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Vous avez sélectionné:
Open All Hours
Partitions à imprimer
30 partitions trouvées
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26
Open All Hours
Open All Hours
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Flûte et Guitare
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FACILE
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Contemporain
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Ascher, Max Harris, Ronald Haz
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Derek Hasted
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Open All Hours
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Derek Hasted
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SheetMusicPlus
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 2 - SKU: A0.797802 Composed by Ascher, Max Harris, Ronald Hazlehurst, and Ronnie Hazelhurst. Ar...
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Instrumental Duet Flute,Guitar,Instrumental Duet - Level 2 - SKU: A0.797802 Composed by Ascher, Max Harris, Ronald Hazlehurst, and Ronnie Hazelhurst. Arranged by Derek Hasted. Contemporary. Score and parts. 8 pages. Derek Hasted #6116229. Published by Derek Hasted (A0.797802). OPEN ALL HOURS (TV theme) - FLUTE and GUITAR DUETFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This rather poignant little piece introduced the original TV series of “Open All Hours†starring Ronnie Barker and David Jason - a program which has since re-appeared to tell the same tale a generation further on.Set here for early intermediate Flute and Guitar Duet, this is an easy-to-play piece which makes for a relaxing interlude in a School or Adult concert and the simple yet haunting melody connects instantly with an audience.There are some fingerings on the guitar part that are worth noting as the use of guide fingers here can make the chord transitions very much easier.I hope you enjoy playing this piece! This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99 ≈
¥35.20
Open All Hours
Open All Hours
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Ascher, Max Harris, Ronald Haz
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Derek Hasted
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Open All Hours
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Derek Hasted
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SheetMusicPlus
Guitar Ensemble Guitar - Level 2 - SKU: A0.797803 Composed by Ascher, Max Harris, Ronald Hazlehurst, and Ronnie Hazelhurst. Arranged by Derek Hasted. Co...
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Guitar Ensemble Guitar - Level 2 - SKU: A0.797803 Composed by Ascher, Max Harris, Ronald Hazlehurst, and Ronnie Hazelhurst. Arranged by Derek Hasted. Contemporary,Film/TV. Score and parts. 8 pages. Derek Hasted #6116231. Published by Derek Hasted (A0.797803). OPEN ALL HOURS (TV theme) - GUITAR TRIO or LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This rather poignant little piece introduced the original TV series of “Open All Hours†starring Ronnie Barker and David Jason - a program which has since re-appeared to tell the same tale a generation further on.Set here for early intermediate Guitar Trio or for a large adult or child ensemble, this is an easy-to-play piece which makes for a relaxing interlude in a School or Adult concert and the simple yet haunting melody connects instantly with an audience.There are some fingerings on the middle part that are worth noting as the use of guide fingers here can make the chord transitions very much easier.I hope you enjoy playing this piece! This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99 ≈
¥35.20
Open All Hours
Open All Hours
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Clarinette, Guitare (duo)
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FACILE
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Film/TV
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Ascher, Max Harris, Ronald Haz
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Derek Hasted
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Open All Hours
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Derek Hasted
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SheetMusicPlus
Instrumental Duet Clarinet,Guitar,Instrumental Duet - Level 2 - SKU: A0.797824 Composed by Ascher, Max Harris, Ronald Hazlehurst, and Ronnie Hazelhurst....
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Instrumental Duet Clarinet,Guitar,Instrumental Duet - Level 2 - SKU: A0.797824 Composed by Ascher, Max Harris, Ronald Hazlehurst, and Ronnie Hazelhurst. Arranged by Derek Hasted. Film/TV. Score and parts. 8 pages. Derek Hasted #6369879. Published by Derek Hasted (A0.797824). OPEN ALL HOURS (TV theme) - Bb CLARINET and GUITAR DUETFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This rather poignant little piece introduced the original TV series of Open All Hours starring Ronnie Barker and David Jason - a program which has since re-appeared to tell the same tale a generation further on.Set here for early intermediate Clarinet and Guitar Duet, this is an easy-to-play piece which makes for a relaxing interlude in a School or Adult concert and the simple yet haunting melody connects instantly with an audience.There are some fingerings on the guitar part that are worth noting as the use of guide fingers here can make the chord transitions very much easier. Note that the guitar requires a Capo fitted to fret 1 so that both clarinet and guitar are in comfortable keys. This places the music a semitone above the original but makes it much easier to play!I hope you enjoy playing this piece!
$4.99 ≈
¥35.20
English Autumn
English Autumn
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James Marshall
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English Autumn
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James Marshall Music
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SheetMusicPlus
Small Ensemble,Strings Clarinet - Level 5 - SKU: A0.913624 Composed by James Marshall. Contemporary,Folk. Score and parts. 87 pages. James Marshall Musi...
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Small Ensemble,Strings Clarinet - Level 5 - SKU: A0.913624 Composed by James Marshall. Contemporary,Folk. Score and parts. 87 pages. James Marshall Music #6096869. Published by James Marshall Music (A0.913624). English Autumn was composed in Fall/Winter 2018-2019 for Clarinetist Allison Eales commissioned by the Gregynog . Scored for Clarinet in A and String Trio it reflects the collage of Autumn colors: Green, Yellow, Brown shades of first Autumn; Red, Orange of Autumn at its peak. It followed my English Sonatina for young clarinetists premiered by Alison Eales and Anna de Hair in London in January, 2019, and was premiered in London in October, 2019. This piece reflects the heightened emotions of fiery intensity reflected in the changing of the colors of the leaves in Autumn. Reflected as well is the serene beauty before the Autumn arrives, and the resignation of the eternal cycles of nature. The opening section (Andante) evokes the feeling of nostalgia and assurance of the inevitable cycle of nature. We know the life will go from the tress only to return again next season. We feel the joy of the intense colors of the foliage, and the sadness of the loss of life in winter. This section segues into Green (Adagio cantabile) with pastoral music and quotes of The Water is Wide and I pass all the hours in a shady grove of Pelham Humphrey. This leads into Red (Allegro con fuoco/Presto), followed by Orange (Declamando) as well as absence of color when the leaves all fall. I pass all the hours is a song by Pelham Humphrey with words by Charles II: I pass all the hours in a shady grove …When I see the print of her shape in the green…I think there’s no hell like loving too well, The melody is incorporated because it is the same melodic motif of the Scherzando movement of my English Sonatina for young clarinetists which Alison Eales and Anna de Hair premiered. I discovered it after composing that piece in researching English folk songs to refer to in this piece. It is an ideal segue into the Allegro con fuco/Presto music. The final section (Andante cantabile) is my personal melodic sequence from the rising motif of Over the hills and far away.
