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Passing By low horn
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Vous avez sélectionné:
Passing By low horn
Partitions à imprimer
36 partitions trouvées
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26
Passing By - low horn
Passing By - low horn
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Cor et Piano
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FACILE
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Edward Purcell
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Kenneth D
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Passing By - low horn
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KFS Publishing
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SheetMusicPlus
French Horn,Piano - Level 2 - SKU: A0.700173 Composed by Edward Purcell. Arranged by Kenneth D. Friedrich. Concert,Romantic Period,World. Score and part...
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French Horn,Piano - Level 2 - SKU: A0.700173 Composed by Edward Purcell. Arranged by Kenneth D. Friedrich. Concert,Romantic Period,World. Score and part. 5 pages. KFS Publishing #3385639. Published by KFS Publishing (A0.700173). Vocal art song arranged for low horn and piano.
$10.00 ≈
8.99€
What Wondrous Love (with When I Survey) for English Horn & Piano
What Wondrous Love (with When I Survey) for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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Lowell Mason and Traditional
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Christopher M
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What Wondrous Love
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Christopher M Kraus Music
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.1308837 Composed by Lowell Mason and Traditional. Arranged by Christopher M. Kraus. Chamber,Christian,Classical,L...
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English Horn,Piano - Level 3 - SKU: A0.1308837 Composed by Lowell Mason and Traditional. Arranged by Christopher M. Kraus. Chamber,Christian,Classical,Lent,Sacred. Score and part. 7 pages. Christopher M Kraus Music #898088. Published by Christopher M Kraus Music (A0.1308837). A reflective, easy-intermediate difficulty arrangement that combines the traditional Hymn tune, WONDROUS LOVE with HAMBURG (Lowell Mason). Three verses are stated between the two tunes, effortlessly passing responsibility for the melody between English Horn and Piano. Keys change fluidly throughout, reflecting the modal nature of WONDROUS LOVE. Appropriate for Prelude or Offertory in a traditional church service.Copyright © 2017​Originally performed Holy Week, 2017 at Faith Presbyterian Church in Wilmington, DE.
$7.99 ≈
7.19€
Hornucopia for Horn Quartet
Hornucopia for Horn Quartet
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Quatuor de cuivres: 4 cors
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AVANCÉ
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Contemporain
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Sy Brandon
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Hornucopia for Horn Quartet
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Sy Brandon
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SheetMusicPlus
Brass Ensemble Horn - Level 5 - SKU: A0.755295 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 35 pages. Sy Brandon #6065749. Publis...
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Brass Ensemble Horn - Level 5 - SKU: A0.755295 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 35 pages. Sy Brandon #6065749. Published by Sy Brandon (A0.755295). A one movement work in several sections. It begins with a fanfare section that is followed by an Allegro in 5/8. A second lyrical theme in mostly 7/4 and 5/4 follows. This leads to a return of the Allegro 5/8 before transitioning into a moderate 6/8. The fanfare section returns briefly before the 5/8 coda. The language is tonal with some passing dissonance.
$14.99 ≈
13.48€
Saint-Saëns: The Swan for French Horn & Piano
Saint-Saëns: The Swan for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Roman...
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French Horn,Piano - Level 3 - SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Romantic Period,Wedding. Score and part. 9 pages. Jmsgu3 #901955. Published by jmsgu3 (A0.1313124). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95 ≈
29.63€
Cornet Duet - 'Forward' by David Catherwood (with Brass Band accompaniment)
Cornet Duet - 'Forward' by David Catherwood (with Brass Band accompaniment)
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Contemporain
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David Catherwood
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Cornet Duet - 'Forward' by Dav
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Opus 3 Music
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 5 - SKU: A0.739473 Composed by David Catherwood. Contemporary. Brass Band. 35 pages. Opus 3 Music #4412769. Published by Opus 3 Music (A0.739473). This is a cornet duet version of the cornet solo of the same name written for Gordon Ward and recorded by him with the New York Staff Band.This version was arranged for a special concert held in New York and the Youtube clip is a recording of that concert featuring the Greater New York Youth Band. An exciting virtuoso showcase for the cornets with no slowing of the tempo throughout the whole piece hence the title Forward (with of course the obvious dedication within the title For Ward! referring also to Gordon Ward) There is also one glance backwards in the piece with a passing reference to the old cornet solo 'Jubilate' Soloist parts are supplied for Cornets in Bb (and also a soloist 1 part in Eb - making it possible to feature it as a duet for Soprano cornet & Bb cornet)The download contains all of the followingFull ScoreBb Soloist 1Eb Soloist 1 Bb Soloist 2Soprano Cornet1st Cornet2nd CornetFlugel Horn1st Horn2nd HornBaritone1st Trombone2nd TromboneBass TromboneEuphoniumEb BassBb BassPercussion
$17.50 ≈
15.74€
Jesus is Passing This Way - for Beginner Orchestra. (with chords)
Jesus is Passing This Way - for Beginner Orchestra. (with chords)
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J
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L
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Jesus is Passing This Way - fo
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Müller Publishing company
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SheetMusicPlus
Alto Saxophone,Cello,Clarinet,Double Bass,Flute,Horn,Piano,Soprano Saxophone,Trombone,Trumpet,Tuba,Viola,Violin - Level 1 - SKU: A0.1477490 Composed by ...
