ≈
¥85.26
Ubi Caritas
Ubi Caritas
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Chorale SATB
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Gary R
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Ubi Caritas
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Colla Voce Music - Digital
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SheetMusicPlus
SATB choir divisi a cappella - SKU: MQ.41-96660-E Composed by Gary R. Schwartzhoff and Ivo Antognini. Octavo. 10 pages. Colla Voce Music - Digital #41-9...
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SATB choir divisi a cappella - SKU: MQ.41-96660-E Composed by Gary R. Schwartzhoff and Ivo Antognini. Octavo. 10 pages. Colla Voce Music - Digital #41-96660-E. Published by Colla Voce Music - Digital (MQ.41-96660-E). Antognini’s Ubi Caritas is a choral composition for mixed choir in rondo form, ABACAD. Each time that the A theme occurs, it is subject to small melodic and harmonic changes. On two occasions, we also find the famous plainchant melody (bars 25-26 and 36-41) in the soprano voice. In bar 55, the second part of the main theme starts a fourth higher than before, creating a sense of surprise. Beginning from here, the excitement rises and leads to the climax at bar 68 (glorianter vultum tuum: Thy face in glory). Just after this, there is a joyful and rhythmic coda that begins on the text “Gaudium quod est immensum†(The joy that is immense), followed by three Amens that take us back to the initial key (F), but in major mode. Featured at: 2015 National ACDA Convention
$2.10 ≈
¥15.24
Love Came Down at Christmas
Love Came Down at Christmas
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Cloches
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FACILE
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Noël
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Cynthia Dobrinski
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Love Came Down at Christmas
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Hope Publishing - Digital
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SheetMusicPlus
Handbells handbell choir (3-5 octaves) - Level 2 - SKU: H1.2154DP Arranged by Cynthia Dobrinski. Christmas, Sacred. Handbell score. 8 pages. Hope Publis...
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Handbells handbell choir (3-5 octaves) - Level 2 - SKU: H1.2154DP Arranged by Cynthia Dobrinski. Christmas, Sacred. Handbell score. 8 pages. Hope Publishing - Digital #2154DP. Published by Hope Publishing - Digital (H1.2154DP). 1 John 4:7 - 1 John 4:8 - 1 John 4:9 - 1 John 4:10 - 1 John 4:11 - John 13:35 - Luke 2:8 - Luke 2:9 - Luke 2:10 - Luke 2:11 - Luke 2:12 - Luke 2:13 - Luke 2:14 - Matthew 2:1 - Matthew 2:2 - Matthew 2:3 - Matthew 2:4 - Matthew 2:5 - M.Traditional Irish Melody Traditional Irish melody and 13th century plainchant join hands in this sweet arrangement by one of handbells premiere composers. Traditional Irish melody and 13th century plainchant join hands in this sweet arrangement by one of handbells premiere composers. The flute lends its graceful character and adds to the atmosphere. LV technique is used most frequently and predominates the texture. Fifty-seven measures in lenghth. Medley of Love Came Down at Christmas and Of the Father's Love Gegotten.
$6.25 ≈
¥45.35
Gaudete for Brass Quartet
Gaudete for Brass Quartet
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Anon
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Robert Luke Thompson
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Gaudete for Brass Quartet
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Monkspath Music
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SheetMusicPlus
Baritone Horn TC,Cornet,Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - SKU: A0.1125529 Composed by Anon. Arranged by Robert Luke Thompson. Christian,Chris...
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Baritone Horn TC,Cornet,Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - SKU: A0.1125529 Composed by Anon. Arranged by Robert Luke Thompson. Christian,Christmas,Holiday,Renaissance,Traditional. 17 pages. Monkspath Music #726295. Published by Monkspath Music (A0.1125529). Gaudete! is Christmas carol, believed to originate from the 16th Century. It was published widely in 1582 in the collection of sacred songs known as Piae Cantiones. Whilst the plainchant for the refrain (Gaudete) is clearly published, there is much debate as to where the melody for the verses came from. To preserve the plainchant style of the verses, each member of the quartet has a solo verse – with a few alterations made to preserve each instrument’s unique voice. An additional refrain is included to create a suitable crescendo towards the climax of the piece – highlighting the meaning of Gaudete! (Rejoice!) This version is suitable for quartets of any level, especially those who desire an easily legible and flexible arrangement, ready for a Christmas concert, carol service, or other event. For further pieces, view the Monkspath Music catalogue and click here!