$19.99 ≈
¥141.03
On Holt Avenue
On Holt Avenue
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Hautbois, Piano (duo)
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Jenni Brandon
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On Holt Avenue
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Imagine Music - Digital
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SheetMusicPlus
Oboe & piano - SKU: IZ.CMS145 Composed by Jenni Brandon. Score and Parts. 21 pages. Imagine Music - Digital #CMS145. Published by Imagine Music - Digita...
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Oboe & piano - SKU: IZ.CMS145 Composed by Jenni Brandon. Score and Parts. 21 pages. Imagine Music - Digital #CMS145. Published by Imagine Music - Digital (IZ.CMS145). 9 x 12 in inches.Composer's NotesOn Holt Avenue for oboe and piano depicts daily life on the street where I used to live in Los Angeles, from the mockingbird that sang (screamed, really) at all hours of the day and night, to the view outside my window at the neighbor's lemon tree. The lemons, as they shimmered in the rain, inspired a haiku that is found at the beginning of this movement:The lemon tree waits-rain falls on outstretched branches-How the lemons shine!The description of the opening tempo for Morning Coffee of cheerful and caffeinated allows the oboe to stretch and wake up with a little help from coffee, while the movement Daisies sings of the beauty of my favorite flowers, the gerbera daisies often in a vase on my table. This work was first recorded and released on my CD Songs of California: Music for Winds and Piano. I. Morning CoffeeII. The Lemon TreeIII. That MockingbirdIV. Daisies.
$16.00 ≈
¥112.88
Killarney Carnivale
Killarney Carnivale
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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John P
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Killarney Carnivale
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John P.W. Hudson #872903.
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1281978 Composed by John P.W. Hudson. 20th Century,Contest,Festival. Score and Parts. 90 pages. 'Published by John P.W....
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Concert Band - Level 4 - SKU: A0.1281978 Composed by John P.W. Hudson. 20th Century,Contest,Festival. Score and Parts. 90 pages. 'Published by John P.W. Hudson #872903. Published by 'Published by John P.W. Hudson (A0.1281978). Premiered June 6th, 2023 by the Killarney Senior Wind Ensemble and Alumni directed by Meagan Lawson, 'Killarney Carnivale' is a programmatic piece describing a small town carnival in rural Manitoba in the early 1930's, spotlighting the family of the town dentist, Dr. Martin McLaren, his wife Irene, and their six girls. 'Killarney Carnivale' describes a fictitious event, but the family is that of the composer, John Hudson. His mother, (second in a family of six girls), as a young teen in Killarney Manitoba, loved playing piano and aspired to be a concert pianist playing her favourite composers in concert halls. Her dreams took a different turn when the family had to move west for Dr. McLaren's health, but she carried with her the melodies she composed and later played to her own children.Picture John Hudson listening to hours of his mother playing piano as a young boy in the early 1950's, immersed in his mother's beautiful music. After her passing in 2010, he longed to hear these beautiful, playful melodies again. His sister Jane Keyes had become a professional piano player and happily took up the task of recreating several of their mother's pieces, which John, now a retired band director, began to transcribe. Inspired by a photograph of the family that very much looked like a carnival booth style photograph, 'Killarney Carnivale' came to life. It opens as the youngest, probably under age two at the time, wakes up. The scene swiftly changes to arrival at the much - anticipated carnival, with all of its magical sights, sounds and heavenly smells of popcorn and treats. First is the carousel, with wooden horses flying about in endless circles with children regaling with laughter.The next is a sideshow tent featuring the exotic dancer Salome, who wiled King Herod, (and probably more than a few in the audience) as her thin, tantalizing veils hinted at her charms.The next tent is dim and displays the wierd and mysterious curiosities from around the world like bearded ladies, dwarfs and the like.The cakewalk is next, with children vying to be the last person sitting as chairs are removed and the music abruptly stops each time. (This section could host a real cakewalk with a few chairs and willing audience participation. Three chairs is suggested.)Finally, the exhausted family drives home in their antique (to us) automobile with the childrens' hair flying in the breeze.One by one, the excited children fall prey to dreamland, and at long last, the exhausted parents flop into bed too.Honouring his mother's short pieces has been a life long dream of Mr. Hudson, and to hear them played by the Killarney Wind Ensemble and Alumni Band was a poignant moment: the return of these melodies to the little town where they first came to life. Many, many thanks to Meagan Lawson, their director, and all of the members of the Killarney band who so very willingly took up the challenge of playing 'Killarney Carnivale'. Their hard work and dedication to this piece is deeply, deeply appreciated.
$60.00 ≈
¥423.30
Christmas Is Coming from A CHARLIE BROWN CHRISTMAS
Christmas Is Coming from A CHARLIE BROWN CHRISTMAS
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Piano, Voix
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INTERMÉDIAIRE
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Noël
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Vince Guaraldi
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Flavio Regis Cunha
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Christmas Is Coming from A CHA
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Flavio Regis Cunha
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.597356 Composed by Vince Guaraldi. Arranged by Flavio Regis Cunha. Children,Christmas,Film/TV,Instructional,Jazz. ...
