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Pity Me Not
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Vous avez sélectionné:
Pity Me Not
Partitions à imprimer
13 partitions trouvées
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1
Pity Me Not
Pity Me Not
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Jane K
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Pity Me Not
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Evgeniya Kozhevnikova
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1088970 Composed by Jane K (Evgeniya Kozhevnikova). Classical,Contemporary,Contest,Festival. Octavo. 8 pages. Ev...
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Choral Choir (SATB) - Level 4 - SKU: A0.1088970 Composed by Jane K (Evgeniya Kozhevnikova). Classical,Contemporary,Contest,Festival. Octavo. 8 pages. Evgeniya Kozhevnikova #693181. Published by Evgeniya Kozhevnikova (A0.1088970). Written by Jane K (Evgeniya Kozhevnikova) in 2019, Pity Me Not is a setting of the text by Edna St. Vincent Millay for voice and piano. The poem is a sonnet (14 lines), reflecting how “the heart is slow to learn what the swift mind beholds at every turn.†The choral version of this piece was premiered on September 27, 2020 by Celebris Ensemble under the direction of Joel Snyder.
$2.49 ≈
$3.36
Pity Me Not (baritone and piano)
Pity Me Not (baritone and piano)
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Voix Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Jane K
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Pity Me Not
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Evgeniya Kozhevnikova
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 4 - SKU: A0.806733 Composed by Jane K (Evgeniya Kozhevnikova). Chamber,Classical,Contemporary,Contest,Festival...
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Baritone Horn TC,Vocal Solo,Voice - Level 4 - SKU: A0.806733 Composed by Jane K (Evgeniya Kozhevnikova). Chamber,Classical,Contemporary,Contest,Festival,Opera. 7 pages. Evgeniya Kozhevnikova #6113469. Published by Evgeniya Kozhevnikova (A0.806733). Written by Jane K (Evgeniya Kozhevnikova) in 2019, Pity Me Not is a setting of the text by Edna St. Vincent Millay for voice and piano. The musical setting is dedicated to singer and conductor Joel Snyder. The choral version of this piece was premiered on September 27, 2020 by Celebris Ensemble under the direction of Joel Snyder.
$5.99 ≈
$8.09
AH! CANNOT SIGHS OR TEARS NOR AUGHT ELSE MOVE THEE. (for Clarinet Choir)
AH! CANNOT SIGHS OR TEARS NOR AUGHT ELSE MOVE THEE. (for Clarinet Choir)
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Ensemble de Clarinettes
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DÉBUTANT
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Renaissance
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John Wilbye
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Alan Edgar
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AH! CANNOT SIGHS OR TEARS NOR
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Alan Edgar Ted Moon
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 1 - SKU: A0.1377700 Composed by John Wilbye. Arranged by Alan Edgar. Renaissance. 35 pages. Alan Edgar Ted Moon #9622...
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Woodwind Ensemble Clarinet - Level 1 - SKU: A0.1377700 Composed by John Wilbye. Arranged by Alan Edgar. Renaissance. 35 pages. Alan Edgar Ted Moon #962294. Published by Alan Edgar Ted Moon (A0.1377700). Instrumentation: Eb Clarinet, four Bb Clarinets, Alto, Bass, Contra-alto and Contrabass Clarinets. The son of a tanner, John Wilbye was born at Brome, Suffolk. Wilbye is probably the most famous of all the English madrigalists; his pieces have long been favourites and are often included in modern collections. His madrigals include Weep, weep mine eyes, Weep, O mine eyes and Draw on, sweet night. He also wrote the poem, Love not me for comely grace. His style is characterized by delicate writing for the voice, acute sensitivity to the text and the use of “false relations between the major and minor modes.The text for this one goes:Ah! cannot sighs not tears, nor aught else move thee To pity me, who more than life do love thee?O cruel fates! see, now away she’s flying,And fly, alas! alas! and leave me dying.Farewell, most fair, farewell, yet more disdainful: Was never grief like mine, nor death more painful.No 30 from the Second Set of Madrigals, 1598. originally for SSATTB a capella. As Wilbye labelled this Apt for Viols or Voices, I felt justified in making this arrangement.