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Alto Saxophone,Cello,Clarinet,Double Bass,Flute,Horn,Piano,Soprano Saxophone,Trombone,Trumpet,Tuba,Viola,Violin - Level 1 - SKU: A0.1477490 Composed by J. H. Tenney. Arranged by L. Müller. Chamber,Christian,Religious,Sacred,Spiritual. 24 pages. Müller Publishing company #1054890. Published by Müller Publishing company (A0.1477490). Arrangement of the Traditional Hymn Jesus is Passing This Way by J. H. Tenney - Adapted by L. Müller for Beginner Orchestra.Celebrate the inspiring message of the traditional hymn, Jesus is Passing This Way, composed by J. H. Tenney. This arrangement, meticulously adapted by L. Müller, is crafted for beginner orchestras, making it accessible to a wide range of performers.The arrangement includes comprehensive parts for various instruments, ensuring that orchestras of all sizes can participate. The classic harmony is preserved, allowing both small and large groups to perform with depth and richness. The digital PDF format ensures easy access and distribution, with versions available both with and without chords to suit different performance needs.Perfect for church services, spiritual gatherings, and musical events, this rendition of Jesus is Passing This Way will quickly become a cherished addition to any repertoire. The thoughtful adaptation ensures that even those new to music can join in creating a worshipful and inspiring atmosphere.Instruments Included:- Flute- Clarinet in Bb I & II- Soprano Saxophone- Alto Saxophone I & II- Horn in F- Trumpet in Bb I, II & III- Trombone I & II- Tuba- Violin I, II & III- Viola- Cello I & II- Contrabass- PianoAvailable Versions: With and Without ChordsKey Features:- Suitable for beginner musicians- Comprehensive instrumentation- Digital PDF format for easy access and distribution- Classic harmony preservedEnrich your worship services and musical gatherings with this specially adapted arrangement of Jesus is Passing This Way. Acquire it now and inspire your audience with the beauty, joy, and depth of this iconic hymn.
$1.99 ≈
1.79€
Jesus is Passing This Way - for Beginner Orchestra.
Jesus is Passing This Way - for Beginner Orchestra.
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J
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L
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Jesus is Passing This Way - fo
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Müller Publishing company
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SheetMusicPlus
Alto Saxophone,Cello,Clarinet,Double Bass,Flute,Horn,Piano,Soprano Saxophone,Trombone,Trumpet,Tuba,Viola,Violin - Level 1 - SKU: A0.1477512 Composed by ...
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Alto Saxophone,Cello,Clarinet,Double Bass,Flute,Horn,Piano,Soprano Saxophone,Trombone,Trumpet,Tuba,Viola,Violin - Level 1 - SKU: A0.1477512 Composed by J. H. Tenney. Arranged by L. Müller. Chamber,Christian,Religious,Sacred,Spiritual. 24 pages. Müller Publishing company #1054894. Published by Müller Publishing company (A0.1477512). Arrangement of the Traditional Hymn Jesus is Passing This Way by J. H. Tenney - Adapted by L. Müller for Beginner Orchestra.Celebrate the inspiring message of the traditional hymn, Jesus is Passing This Way, composed by J. H. Tenney. This arrangement, meticulously adapted by L. Müller, is crafted for beginner orchestras, making it accessible to a wide range of performers.The arrangement includes comprehensive parts for various instruments, ensuring that orchestras of all sizes can participate. The classic harmony is preserved, allowing both small and large groups to perform with depth and richness. The digital PDF format ensures easy access and distribution, with versions available both with and without chords to suit different performance needs.Perfect for church services, spiritual gatherings, and musical events, this rendition of Jesus is Passing This Way will quickly become a cherished addition to any repertoire. The thoughtful adaptation ensures that even those new to music can join in creating a worshipful and inspiring atmosphere.Instruments Included:- Flute- Clarinet in Bb I & II- Soprano Saxophone- Alto Saxophone I & II- Horn in F- Trumpet in Bb I, II & III- Trombone I & II- Tuba- Violin I, II & III- Viola- Cello I & II- Contrabass- PianoAvailable Versions: With and Without ChordsKey Features:- Suitable for beginner musicians- Comprehensive instrumentation- Digital PDF format for easy access and distribution- Classic harmony preservedEnrich your worship services and musical gatherings with this specially adapted arrangement of Jesus is Passing This Way. Acquire it now and inspire your audience with the beauty, joy, and depth of this iconic hymn.
$1.99 ≈
1.79€
Concerto
Concerto
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Piano et Orchestre
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AVANCÉ
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Contemporain
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Gyorgy Ligeti
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Piano and orchestra - difficult - For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minut...
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Piano and orchestra - difficult - For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99 ≈
21.58€
50 Hymns for Beginner Orchestra with Chord Symbols: Complete Collection of Traditional Arrangements
50 Hymns for Beginner Orchestra with Chord Symbols: Complete Collection of Traditional Arrangements
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Various
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L
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50 Hymns for Beginner Orchestr
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Müller Publishing company
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SheetMusicPlus
Large Ensemble Alto Saxophone,Cello,Clarinet,Double Bass,Flute,Horn,Soprano Saxophone,Trombone,Trumpet,Tuba,Viola,Violin - Level 1 - SKU: A0.1499958 Com...