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Piano,Vocal,Voice - Level 3 - SKU: A0.597356 Composed by Vince Guaraldi. Arranged by Flavio Regis Cunha. Children,Christmas,Film/TV,Instructional,Jazz. Score. 9 pages. Flavio Regis Cunha #5742565. Published by Flavio Regis Cunha (A0.597356). The holidays are here and with it comes the joy of Christmas music! 'Christmas Is Coming' from 'A CHARLIE BROWN CHRISTMAS' is composed by the great jazz pianist Vince Guaraldi. This sheet music is perfect for both students and professional pianists. Allow the magic of this classic jazz arrangement to bring festive cheer to your holiday season and fill your hours of practice with the smooth and jazzy sounds of Guaraldi's masterpiece!IntermediateFormat: Concert, 9 x 12 inchesSize: 8 pages🎶 Unwrap the Magic of Christmas with Vince Guaraldi's Jazz Piano Masterpiece! 🎄Calling all music enthusiasts, piano virtuosos, and Charlie Brown fans! Are you ready to infuse your holiday season with the enchanting melodies of Christmas Is Coming from 'A CHARLIE BROWN CHRISTMAS'? Look no further, because we have the perfect musical gift for you.🌟 Why Choose Our Sheet Music? 🌟🎹 Jazz Piano Brilliance: Immerse yourself in the iconic jazz stylings of Vince Guaraldi, the genius behind the beloved 'A CHARLIE BROWN CHRISTMAS' soundtrack. Feel the swing, groove, and festive spirit flow through your fingertips as you play this timeless classic.🎠Unique Holiday Vibes: Tired of the same old carols? Our sheet music offers a refreshing twist on Christmas music. Surprise your audience with a delightful blend of jazz harmonies and holiday cheer that will make your performance stand out.📜 Professionally Notated: Our sheet music is meticulously transcribed to capture every nuance of Guaraldi's original composition. You'll have the authenticity of the original piece right at your fingertips, ensuring a true musical masterpiece.📚 Suitable for All Skill Levels: Whether you're a seasoned professional or just starting your musical journey, our sheet music is designed to accommodate all skill levels. It's a perfect choice for students looking to challenge themselves and pianists seeking to add a touch of holiday magic to their repertoire.🔠Discover More: Are you a music explorer looking to expand your repertoire beyond the standard ensemble formats? Our sheet music opens the door to a world of creativity, allowing you to explore the jazz piano genre and its unique characteristics.🎶 Don't miss out on this opportunity to bring the timeless magic of Vince Guaraldi's Christmas Is Coming to your piano. Elevate your holiday gatherings, impress your friends and family, and create unforgettable memories with your musical talent.🚀 Take your holiday season to the next level. Click the link below to purchase your copy now and experience the joy of playing this iconic piece for yourself. Let the music of 'A CHARLIE BROWN CHRISTMAS' become a cherished part of your holiday tradition!🌟 Make this Christmas unforgettable with the enchanting sounds of Vince Guaraldi's jazz piano masterpiece. Order your sheet music today! 🌟.
$4.99 ≈
¥35.20
First Notes from Mornings of Creation (Downloadable)
First Notes from Mornings of Creation (Downloadable)
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Piano Trio: piano, violon, violoncelle
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FACILE
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Gwyneth W
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First Notes from Mornings of C
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Galaxy Music Corporation - Digital
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SheetMusicPlus
Piano trio (violin, cello, piano) - Moderately Easy - SKU: MQ.1.3433-1E Composed by Gwyneth W. Walker. Secular, 21st century. 14 pages. Galaxy Music Cor...
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Piano trio (violin, cello, piano) - Moderately Easy - SKU: MQ.1.3433-1E Composed by Gwyneth W. Walker. Secular, 21st century. 14 pages. Galaxy Music Corporation - Digital #1.3433-1E. Published by Galaxy Music Corporation - Digital (MQ.1.3433-1E). Commissioned by Fairfield University to celebrate the 25th season of the Quick Center for the Arts. Premiered by The Connecticut Trio on September 27, 2015, Fairfield, Connecticut.Mornings of Creation is a five-movement suite for piano trio. This music was created during the composer's customary composing hours—the morning. Thus, the message is one of the freshness of a new day, and the energy of creative impulse.First Notes opens with light patterns in the strings, as bird calls. Initially presented individually, the calls join together as a precursor to the main theme of the movement, presented by cello and then violin. A middle section in the minor mode features tremoli in the piano. This is a restless, energetic section which leads to the return of the theme. The movement ends with the cello and violin intertwined, while the piano plays bird calls above. -Gwyneth Walker.
$4.00 ≈
¥28.22
She Works Hard For No Money
She Works Hard For No Money
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Donna Summer and Michael Omart
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Kathleen McGuire
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She Works Hard For No Money
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Kathleen McGuire
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SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.1168471 Composed by Donna Summer and Michael Omartian. Arranged by Kathleen McGuire. Disco,Pop. Octavo. 11 pages...
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Choral Choir (SSAA) - Level 4 - SKU: A0.1168471 Composed by Donna Summer and Michael Omartian. Arranged by Kathleen McGuire. Disco,Pop. Octavo. 11 pages. Kathleen McGuire #768805. Published by Kathleen McGuire (A0.1168471). ***40th ANNIVERSARY***A Donna Summer hit from post-disco / new wave era (1983), She Works Hard for the Money is more than a fun pop piece. The song tells a story of a hard-working blue-collar woman, based on inspiration Summer found after the 25th Annual Grammy Awards ceremony (23 Feb 1983) when she attended an after-party. She encountered a restroom attendant named Onetta Johnson (whose name is mentioned in the song) whom she found sound asleep - despite a blaring TV - exhausted from working long hours. Summer related the story in an interview: I looked at her and my heart just filled up with compassion for this lady, and I thought to myself: God, she works hard for the money, cooped up in this stinky little room all night. Then I thought about it, and I said, She works hard for the money... She works hard for the money...This is it! This is it! I know this is it! The arrangement opens with an a cappella introduction in full harmony. The melody moves between the altos and sopranos, with each part otherwise providing rhythmic support (echoing the instrumental accompaniment). The sopranos divide into 3 parts occasionally, allowing some high voices (A-flat) to shine. There are no solos in this arrangement -- your women all have opportunity to sing this powerful, true story that serves more broadly as an allegory for women's rights and socioeconomic hardship. The arrangement is a show-stopper, bound to get audiences clapping and even up out of their seats! Set of band parts & full conductor's score available separately: Trumpet, Tenor Sax, Synth, Electric Guitar, Bass Guitar, Drum Set.