$21.00 ≈
$28.36
AH! CANNOT SIGHS OR TEARS NOR AUGHT ELSE MOVE THEE. (Clarinet Sextet)
AH! CANNOT SIGHS OR TEARS NOR AUGHT ELSE MOVE THEE. (Clarinet Sextet)
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Renaissance
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John Wilbye
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Alan Edgar
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AH! CANNOT SIGHS OR TEARS NOR
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Alan Edgar Ted Moon
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SheetMusicPlus
Bass Clarinet,E-Flat Clarinet - Level 1 - SKU: A0.1377691 Composed by John Wilbye. Arranged by Alan Edgar. Renaissance. 22 pages. Alan Edgar Ted Moon #9...
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Bass Clarinet,E-Flat Clarinet - Level 1 - SKU: A0.1377691 Composed by John Wilbye. Arranged by Alan Edgar. Renaissance. 22 pages. Alan Edgar Ted Moon #962285. Published by Alan Edgar Ted Moon (A0.1377691). My instrumentation: Eb Clarinet, four Bb Clarinets, Bass Clarinet.The son of a tanner, John Wilbye was born at Brome, Suffolk. Wilbye is probably the most famous of all the English madrigalists; his pieces have long been favourites and are often included in modern collections. His madrigals include Weep, weep mine eyes, Weep, O mine eyes and Draw on, sweet night. He also wrote the poem, Love not me for comely grace. His style is characterized by delicate writing for the voice, acute sensitivity to the text and the use of “false relations between the major and minor modes.The text for this one goes:Ah! cannot sighs not tears, nor aught else move thee?To pity me, who more than life do love thee?O cruel fates! see, now away she’s flying,And fly, alas! alas! and leave me dying.Farewell, most fair, farewell, yet more disdainful: Was never grief like mine, nor death more painful.No 30 from the Second Set of Madrigals, originally for SSATTB a capella.
$15.00 ≈
$20.25
Have, Have Ye No Regard? — Good Friday anthem for baritone, SATB, organ
Have, Have Ye No Regard? — Good Friday anthem for baritone, SATB, organ
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Chorale SATB
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INTERMÉDIAIRE
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Todd Marchand
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Have, Have Ye No Regard? &mdas
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Con Spirito Music
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1381069 Composed by Todd Marchand. Christian,Easter,Lent,Sacred. 4 pages. Con Spirito Music #965787. Publ...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1381069 Composed by Todd Marchand. Christian,Easter,Lent,Sacred. 4 pages. Con Spirito Music #965787. Published by Con Spirito Music (A0.1381069). An allusion to Lamentations 1:12 (Is it nothing to you, all ye that pass by? Behold, and see if there be any sorrow like unto my sorrow....), Have, Have Ye No Regard is a setting for solo baritone, SATB voices, and organ of Robert Herrick's (1591-1674) poem, His Saviour's Words, Going to the Cross:Have, have ye no regard, all ye Who pass this way, to pity Me, Who am a man of misery? A man both bruis'd and broke, and one Who suffers not here for Mine own, But for My friends' transgression! Ah, Sion's daughters, do not fear The Cross, the Cords, the Nails, the Spear, The Myrrh, the Gall, the Vinegar, For Christ, your loving Saviour, hath Drunk up the wine of God's fierce wrath; Only there's left a little froth, Less for to taste than for to show What bitter cups had been your due, Had he not drank them up for you.©Copyright 2024 Todd Marchand / Con Spirito Music. All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$2.00 ≈
$2.70
Folk Songs For Classical Guitar - Volume 11 (Songs 271-297)
Folk Songs For Classical Guitar - Volume 11 (Songs 271-297)
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Traditional/Anonymous
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Socrates Arvanitakis
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Folk Songs For Classical Guita
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Socrates Arvanitakis
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SheetMusicPlus
Acoustic Guitar,Instrumental Solo - Level 3 - SKU: A0.1152811 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music...
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Acoustic Guitar,Instrumental Solo - Level 3 - SKU: A0.1152811 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 40 pages. Socrates Arvanitakis #753050. Published by Socrates Arvanitakis (A0.1152811). This is the eleventh volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view. Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Volume 11 (Songs 271-297)Earl Brand (The Dragoon and the Lady 1)Earl of Mar’s Daughter (the)East VirginiaEdwardEileen AroonElsie MarleyEnniskillen Dragoon (the)Erie Canal (the)Eriskay Love LiltEssex May Day CarolEternal LifeExcellent Gift (the)Eynsham Poaching Song (the)Fair Flower of Northumberland (the)Fair lady pity meFair Maid of Wickham 1 (Gently Johnny my Jingalo)Fair Maid of Wickham 2 (Gently Johnny my Jingalo)Faithful EmmaFaithful JohnnyFalse Bride (the)False Knight on the Road (the)Famous Flower of Serving Men (the)Fare ye well, Lovely NancyFarewell Earthly GloryFarewell HeFarewell My Joy and HeartFarewell my own true love.
