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Pat a pan, for Three Violins with Cello
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Vous avez sélectionné:
Pat a pan, for Three Violins with Cello
Partitions à imprimer
12 partitions trouvées
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1
Pat-a-pan, for Three Violins with Cello
Pat-a-pan, for Three Violins with Cello
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Noël
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French carol
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Cindy Blevins
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Pat-a-pan, for Three Violins w
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Cindy Blevins
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.544575 Composed by French carol. Arranged by Cindy Blevins. Christmas. 8 pages. Cindy Blevins #3627205...
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String Quartet String Quartet - Level 3 - SKU: A0.544575 Composed by French carol. Arranged by Cindy Blevins. Christmas. 8 pages. Cindy Blevins #3627205. Published by Cindy Blevins (A0.544575). This is a beautiful, playable arrangement for three violins and one cello. You receive the score, the Violin 1, Violin 2 and Violin 3 and the Cello parts. My website: https://www.cindyblevinsmusic.com.
$8.99 ≈
8.08€
Pat-a-Pan for String Quartet (or Mixed Quartet or Piano Quintet)
Pat-a-Pan for String Quartet (or Mixed Quartet or Piano Quintet)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Traditional
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Daniel Kelley
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Cello, Piano Quartet &
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Pat-a-Pan for String Quartet
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Last Resort Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.530720 Composed by Traditional. Arranged by Daniel Kelley. 20th Century,Christmas,Standards. Score and parts. 19 p...
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Chamber Orchestra - Level 4 - SKU: A0.530720 Composed by Traditional. Arranged by Daniel Kelley. 20th Century,Christmas,Standards. Score and parts. 19 pages. Last Resort Music Publishing #4887793. Published by Last Resort Music Publishing (A0.530720). An amazing resource for any musician, Music for Four is perfect for String Quartet, Mixed Quartet, Three Violins & Cello, Piano Quartet & More! Comes with score and 6 interchangeable parts - the keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played.The following 6 parts plus score are included in the set:Part 1 Flute or Oboe or ViolinPart 2 Flute or Oboe or ViolinPart 3 ViolaPart 3 ViolinPart 4 Cello or BassoonKeyboard or GuitarScoreDon't miss our other Christmas & Nutcracker arrangements including Dance of the Sugar Plum Fairy, March, Overture & Trepak, Silent Night, The First Noel, Handel's Messiah, We Wish You a Merry Christmas and more! Available on SheetMusicPlus and www.lastresortmusic.comPublished by Last Resort Music Publishing www.lastresortmusic.com
$9.95 ≈
8.94€
Patapan for String Quartet
Patapan for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Traditional French
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James M
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Patapan for String Quartet
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1503264 Composed by Traditional French. Arranged by James M. Guthrie. Chamber,Chris...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1503264 Composed by Traditional French. Arranged by James M. Guthrie. Chamber,Christmas,Historic,Holiday,Traditional. 18 pages. Jmsgu3 #1078752. Published by jmsgu3 (A0.1503264). Patapan is a significant French Christmas carol with a rich history and cultural importance. Here are some critical aspects of its significance:Historical ImportancePatapan is an old French carol that dates back to at least 1701. Its longevity demonstrates its enduring appeal and cultural relevance over the centuries.Musical CharacteristicsThe carol is known for its lively and rhythmic nature, which sets it apart from many other Christmas songs. Its distinctive pat-a-pan rhythm, which imitates the sound of a drum, has made it memorable and popular.Cultural InfluencePatapan has had a significant influence on other Christmas music:It may have inspired the more famous carol The Little Drummer Boy. While this connection is debated, the similarities in theme and rhythm are notable.Various artists and composers have adapted and reinterpreted the carol's rhythm, demonstrating its versatility and lasting appeal.Lyrical SignificanceThe lyrics of Patapan are noteworthy for several reasons: They feature characters Guillô and Robin, which are common in old French carols.The carol celebrates the act of caroling itself, making it a meta-commentary on the Christmas music tradition. It incorporates themes of reconciliation between God and humanity, reflecting important Christian theological concepts.Musical EducationPatapan is often used in music education and performances: Its simple rhythm makes it accessible for children to learn and perform.The carol is frequently arranged for various vocal and instrumental ensembles, as evidenced by its availability through multiple music publishers.In conclusion, Patapan is important not only as a beloved Christmas carol but also as a piece of cultural heritage that has influenced other music, reflected theological ideas, and continued to be performed and adapted for over three centuries.