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Large Ensemble Alto Saxophone,Cello,Clarinet,Double Bass,Flute,Horn,Soprano Saxophone,Trombone,Trumpet,Tuba,Viola,Violin - Level 1 - SKU: A0.1499958 Composed by Various. Arranged by L. Müller. Chamber,Christian,Religious,Sacred,Spiritual. 1122 pages. Müller Publishing company #1076029. Published by Müller Publishing company (A0.1499958). 50 Hymns for Beginner Orchestra with Chord Symbols: Complete Collection of Traditional ArrangementsUnlock the full potential of your beginner orchestra with this complete collection of 50 hymn arrangements, now available with chord symbols. Arranged by L. Müller, this book provides a unique blend of traditional hymn melodies and chord notations, making it perfect for orchestras and ensembles looking to enhance their rehearsals and performances with additional instrumental support. The inclusion of chord symbols allows for flexibility, enabling guitarists, keyboardists, and other accompanying musicians to join in seamlessly.Included Hymns:1. A Mighty Fortress2. Abide With Me3. All Hail The Power of Jesus' Name4. All Hail to the Power5. Belmont Hymn6. Christ Arose7. Count Your Blessings8. Fairest Lord Jesus9. Glorious Things of Thee Are Spoken10. God Be With You11. God of Our Fathers12. God Reveals His Presence13. Great Is Thy Faithfulness14. Holy, Holy, Holy15. How Great Thou Art16. I Surrender All17. Is Your All on the Altar18. It Is Well with My Soul19. Jesus Christ is Risen Today20. Jesus is Passing This Way21. Joyful, Joyful, We Adore Thee22. Lead me, Lord23. Let us praise God24. Majesty25. Master, the Tempest is Raging26. Mine Eyes Have Seen the Glory27. Moment by Moment28. Nearer my God to Thee29. Nearer, still nearer30. Now the Day Is Over31. O Love That Will Not Let Me Go32. O the Deep, Deep Love of Jesus33. Onward, Christian Soldiers34. Praise Ye the Father35. Showers of Blessing36. Standing on the Promises37. Tell Me the Old, Old Story38. The Banner of the Cross39. The Fight Is On40. The Gospel Bells41. The King's Business42. The Lord Bless You and Keep You43. The Old Rugged Cross44. To God Be The Glory45. Tollite Hostias46. True-hearted, Whole-hearted47. Trust and Obey48. We Plow the Fields49. When I Survey The Wondrous Cross50. Wonderful Grace of Jesus**Instrumentation:*** Flute* Clarinet in Bb I & II* Soprano Saxophone* Alto Saxophone I & II* Horn in F* Trumpet in Bb I, II & III* Trombone I & II* Tuba* Violin I, II & III* Viola* Cello I & II* Contrabass* Piano**Key Features:**- **Chord Symbols**: Enhance rehearsals and performances by allowing guitar, keyboard, and other accompanying instruments to join the orchestra easily.- **Accessibility**: The simplified arrangements are designed for beginner orchestras, making it easy for young musicians to play alongside experienced accompanists.- **Versatility**: Perfect for worship services, educational settings, or community performances, these arrangements offer a dynamic and engaging musical experience.Bring the rich heritage of these beloved hymns to life in your orchestra with added versatility and depth. This collection with chord symbols opens up new possibilities for accompaniment, providing a fuller, more harmonious sound that both performers and listeners will enjoy.Add this valuable resource to your music library and inspire your orchestra with these timeless melodies!
$50.00 ≈
44.97€
Dimension Traveler, Op. 150
Dimension Traveler, Op. 150
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Dr
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A to B is parallel to J-K
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Dimension Traveler, Op. 150
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https://gildedmusicpress.com/
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SheetMusicPlus
Brass Quintet - Level 4 - SKU: A0.1489523 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Classical,Film/TV. 31 pages. Https://gildedmusicpress....
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Brass Quintet - Level 4 - SKU: A0.1489523 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Classical,Film/TV. 31 pages. Https://gildedmusicpress.com/ #1066386. Published by https://gildedmusicpress.com/ (A0.1489523). Dimension Traveler, Op. 150, for brass quintet was completed 26 Mar 2024. When I wrote the first few distinctive notes into the computer, my ten-year-old son said that it sounded “futuristic.” Somehow that sparked memories of a novel I had started years ago, titled “Dimension Traveler,” based on dimensional theories I had developed. With that fresh inspiration in mind, the piece wrote itself with opening movie credits in mind.The form is thematically palindromic, the center point being m. 77. The beginning to rehearsal letter A mirrors K to the end; A to B is parallel to J-K; B-C = I-J; C-D = H-I; D-E = G-H; and the central thematic sections E-F = F-G. Concerning that central turning point, the thematic material shifts from the trumpets’ first statement at letter E to low brass with the trumpets taking on the pointillistic accompaniment at letter F. Of interest is the parallel of C-D and H-I wherein the motivic material, including dynamics, is quite literally reversed note for note to a climax.For aural aesthetics in performance, there is an optional cut from letter K to m. 142. Thematically, the structure remains chiastic, but taking the cut simply truncates the end for a motivic flavor rather than repeating the entire opening entrée. There is nothing wrong with purists performing the work in its entirety—it is simply a matter of taste among the performing ensemble members.Stylistically, this piece strays far from my typical compositions. Besides the pervasive echoing eighth-note motifs, the key never changes, and there is no chromaticism. Inspired in that regard by the masterpiece “Quintet” by Michael Kamen, the diatonicism often flows in planed clusters mildly influenced by the choral works of Eric Whitacre. Another deviation from my well-established compositional habits is the instrumentation including bass trombone instead of tuba. Of course the part can be played by a tubist, though the bass trombone meshes more seamlessly with the timbres of the other instruments in passing along the pervasively echoing eighth-notes.The individual brass parts appear deceptively simple, and indeed, they are not technically demanding besides a couple high notes in the trumpets. However, putting this piece together in an ensemble setting is rhythmically treacherous!The four-minute final product indeed sounds like it could be the opening to an epic movie of the same title, based on the novel-in-progress.
$24.95 ≈
22.44€
Philadelphia Morning
Philadelphia Morning
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Bill Conti
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Mary Clark
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Philadelphia Morning
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Second Wind Music
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SheetMusicPlus
Brass Quintet Bass Trombone,Horn,Trumpet,Tuba - Level 4 - SKU: A0.1472617 Composed by Bill Conti. Arranged by Mary Clark. Classical,Film/TV. 11 pages. S...
