Our Story Begins Again - Partitions musicales à imprimer

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Our Story Begins Again

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27 partitions trouvées

Our Story Begins Again

Our Story Begins Again #Piano seul #INTERMÉDIAIRE/AVANCÉ #Hal Dickens #Our Story Begins Again #Hal Dickens #SheetMusicPlus

Piano Solo - Level 4 - SKU: A0.898067 Composed by Hal Dickens. Broadway,Film/TV,Musical/Show,Video Game. Score. 2 pages. Hal Dickens #5997841. Published...(+)

$3.99 ≈ 3.73€

The Four Horsemen (unaccompanied sax)

The Four Horsemen (unaccompanied sax) #Saxophone #AVANCÉ #Brandon Nelson #The Four Horsemen #Brandon Nelson #SheetMusicPlus

Instrumental Solo,Saxophone - Level 5 - SKU: A0.1202307 Composed by Brandon Nelson. 20th Century,Chamber,Christian,Classical,Contemporary. Individual pa...(+)

$12.99 ≈ 12.15€

Chorus and Aria from Ariadne auf Naxos

Chorus and Aria from Ariadne auf Naxos #Guitare #INTERMÉDIAIRE/AVANCÉ #Classique #Richard Strauss #Rod Whittle #for solo classical guitar #Chorus and Aria from Ariadne a #Maggie Creek Music #SheetMusicPlus

Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...(+)

$7.00 ≈ 6.55€

'A golden time ...' from Ariadne auf Naxos

'A golden time ...' from Ariadne auf Naxos #Guitare #INTERMÉDIAIRE/AVANCÉ #Classique #Richard Strauss #Rod Whittle #for solo classical guitar #'A golden time ...' from Ariad #Maggie Creek Music #SheetMusicPlus

Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...(+)

$7.00 ≈ 6.55€

Excerpt from the Last Part of Ariadne Auf Naxos

Excerpt from the Last Part of Ariadne Auf Naxos #Guitare #INTERMÉDIAIRE #Classique #Richard Strauss #Rod Whittle #Excerpt from the Last Part of #Maggie Creek Music #SheetMusicPlus

Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music ...(+)

$7.00 ≈ 6.55€

Overture from Ariadne auf Naxos

Overture from Ariadne auf Naxos #Guitare #INTERMÉDIAIRE/AVANCÉ #Classique #Richard Strauss #Rod Whittle #for solo classical guitar #Overture from Ariadne auf Naxo #Maggie Creek Music #SheetMusicPlus

Solo Guitar - Level 4 - SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...(+)

$7.00 ≈ 6.55€

PLANET ORIGAMI (an original, futuristic comedy stage musical)

PLANET ORIGAMI (an original, futuristic comedy stage musical) #Chorale SATB #INTERMÉDIAIRE/AVANCÉ #Dennis A # #PLANET ORIGAMI #Tyne Music #SheetMusicPlus

Choral Choir (Mixed) - Level 4 - SKU: A0.999349 Composed by Dennis A. Westgate. Children,Contemporary,Musical/Show,World. Octavo. 73 pages. Tyne Music #...(+)

$37.00 ≈ 34.62€

Nebraska - My Heartland (CHORAL SCORE)

Nebraska - My Heartland (CHORAL SCORE) #Contemporain #D #Nebraska - My Heartland #D. M. Gardner Music #SheetMusicPlus

Choral Choir (4-Part) - Level 4 - SKU: A0.799663 Composed by D. M. Gardner. Contemporary. Octavo. 34 pages. D. M. Gardner Music #3370301. Published by D...(+)

$2.50 ≈ 2.34€

Nebraska - My Heartland (INSTRUMENTAL PARTS)

Nebraska - My Heartland (INSTRUMENTAL PARTS) #Contemporain #D #Nebraska - My Heartland #D. M. Gardner Music #SheetMusicPlus

Large Ensemble Choir,Voice - SKU: A0.799662 Composed by D. M. Gardner. Contemporary. Score and parts. 109 pages. D. M. Gardner Music #3370297. Published...(+)

$75.00 ≈ 70.17€

Nebraska - My Heartland (FULL SCORE)

Nebraska - My Heartland (FULL SCORE) #Contemporain #D #Nebraska - My Heartland #D. M. Gardner Music #SheetMusicPlus

Large Ensemble Choir,Voice - Level 4 - SKU: A0.799660 Composed by D. M. Gardner. Contemporary. Score and parts. 40 pages. D. M. Gardner Music #3370295. ...(+)

$200.00 ≈ 187.13€

The Abduction of Persephone (for String Orchestra)