$25.00 ≈
$33.76
Pluck for guitar
Pluck for guitar
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Guitare
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AVANCÉ
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Contemporain
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Robert M
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Pluck for guitar
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Robert M. Greenberg
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.987853 Composed by Robert M. Greenberg. 20th Century. Individual part. 21 pages. Robert M. Greenberg #115407. Published ...
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Solo Guitar - Level 5 - SKU: A0.987853 Composed by Robert M. Greenberg. 20th Century. Individual part. 21 pages. Robert M. Greenberg #115407. Published by Robert M. Greenberg (A0.987853). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 21 minutes Year of composition: 1996 Program Note: I. Toccata/Hands of Steel II. Strum/Serenade III. O Tanenbaum (Toccata reprise) IV. Two-Part Contention V. John Doe VI. True Pluck A number of years ago, the great English guitarist Julian Bream told David Tanenbaum - the dedicatee of tonight's premiere - not to premiere a guitar work unless he knew for a fact it was the composer's second guitar work. Sage advice. The guitar is an instrument that gives up its secrets to a non-guitar playing composer only reluctantly. Indeed, the timbral, digital and chordal subtleties of this most subtle and intimate instrument are truly understood by the guitarist only. Pity the outlander who composes for the guitar for the first time! With this last thought in mind I had, until last fall, managed to avoid writing a guitar piece. However, even the most abject compositional coward will relent when a musician like David Tanenbaum asks for a piece and offers his assistance and critical judgement in its composition. So it was with PLUCK, composed between November of 1995 and January of 1996. Bream's advice notwithstanding, PLUCK is my first guitar piece. Tanenbaum is brave. The title, PLUCK, thus refers to both the action of plucking strings as well as pluck - bravery, grit, true grit. PLUCK is written in six interrelated movements. The first movement, Toccata/Hands of Steel introduces much of the essential pitch and harmonic material of the piece, as well as Flamenco-style rasgueado strumming which, try as I might, I could not resist using. Movement two, Strum/Serenade, explains itself in its title. Movement three, O Tanenbaum (a designation for which David has forgiven me) reprises the Toccata and describes, well, a sort of musical tree (David has forgiven me for this, too). Two-Part Contention is a combatative, argumentative movement that pits the treble strings of the guitar against the bass. Movement 5, John Doe is a lyric and mysterious moment of rest before the manic finale. Movement 6, True Pluck, is a fast, furious and virtuosic finale. PLUCK is dedicated, with greatest respect and affection, to my friend David Tanenbaum. May he only want to play my second guitar piece.
$16.00 ≈
$21.60
THERE IS A SPIRIT for SATB Choir a Capella, Poem by James Nayler (2021 Revision)
THERE IS A SPIRIT for SATB Choir a Capella, Poem by James Nayler (2021 Revision)
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Richard St
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THERE IS A SPIRIT for SATB Cho
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Richard St. Clair
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.939724 Composed by Richard St. Clair. 20th Century,A Cappella,Christian,Praise & Worship,Sacred. Octavo. 12 page...
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Choral Choir (SATB) - Level 4 - SKU: A0.939724 Composed by Richard St. Clair. 20th Century,A Cappella,Christian,Praise & Worship,Sacred. Octavo. 12 pages. Richard St. Clair #3002395. Published by Richard St. Clair (A0.939724). This choral setting of Quaker James Nayler's (17th c.) dying statement (c. 1660) is a profoundly spiritual outpouring. Duration: 5 minutes. Lyrics: There Is a SpiritThere is a spirit which I feel that delights to do no evil, nor to revenge any wrong, but delights to endure all things, in hope to enjoy its own in the end. Its hope is to outlive all wrath and contention, and to weary out all exaltation and cruelty, or whatever is of a nature contrary to itself. It sees to the end of all temptations. As it bears no evil in itself, so it conceives none in thoughts to any other. If it be betrayed it bears it for its ground and spring is the mercies and forgiveness of God. Its crown is meekness, its life is everlasting love unfeigned; it takes its kingdom with entreaty and not with contention, and keeps it with lowliness of mind. In God alone it can rejoice though none else regard it or can own its life. It's conceived in sorrow, and brought forth without any to pity it, nor doth it murmur at grief and oppression. When I was weak thou staydest me with thy hand that in thy hand, that in thy time thou mightst present me to the world in thy strength in which I stand, and cannot be moved. Praise the Lord, O my soul.