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Brass Quintet Bass Trombone,Horn,Trumpet,Tuba - Level 4 - SKU: A0.1472617 Composed by Bill Conti. Arranged by Mary Clark. Classical,Film/TV. 11 pages. Second Wind Music #1050268. Published by Second Wind Music (A0.1472617). “Philadelphia Morning” is a powerfully expressive composition that sets the tone for a scene early in the movie Rocky when the main character has just found out the he will get to fight the world champion boxer and sets out for a training run in the gritty city streets of Philadelphia at 4 a.m. on a dark, cold, dreary winter day. (click here to see a clip of this scene from the movie) This beautifully written piece is penetrating and pensive in describing the battle within, the solitude of it, the impossibility at hand, and generally, the struggle involved in pushing oneself. There is a powerful but subtle orchestration here; the sound of a kind of musical undertow — an undertow that is pulling our hero down, as if giving him leaden legs, or of running in quicksand. But there is also a twinkle of possibility. At the end, the [music] trails off and there is uncertainty in the air.” [From: Jack Doyle, “Philadelphia Morning: 1976-1977,” PopHistoryDig.com, March 25, 2015.]This brass quintet arrangement of Philadelphia Morning would work well as a short concert piece that showcases the expressive qualities of the French horn as well as that of the whole ensemble. This piece has a quiet, pensive, somewhat moody tempermanent. While this arrangement is not technically challenging (other than the range for the horn part noted below), the lean scoring and soft dynamics requires the ensemble to pay close attention to balance and play as one in style, tone quality, and expressiveness. Phrases passing from one player to another need to flow as if being played on a piano. The expressive opening eight-bar horn solo, which is a direct transcription from the movie score, is mostly unaccompanied and ranges up to a high b-flat so a strong, confident horn player is needed – but they will surely enjoy playing this elegantly written passage. (The film soundtrack recording features Vincent DeRosa on horn.) The bass trombone part can be played on a tuba.
$12.99 ≈
11.68€
Only A Sinner
Only A Sinner
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Folklorique/Traditionel
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James M Gray
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Dana F
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Only A Sinner
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David E. Smith - Digital Sheet Music
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SheetMusicPlus
Woodwind Quintet - Grade 3 - SKU: DX.130511 Composed by James M Gray. Arranged by Dana F. Everson. Sacred instrumental music. Sheet Music. Traditional. ...
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Woodwind Quintet - Grade 3 - SKU: DX.130511 Composed by James M Gray. Arranged by Dana F. Everson. Sacred instrumental music. Sheet Music. Traditional. Score and parts. 12 pages. David E. Smith - Digital Sheet Music #130511. Published by David E. Smith - Digital Sheet Music (DX.130511). A woodwind quartet for Flute, oboe, and two clarinets with optional parts for flute and alto sax. Plus a set of fifth parts for bassoon or bass clarinet can allow for the piece being a quintet. The first statement is in the clarinets where it leads into a full ensemble passing the lines amongst the parts. A delightful little segue leads to a modulation where the tune is in the lower lines alternated with flourishes in the flutes. This Alternating texture carries on for some time. Then the tempo picks up for a vibrant exclamation where the theme is once again bantered about where it makes one final boast and concludes.
$10.00 ≈
8.99€
One Last Wish
One Last Wish
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2 Violons (duo)
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INTERMÉDIAIRE
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Film/TV
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Soundtrack
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James Watson
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One Last Wish
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James Watson
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SheetMusicPlus
Violin Duet Violin - Level 3 - SKU: A0.1463833 By Soundtrack. By James Horner. Arranged by James Watson. Film/TV. 17 pages. James Watson #1042542. Publi...
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Violin Duet Violin - Level 3 - SKU: A0.1463833 By Soundtrack. By James Horner. Arranged by James Watson. Film/TV. 17 pages. James Watson #1042542. Published by James Watson (A0.1463833). This arrangement was done as a duet to commemorate the passing of James Horner. On 22 June 2015, we lost an extraordinary mind who scored some of the most iconic moments in cinematic history. From Willow, to Jumanji, Titanic, and Avatar, his music inspired generations of aspiring and professional musicians and composers. Countless covers and renditions have been made of these classic film scores to remember and acknowledge his legacy, as is the intention of this one. Please enjoy this arrangement for violin and piano of One Last Wish from the film Casper.
$4.99 ≈
4.49€
Glacier Bay - String Trio (vn-vn-vc)
Glacier Bay - String Trio (vn-vn-vc)
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Contemporain
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Arthur Breur
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Glacier Bay - String Trio
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Floating Home Music
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SheetMusicPlus
String Ensemble,String Trio - Level 3 - SKU: A0.913984 Composed by Arthur Breur. 20th Century,Contemporary. Score and parts. 15 pages. Floating Home Mus...