The Abduction of Persephone (for String Orchestra) #Orchestre à Cordes #INTERMÉDIAIRE #Aaron Fonzi # #The Abduction of Persephone #Aaron Fonzi #SheetMusicPlus

String Orchestra - Level 3 - SKU: A0.998356 Composed by Aaron Fonzi. Children,Contemporary,Rock,Standards. Score and parts. 27 pages. Aaron Fonzi #33678...(+)

$20.00 ≈ 18.71€

Yuki-Onna (piano solo)

Yuki-Onna (piano solo) #Piano seul #INTERMÉDIAIRE/AVANCÉ #Philip Le Bas #Yuki-Onna #Philip Le Bas #SheetMusicPlus

Piano Solo - Level 4 - SKU: A0.1127867 Composed by Philip Le Bas. Chamber,Classical,Folk,Multicultural,World. Score. 9 pages. Philip Le Bas #728476. Pub...(+)

$5.99 ≈ 5.60€

Yuki-Onna (piano 4-hands)

Yuki-Onna (piano 4-hands) #1 Piano, 4 mains #INTERMÉDIAIRE/AVANCÉ #Philip Le Bas #Yuki-Onna #Philip Le Bas #SheetMusicPlus

1 Piano,4 Hands,Piano Duet - Level 4 - SKU: A0.1127872 Composed by Philip Le Bas. Chamber,Classical,Contemporary,Multicultural,World. Score. 12 pages. P...(+)

$5.99 ≈ 5.60€

Autumn tableau

Autumn tableau #Orchestre #INTERMÉDIAIRE/AVANCÉ #Dario Duarte #Autumn tableau #Dario Duarte #SheetMusicPlus

Full Orchestra - Level 4 - SKU: A0.1080608 By Dario Duarte. By Dario Duarte. Classical,Contemporary,Folk,Multicultural,World. Score and parts. 45 pages....(+)

$15.99 ≈ 14.96€

Poem For Carlita (viola part - vln, vla, cel)

Poem For Carlita (viola part - vln, vla, cel) #Mark Oâ€™Connor

#Mark O'Connor #Poem For Carlita #Mark O'Connor Musik International #SheetMusicPlus

String Ensemble,String Trio - Level 5 - SKU: A0.861805 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 10 pages. Mark O'Conn...(+)

String Ensemble,String Trio - Level 5 - SKU: A0.861805 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 10 pages. Mark O'Connor Musik International #6202197. Published by Mark O'Connor Musik International (A0.861805). Poem For Carlita (viola part â€“ vln, vla, cel) MO142CViola Part (score and parts available)Music by Mark Oâ€™Connor6 pages - 8:30 minutes in length Poem For Carlita In contemporary vocal music, there is a form called a story song. It is an odd form in that it does not contain any departure from the central idea; therefore there is no return. The story has a beginning and ending but uses subtle variation to push the idea along its way. .. much the way loving relationships evolve. The equivalent of the story song in classical music is a Poem, and this is what I have called this piece. An inspiration I used for my musical poem was the ocean and itâ€™s repetition of waves as they fall in to the shoreline. I grew up near the ocean and remember how the sounds of the relentless waves used tocalm me. While it was the repetitive sound of the sea that moved me as a child, today, I observed that each wave was not the same but in fact slightly different. I was amazed that it seemed that no two waves looked or sounded the same to me. This natural occurrence seemed to mirror my love for wife Carla. Each day was just something a tiny bit different. It was very natural to make these kinds of life experience connections. Bridges that joined nature, love and art. The poem begins slowly and inquisitively and builds through in intensity with loud and mightily passionate moments of emotion before the music comes down peacefully and reflectively, until the last statement played by the violin signifies that the sea is calm once again. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 1998 Composed By Mark Oâ€™ConnorOriginally released on Appalachian Journey featuring Mark Oâ€™Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalPoem for Carlita can be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridges Catalogue Number MO142CCopyright Â© 1998 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$4.50 ≈ 4.21€

Poem For Carlita (violin part - vln, vla, cel)
Poem For Carlita (violin part - vln, vla, cel) #Mark Oâ€™Connor
#Mark O'Connor #Poem For Carlita #Mark O'Connor Musik International #SheetMusicPlus

String Ensemble,String Trio - Level 5 - SKU: A0.861803 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 11 pages. Mark O'Conn...(+)