$34.95 ≈
31.39€
Ukrainian National Anthem for String Orchestra (MFAO World National Anthem Series)
Ukrainian National Anthem for String Orchestra (MFAO World National Anthem Series)
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Quintette à cordes: 2 violons, alto, violoncelle, basse
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INTERMÉDIAIRE
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Patriotique
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Mykhailo Verbytsky
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Keith Terrett
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Ukrainian National Anthem for
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Music for all Occasions
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SheetMusicPlus
Composed by Mykhailo Verbytsky. Arranged by Keith Terrett. Romantic Period, European, Patriotic. Score, Set of Parts. 9 pages. Published by Music for all ...
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Composed by Mykhailo Verbytsky. Arranged by Keith Terrett. Romantic Period, European, Patriotic. Score, Set of Parts. 9 pages. Published by Music for all Occasions
An arrangement of the Ukrainian National Anthem for String Orchestra. There are versions for Brass Quintet and full Orchestra in my store. If you are hosting an event and need anthems, e-mail me: keithterrett@gmail.com
\"Shche ne vmerla Ukraina\" (Ukrainian: and#1065;and#1077; and#1085;and#1077; and#1074;and#1084;and#1077;and#1088;and#1083;and#1072; and#1059;and#1082;and#1088;and#1072;and#1111;and#1085;a, or \"Ukraine has not yet perished\") is the national anthem of Ukraine again since 1992. Before its re-adaptation a competition for a national anthem among three patriotic songs was taken place with one of the other songs being Za Ukrainu by Mykola Voronyi.
The lyrics constitute a slightly modified original first stanza of the patriotic poem written in 1862 by Pavlo Chubynsky, a prominent ethnographer from the region of Ukraine?s capital, Kiev, and were influenced by the words and themes of Poland?s national anthem, Poland Is Not Yet Lost. In 1863, Mykhailo Verbytsky, a western Ukrainian composer and a Greek-Catholic priest composed music to accompany Chubynsky?s text.The first choral performance of the piece was at the Ukraine Theatre in Lviv, in 1864. The song was first the national anthem of the Ukrainian People?s Republic, Carpatho-Ukraine and later the independent post-Soviet Ukraine.
Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$7.99 ≈
7.18€
Mozart: Sonata K. 284 “Durnitz” for String Quartet
Mozart: Sonata K. 284 “Durnitz” for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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W
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James M
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Mozart: Sonata K. 284 “D
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1202033 Composed by W. A. Mozart (1756 – 1791). Arranged by James M. Guthrie...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1202033 Composed by W. A. Mozart (1756 – 1791). Arranged by James M. Guthrie, ASCAP. Chamber,Classical,Contest,Festival,Traditional,Wedding. 94 pages. Jmsgu3 #800635. Published by jmsgu3 (A0.1202033). Sonata No. 6, “Durnitz†for String Quartet Mozart's Sonata in D major, K. 284, also known as the Durnitz Sonata, is a solo piano piece by Wolfgang Amadeus Mozart in 1775. It is one of Mozart's more complex and ambitious sonatas and is generally regarded as one of his greatest works for the instrument.The sonata is divided into three movements:1.   Allegro - The first movement is a fast-paced and energetic sonata-allegro form characterized by its lively theme and virtuosic passages. The movement begins with a bold and dramatic opening statement, followed by contrasting themes and variations. The development section explores new harmonic and rhythmic territory, while the recapitulation brings the movement full circle with a restatement of the main themes.2.   Rondeau en Polonaise - The second movement is a graceful and elegant rondo in the style of a polonaise, a popular dance of the time. The central theme is a lilting melody first presented by the right hand and then repeated with variations throughout the movement. The middle section features a contrasting theme in a minor key, which is then developed and expanded upon in the latter half of the movement.3.   Theme and Variations - The final movement is a set of six variations on a theme, which is introduced at the beginning of the movement. Each variation explores a different aspect of the theme, from playful embellishments to dramatic flourishes. The final variation brings the piece to a rousing and triumphant close.Overall, Mozart's Sonata in D major, K. 284, is a masterful example of the composer's virtuosity and innovation and remains a beloved and influential work in the piano repertoire. Mozart's Sonata in D major, K. 284 is also known as the Dürnitz Sonata because it is believed to have been composed for Count Johann Joseph Anton von Dürnitz, an accomplished amateur flutist who was a patron of Mozart. Mozart was in Munich in 1775, and he met Dürnitz there. According to Mozart's letters to his father, Dürnitz played the flute very well, and Mozart was impressed by his abilities. It is believed that Mozart composed this sonata specifically for Dürnitz, who may have performed it with Mozart accompanying him on the piano. No concrete evidence supports the theory that the sonata was named after Dürnitz, but it is widely accepted as the most likely explanation for the nickname. In any case, the sonata remains one of Mozart's most popular and beloved works.