$1.99 ≈
¥14.04
She Works Hard For The Money
She Works Hard For The Money
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Donna Summer
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Kathleen McGuire
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She Works Hard For The Money
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Kathleen McGuire
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SheetMusicPlus
B-Flat Trumpet,Bass Guitar,Drum Set,Electric Guitar,String Synthesizer,Tenor Saxophone - Level 3 - SKU: A0.1267220 By Donna Summer. By Donna Summer and ...
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B-Flat Trumpet,Bass Guitar,Drum Set,Electric Guitar,String Synthesizer,Tenor Saxophone - Level 3 - SKU: A0.1267220 By Donna Summer. By Donna Summer and Michael Omartian. Arranged by Kathleen McGuire. Disco. 44 pages. Kathleen McGuire #859859. Published by Kathleen McGuire (A0.1267220). SCORE AND SET OF PARTS TO ACCOMPANY THE WOMEN'S CHORAL ARRANGEMENTA Donna Summer hit from post-disco / new wave era (1983), She Works Hard for the Money is more than a fun pop piece. The song tells a story of a hard-working blue-collar woman, based on inspiration Summer found after the 25th Annual Grammy Awards ceremony (23 Feb 1983) when she attended an after-party. She encountered a restroom attendant named Onetta Johnson (whose name is mentioned in the song) whom she found sound asleep - despite a blaring TV - exhausted from working long hours.Summer related the story in an interview: I looked at her and my heart just filled up with compassion for this lady, and I thought to myself: God, she works hard for the money, cooped up in this stinky little room all night. Then I thought about it, and I said, She works hard for the money... She works hard for the money...This is it! This is it! I know this is it! The arrangement opens with an a cappella introduction in full harmony. The melody moves between the altos and sopranos, with each part otherwise providing rhythmic support (echoing the instrumental accompaniment). The sopranos divide into 3 parts occasionally, allowing some high voices (A-flat) to shine. There are no solos in this arrangement - your women all have opportunity to sing this powerful, true story that serves more broadly as an allegory for women's rights and socioeconomic hardship. The arrangement is a show-stopper, bound to get audiences clapping and even up out of their seats! Provided: Conductor's Score and Set of Band Parts: Trumpet in B-flat, Tenor Sax, Synth (Strings), Electric Guitar, Bass Guitar, Drum Set. Provided separately: SSAA Choral Arrangement - Piano Vocal Score.
$60.00 ≈
¥423.30
Oot-kwa-tah, Dance of the Seven Children for Woodwind Quintet
Oot-kwa-tah, Dance of the Seven Children for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Brett L
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Oot-kwa-tah, Dance of the Seve
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Sonata Grendel Publishing
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.837507 Composed by Brett L. Wery. Concert,Contemporary. Score and parts. 26 pages. S...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.837507 Composed by Brett L. Wery. Concert,Contemporary. Score and parts. 26 pages. Sonata Grendel Publishing #5997463. Published by Sonata Grendel Publishing (A0.837507). M45 is the Messier catalog number for an open star cluster better known as the Pleiades. Originally for chamber orchestra, Oot-kwa-tah is dedicated to SUNY Schenectady County Community College on the forty-fifth anniversary of the college’s establishment as part of the State University of New York. The college sits on land that was once part of the Mohawk nation of the Iroquois Confederacy. Oot-kwa-tah is inspired by the Iroquois legend of M45, the Pleiades star cluster. The Iroquois tell a story about seven children who met each day and danced for hours at a time instead of doing chores. An old man appeared to them one day as they danced. He shone magnificently like silver and was clad from head to toe in brilliant white feathers. The old man warned them to stop dancing lest something terrible happen to them. Ignoring the old man’s warning and growing more and more hungry and lightheaded the children began to rise into the air. If only they had listened to me, the old man thought. As the children’s parents gathered, one little boy heard his father’s voice below. The little boy looked down and saw his father. At that instant he fell back to earth. The other children continued to float higher and higher into the sky to become the Pleiades star cluster. The Iroquois call them Oot-kwa-tah and are reminded of these reckless children each time they see a falling star. Duration: 5:00
$24.95 ≈
¥176.02
18/04/'21 A Reflection
18/04/'21 A Reflection
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Contemporain
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Jeremy Hart
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18/04/'21 A Reflection
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Jeremy Graham Hart
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SheetMusicPlus
Small Ensemble B-Flat Bass Clarinet,Percussion,Soprano voice - Level 4 - SKU: A0.1102258 Composed by Jeremy Hart. 20th Century. Score and parts. 13 page...
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Small Ensemble B-Flat Bass Clarinet,Percussion,Soprano voice - Level 4 - SKU: A0.1102258 Composed by Jeremy Hart. 20th Century. Score and parts. 13 pages. Jeremy Graham Hart #705661. Published by Jeremy Graham Hart (A0.1102258). 18/04/’21: A Reflection is written as a tentative expression of the tumultuous emotions experienced by the composer, upon watching so many landmarks of their home be threatened or destroyed by the fire which ravaged Table Mountain on the 18th and 19th of April 2021. The most impactful symbol of this tragedy is, for the composer, the heart-rending body of images showing the Jagger Reading Room ablaze. The score expresses the composer’s experiences in a collage, drawing from C. Debussy’s La Cathedral Engloutie and W. A. Mozart’s Requiem in evocation of the emotions surrounding the burning library, and enacts them in a three-part narrative. The opening is articulated as a collection of sporadic outbursts heard against a slower melody and a rising bell motif. This is an evocation of the shifting uncertainty of the early hours of the fire shortly after it had consumed the Rhodes Memorial Restaurant. This slowly becomes the evocation of horror and dismay that characterises the second section, as the fire takes hold of Mostert’s Mill, various parts of the University of Cape Town forcing students into a full evacuation of their residences, and eventually the Jagger Reading Room. The finality of the second section’s ending is followed by the muted resignation and mourning of the third and final section. The slowed melody from the first section returns, without the frenetic outbursts. All the listener is left with is the certainty of what has happened. The melody tries to rise to triumph, as the fire is held back from any further destruction, but ultimately falls back down and limps its way to an unsatisfactory and inconclusive closing statement.