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String Ensemble,String Trio - Level 3 - SKU: A0.913984 Composed by Arthur Breur. 20th Century,Contemporary. Score and parts. 15 pages. Floating Home Music #4819957. Published by Floating Home Music (A0.913984). Glacier Bay for String Trio. An audio impression of the experience of being in Glacier Bay. This is the premier performance of Glacier Bay by String Trio Black Diamonds - just one day after Arthur Breur composed the piece and provided the trio with the score and parts. They performed the piece in the atrium of the Norwegian Sun on July 3, 2016. With gratitude to Captain Richard Svardmark and the entire crew of the Norwegian Sun. Arthur Breur composed Glacier Bay in a single day on the Cruise Ship Norwegian Sun as it toured Glacier Bay, Alaska. Waking very early that day, Arthur was greeted with foggy, gray, mysterious views in an eerie northern twilight, and the mood set him immediately to composing. As he often does, he started by constructing the ten letters of the name Glacier Bay into musical notes. He divided these ten notes into three similar musical motifs, first three notes [G-E-A], then four notes [C-B-E-D], then three notes again [B-A-D]. These motifs open the piece, in a section that represents the eerie, misty, wet, half-lit morning. Then-expressing wonder and excitement upon seeing the beauty and majesty of Alaska’s glaciers-the motifs are connected with moving lines of notes that turn the original disconnected motifs into a flowing, uplifting melody. Between stops at the enormous bay’s different glaciers, the ship moved slowly through foggy vistas. The middle section of the piece represents this with a more dissonant, nervous sound. (Listen carefully for the sound of the ship’s fog horn-which really is a low F-sharp!-played by the cello.) But after passing through the fog, there was another awe-inspiring glacier, and so the music returns to the uplifting, flowing melody once again. Glacier Bay for String Trio Composed for the String Trio Black Diamonds: - Tamara Sieviieva - Mykyta Denysov - Anastasia Gorokhova *** Upon waking to a mysterious foggy morning on the Norwegian Sun cruise ship in Glacier Bay, Alaska, I was almost immediately possessed by my Muse. (That’s the only way I can describe it; every moment that I was not composing-even WHILE looking at the beautiful, awe-inspiring glaciers! - I was hearing the melody in my head and aching to compose.) *** Duration: 5m Composer: Arthur Breur Instruments: Violin, Cello, String Trio, String Trio (vn-vn-vc) Format: Score, Set of Parts Genres: 21st Century, Contemporary Classical, Post-Romantic, Neo-Classical Level: Intermediate https://www.floatinghomemusic.com
$20.00 ≈
17.99€
Like A River Glorious
Like A River Glorious
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Frances R
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Dana F
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Like A River Glorious
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David E. Smith - Digital Sheet Music
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SheetMusicPlus
Brass Quintet - Grade 3 - SKU: DX.145532 Composed by Frances R. Havergal. Arranged by Dana F. Everson. Traditional. Key of F, Ab. Sacred Instrumental Mu...
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Brass Quintet - Grade 3 - SKU: DX.145532 Composed by Frances R. Havergal. Arranged by Dana F. Everson. Traditional. Key of F, Ab. Sacred Instrumental Music. Score and Parts. 15 pages. David E. Smith - Digital Sheet Music #145532. Published by David E. Smith - Digital Sheet Music (DX.145532). This quintet (opt. Sextet) begins with extraneous motifs leading into the first statement of the theme in the low brass offset by answering material in the trumpets. The pieces continues in this question and answer texture passing motivic material around the parts. Then in a transition mimicking the beginning a modulation takes place where the theme is more expressive and becomes more aggressive leading up to a majestic coda where it ends on a thought-provoking conclusion.
$12.00 ≈
10.79€
Supercalifragilisticexpialidocious
Supercalifragilisticexpialidocious
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Richard M
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Mark A
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Supercalifragilisticexpialidoc
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Mark A. Craig
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bass Clarinet,Bassoon,Flute,Horn,Oboe - Level 4 - SKU: A0.1451714 Composed by Richard M. Sherman and Robert B. Sherma...
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Woodwind Ensemble,Woodwind Quintet Bass Clarinet,Bassoon,Flute,Horn,Oboe - Level 4 - SKU: A0.1451714 Composed by Richard M. Sherman and Robert B. Sherman. Arranged by Mark A. Craig/Craig Music Publishers (ASCAP). Broadway,Children,Film/TV,Musical/Show,Pop. 25 pages. Mark A. Craig #1031020. Published by Mark A. Craig (A0.1451714). This woodwind quintet arrangement of Supercalifragilisticexpialidocious from the movie Mary Poppins is perfect for pops recitals, weddings, background dinner music gigs, children's concerts, and educational outreach. This American classic can be performed by college and professional ensembles. I have included an alternate bass clarinet part if no bassoonist is available. This arrangement was recorded on the U. S. Air Force Band of Liberty's The New England Winds / Colonial Brass CD. Here is a link to the recording: USAF Band of Liberty: The New England Winds/Colonial Brass. If you like this arrangement, you might also like my arrangement of A Spoonful of Sugar, also from the movie Mary Poppins. It's available at Sheet Music Plus: https://www.sheetmusicplus.com/en/product/a-spoonful-of-sugar-22779863.html & Sheet Music Direct: https://www.sheetmusicdirect.com/en-US/se/ID_No/1553187/Product.aspx. In light of the recent passing of our beloved American composer Richard Sherman, I wanted to bring back these two charming pieces from this delightful movie. I hope you enjoy these settings for winds. Here are some links if you'd like to check out my other social media pages. Please like and subscribe, and feel free to leave comments below. Thanks!Facebook: https://www.facebook.com/craigmusicpublishers/Instagram: https://www.instagram.com/craigmusicpublishers/.
$15.00 ≈
13.49€
Scenes and Amusements, Op. 149
Scenes and Amusements, Op. 149
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Dr
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Scenes and Amusements, Op. 149
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https://gildedmusicpress.com/
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SheetMusicPlus
Brass Quintet - Level 4 - SKU: A0.1489504 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Children,Classical,Film/TV. 72 pages. Https://gildedmu...