$44.95 ≈
40.38€
Your Favorite Christmas Hymns and Carols for Strings, Book 1
Your Favorite Christmas Hymns and Carols for Strings, Book 1
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Noël
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Various
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Your Favorite Christmas Hymns
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Quartet, String Orchestra - Early Intermediate - Digital Download Composed by Various. Arranged by Colin Kirkpatrick. Christian, Sacred, Prais...
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String Quartet, String Orchestra - Early Intermediate - Digital Download Composed by Various. Arranged by Colin Kirkpatrick. Christian, Sacred, Praise & Worship, Christmas. Score, Set of Parts. 61 pages. Published by Colin Kirkpatrick Publications
YourFavorite Christmas Hymns and Carols for Strings, Book 1
Arrangedfor strings by Colin Kirkpatrick
Here?sa brand new collection of best-loved Christmas hymns and carols arranged for strings,to brighten up your next Christmas event. They are presented in a set of twobooks and include full four-part instrumental scores plus parts for first violin,second violin, viola, cello and optional double bass. Both cello and bass partsappear on a single staff. The arrangements can be used with string quartet, stringquintet or string ensemble. There?s also an optional but useful simplifiedkeyboard part intended for less experienced keyboard players. The left handplays only the bass part most of the time, with the right hand part kept assimple as possible. It could be used as the basis of an accompaniment whichmeans that you can use the arrangements as solos, duets or trios.
Thearrangements are intended either as stand-alone pieces that could be used asinterludes in a concert or service, or they could be used to accompany solo,choral or congregational singing. The arrangements been written in string-friendlykeys as often as possible. While the hymns mostly use the traditionalharmonies, the carols have been treated more freely.
Book 1 includes thefollowing 19 titles: Angels from the Realms of Glory (Melody: Gloria); Awayin a Manger (Melody: Mueller); Unto Us a Child Is Born (Melody: PuerNobis); Christians Awake! (Melody: Yorkshire); Deck the Halls withBoughs of Holly (Melody: Nos Galan); Go Tell it on the Mountain; GoodChristian Men, Rejoice (Melody: In Dulci Jubilo); Good King Wenceslas(Melody: Tempus Adest Floridum); I Saw Three Ships Come Sailing In; ItCame Upon the Midnight Clear (Melody: Carol); Little Jesus, SweetlySleep (Melody: Rocking); O Christmas Tree (Melody: Tannenbaum); OCome all ye Faithful (Melody: Adeste Fidelis); O Little Town ofBethlehem (Melody: Saint Louis); O Holy Night (Melody: CantiqueNol); Silent Night (Melody: Stille Nacht); The Holly and the Ivy;We Wish You a Merry Christmas and What Child is This? (Melody:Greensleeves)
Theaudio samples include Go Tell it on the Mountain; O Christmas Tree; O Holy Night and SilentNight. Please note that the arrangements are usually not usually compatiblewith the brass collection of the same name
$25.99 ≈
23.35€
Bach: Brandenburg Concerto No. 3 for Saxophone Choir
Bach: Brandenburg Concerto No. 3 for Saxophone Choir
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Ensemble de saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James M
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Bach: Brandenburg Concerto No.
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jmsgu3
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SheetMusicPlus
Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone - Level 4 - SKU: A0.1402348 Composed by Johann S...