$14.95 ≈
¥105.47
Chasing Cars
Chasing Cars
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Trio à Cordes: 2 violons, violoncelle
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INTERMÉDIAIRE
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Snow Patrol
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Sarah Cellobat Chaffee
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Chasing Cars
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Sarah Cellobat Chaffee
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SheetMusicPlus
String Trio Cello,Violin - Level 3 - SKU: A0.1312904 By Snow Patrol. By Gary Lightbody, Jonathan Quinn, Nathan Connolly, Paul Wilson, and Tom Simpson. A...
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String Trio Cello,Violin - Level 3 - SKU: A0.1312904 By Snow Patrol. By Gary Lightbody, Jonathan Quinn, Nathan Connolly, Paul Wilson, and Tom Simpson. Arranged by Sarah Cellobat Chaffee. Contemporary,Film/TV,Pop,Rock,Wedding. 13 pages. Sarah Cellobat Chaffee #901736. Published by Sarah Cellobat Chaffee (A0.1312904). *INSTRUMENTATION: 2 VIOLINS & CELLO*Released as a single from their album Eyes Open in 2006, Chasing Cars was truly the song that shot British band Snow Patrol into worldwide popularity. After the song was featured in the season finale of blockbuster TV show Grey's Anatomy, it became their best-selling single of all time; it later received awards nominations at the Grammys and the Brit Awards, and in 2009 it was named the highest-played song of the decade in the UK. So you really can't go wrong adding this one to your gig books! This Cellobat arrangement for your two-violin and cello trio maintains the lyrical melodies, introspectice ambience, and heartfelt emotional ebbs and flows of the original for a chart your audience is sure to love! Originally written for a wedding, this will also be perfect for receptions, parties, cocktail hours, solo & ensemble contest and more. Rated intermediate; this will be playable for students and easily sightreadable for professionals.Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$14.99 ≈
¥105.75
Playing with Scales
Playing with Scales
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Richard Hirsch
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Playing with Scales
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Richard Hirsch
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1314698 Composed by Richard Hirsch. Instructional. Educational Exercises. 8 pages. Richard Hirsch #903442. Published by Richa...
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Guitar - Level 2 - SKU: A0.1314698 Composed by Richard Hirsch. Instructional. Educational Exercises. 8 pages. Richard Hirsch #903442. Published by Richard Hirsch (A0.1314698). Many amateur guitarists and beginning students of guitar are ‘stuck in the first position’. The rest of the fretboard is ‘terra incognita’. They don’t know where the notes are and they don’t know how to get to them and use them in playing melodies. To help remedy this situation, I offer a collection of scales and exercises I have developed over the years that have helped me master the fretboard of the guitar and that I have used to warm up my left and right hands before practicing or playing proper pieces. Guitarists afraid to move up the fretboard miss out on all the tonal nuances that the guitar has to offer. They also often have undeveloped left hand technique with a little finger that flies around helplessly and uselessly. These scales and exercises will, if played regularly, put the little finger to good use and guide the left hand to orient to the fretboard properly, staying close to the fretboard with fingers that move as little and as efficiently as possible. They are also relaxing and fun to play around with. I read somewhere a while back that medical science had found that pianists were less likely to develop brain diseases. The scientists attributed this to the many hours pianists spend playing scales, as this is like a gentle brain massage. So scales are not only good warm up exercises for the fingers but also good warm-ups for the brain.The scale exercises written here in the keys of G and C should be played in different keys in higher positions on the fretboard. Students can try to see just how far up the neck they can go to reach the highest notes. After a while, what seemed challenging and strange will start to feel comfortable and familiar. Don’t hesitate to develop new variants of the scales when you grow tired of playing them as I propose here. Have fun playing and playing with the scales!The exercises often start in one position and move toward other higher or lower positions on the fretboard. When moving from one position to another, follow the suggested fingerings to utilise what is called a lead finger to move the hand to the next position. This will make the movement smooth and not interrupt the flow of the scale. In the end all movement should look and feel seamless and effortless.I have chosen scales in major keys I think are particularly good to play on the guitar. To practice a scale in a minor key, start the exercise in the related major key from the fundamental of the minor key, for example, to play an E minor scale start the G major exercise on an E and play from there. This is one way of creating new variants of these scales. Another way to vary the exercises is to play the scales in different time signatures or rhythms.I believe these exercises are particularly helpful for amateur guitarists who play in ensembles of different kinds, duos, trios, quartets, where the guitarist often only has one melodic line to play. Such melodies often sound much better played in higher positions where the guitar can be made to sing, rather than in the first position where the same tones, especially on open strings, often sound rather dull. From my own experience, I find that when I play a melody in a higher position using all the fingers of the left hand, the melody not only sounds better, the fingers remember the melody better.Â
$4.99 ≈
¥35.20
Oot-kwa-tah, Dance of the Seven Sisters
Oot-kwa-tah, Dance of the Seven Sisters
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Brett L
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Oot-kwa-tah, Dance of the Seve
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Sonata Grendel Publishing
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.837514 Composed by Brett L. Wery. Contemporary. Score and parts. 124 pages. Sonata Grendel Publishing #6748213. Publish...