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Brass Quintet - Level 4 - SKU: A0.1489504 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Children,Classical,Film/TV. 72 pages. Https://gildedmusicpress.com/ #1066367. Published by https://gildedmusicpress.com/ (A0.1489504). Alfredo’s Demise was completed on 29 Dec 2023. Alfredo was a snowman built after a late spring snowstorm. The first half underscores time lapse footage of the rapidly melting snowman, syncing precise sforzando punctuations to moments of falling chunks. The sunset remains were gleefully decimated by our six-year-old James.Shuttle from Haneda depicts a delayed return from a trip. The video elicited an atonal compositional style to underscore the hustle and chaos of a city as enormous as Tokyo, but with a lovely view of the Bay about midway through the work.Petite Wave was composed to accompany a time lapse hanging of a three-panel canvas print of the woodcut art “The Great Wave off Kanagawa” by Japanese artist Katsushika Hokusai in 1831. This art was featured on the cover of Claude Debussy’s “La Mer” when it was published in 1905, prompting a quote from “La Mer.”Fast Food to Fitness aurally illustrates a pan of nine fast food ads on a sheet. The bottom ad ironically promotes “BeFit 360”. The music has a series of exciting flourishes that morph into a sinister chord as the last ad dampens the caloric prospects.Pigeons personifies a substantial flock of pigeons contentedly pecking at grass. I filmed while slowly approaching, occasionally causing a stir. The nervous flock took flight to find less threatening spot of ground to peck. The scene presented some fine opportunities for musical underscoring.Blue Snowman Group accompanies a rare Tokyo storm that dumped inches of wet packing snow. When my ten-year-old started rolling the base of a snowman, I whipped out my cell phone and started a time lapse video. Mom came out and built her own, armed with a spray bottle of colored water. The two snowmen turned blue in the cold and lived happily together for a couple of days.Autumn Fuji Puzzle undersores tightly crafted moments of puzzle-working and deconstruction.Outing in Japan was crafted to highlight key moments of a time lapse, running errands in northwest Tokyo. Many subtle and obvious moments in this work aurally augment visually stimulating moments, including blinking turn signals, passing traffic, turns, vehicle approaches, parking at destinations, and many more.
$34.95 ≈
31.43€
America's 250th, Op. 142
America's 250th, Op. 142
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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AVANCÉ
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Dr
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America's 250th, Op. 142
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https://gildedmusicpress.com/
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SheetMusicPlus
Brass Quintet - Level 5 - SKU: A0.1489495 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Classical,Holiday,Patriotic. 52 pages. Https://gildedm...
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Brass Quintet - Level 5 - SKU: A0.1489495 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Classical,Holiday,Patriotic. 52 pages. Https://gildedmusicpress.com/ #1066359. Published by https://gildedmusicpress.com/ (A0.1489495). Being a bicentennial baby, born in 1976, my heart has always loved this wonderful nation. In anticipation of the passing of 50 more years, with rousing celebrations sure to be planned and executed in every state of the Union, in every form of entertainment and festivity imaginable, this rousing patriotic composition is my heartfelt contribution.The work is offered early to allow any performing quintet to acquire the music in plenty of time to work it up for concerts, recitals, ceremonies, and festivities of all kinds throughout the year.The music itself elicits a wide range of emotions and images from throughout the two and a half centuries of America’s history. In the compositional process, I certainly had my own images circulating through my mind. It is encouraged that the performers tell their own story of America as they perform. If technical means are available, a video presentation to accompany the music would be superb!America’s 250th, Op. 142, for brass quintet was started 23 Aug 2022 and completed 11 Nov 2023 on Veterans Day in Pearl Harbor, having traveled that day on a plane from Tokyo full of Japanese. Duration: 5:30. Intended for performance during the entire 250th celebratory year in 2026. Published in 2024 through Gilded Music Press, catalogue number GMP 3059.
$24.95 ≈
22.44€
Bach: French Suite No. 1, BWV 812, for Saxophone Quintet - Score Only
Bach: French Suite No. 1, BWV 812, for Saxophone Quintet - Score Only
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James M
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Bach: French Suite No. 1, BWV
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.1404381 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival...
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Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.1404381 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Historic,Instructional,Standards. 14 pages. Jmsgu3 #987456. Published by jmsgu3 (A0.1404381). The historical context of Bach's BWV 812 French Suite No. 1 is rooted in its composition during a period of prolific creativity in Bach's life, around 1722-1725. These suites, including the French Suite No. 1, were crafted as part of a collection intended for teaching purposes within Bach's private circle, particularly to enhance the keyboard skills of his second wife, Anna Magdalena. The French Suites were written when Bach was newly married to Anna Magdalena, following the passing of his first wife, Maria Barbara. These suites were considered a wedding gift for Anna Magdalena. They were part of Bach's efforts to provide musical education to his wife and children from previous marriages. The suites blend French and German styles, featuring a series of dances in the same key, such as allemande, courante, sarabande, minuets, and gigue. Despite being labeled as French suites, Bach did not give them this title himself. The French Suites are known for their moderate difficulty level compared to Bach's other keyboard works, such as the English Suites.
$32.95 ≈
29.63€
Lyrical Music for Woodwind Quintet
Lyrical Music for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn, F
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John Gibson
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Lyrical Music for Woodwind Qui
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JB Linear
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.581786 Composed by Felix Bartholdy Mendelssohn, Franz Joseph Haydn, Johann Sebastian Bach, and Ma...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.581786 Composed by Felix Bartholdy Mendelssohn, Franz Joseph Haydn, Johann Sebastian Bach, and Maurice Ravel. Arranged by John Gibson. 20th Century,Baroque,Classical,Romantic Period,Wedding. 63 pages. JB Linear #515897. Published by JB Linear (A0.581786). Lyrical Music for Woodwind Quintet -Or- Life is Too Short Not to Play Slow Music. I have heard it said that life is too short to play slow music, but that to me is so very wrong! Sometimes it is a joy to slow down in our busy lives and what better way than to play slow, beautiful music. This group of five pieces gives your group enough to choose from in selecting a quiet piece to perform or just enjoy. This was set for woodwind quintet (flute, oboe, Bb clarinet, F horn, and bassoon) by John Gibson. It includes 1. Mendelssohn Violin Concerto, 2nd Movement, 2. J. S. Bach, Aria from The Goldberg Variations, 3. Haydn, Symphony #88, 2nd Movement, 4. Ravel, Pavane for a Dead princess, 5. J. S. Bach, Concerto for Two Violins, Largo. All music of surpassing beauty and meaning!