$2.99 ≈
¥21.70
Gaudete for Saxophone Quartet
Gaudete for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Anon
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Robert Luke Thompson
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Gaudete for Saxophone Quartet
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Monkspath Music
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1124512 Composed by Anon. Ar...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1124512 Composed by Anon. Arranged by Robert Luke Thompson. Christian,Christmas,Holiday,Renaissance,Traditional. 12 pages. Monkspath Music #725261. Published by Monkspath Music (A0.1124512). Gaudete! is Christmas carol, believed to originate from the 16th Century. It was published widely in 1582 in the collection of sacred songs known as Piae Cantiones. Whilst the plainchant for the refrain (Gaudete) is clearly published, there is much debate as to where the melody for the verses came from. To preserve the plainchant style of the verses, each member of the quartet has a solo verse – with a few alterations made to preserve each instrument’s unique voice. An additional refrain is included to create a suitable crescendo towards the climax of the piece – highlighting the meaning of Gaudete! (Rejoice!) This version is suitable for quartets of any level, especially those who desire an easily legible and flexible arrangement, ready for a Christmas concert, carol service, or other event. For further pieces, view the Monkspath Music catalogue and click here!
$2.99 ≈
¥21.70
Guthrie: Organ Prelude on In Nomine
Guthrie: Organ Prelude on In Nomine
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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James M
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Guthrie: Organ Prelude on In N
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jmsgu3
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SheetMusicPlus
Organ - Level 4 - SKU: A0.549915 Composed by James M. Guthrie. Contemporary,Instructional. Score. 3 pages. Jmsgu3 #3911787. Published by jmsgu3 (A0.5499...
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Organ - Level 4 - SKU: A0.549915 Composed by James M. Guthrie. Contemporary,Instructional. Score. 3 pages. Jmsgu3 #3911787. Published by jmsgu3 (A0.549915). In Nomine: A prelude to the St Luke Organ Book (by Daniel Pinkham) for one single organ manual. Subtitled The Little Time Machine, the composition features one iteration of the In Nomine cantus firmus. As the piece progresses, the cantus is treated in medieval, Renaissance, Baroque, classical, romantic, and modern styles. I performed this piece just before the world premiere of Daniel Pinkham's St. Luke Organ Book in 2006.The history of In Nomine is rooted in its origin as a type of contrapuntal instrumental composition by 16th-century English composers, usually for a consort of viols, lute, or keyboard, based on a version of a piece of plainchant. The name In Nomine was adopted for this type of piece after the English composer John Taverner composed an instrumental piece based on the plainchant Gloria Tibi Trinitas to which he set the words In nomine Domini in his Gloria Tibi Trinitas six-voice Mass. Over the next 150 years, English composers worked this melody into In Nomine pieces of ever more fantastic stylistic range. This set a fashion, and several 20th-century composers, such as Peter Maxwell Davies and Roger Smalley, have quoted In Nomines in their works. The In Nomine played a significant role in developing English polyphony. It is a title given to many pieces of English polyphonic, predominantly instrumental music, first composed during the 16th century. The In Nomine was the chief means by which the grand tradition of vocal polyphony was brought to bear on the evolution of instrumental music in England. The In Nomine is considered the most conspicuous single form in the early development of English consort music and is significant in the genesis of chamber music in England. It marked the first time a specific instrumental style was formed, and it influenced the development of English polyphony by bringing the tradition of vocal polyphony into the realm of instrumental music.Despite various attempts by scholars to elucidate its almost legendary origin, the mystery of the origin of the In Nomine remains unsolved.
$34.95 ≈
¥253.60
Gaudete for String Quartet
Gaudete for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Anon
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Robert Luke Thompson
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Gaudete for String Quartet
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Monkspath Music
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1119327 Composed by Anon. Arranged by Robert Luke Thompson. Christian,Christmas,Hol...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1119327 Composed by Anon. Arranged by Robert Luke Thompson. Christian,Christmas,Holiday,Renaissance,Traditional. 10 pages. Monkspath Music #720741. Published by Monkspath Music (A0.1119327). Gaudete! is Christmas carol, believed to originate from the 16th Century. It was published widely in 1582 in the collection of sacred songs known as Piae Cantiones. Whilst the plainchant for the refrain (Gaudete) is clearly published, there is much debate as to where the melody for the verses came from. To preserve the plainchant style of the verses, each member of the quartet has a solo verse – with a few alterations made to preserve each instrument’s unique voice. An additional refrain is included to create a suitable crescendo towards the climax of the piece – highlighting the meaning of Gaudete! (Rejoice!) This version is suitable for quartets of any level, especially those who desire an easily legible and flexible arrangement, ready for a Christmas concert, carol service, or other event. For further pieces, view the Monkspath Music catalogue and click here!
$2.99 ≈
¥21.70
O Come, All Ye Faithful, Harp Trio
O Come, All Ye Faithful, Harp Trio
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Harpe
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FACILE
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John Francis Wade
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Serena O’Meara
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O Come, All Ye Faithful, Harp
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O'Meara Music
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SheetMusicPlus
Folk Harp,Lever Harp - Level 2 - SKU: A0.803888 Composed by John Francis Wade. Arranged by Serena O’Meara. Christmas,Holiday,Renaissance,Sacred,T...