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Concert Band - Level 4 - SKU: A0.837514 Composed by Brett L. Wery. Contemporary. Score and parts. 124 pages. Sonata Grendel Publishing #6748213. Published by Sonata Grendel Publishing (A0.837514). Note: for best results, print the score (first 38 pages) on 8.5 X 14 (legal) sized paper and print the parts on 8.5 X 11 (letter) sized paper. M45 is the Messier catalog number for an open star cluster better known as the Pleiades. Oot-kwa-tah is dedicated to Schenectady County Community College on the forty-fifth anniversary of the college’s establishment as part of the State University of New York. The college sits on land that was once part of the Mohawk nation of the Iroquois Confederacy. Oot-kwa-tah is inspired by the Iroquois legend of M45, the Pleiades star cluster. The Iroquois tell a story about seven children who met each day and danced for hours at a time instead of doing chores. An old man appeared to them one day as they danced. He shone magnificently like silver and was clad from head to toe in brilliant white feathers. The old man warned them to stop dancing lest something terrible happen to them. Ignoring the old man’s warning and growing more and more hungry and lightheaded the children began to rise into the air. If only they had listened to me, the old man thought. As the children’s parents gathered, one little boy heard his father’s voice below. The little boy looked down and saw his father. At that instant he fell back to earth. The other children continued to float higher and higher into the sky to become the Pleiades star cluster.The Iroquois call them Oot-kwa-tah and are reminded of these reckless children each time they see a falling star.
$40.75 ≈
¥287.49
Bramshill Concert Rondo
Bramshill Concert Rondo
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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Stephen Lines
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Bramshill Concert Rondo
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Stephen Lines
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.957733 Composed by Stephen Lines. Contemporary. Score and parts. 99 pages. Stephen Lines #26285. Published by Stephen...
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Full Orchestra - Level 3 - SKU: A0.957733 Composed by Stephen Lines. Contemporary. Score and parts. 99 pages. Stephen Lines #26285. Published by Stephen Lines (A0.957733). Bramshill was written to commemorate the 50th anniversary of the police staff college and was premiered by the British Police Symphony Orchestra in 2008. In 2011 it undertook some quite serious revision. Bramshill House was until recently the home of the Police Staff College. In 1953 the Home Office purchased Bramshill from Lord Brocket. There is evidence that the site has been inhabited since the time of Domesday and the Norman Conquest. The present building was constructed principally by Edward Zouche, 11th Baron Zouche of Harringworth, between c. 1605-1625. The music is written in large ternary form as a concert rondo. There are features within which depict and draw together various facets of the early history of Bramshill House as a Jacobean structure with that of its current role as the police staff college. After a declamatory eighteen bar opening in the key of C minor the piece leads towards the principal theme - it is introduced by the horn, quietly accompanied by chords from the clarinets dipping in and out of the chalumeau register - a haunting, ethereal theme that depicts the mystery of the ancient building and its numerous reported wraiths. The theme develops and is pronounced giacoso in the strings with light accompaniment in the higher woodwinds. A restatement of the main theme is followed by a section, fugato; this depicts a police officer on the beat in the early hours of a cold, wet, winter’s night. This theme transmutes into a quasi-stately dance such as may have been performed in Bramshill’s great withdrawing room or the long gallery in the 1600’s. A series of 6/3 chords then develop into what sounds akin to a police siren; the section culminates in a wash of sound with police theme, stately dance and siren sounding simultaneously. In the final section, the principal theme is reiterated in various guises and sub-themes are further explored.
$22.50 ≈
¥158.74
Laughter In The Rain
Laughter In The Rain
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Instruments en Do
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INTERMÉDIAIRE/AVANCÉ
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Neil Sedaka
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John Fries
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Laughter In The Rain
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - SKU: A0.500235 By Neil Sedaka. By Neil Sedaka and Phil Cody. Arranged by John Fries. 20th Century,Jazz,Pop,Rock,Standards. Lead...
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C Instrument - Level 4 - SKU: A0.500235 By Neil Sedaka. By Neil Sedaka and Phil Cody. Arranged by John Fries. 20th Century,Jazz,Pop,Rock,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #113418. Published by John Fries (A0.500235). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Laughter in the Rain is a song composed and recorded by Neil Sedaka, with lyrics by Phil Cody. It includes a 20-second saxophone solo by Jim Horn. The opening chord of the chorus was based on that used by John in Goodbye Yellow Brick Road, which Sedaka has described as a drop-dead chord. He combined that with a pentatonic melody inspired by Aaron Copland. Cody claims to have written the lyrics in about five minutes after smoking marijuana and falling asleep under a tree for a couple of hours.
$2.99 ≈
¥21.09
Laughter In The Rain
Laughter In The Rain
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Neil Sedaka
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John Fries
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Laughter In The Rain
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John Fries
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1199670 By Neil Sedaka. By Neil Sedaka and Phil Cody. Arranged by John Fries. 20th Century,Pop,Standards. S...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1199670 By Neil Sedaka. By Neil Sedaka and Phil Cody. Arranged by John Fries. 20th Century,Pop,Standards. Score. 2 pages. John Fries #798673. Published by John Fries (A0.1199670). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Laughter in the Rain is a song composed and recorded by Neil Sedaka, with lyrics by Phil Cody. It includes a 20-second saxophone solo by Jim Horn. The opening chord of the chorus was based on that used by John in Goodbye Yellow Brick Road, which Sedaka has described as a drop-dead chord. He combined that with a pentatonic melody inspired by Aaron Copland. Cody claims to have written the lyrics in about five minutes after smoking marijuana and falling asleep under a tree for a couple of hours.
$4.99 ≈
¥35.20
Carson Cooma - Miacomet Dreaming (2008) for orchestra
Carson Cooma - Miacomet Dreaming (2008) for orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Carson Cooman
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Carson Cooma - Miacomet Dreami
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.775968 Composed by Carson Cooman. Contemporary. Score and parts. 18 pages. Musik Fabrik Music Publishing #2034761. Pu...