$18.50 ≈
16.64€
50 Hymns for Beginner Orchestra: Complete Collection of Traditional Arrangements
50 Hymns for Beginner Orchestra: Complete Collection of Traditional Arrangements
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Various
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L
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50 Hymns for Beginner Orchestr
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Müller Publishing company
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SheetMusicPlus
Large Ensemble Alto Saxophone,Cello,Clarinet,Double Bass,Flute,Horn,Soprano Saxophone,Trombone,Trumpet,Tuba,Viola,Violin - Level 1 - SKU: A0.1499956 Com...
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Large Ensemble Alto Saxophone,Cello,Clarinet,Double Bass,Flute,Horn,Soprano Saxophone,Trombone,Trumpet,Tuba,Viola,Violin - Level 1 - SKU: A0.1499956 Composed by Various. Arranged by L. Müller. Chamber,Christian,Religious,Sacred,Spiritual. 1122 pages. Müller Publishing company #1076027. Published by Müller Publishing company (A0.1499956). 50 Hymns for Beginner Orchestra: Complete Collection of Traditional ArrangementsExplore the beauty of timeless hymns with this comprehensive collection of 50 arrangements specially crafted for beginner orchestras. Arranged by L. Müller, this book includes a wide range of beloved hymns, allowing orchestras of all levels to experience the joy of playing these sacred songs together. Each arrangement is thoughtfully designed to be accessible for young musicians while preserving the integrity and spirit of the original melodies. Whether for worship, performances, or educational purposes, this collection will serve as a valuable resource for any orchestra.Included Hymns:1. A Mighty Fortress2. Abide With Me3. All Hail The Power of Jesus' Name4. All Hail to the Power5. Belmont Hymn6. Christ Arose7. Count Your Blessings8. Fairest Lord Jesus9. Glorious Things of Thee Are Spoken10. God Be With You11. God of Our Fathers12. God Reveals His Presence13. Great Is Thy Faithfulness14. Holy, Holy, Holy15. How Great Thou Art16. I Surrender All17. Is Your All on the Altar18. It Is Well with My Soul19. Jesus Christ is Risen Today20. Jesus is Passing This Way21. Joyful, Joyful, We Adore Thee22. Lead me, Lord23. Let us praise God24. Majesty25. Master, the Tempest is Raging26. Mine Eyes Have Seen the Glory27. Moment by Moment28. Nearer my God to Thee29. Nearer, still nearer30. Now the Day Is Over31. O Love That Will Not Let Me Go32. O the Deep, Deep Love of Jesus33. Onward, Christian Soldiers34. Praise Ye the Father35. Showers of Blessing36. Standing on the Promises37. Tell Me the Old, Old Story38. The Banner of the Cross39. The Fight Is On40. The Gospel Bells41. The King's Business42. The Lord Bless You and Keep You43. The Old Rugged Cross44. To God Be The Glory45. Tollite Hostias46. True-hearted, Whole-hearted47. Trust and Obey48. We Plow the Fields49. When I Survey The Wondrous Cross50. Wonderful Grace of JesusInstrumentation:* Flute* Clarinet in Bb I & II* Soprano Saxophone* Alto Saxophone I & II* Horn in F* Trumpet in Bb I, II & III* Trombone I & II* Tuba* Violin I, II & III* Viola* Cello I & II* Contrabass* PianoThis collection provides flexibility for various ensemble sizes and skill levels, making it perfect for churches, schools, and community groups. Each hymn comes with a beginner-friendly arrangement that will inspire both musicians and audiences alike. Dive into this rich repertoire and bring these classic hymns to life in your next performance.Don't miss out on this invaluable collection that will enrich your orchestra's music library and uplift hearts through the power of hymnody.
$50.00 ≈
44.97€
Classroom Performance educational pack: MELODY backing tracks
Classroom Performance educational pack: MELODY backing tracks
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Methodes
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Austin Ralphson
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Classroom Performance educatio
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Austin Ralphson
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SheetMusicPlus
Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,English Horn,Euphonium,Flute,Harpsichord,...
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Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,English Horn,Euphonium,Flute,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Xylophone - SKU: A0.1071285 Composed by Austin Ralphson. Instructional. Accompaniment. Duration 968. Austin Ralphson #4757407. Published by Austin Ralphson (A0.1071285). This pack comprises backing tracks of the 5 performance pieces with the PCU: Melody pack. It is part of the Perform, Compose, Understand Series, and contains backing tracks and full tracks for each piece. The backing tracks have parts 2, 3, 4 and 5 playing to allow students to play part 1 live over the top.Timings are as follows:0:00 - Sequences backing track1:00 - Conjunct / disjunct backing track2:24 - Question & answer backing track4:14 - Passing notes backing track6:00 - Ornaments backing track8:08 - Sequences full track9:09 - Conjunct / disjunct full track10:32 - Question & answer full track12:21 - Passing notes full track14:04 - Ornaments full trackIf you need backing tracks with other parts removed for performance purposes, please let me know and I will produce them for you. You can message me from www.ralphsonstrings.com
$1.99 ≈
1.79€
A First Book of Inventions
A First Book of Inventions
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Ryan Wigglesworth
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A First Book of Inventions
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Schott Music - Digital
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SheetMusicPlus
Pic(fl).1.2.2.1.cbsn-2.2.0.0-str(12-14.10-12.8-10.6-8.4-6) orchestra - SKU: S9.Q45427 For orchestra. Composed by Ryan Wigglesworth. This edition:...