$4.50 ≈
$6.08
The Millipede Adored the Moon
The Millipede Adored the Moon
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Dimitri Roussopoulos
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The Millipede Adored the Moon
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Dr.Creative
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1031802 Composed by Dimitri Roussopoulos. Contemporary. Score. 10 pages. Dr.Creative #3569773. Published by Dr.Cre...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1031802 Composed by Dimitri Roussopoulos. Contemporary. Score. 10 pages. Dr.Creative #3569773. Published by Dr.Creative (A0.1031802). First of all, let me thank you for taking the time to look at this little song I wrote. Although it is not a very big composition, it is definitely one of my favorites. It was originally written for tenor and piano, but please feel free to adapt it for any voice.You can hear it here: https://youtu.be/OYsXigQ1R7w It can be sung by male or female voices because the sentiment it expresses is one that I think we can all identify with: being in love or totally captivated with someone or something which seems so much higher, brighter, purer, and more lovely than ourselves and hoping, against all odds, they might notice us and feel something other than pity or revulsion. This song springs from that secret and tender spot in our human hearts which so often, like a millipede, curls up in a ball to protect itself when poked at and prodded by others. If you sing this song, don’t worry about singing it well. Try sing it honestly, instead. And, no matter how dark it may seem, I hope your heart will find some comfort in the company of this little millipede and the bright moon which shines above us. Please feel free to reach out to me at any time on dimitri.roussopoulos@gmail.com should you have any questions.Duration: about 4min 21sec
$3.99 ≈
$5.39
La Waltz Triste (Clarinet Quartet version)
La Waltz Triste (Clarinet Quartet version)
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE/AVANCÉ
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James Pybus
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La Waltz Triste
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James Pybus
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bass Clarinet - Level 4 - SKU: A0.764637 Composed by James Pybus. Contemporary,Contest,Festival. 21 pages. James Pybu...
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Woodwind Ensemble,Woodwind Quartet Bass Clarinet - Level 4 - SKU: A0.764637 Composed by James Pybus. Contemporary,Contest,Festival. 21 pages. James Pybus #34119. Published by James Pybus (A0.764637). La Waltz Triste is an original composition playable by Clarinet Quartet (3 B flats plus Bass Clarinet). Performance time is 3:10. As the title would suggest, it has a rather sad and melancholic feel. Several events in my personal life of a tragic nature which occurred during the year it was written (2014) have subconsciously contributed to this feeling, including in May 2014 the loss of a friend and colleague, followed in September by the loss of my father-in-law. An ongoing health issue which began in April prevented me from playing and performing to the best of my ability. Thankfully this issue has resolved itself; there is a ray of hope for the future. Not wanting to wallow in self-pity, I look forward to more cheerful days ahead. Contact me at james.pybus56@gmail.com.
$15.00 ≈
$20.25
La Waltz Triste (Saxophone Quartet version)
La Waltz Triste (Saxophone Quartet version)
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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James Pybus
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La Waltz Triste
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James Pybus
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.764635 Composed by James Pyb...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.764635 Composed by James Pybus. Contemporary,Contest,Festival. 27 pages. James Pybus #34115. Published by James Pybus (A0.764635). La Waltz Triste is an original composition playable by either SATB or AATB Saxophone Quartet, both with an optional Bass Saxophone part which doubles the Baritone part. Performance time is 3:10. As the title would suggest, it has a rather sad and melancholic feel. Several events in my personal life of a tragic nature which occurred during the year it was written (2014) have subconsciously contributed to this feeling, including in May 2014 the loss of a friend and colleague, followed in September by the loss of my father-in-law. An ongoing health issue which began in April prevented me from playing and performing to the best of my ability. Thankfully this issue has resolved itself; there is a ray of hope for the future. Not wanting to wallow in self-pity, I look forward to more cheerful days ahead. Contact me at james.pybus56@gmail.com.