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Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone - Level 4 - SKU: A0.1402348 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Historic,Standards,Traditional. 149 pages. Jmsgu3 #985560. Published by jmsgu3 (A0.1402348). Bach's Brandenburg Concerto No. 3 is significant for its composition and structure. It features nine solo strings divided into three groups of violins, violas, and cellos, showcasing a colorful instrumentation and demanding performance requirements. The concerto opens majestically with distinct groupings of soloists by instrument, maintaining these divisions throughout the movement with moments of independence for each soloist. The closing movement, a vigorous allegro, follows a similar pattern with the nine players divided by instrument. Additionally, the concerto includes a two-note adagio cadence where musicians were intended to improvise a link between the outer movements. This concerto is a prime example of the Baroque concerto style. It demonstrates Bach's mastery in creating intricate and harmonious compositions that challenge performers while showcasing the beauty of different instruments working together harmoniously.The historical context of Bach's Brandenburg Concertos is rooted in the Baroque era and Bach's circumstances. Composed around 1711-1720 and dedicated in 1721 to Christian Ludwig, the Margrave of Brandenburg, these concertos were a collection of six concerti grossi that showcased a balance between various groups of soloists and a small orchestra. Bach's decision to compile these concertos was influenced by his need for employment and his encounter with Christian Ludwig, who commissioned several works after being impressed by his performance in Berlin around 1719. Despite Bach's hopes for a position at the Brandenburg court, the Margrave did not pay for the work, possibly because the pieces were revisions of earlier compositions rather than new creations specifically for him. Moreover, the Brandenburg Concertos exemplify the concerto grosso genre popular during the Baroque era, featuring a more significant number of soloists than usual and expansive music that showcases a variety of instruments in different combinations. Bach's innovative use of instruments like trumpets, recorders, French horns, oboes, flutes, violino piccolo, violas da gamba, and harpsichord in these concertos highlights his creativity and mastery in composing intricate and diverse musical pieces. The historical significance lies in Bach's ability to blend different musical styles and forms while creating a set of concertos that music lovers cherish today.
$74.95 ≈
67.32€
Bach: Brandenburg Concerto No. 3 for Saxophone Choir - Score Only
Bach: Brandenburg Concerto No. 3 for Saxophone Choir - Score Only
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Classique
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Johann Sebastian Bach
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James M
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Bach: Brandenburg Concerto No.
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble - Level 4 - SKU: A0.1401651 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Historic,Standar...
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Woodwind Ensemble - Level 4 - SKU: A0.1401651 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Historic,Standards,Traditional. 70 pages. Jmsgu3 #984834. Published by jmsgu3 (A0.1401651). Bach's Brandenburg Concerto No. 3 is significant for its composition and structure. It features nine solo strings divided into three groups of violins, violas, and cellos, showcasing a colorful instrumentation and demanding performance requirements. The concerto opens majestically with distinct groupings of soloists by instrument, maintaining these divisions throughout the movement with moments of independence for each soloist. The closing movement, a vigorous allegro, follows a similar pattern with the nine players divided by instrument. Additionally, the concerto includes a two-note adagio cadence where musicians were intended to improvise a link between the outer movements. This concerto is a prime example of the Baroque concerto style. It demonstrates Bach's mastery in creating intricate and harmonious compositions that challenge performers while showcasing the beauty of different instruments working together harmoniously.The historical context of Bach's Brandenburg Concertos is rooted in the Baroque era and Bach's circumstances. Composed around 1711-1720 and dedicated in 1721 to Christian Ludwig, the Margrave of Brandenburg, these concertos were a collection of six concerti grossi that showcased a balance between various groups of soloists and a small orchestra. Bach's decision to compile these concertos was influenced by his need for employment and his encounter with Christian Ludwig, who commissioned several works after being impressed by his performance in Berlin around 1719. Despite Bach's hopes for a position at the Brandenburg court, the Margrave did not pay for the work, possibly because the pieces were revisions of earlier compositions rather than new creations specifically for him. Moreover, the Brandenburg Concertos exemplify the concerto grosso genre popular during the Baroque era, featuring a more significant number of soloists than usual and expansive music that showcases a variety of instruments in different combinations. Bach's innovative use of instruments like trumpets, recorders, French horns, oboes, flutes, violino piccolo, violas da gamba, and harpsichord in these concertos highlights his creativity and mastery in composing intricate and diverse musical pieces. The historical significance lies in Bach's ability to blend different musical styles and forms while creating a set of concertos that music lovers cherish today.