String Ensemble,String Trio - Level 5 - SKU: A0.861803 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 11 pages. Mark O'Connor Musik International #6202181. Published by Mark O'Connor Musik International (A0.861803). Poem For Carlita (violin part â€“ vln, vla, cel) MO142BViolin Part (score and parts available)Music by Mark Oâ€™Connor7 pages - 8:30 minutes in length Poem For Carlita In contemporary vocal music, there is a form called a story song. It is an odd form in that it does not contain any departure from the central idea; therefore there is no return. The story has a beginning and ending but uses subtle variation to push the idea along its way. .. much the way loving relationships evolve. The equivalent of the story song in classical music is a Poem, and this is what I have called this piece. An inspiration I used for my musical poem was the ocean and itâ€™s repetition of waves as they fall in to the shoreline. I grew up near the ocean and remember how the sounds of the relentless waves used to calm me. While it was the repetitive sound of the sea that moved me as a child, today, I observed that each wave was not the same but in fact slightly different. I was amazed that it seemed that no two waves looked or sounded the same to me. This natural occurrence seemed to mirror my love for wife Carla. Each day was just something a tiny bit different. It was very natural to make these kinds of life experience connections. Bridges that joined nature, love and art. The poem begins slowly and inquisitively and builds through in intensity with loud and mightily passionate moments of emotion before the music comes down peacefully and reflectively, until the last statement played by the violin signifies that the sea is calm once again. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 1998 Composed By Mark Oâ€™ConnorOriginally released on Appalachian Journey featuring Mark Oâ€™Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalPoem for Carlita can be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridges Catalogue Number MO142BCopyright Â© 1998 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$4.50 ≈ 4.21€

Poem For Carlita (cello part - vln, vla, cel)
Poem For Carlita (cello part - vln, vla, cel) #Mark Oâ€™Connor
#Mark O'Connor #Poem For Carlita #Mark O'Connor Musik International #SheetMusicPlus

String Ensemble,String Trio - Level 5 - SKU: A0.861806 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 10 pages. Mark O'Conn...(+)

String Ensemble,String Trio - Level 5 - SKU: A0.861806 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 10 pages. Mark O'Connor Musik International #6202205. Published by Mark O'Connor Musik International (A0.861806). Poem For Carlita (cello â€“ vln, vla, cel) MO142DCello Part (score and parts available)Music by Mark Oâ€™Connor15 pages - 8:30 minutes in length Poem For Carlita In contemporary vocal music, there is a form called a story song. It is an odd form in that it does not contain any departure from the central idea; therefore there is no return. The story has a beginning and ending but uses subtle variation to push the idea along its way. .. much the way loving relationships evolve. The equivalent of the story song in classical music is a Poem, and this is what I have called this piece. An inspiration I used for my musical poem was the ocean and itâ€™s repetition of waves as they fall in to the shoreline. I grew up near the ocean and remember how the sounds of the relentless waves used to calm me. While it was the repetitive sound of the sea that moved me as a child, today, I observed that each wave was not the same but in fact slightly different. I was amazed that it seemed that no two waves looked or sounded the same to me. This natural occurrence seemed to mirror my love for wife Carla. Each day was just something a tiny bit different. It was very natural to make these kinds of life experience connections. Bridges that joined nature, love and art. The poem begins slowly and inquisitively and builds through in intensity with loud and mightily passionate moments of emotion before the music comes down peacefully and reflectively, until the last statement played by the violin signifies that the sea is calm once again. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 1998 Composed By Mark Oâ€™ConnorOriginally released on Appalachian Journey featuring Mark Oâ€™Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalPoem for Carlita can be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridges Catalogue Number MO142DCopyright Â© 1998 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$4.50 ≈ 4.21€

Southern Butterflies
Southern Butterflies #Piano seul #INTERMÉDIAIRE/AVANCÉ #Contemporain #Candace R Lambert #Southern Butterflies #Candace R. Lambert #SheetMusicPlus

Piano Solo - Level 4 - SKU: A0.1028229 Composed by Candace R Lambert. Contemporary. Score. 7 pages. Candace R. Lambert #3452125. Published by Candace R....(+)

Piano Solo - Level 4 - SKU: A0.1028229 Composed by Candace R Lambert. Contemporary. Score. 7 pages. Candace R. Lambert #3452125. Published by Candace R. Lambert (A0.1028229). Appropriate for most settings.Description: Southern Butterflies tells the story of a happy butterfly. He begins flying with all of his friends, but soon he is caught up in a storm with strong winds. The butterfly is then thrown all over the place before the wind finally knocks him from the sky. After the storm passes our butterfly friend is afraid to fly. He finally gets up the courage to begin flying again and realizes he is much better than when he first began.