$15.00 ≈
$20.25
St. Matthew Blue (Swing Version)
St. Matthew Blue (Swing Version)
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Jazz combo
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INTERMÉDIAIRE/AVANCÉ
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Mike Strand, ASCAP <
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Mike Strand
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St. Matthew Blue
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Michael M. Strand
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SheetMusicPlus
Jazz Combo - Level 4 - SKU: A0.970755 Composed by Mike Strand. Concert,Jazz. Score and parts. 3 pages. Michael M. Strand #5739279. Published by Michael ...
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Jazz Combo - Level 4 - SKU: A0.970755 Composed by Mike Strand. Concert,Jazz. Score and parts. 3 pages. Michael M. Strand #5739279. Published by Michael M. Strand (A0.970755). By Mike Strand, ASCAP This is a swing tune lead sheet with lyrics, chord symbols and guitar fret boards, for a jazz ensemble with two voices, or for one voice and a singing instrument, or for two singing instruments. It serves as a good foundation for a variety of arrangements, contra facts, and improvisations. The audio sample is a medium swing accompaniment from iReal Pro, combined with my tunes from Finale PrintMusic. You hear two melodies with the accompaniment -- a treble electric guitar, and a simulated baritone voice (without the words). A rock version of St. Matthew Blue is also for sale on this web site. St. Matthew Blue portrays an unhappy person coping with the COVID 19 pandemic, which started early in the year 2020. It’s not a blues tune, however, so the word blue is in the title without the s. St. Matthew Blue contains unusual harmonies inspired by J. S. Bach’s opening chorus to the St. Matthew Passion. This tune doesn't match the profundity and appeal of Bach's chorus, but the two 16-bar themes of St. Matthew Blue contain some of my favorite harmonic ideas from Bach’s work. This gives a depth to this piece that sets it apart from other swing tunes. Here are the lyrics to St. Matthew Blue:An evil little bug has got me down.I want to drink a mug of beer in town. But now I get supplies brought to my door From many tries to find an online store. Self-pity brings to mind St. Matthew’s tale, How Jesus saved our kind from fiery hell. That my soul is safe may well be true, But I still chafe at fighting this damn flu.
$3.00 ≈
$4.05
St. Matthew Blue (Rock Version)
St. Matthew Blue (Rock Version)
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Voix duo
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INTERMÉDIAIRE
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Mike Strand, ASCAP <
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Mike Strand
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St. Matthew Blue
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Michael M. Strand
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SheetMusicPlus
Voice Duet Voice - Level 3 - SKU: A0.970756 Composed by Mike Strand. Concert,Pop,Rock. 3 pages. Michael M. Strand #5741591. Published by Michael M. Stra...
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Voice Duet Voice - Level 3 - SKU: A0.970756 Composed by Mike Strand. Concert,Pop,Rock. 3 pages. Michael M. Strand #5741591. Published by Michael M. Strand (A0.970756). By Mike Strand, ASCAP This is a pop rock lead sheet with lyrics, chord symbols and guitar fret boards, for a rock ensemble with two voices, or for one voice and a singing instrument, or for two singing instruments. It serves as a good foundation for a variety of arrangements, depending on your group’s particular setup. The audio sample is a pop rock accompaniment from iReal Pro, combined with my tunes from Finale PrintMusic. You hear two melodies with the accompaniment -- a treble electric guitar, and a simulated baritone voice (without the words). A swing version of St. Matthew Blue is also for sale on this web site. St. Matthew Blue portrays an unhappy person coping with the COVID 19 pandemic, which started early in the year 2020. It’s not a blues tune, however, so the word blue is in the title without the s. St. Matthew Blue contains unusual harmonies inspired by J. S. Bach’s opening chorus to the St. Matthew Passion. My rock tune doesn't match the profundity and appeal of Bach's chorus, but the two 16-bar themes of St. Matthew Blue contain some of my favorite harmonic ideas from Bach’s work. This gives a depth to this piece that sets it apart from other rock tunes. Here are my lyrics to St. Matthew Blue: An evil little bug has got me down. I want to drink a mug of beer in town. But now I get supplies brought to my door From many tries to find an online store. Self-pity brings to mind St. Matthew’s tale, How Jesus saved our kind from fiery hell. That my soul is safe may well be true, But I still chafe at fighting this damn flu.
$3.00 ≈
$4.05
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Pity Me Not