$49.95 ≈
44.87€
Concertino - for clarinet, mandolin and symphony orchestra
Concertino - for clarinet, mandolin and symphony orchestra
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Orchestre de chambre
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Klezmer
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Ofer Ben-Amots
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Concertino - for clarinet, man
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The Composer's Own Press
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SheetMusicPlus
Chamber Orchestra - SKU: A0.944032 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own Press #4610029....
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Chamber Orchestra - SKU: A0.944032 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own Press #4610029. Published by The Composer's Own Press (A0.944032). CONCERTINO, for Clarinet, Mandolin, and Orchestra CONCERTINO was officially commissioned in 2011 by the Geneva Chamber Orchestra. The composition explores the sound combination of two, seemingly opposing, instruments and sound characters: the clarinet and the mandolin. Thus, the three-movement work is a short double-concerto for clarinet and mandolin, accompanied by a chamber orchestra. The first movement, titled Psalm 148 and is a mixture of a coronation fanfare and a wild improvisatory-like dance. The music is based on the structure and ideas expressed in the 148th Psalm. For the transformation of this Psalmodic text into music I was concerned with two elements: first, the linguistic pulse of the ancient Biblical Hebrew gives the music its ever-changing meters and vibrant rhythms. The second element was the poetic concept presented in the text: Heaven vs. Earth, Universe vs. Planet, or Heights vs. Depths. The contrasting nature of these elements is described in the following verses: Hallelujah, Praise ye the LORD from the heavens; praise Him in the heights. (Psalm 148, verse 1) Praise the LORD from the earth, ye sea-monsters, and all deeps. (Psalm 148, verse 7) Finally, both Heaven and Earth join in praise together: Let them praise the name of the LORD, for His name alone is exalted; His glory is above the earth and heaven. (Psalm 148, verse 13) The musical expression of these contraries is reflected and the use of high-range and soprano instruments (flutes, clarinet, trumpets, violins) versus low-range instruments (trombone, bassoons, cellos and basses.) The second movement, Romacero Viejo (and old love song) is a slow, lyrical dirge-like melody in a Sephardic Judeo-spanish style. In this movement the mandolin plays in the manner of an Oud – a traditional pear-shaped Arabic lute. The harmony sits mostly on a single pedal note while the clarinet imitates the chant with rhythmically free ornatmental patterns. The third and final movement, Allegro con brio, is a festive klezmer dance with a traditional Bulgar (or Freylech) rhythm, where the regular 8/8 meter is constantly divided into the irregular count of: 3+3+2. In the middle of this movement the two soloists play a cadenza, which allows them to present their contrasting yet complementary instrumental characters. The movement is titled The Geneva Bulgar in honor of the City of Geneva and the wonderful memories I have been carrying with me ever since my time there as a young student at the Conservatoire de Musique. Total duration: ca. 23 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00 ≈
48.50€
Tico Tico (tico Tico No Fuba)
Tico Tico (tico Tico No Fuba)
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Film Walt Disney
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The Andrews Sisters
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Keith Terrett
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Tico Tico
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Keith Terrett
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SheetMusicPlus
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 4 - SKU: A0.747013 By The Andrews Sisters. By Aloysio Oliveira, Ervin Drake, and Ze...
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 4 - SKU: A0.747013 By The Andrews Sisters. By Aloysio Oliveira, Ervin Drake, and Zequinha Abreu. Arranged by Keith Terrett. Classical,Latin,Multicultural,World. 14 pages. Keith Terrett #5869549. Published by Keith Terrett (A0.747013). Arranged for String Orchestra Tico-Tico no fubá (sparrow in the cornmeal, or, literally, rufous-collared sparrow in the cornmeal) is a Brazilian choro song written by Zequinha de Abreu in 1917. A great arrangement for your next performance, sure to be a big hit with your audience!Its original title was Tico-Tico no farelo (sparrow in the bran), but since Brazilian guitarist Américo Jacomino Canhoto (1889–1928) had a work with the same title, Abreu's work was given its present name in 1931, and sometime afterward Aloysio de Oliveira wrote the original Portuguese lyrics.Eros Volusia and her dancers dance to Tico-Tico in 1942 Rio Rita. Ethel Smith performed Tico-Tico onscreen in Bathing Beauty (1944). Carmen Miranda performed Tico-Tico onscreen in Copacabana (1947); It was also featured in the Aquarela do Brasil segment of the Walt Disney film Saludos Amigos (1942) and in Woody Allen's Radio Days (1987).In Quebec the song has been used for several decades in commercials for Sico paint.In season three of Mama's Family episode An Ill Wind, an intoxicated Iola briefly sings the song's chorus before passing out onto a bed.This song can be heard on various episodes of the Belgian Kabouter Wesley cartoon.In season one of Narcos: Mexico, episode 3 (El Padrino), the orchestral version of the song is played by a band during a reception. A biographical movie about Zequinha de Abreu with the same title, Tico-Tico no Fubá was produced in 1952 by the Brazilian film studio Companhia Cinematográfica Vera Cruz, starring Anselmo Duarte as Abreu.The title phrase also features in the lyrics to the song O Pato made famous by João Gilberto.Choro (Portuguese pronunciation: [ˈʃoɾu], cry or lament), also popularly called chorinho (little cry or little lament), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as chorões.