$5.00 ≈ 4.68€

The Spear of Destiny
The Spear of Destiny #Violon et Piano #AVANCÉ #Contemporain #Jesus J #The Spear of Destiny #Jesus Martinez Music #SheetMusicPlus

Instrumental Duet Instrumental Duet,Piano,Violin - Level 5 - SKU: A0.1030742 Composed by Jesus J. Martinez. Contemporary. Score and parts. 1 pages. Jesu...(+)

Instrumental Duet Instrumental Duet,Piano,Violin - Level 5 - SKU: A0.1030742 Composed by Jesus J. Martinez. Contemporary. Score and parts. 1 pages. Jesus Martinez Music #2019881. Published by Jesus Martinez Music (A0.1030742). PROGRAM NOTES: The Spear of Destiny is titled and inspired by the supposed spear that was used to kill Jesus Christ. The spear is said to have extraordinary powers. He who possesses it will rule the world and he who loses it thereafter will die an untimely death. The last person recorded to have had it was Adolf Hitler. This musical composition journeys through the time of Hitler and his obsession to obtain the spear, his atrocious acts during his tenure of the spear, and the loss of the spear. The spears main thematic motions are the glissandos in the violin that represent the spears anger and tortuous ways. I. Spear Found takes place during his times as an understudy of Dietrich Eckart, a dedicated satanist and figure in the Occult Thule Society and founding member of the Nazi party. Dietrich said: Follow Hitler! He will dance, but it is I who have called the tune! I have initiated him into the Secret Doctrine' opened his centres in vision and given him the means to communicate with the Powers. Do not morn for me; I shall have influenced history more than any other German. Hitler became enamored with the Spear of Destiny, which claimed it called to him. Spear Found, is Hitler's journey to capturing the spear to rule the world. II. Spear Possessed begins with no time meter or key signature. It is ad liberty of the performers and is a musical representation of the spears possessive powers towards evil. This movement takes place during the time of the Holocaust and the actions committed during Hitler's reign of world domination. The movement infers a jewish folk song titled, Dayeinu, a jewish Passover song meaning it would have been enough. This song is set in context of freedom. The movement goes through variations of Dayeinu and the spears version of a possessed Dayeinu. The violin has fast and rapid rhythms with small thematic material of the folk tune. At the end of the movement, the piano strikes the low end of the piano with a soft yarn mallet to symbolize the bombs dropping and the start of World War II. III. Spear Lost takes place during WWII and the Marines efforts to take down Hitler's reign. During the 3rd movement, the Marine Corps music comes to life as they take control of the spear and ultimately end the war. The Spear however, takes its last stand as the spears motif soars over the possessed marine tune. At the end of the movement, the spear is once again screeching as it survives and goes missing once again.

$32.99 ≈ 30.87€

Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only #Orchestre de chambre #AVANCÉ #Christian contemporain #Musique Sacrée #Carson Cooman #Carson Cooman: Symphony No. 3, #Musik Fabrik Music Publishing #SheetMusicPlus

Chamber Orchestra - Level 5 - SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3...(+)

Chamber Orchestra - Level 5 - SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037097. Published by Musik Fabrik Music Publishing (A0.533672). Symphony No. 3, â€œAve Maris Stellaâ€ (2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute â€“ as both an important American composer and a significantcontributor to Americaâ€™s contemporary musical life.The workâ€™s basic source material is the plainchant Ave maris stella (â€œHail, star of the seaâ€) â€“appropriate because of Duquesneâ€™s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe workâ€™s tone â€“ becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as â€œan underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.â€ The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up â€“ as in a pentimento.At various points, one can begin to hear the original plainchant â€œpeek outâ€ in subtle ways.The opening section of the movement obsesses again and again on what sounds like aâ€œbeginningâ€ â€“ as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked â€œsinister.â€ After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at theâ€œbeginningâ€ again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly â€“ in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movementâ€™stransformations, and â€œmotetâ€ sections â€“ using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)ï»¿This is the score only. The complete parts and each seperate part are also available as seperate items.