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Folk Harp,Lever Harp - Level 2 - SKU: A0.803888 Composed by John Francis Wade. Arranged by Serena O’Meara. Christmas,Holiday,Renaissance,Sacred,Traditional. 14 pages. O'Meara Music #5326685. Published by O'Meara Music (A0.803888). There is confusion as to who is the exact composer of this melody. Perhaps it was an anonymous Cistercian Monk, or King John IV of Portugal (1604-1656), or John Reading (1645-1692) or John Francis Wade (1711-1786). The first published version of it was in 1751 by John Francis Wade, a Scottish scholar of plainchant so he is often given credit as its composer. This trio can be performed as is or with the matching Duet version. In Harp I both hands play the melody. Harp II has melody and some accompaniment. Harp III has accompaniment and the most notes. You will receive the Score, Harp I, Harp II and Harp III.
$9.00 ≈
¥65.31
O Come, All Ye Faithful, Duet Harp I
O Come, All Ye Faithful, Duet Harp I
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2 Harpes (duo)
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INTERMÉDIAIRE
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John Francis Wade
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Serena O’Meara
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O Come, All Ye Faithful, Duet
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O'Meara Music
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SheetMusicPlus
Instrumental Duet,Lever Harp - Level 3 - SKU: A0.803887 Composed by John Francis Wade. Arranged by Serena O’Meara. Christmas,Holiday,Renaissance,...
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Instrumental Duet,Lever Harp - Level 3 - SKU: A0.803887 Composed by John Francis Wade. Arranged by Serena O’Meara. Christmas,Holiday,Renaissance,Sacred,Traditional. 4 pages. O'Meara Music #5325999. Published by O'Meara Music (A0.803887). There is confusion as to who is the exact composer of this melody. Perhaps it was an anonymous Cistercian Monk, or King John IV of Portugal (1604-1656), or John Reading (1645-1692) or John Francis Wade (1711-1786). The first published version of it was in 1751 by John Francis Wade, a Scottish scholar of plainchant so he is often given credit as its composer. This arrangement has three verses of increasing difficulty; each using harmonics in the quiet sections. The dynamics are clearly marked. The melody is divided evenly between parts. The easier Trio version can be played along with this duet version to give 5 parts.
$4.00 ≈
¥29.02
O Come, All Ye Faithful, Duet Harp II
O Come, All Ye Faithful, Duet Harp II
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2 Harpes (duo)
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INTERMÉDIAIRE
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John Francis Wade
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Serena O’Meara
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O Come, All Ye Faithful, Duet
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O'Meara Music
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SheetMusicPlus
Instrumental Duet,Lever Harp - Level 3 - SKU: A0.803889 Composed by John Francis Wade. Arranged by Serena O’Meara. Christmas,Holiday,Renaissance,...
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Instrumental Duet,Lever Harp - Level 3 - SKU: A0.803889 Composed by John Francis Wade. Arranged by Serena O’Meara. Christmas,Holiday,Renaissance,Sacred,Traditional. 4 pages. O'Meara Music #5326005. Published by O'Meara Music (A0.803889). There is confusion as to who is the exact composer of this melody. Perhaps it was an anonymous Cistercian Monk, or King John IV of Portugal (1604-1656), or John Reading (1645-1692) or John Francis Wade (1711-1786). The first published version of it was in 1751 by John Francis Wade, a Scottish scholar of plainchant so he is often given credit as its composer. This arrangement has three verses of increasing difficulty; each using harmonics in the quiet sections. The dynamics are clearly marked. The melody is divided evenly between parts. The easier Trio version can be played along with this duet version to give 5 parts.
$4.00 ≈
¥29.02
O Come, All Ye Faithful, Harp Duet
O Come, All Ye Faithful, Harp Duet
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2 Harpes (duo)
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INTERMÉDIAIRE
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John Francis Wade
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Serena O’Meara
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O Come, All Ye Faithful, Harp
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O'Meara Music
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SheetMusicPlus
Instrumental Duet,Lever Harp - Level 3 - SKU: A0.803886 Composed by John Francis Wade. Arranged by Serena O’Meara. Christmas,Holiday,Renaissance,...
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Instrumental Duet,Lever Harp - Level 3 - SKU: A0.803886 Composed by John Francis Wade. Arranged by Serena O’Meara. Christmas,Holiday,Renaissance,Sacred,Traditional. 12 pages. O'Meara Music #5325977. Published by O'Meara Music (A0.803886). There is confusion as to who is the exact composer of this melody. Perhaps it was an anonymous Cistercian Monk, or King John IV of Portugal (1604-1656), or John Reading (1645-1692) or John Francis Wade (1711-1786). The first published version of it was in 1751 by John Francis Wade, a Scottish scholar of plainchant so he is often given credit as its composer. This arrangement has three verses of increasing difficulty; each using harmonics in the quiet sections. The dynamics are clearly marked. The melody is divided evenly between parts. The easier Trio version can be played along with this duet version to give 5 parts. You will receive the Score, Harp I, and Harp II.