$12.99 ≈
11.67€
String Quartet No. 9
String Quartet No. 9
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Classique
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Joerg Widmann
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String Quartet No. 9
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Schott Music - Digital
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SheetMusicPlus
String quartet - difficult - SKU: S9.Q778629 (Beethoven-Study IV). Composed by Joerg Widmann. Downloadable, Score and parts. Duration 35 minutes....
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String quartet - difficult - SKU: S9.Q778629 (Beethoven-Study IV). Composed by Joerg Widmann. Downloadable, Score and parts. Duration 35 minutes. Schott Music - Digital #Q778629. Published by Schott Music - Digital (S9.Q778629). The 9th String Quartet forms the penultimate work in my Beethoven Study quartet cycle. Chronologically, however, it was composed after the 10th Quartet Cavatina. And indeed, when composing it, it felt like the conclusion of the cycle. While the 6th Quartet Studie über Beethoven, which opened the cycle, was still in one movement, the 7th in two and the 8th in three, this 9th Quartet is a four-movement work. The sacred musical number 9 inspired me to create an especially substantial and intense composition. The second movement, a Scherzo, and the fourth movement Allegro alla marcia have become simply gigantic in their dimensions and in the density of information and impulses in comparison to their historical models. This 9th quartet has a particular focus on Beethoven’s still unattainable Quartet in C# minor op. 131. The radical nature and modernity of this work are still burning issues for us today. As in the other quartets in the cycle, I have been amazed at the new forms which have evolved during my preoccupation with their historical models and the extent of previously unknown spiritual depths in my own music during the process of composition. While my study of Beethoven's symphonies in the orchestral piece Con brio led to the discovery of new tonal possibilities for the orchestra (the timpani treatment!) and the juxtaposition of Beethoven's choral fantasy with the Latin Dies irae in my ARCHE oratorio made it possible to develop new theological and thematic points of focus, in the string quartet cycle it is above all the development and discovery of new forms that could only emerge through the study of Beethoven's quartets. Jörg Widmann.
$132.99 ≈
119.46€
Sing We Now Of Christmas (Noël Nouvelet) (String Quartet and Piano)
Sing We Now Of Christmas (Noël Nouvelet) (String Quartet and Piano)
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Musique Sacrée
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Traditional, John H
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Stephen DeCesare
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Sing We Now Of Christmas
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Exultet Music
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SheetMusicPlus
String Quartet Cello,Piano,String Quartet,Viola,Violin - Level 2 - SKU: A0.631145 Composed by Traditional, John H. Hopkins Jr. Arranged by Stephen DeCes...
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String Quartet Cello,Piano,String Quartet,Viola,Violin - Level 2 - SKU: A0.631145 Composed by Traditional, John H. Hopkins Jr. Arranged by Stephen DeCesare. Christian,Christmas,Multicultural,Praise & Worship,Sacred,World. 23 pages. Exultet Music #6509407. Published by Exultet Music (A0.631145). The traditional Christmas hymn that highlights several of the most important parts of Christ’s birth; from the rejoicing of heaven and earth (with shepherds and angels), to the fulfilling of prophecies (the coming of the wise men) has been freshly arranged for a String Quartet (Violin (2), Viola, Cello) with Piano accompaniment. This version also incorporates other Christmas carols within the piece to help tell the story (Patapan, O Come, O Come, Emmanuel and We Three Kings). Accessible and appropriate for any church or concert setting. An accompaniment track is also available.
$12.99 ≈
11.67€
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Pat a pan, for Three Violins with Cello