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Full Orchestra - Level 4 - SKU: A0.775968 Composed by Carson Cooman. Contemporary. Score and parts. 18 pages. Musik Fabrik Music Publishing #2034761. Published by Musik Fabrik Music Publishing (A0.775968). Miacomet Dreaming (2008) for orchestra is dedicated to Loretta Yoder and Kyle Latshaw. The title refers to Miacomet, a region of Nantucket Island, Massachusetts. This work is one of a variety of pieces deeply connected to the landscape of Nantucket. The inspiration for the work was an oil painting, Path to Miacomet (2006), by Loretta Yoder; its fervency of color and landscape provided the poetic image that drives the work. The music itself was worked out during a the early hours of darkness on the actual beach of Miacomet. As the sun set, and darkness covered the landscape, only the passionate sound of the surf remained. The music is fervent and searching in tone. It begins with a roar before quieting down to introduce its basic musical material-a simple lament-like theme in a folkinflected style. This material is used for further explorations, building to passionate climaxes. Finally, the opening music returns, but this time it is whispered. The movement winds down to a distant and reposed conclusion. Instrumentation 2 Flutes 2 Oboes 2 Clarinets in Bb Bass Clarinet 2 Bassoons 2 Horns in F 2 Trumpets in C 2 Trombones Tuba Timpani Percussion (1 player) Marimba, Tubular Chimes Violin I Violin II Viola Violoncello Contrabass Score in C Bass clarinet and contrabass sound one octave lower than written. PROGRAM NOTES Miacomet Dreaming (2008) for orchestra is dedicated to Loretta Yoder and Kyle Latshaw. The title refers to Miacomet, a region of Nantucket Island, Massachusetts. This work is one of a variety of pieces deeply connected to the landscape of Nantucket. The inspiration for the work was an oil painting, Path to Miacomet (2006), by Loretta Yoder; its fervency of color and landscape provided the poetic image that drives the work. The music itself was worked out during a the early hours of darkness on the actual beach of Miacomet. As the sun set, and darkness covered the landscape, only the passionate sound of the surf remained. The music is fervent and searching in tone. It begins with a roar before quieting down to introduce its basic musical material-a simple lament-like theme in a folkinflected style. This material is used for further explorations, building to passionate climaxes. Finally, the opening music returns, but this time it is whispered. The movement winds down to a distant and reposed conclusion. (part on rental: infoATclassicalmusicnow.com).
$19.45 ≈
¥137.22
Laughter In The Rain
Laughter In The Rain
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Neil Sedaka
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John Fries
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Laughter In The Rain
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John Fries
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1359394 By Neil Sedaka. By Neil Sedaka and Phil Cody. Arranged by John Fries. 20th Century,Pop,Standards. Score. 2 pages....
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Piano Solo - Level 4 - SKU: A0.1359394 By Neil Sedaka. By Neil Sedaka and Phil Cody. Arranged by John Fries. 20th Century,Pop,Standards. Score. 2 pages. John Fries #943857. Published by John Fries (A0.1359394). TYPE JOHN FRIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER! Thanks, John. Laughter in the Rain is a song composed and recorded by Neil Sedaka, with lyrics by Phil Cody. It includes a 20-second saxophone solo by Jim Horn. The opening chord of the chorus was based on that used by John in Goodbye Yellow Brick Road, which Sedaka has described as a drop-dead chord. He combined that with a pentatonic melody inspired by Aaron Copland. Cody claims to have written the lyrics in about five minutes after smoking marijuana and falling asleep under a tree for a couple of hours.
$5.99 ≈
¥42.26
Laughter In The Rain
Laughter In The Rain
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Neil Sedaka
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John Fries
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Laughter In The Rain
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John Fries
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1237677 By Neil Sedaka. By Neil Sedaka and Phil Cody. Arranged by John Fries. 20th Century,Pop,Standards....
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1237677 By Neil Sedaka. By Neil Sedaka and Phil Cody. Arranged by John Fries. 20th Century,Pop,Standards. 13 pages. John Fries #833181. Published by John Fries (A0.1237677). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John. Laughter in the Rain is a song composed and recorded by Neil Sedaka, with lyrics by Phil Cody. It includes a 20-second saxophone solo by Jim Horn. The opening chord of the chorus was based on that used by John in Goodbye Yellow Brick Road, which Sedaka has described as a drop-dead chord. He combined that with a pentatonic melody inspired by Aaron Copland. Cody claims to have written the lyrics in about five minutes after smoking marijuana and falling asleep under a tree for a couple of hours.
$1.99 ≈
¥14.04
Last Of The Summer Wine Theme
Last Of The Summer Wine Theme
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Orchestre
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INTERMÉDIAIRE
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Ronald Hazlehurst
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Kevin Riley
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Last Of The Summer Wine Theme
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.850553 Composed by Ronald Hazlehurst. Arranged by Kevin Riley. 20th Century,Film/TV. Score and parts. 24 pages. Kevin...
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Full Orchestra - Level 3 - SKU: A0.850553 Composed by Ronald Hazlehurst. Arranged by Kevin Riley. 20th Century,Film/TV. Score and parts. 24 pages. Kevin Riley #457258. Published by Kevin Riley (A0.850553). Composer and conductor Ronnie Hazlehurst, who also produced themes for such series as Are You Being Served?, Yes Minister, and Only Fools and Horses, created the theme for the show. The BBC initially disliked Hazlehurst's theme, feeling it was not proper for a comedy programme to have such mellow music. He was asked to play the music faster for more comedic effect but eventually his original slower version was accepted. A jauntier, upbeat version was played by a brass band in the episode Full Steam Behind. The theme, an instrumental work, featured lyrics three times. The 1981 Christmas special, Whoops, had two verses of lyrics written by Roy Clarke that were performed over the closing credits. The 1983 film, Getting Sam Home, used those two verses, with an additional two and played them over the opening credits. Another altered version was sung during Compo's funeral in the 2000 episode Just a Small Funeral. Bill Owen also wrote a different version of the lyrics but this version was never used during an episode of the show. Composing the score for each episode until his death in 2007, Hazlehurst spent an average of ten hours per episode watching scenes and making notes for music synchronisation. Hazlehurst then recorded the music using an orchestra consisting of a guitar, harmonica, two violins, a viola, cello, accordion, horn, bass, flute, and percussion. The distinctive harmonica was played by Harry Pitch, who had featured in the 1970 one-hit-wonder Groovin With Mr Bloe. The harmonica part is included in this arrangement but it is cued in the Flute 1 part if one is not available.