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Pic(fl).1.2.2.1.cbsn-2.2.0.0-str(12-14.10-12.8-10.6-8.4-6) orchestra - SKU: S9.Q45427 For orchestra. Composed by Ryan Wigglesworth. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 9 minutes. Schott Music - Digital #Q45427. Published by Schott Music - Digital (S9.Q45427). Written in 2010 for the Royal Liverpool Philharmonic, Wigglesworth's nine-minute work explores the idea of perpetuum mobile (continuous movement) in seven connected, miniature inventions. A regular pulse forms the work’s core, with elaborations of the central musical idea shifting constantly around it in jagged rhythms and sumptuous orchestration. The composer writes, The seven sections can very briefly be described thus: 1) an active, miniature 'theme and variations'; 2) the juxtaposition of various fragmentary two-part inventions; 3) a tremolo string ostinato with woodwind interjections, building towards the first climax; 4) an ostinato passing between horns and muted trumpets together with a dialogue for high woodwind and low strings; 5) a very slow canon for string harmonics and pizzicato double basses; 6) a fast, one-part invention beginning with solo piccolo, and gradually leading to the second climax; 7) chorale. This is a lively orchestral miniature which gives the impression of a kaleidoscope, with short musical ideas cutting across each other in quick succession.
$25.99 ≈
23.37€
Spirit of Christmas 3/5 - Traditions
Spirit of Christmas 3/5 - Traditions
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Bradley Sowash
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Bradley Sowash Music
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Spirit of Christmas 3/5 - Trad
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Bradley Sowash
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.750070 Composed by Bradley Sowash. Arranged by Bradley Sowash Music. Christmas. Score and parts. 53 pages. Bradley So...
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Full Orchestra - Level 4 - SKU: A0.750070 Composed by Bradley Sowash. Arranged by Bradley Sowash Music. Christmas. Score and parts. 53 pages. Bradley Sowash #1081. Published by Bradley Sowash (A0.750070). Semi-finalist in the American Prize for Orchestral Composition Evokes the seasonal emotions many of us experience on the annual journey from late Fall through Christmas day with parallels to the symbols associated with candles on the advent wreath. Musically, it integrates traditional chamber orchestra (no low brass or percussion) with the improvised stylings of a jazz trio (piano, bass and drum set) in a quasi concerto format. Includes optional cadenzas for trumpet and cello. 5 sections – 22 minutes total (Sections can also be performed individually.) Chamber Orchestra or larger: 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 French Horns, 2 Trumpets, Violins I, II, Violas, Cellos, Contrabasses; Optional: Jazz Trio – Piano, Bass and Drum Set 3. Traditions (3:20) The excitement of preparing for the holidays is reflected in the fiddle-like strains of the string section. Woodwinds and brass follow with passing wisps of favorite hymns and carols. As the deadline draws nearer, our happy anticipation becomes a bit tarnished by the frenetic pace. Video: http://youtu.be/aCRzYNGW3ro?list=PL5114152391A60ACE.
$45.00 ≈
40.47€
It Is Well With My Soul (Brass Quintet)
It Is Well With My Soul (Brass Quintet)
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Musique Sacrée
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Rita Arendz
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Rita Arendz
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It Is Well With My Soul
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Rita Arendz
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SheetMusicPlus
Brass Quintet Baritone Horn TC,Cornet,Euphonium,Tuba - Level 3 - SKU: A0.1465676 By Rita Arendz. By Philip Bliss. Arranged by Rita Arendz. 19th Century,...
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Brass Quintet Baritone Horn TC,Cornet,Euphonium,Tuba - Level 3 - SKU: A0.1465676 By Rita Arendz. By Philip Bliss. Arranged by Rita Arendz. 19th Century,Christian,Praise & Worship,Sacred. 21 pages. Rita Arendz #1044288. Published by Rita Arendz (A0.1465676). For over 150 years, this song, a testament to the enduring power of music, has not only been a significant part of Philip Paul Bliss's repertoire but has also endeared many to Christian Fellowship, creating a shared history and connection among its listeners.Hymnist Horatio Gates Spafford wrote the text after three traumatic events. The first was the passing of his four-year-old son of Scarlet Fever in 1870 - the following year, the Great Chicago Fire (1871), which led to financial ruin. The third was the sinking of the SS Ville du Havre (1873), on which his four daughters lost their lives; his wife survived.This setting portrays life's unexpected challenges and joys. Its peaceful yet sombre tonality is maintained while flowing between the predominantly Major key and a Dominant 7th on its Minor 6th.Written in the key of Bb Major, it is in a comfortable key, and instrumental leads and harmonies differ for each verse and chorus.Instrumentation is for British Brass Band instruments of Cornet, Eb Tenor Horn, Baritone, and Eb Bass. F Horn and Bass Clef parts for Baritone and Eb Bass are included.Duration 3:40 mins 21 pagesSound clip generated by NoteperformerMore arrangements by Rita Arendz:https://www.sheetmusicdirect.com/Search.aspx?query=rita%20arendzhttps://www.sheetmusicplus.com/en/explore?q=rita+arendz&lang=default.
$22.99 ≈
20.68€
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Passing By low horn