$25.95 ≈ 24.28€

Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, full set of parts on
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, full set of parts on #Christian contemporain #Musique Sacrée #Carson Cooman #Carson Cooman: Symphony No. 3, #Musik Fabrik Music Publishing #SheetMusicPlus

Small Ensemble - Level 5 - SKU: A0.533673 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 134 pages. Musik Fabrik Music Publishing #303...(+)

Small Ensemble - Level 5 - SKU: A0.533673 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 134 pages. Musik Fabrik Music Publishing #3037307. Published by Musik Fabrik Music Publishing (A0.533673). Symphony No. 3, â€œAve Maris Stellaâ€ (2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute â€“ as both an important American composer and a significantcontributor to Americaâ€™s contemporary musical life.The workâ€™s basic source material is the plainchant Ave maris stella (â€œHail, star of the seaâ€) â€“appropriate because of Duquesneâ€™s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe workâ€™s tone â€“ becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as â€œan underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.â€ The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up â€“ as in a pentimento.At various points, one can begin to hear the original plainchant â€œpeek outâ€ in subtle ways.The opening section of the movement obsesses again and again on what sounds like aâ€œbeginningâ€ â€“ as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked â€œsinister.â€ After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at theâ€œbeginningâ€ again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly â€“ in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movementâ€™stransformations, and â€œmotetâ€ sections â€“ using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the complete set of parts. The full score and the individual parts are avaialbe as seperate items.

$64.95 ≈ 60.77€

Somewhere In Time
Somewhere In Time #Saxophone Alto #DÉBUTANT #John Barry #@Jhavilah #Somewhere In Time #Jhavilah #SheetMusicPlus

Alto Saxophone Solo - Level 1 - SKU: A0.1228117 By John Barry. By B.A. Robertson and John Barry. Arranged by @Jhavilah. 20th Century,Film/TV,Lent,Standa...(+)

Alto Saxophone Solo - Level 1 - SKU: A0.1228117 By John Barry. By B.A. Robertson and John Barry. Arranged by @Jhavilah. 20th Century,Film/TV,Lent,Standards,Wedding. Individual part. 1 pages. Jhavilah #824212. Published by Jhavilah (A0.1228117). Somewhere in Time is a 1980 romantic drama film starring Christopher Reeve and Jane Seymour. The film's score was composed by John Barry, who is known for his work on other famous films like the James Bond series.The theme song of the film, also titled Somewhere in Time, was composed by John Barry with lyrics by Cynthia Weil. The song is a beautiful and haunting melody that perfectly captures the romantic and nostalgic tone of the film.The song begins with a gentle piano melody, which is joined by a string section that swells and intensifies as the song progresses. The lyrics speak of a love that transcends time and space, and the longing to be reunited with a lost lover.The chorus of the song is particularly memorable, with its soaring melody and poignant lyrics:Somewhere in time We'll meet again We'll start another story, darling I'll love you, 'til the end of timeThe song was performed by singer and actress Maureen McGovern, who brings a heartfelt and emotional quality to the lyrics. Her beautiful voice, combined with John Barry's masterful composition, make the song an unforgettable part of the film.Somewhere in Time has become a beloved classic among film music enthusiasts, and the song has been covered by many artists over the years. Its enduring popularity is a testament to the power of music to capture the essence of a film and evoke strong emotions in listeners.

$4.99 ≈ 4.67€

Somewhere In Time
Somewhere In Time #Saxophone Alto #DÉBUTANT #John Barry #@Jhavilah #Somewhere In Time #Jhavilah #SheetMusicPlus

Alto Saxophone Solo - Level 1 - SKU: A0.1228110 By John Barry. By B.A. Robertson and John Barry. Arranged by @Jhavilah. Film/TV,Lent,Multicultural,Stand...(+)

Alto Saxophone Solo - Level 1 - SKU: A0.1228110 By John Barry. By B.A. Robertson and John Barry. Arranged by @Jhavilah. Film/TV,Lent,Multicultural,Standards,Wedding,World. Individual part. 1 pages. Jhavilah #824177. Published by Jhavilah (A0.1228110). Somewhere in Time is a 1980 romantic drama film starring Christopher Reeve and Jane Seymour. The film's score was composed by John Barry, who is known for his work on other famous films like the James Bond series.The theme song of the film, also titled Somewhere in Time, was composed by John Barry with lyrics by Cynthia Weil. The song is a beautiful and haunting melody that perfectly captures the romantic and nostalgic tone of the film.The song begins with a gentle piano melody, which is joined by a string section that swells and intensifies as the song progresses. The lyrics speak of a love that transcends time and space, and the longing to be reunited with a lost lover.The chorus of the song is particularly memorable, with its soaring melody and poignant lyrics:Somewhere in time We'll meet again We'll start another story, darling I'll love you, 'til the end of timeThe song was performed by singer and actress Maureen McGovern, who brings a heartfelt and emotional quality to the lyrics. Her beautiful voice, combined with John Barry's masterful composition, make the song an unforgettable part of the film.Somewhere in Time has become a beloved classic among film music enthusiasts, and the song has been covered by many artists over the years. Its enduring popularity is a testament to the power of music to capture the essence of a film and evoke strong emotions in listeners.

$4.99 ≈ 4.67€

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