$50.00 ≈
¥352.75
Nessie Wakes - A Celtic Quartet
Nessie Wakes - A Celtic Quartet
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Celtique/Irlandais
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Susan Kaye Welden
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Nessie Wakes
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Nessie Wakes - A Celtic Quarte
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Susan Welden Music
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SheetMusicPlus
Small Ensemble Cello,Drums,Flute,Violin - Level 4 - SKU: A0.1032032 Composed by Susan Kaye Welden. Celtic. Score and parts. 15 pages. Susan Welden Music...
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Small Ensemble Cello,Drums,Flute,Violin - Level 4 - SKU: A0.1032032 Composed by Susan Kaye Welden. Celtic. Score and parts. 15 pages. Susan Welden Music #4317813. Published by Susan Welden Music (A0.1032032). A celtic quartet for flute, violin, cello, and bodrhan or opt. floor tom. Nessie Wakes premiered as an award winning composition in the 2018 Valley City State University Composer's Competition. Nessie Wakes demonstrates the tranquility found in the fog covered waters of Loch Ness as Nessie wakes in the opening of this piece. The driving beat of the middle section depicts Nessie as she dances in the dark waters throughout the day and ends with the return of the fog covered waters as she retires for the evening hours. .
$19.95 ≈
¥140.75
Sugar Maple
Sugar Maple
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Banjo
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AVANCÉ
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Noam Pikelny
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ben duff
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Sugar Maple
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Ben Duff
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SheetMusicPlus
Banjo,Instrumental Solo - Level 5 - SKU: A0.1426439 By Noam Pikelny. By Gabriel John Witcher and Noam Pikelny. Arranged by ben duff. Contemporary,Folk,T...
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Banjo,Instrumental Solo - Level 5 - SKU: A0.1426439 By Noam Pikelny. By Gabriel John Witcher and Noam Pikelny. Arranged by ben duff. Contemporary,Folk,Traditional. Individual part. 14 pages. Ben Duff #1007131. Published by Ben Duff (A0.1426439). Noam Pikelny released his debut solo album on Rounder Records in 2017. 'Sugar Maple', which features on the album, is a mid-tempo, melodic banjo solo, which nicely encapsulates many of Pikelny's innovative banjo techniques and compositional quirks. I would suggest that this arrangement be considered Advanced banjo, due to the complexity of certain sections. This arrangement will bring you many hours of study pleasure and allow you to get right to the heart of Pikelny's unique sound and approach to banjo writing. Noam Pikelny has seen my arrangement of 'Sugar Maple', via his Artistworks online teaching class and told me it was perfect.The tuning is standard Open G - gDGBD.
$6.00 ≈
¥42.33
Miscellany, 7 Short Movements For Piano Solo
Miscellany, 7 Short Movements For Piano Solo
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Piano seul
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AVANCÉ
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PIano - Sebastian Kurz
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Miscellany, 7 Short Movements
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Geraldine
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1314290 By PIano - Sebastian Kurz. By Geraldine (Denny) Green. 21st Century,Chamber,Classical,Contemporary,Romantic Perio...
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Piano Solo - Level 5 - SKU: A0.1314290 By PIano - Sebastian Kurz. By Geraldine (Denny) Green. 21st Century,Chamber,Classical,Contemporary,Romantic Period. Score. 27 pages. Geraldine (Denny) Green at Oakmountmusic #903031. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1314290). Written in 2008, Miscellany, 7 short movements for solo piano, was Commissioned by conductor/pianist Anthony Davie.Duration: approx 15 minutes in total.Inspired by friends, family and general life experiences, this set of short pieces encompasses a range of moods; from Romantic and melodic to comical and dissonant.Movement 1. Didi – Didi was a very unique and special friend for many years. She gave out great spiritual strength and insight into this very confusing world in which we all live. She was a real tower of quiet, gentle strength.Movement 2. Brew! – This movement was inspired directly by the Brewing Industry. It strives to depict the hustle and bustle of a busy, working brewery and the the many hilarious, fabulous people I met during my three years in the beer-making industry.Movement 3 – Convent Cherub – This little piece began life as the opening title music of a film score I worked on while at college. The film itself, entitled My Brother Rob, was made by Alison Hilder, a student director at the Harrow School of Film. The story told of a young boy traumatised by a convent boarding school up-bringing. I have felt for many years that this little main theme has needed an alternative home, as much film music is never played again.Movement 4 – Megan – This movement comes directly from my wonderful and beautiful daughter, who was 5 years old at the time of the writing of this piece. It seeks to express her wild vibrance, eternal cheekiness, infinite energy, sparkle and the utter fearlessness of youth.Movement 5 – Edward – This music is for my gorgeous little son, who has Down’s Syndrome, and was only 3 at the time of the writing of this piece. The opening came to me moments after the doctor had confirmed Edward had Down’s, when he was only 6 hours old. The music tries to convey the fear of the unknown, huge unconditional love and moments of uncertainty alternated by washes of strength. And yet, all through the fear the resolve to forever love and stay strong always wins.Movement 6 – Indifference – The opening 4 notes are the core of this movement, and the piece is built around and from them. This music is an observation of deep, rumbling frustration at the indifference growing in our fast moving, modern society.Movement 7 – “Wee Us†– This movement expresses family triumph, the gifts of life and love, and the glory of boundless, wild, youthful energy. This tune has not yet run its course. It will be back!
$12.00 ≈
¥84.66
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