$8.00 ≈
¥58.05
Chevalier De Sangreal
Chevalier De Sangreal
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Orchestre
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AVANCÉ
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Hans Zimmer
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Chevalier De Sangreal
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www.studio-orchestrations.com
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1430275 Composed by Hans Zimmer. Arranged by John Langley / Studio Orchestrations. Classical,Contemporary,Film/TV,Rel...
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Full Orchestra - Level 5 - SKU: A0.1430275 Composed by Hans Zimmer. Arranged by John Langley / Studio Orchestrations. Classical,Contemporary,Film/TV,Religious,Thriller. 102 pages. Www.studio-orchestrations.com #1010904. Published by www.studio-orchestrations.com (A0.1430275). From the 2006 Ron Howard film adaptation of Dan Brown's The Da Vinci Code, this track is taken from the soundtrack which underscores the final late night walk by Robert Langdon (played by Tom Hanks) through the streets of Paris to (possibly and hopefully) conclude his long and testing quest to seek the Holy Grail. No spoilers however. If you've not seen it, then add it to your playlist!The film's soundtrack evokes great emotion throughout and whatever criticisms there may have been over the years about the book, the story, the film etc.. this is definitely one of Hans Zimmer's finest emotional and thought provoking soundtrack scores, drawing from a huge range of musical influences, from the big symphonic oceanic sounscapes to the intimate vocal solo and choral plainchant that are peppered throughout the score. It is an example of how a soundtrack can really make a massive difference to what some might describe glibly as a popcorn movie.Very much like Time in Inception Zimmer takes a relatively simple harmonic and melodic trope and adds layers of melodic counter melody and rhythmic building to create an awe inspiring and (let's face it BIG!) climax, supporting the narrative of the film and story but also creating music that can be taken away from the cinematic experience and enjoyed for its own sake.This orchestration emulkates as closely as possible the soundtrack. Some licence has been taken with the addition of 2 Trumpets which build the climax with the upper strings. SATB choir is also scored as per the original soundtrack but optional as it is mostly covered by orchestral instruments and is also a very brief appearance but - at least for the sopranos - extremely challenging for anyone apart from a professional specialist choral ensemble. The synth section of the keyboard part in the opening pages can also be optional, adding some background sounds that Zimmer is so renowned for (this may be beyond the budget of some performing groups we appeciate). However the piano cues later in the piece are highly desirable as they add a percussive support to the strings.We commend this score to anyone buidling a program of film music for their orchestral event, particularly if you are wishing to include some more modern concert ideas, and in particular a Hans Zimmer classic.INSTRUMENTATON:2 Flutes2 Oboes2 Clarinets2 Bassoons1 Contra-Bassoon (Optional)4 Horns2 Trumpets3 Trombones1 TubaTimpani2 Percussion[Cymbals/Suspp.Cymbal/Bass Drum/Tubular Bells]KeyboardSATB Choir [Optional]Strings.
$150.00 ≈
¥1088.42
Gaudete for SATB choir
Gaudete for SATB choir
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Chorale SATB
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DÉBUTANT
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Anon
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Robert Luke Thompson
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Gaudete for SATB choir
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Monkspath Music
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SheetMusicPlus
Choral Choir (SATB) - Level 1 - SKU: A0.1119318 Composed by Anon. Arranged by Robert Luke Thompson. A Cappella,Christmas,Holiday,Renaissance,Traditional...
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Choral Choir (SATB) - Level 1 - SKU: A0.1119318 Composed by Anon. Arranged by Robert Luke Thompson. A Cappella,Christmas,Holiday,Renaissance,Traditional. Octavo. 5 pages. Monkspath Music #720733. Published by Monkspath Music (A0.1119318). Gaudete! is Christmas carol, believed to originate from the 16th Century. It was published widely in 1582 in the collection of sacred songs known as Piae Cantiones. Whilst the plainchant for the refrain (Gaudete) is clearly published, but there is much debate as to where the melody for the verses came from. Whilst many arrangements and publications include both the refrain and verses in Latin, I have opted here for verses in English, giving flexibility for your performance, and the choice of either language to perform in. Likewise, the voice for the verses is unspecified, leaving it to be sung by any member of the choir. This version is suitable for choirs of any level, especially those who desire an easily legible and flexible arrangement, ready for a Christmas concert, carol service, or other event. For further pieces, view the Monkspath Music catalogue and click here!
$2.99 ≈
¥21.70
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Plainchant melody
