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On My Lips Bassoon
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Vous avez sélectionné:
On My Lips Bassoon
Partitions à imprimer
9 partitions trouvées
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1
On My Lips - Bassoon (Cello sub.)
On My Lips - Bassoon (Cello sub.)
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Contrebasse (partie séparée)
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Darren Morehouse and Ross Pars
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Richard Kingsmore
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On My Lips - Bassoon
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.127336 Composed by Darren Morehouse and Ross Parsley. Arranged by Richard Kingsmore. Concert,Contemporary,Sacred. Choral Instrumental Pak. 2 pag...
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SKU: HX.127336 Composed by Darren Morehouse and Ross Parsley. Arranged by Richard Kingsmore. Concert,Contemporary,Sacred. Choral Instrumental Pak. 2 pages. Duration 245. Hal Leonard - Digital #140054. Published by Hal Leonard - Digital (HX.127336).
$7.00 ≈
6.55€
Wind Quintet - Ding Dong Merrily on High
Wind Quintet - Ding Dong Merrily on High
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Noël
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Anon
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Mike Lyons
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Wind Quintet - Ding Dong Merri
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Lyons Music Services
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.767384 Composed by Anon. Arranged by Mike Lyons. Christmas. 27 p...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.767384 Composed by Anon. Arranged by Mike Lyons. Christmas. 27 pages. Lyons Music Services #3602017. Published by Lyons Music Services (A0.767384). This is a wind quintet arrangement of my brand new and somewhat quirky arrangement of the well-known Christmas Carol. I've given the Clarinet and Bassoon some of the spotlight in this setting.At letter D the music slips into a Jazz Waltz style and it is important to swing the quavers to gt the full effect, which produces some interesting results. and at letter F, we find ourselves creating a little Hocket, with fragments of the tune passed around the enemble - but without it losing any of its cohesion.At letter G the music returns (almost) to normal. and this reprise leads to the end.Please pay attention to all the articulations and slurs, which are very specific to create the effects.If you are bored with the traditional settings, then this is for you.
$10.99 ≈
10.28€
Total Eclipse Of The Heart
Total Eclipse Of The Heart
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Bonnie Tyler
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James Smith
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Total Eclipse Of The Heart
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James Smith
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1321217 By Bonnie Tyler. By Jim Steinman. Arranged by James Smit...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1321217 By Bonnie Tyler. By Jim Steinman. Arranged by James Smith. Broadway,Film/TV,Halloween,Musical/Show,Rock. 15 pages. James Smith #909670. Published by James Smith (A0.1321217). Total Eclipse of the Heart is a song recorded by Welsh singer Bonnie Tyler. It was written and produced by Jim Steinman, and released on Tyler's fifth studio album, Faster Than the Speed of Night (1983). The song was released as a single by CBS/Columbia in 1983. The song became Tyler's biggest career hit, topping the UK Singles Chart, and becoming the fifth-best-selling single in 1983 in the United Kingdom. The power ballad became Tyler's highest-charting song in several countries, peaking at No. 1 in the United States, South Africa, Australia, New Zealand, Canada and the United Kingdom.View the rest of my catalog at linktr.ee/jamessmithmusic.
$13.99 ≈
13.09€
Little Suite for Orchestra
Little Suite for Orchestra
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Gary Friedman
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Little Suite for Orchestra
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Gary Friedman
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SheetMusicPlus
Large Ensemble Tuba - Level 4 - SKU: A0.889873 Composed by Gary Friedman. Baroque,Contemporary,Romantic Period. Score and parts. 101 pages. Gary Friedma...
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Large Ensemble Tuba - Level 4 - SKU: A0.889873 Composed by Gary Friedman. Baroque,Contemporary,Romantic Period. Score and parts. 101 pages. Gary Friedman #10627. Published by Gary Friedman (A0.889873). There are 3 movements. Sarabande, March, and Fugue, ranging from 3 to 5 minutes in duration. The Sarabande is serious and melodic, the March is cute, and the Fugue is an orchestrated version of my Fugue for Four Winds. You can get some idea of the sound of Sarabande and March by listening to the sound clips of the versions of them in my Seven Easy Melodies for Oboe with Piano Accompaniment, either in SheetMusicPlus or on my website, www.garyfriedmanmusic.net. The original Fugue for Four Winds may also be heard in these two places. Suitable for chamber orchestra. The Sarabande instruments are 2 each of flute, oboe, clarinet in A, bassoon, and horn, plus strings. In the March a trumpet (which has a nice short solo) and snare drum and triangle are added. In the Fugue, oboe 2 becomes English horn and a second trumpet is added. There are also optional parts in the Fugue for trombone, tuba, which can be covered by the bassoons, and for bells. Year: 2000.
$40.00 ≈
37.43€
Wind Quintet - One Rule
Wind Quintet - One Rule
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Mike Lyons
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Wind Quintet - One Rule
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Lyons Music Services
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. P...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. Published by Lyons Music Services (A0.767553). This brand-new piece for wind quintet came about through the coronavirus lockdown and my observations of our UK politicians and how they behaved (One rule for them...) In terms of the music, each line is related to other lines through patterns of 5, 7 or 9 beats (or half beats). Each repetition of the pattern starts with all the instruments in that particular group playing on the first beat. As the music progresses and develops, motifs appear out of the combinations of these beats with each other. Gradually, these patterns and motifs develop melodies which then form the backbone of the piece. The first section (I hesitate to use the term movement) labelled Plotting develops a character of wiliness. It represents, in its twisting strands, the plotting of politicians to aggrandise themselves. The bottom 3 parts form an 'undercurrent' to the music as the 5,7 and 9 beat counts overlap and process. The flute and oboe, meanwhile, generate the first melodic strand - which becomes important in the later movements. The opening quaver patterns are passed around the whole ensemble, keeping the rhythmic pulse going. It slips between the anchoring notes of the lower 3 parts, as well as being essential to the development of the flute and oboe melodic material and stopping the bassoon part being too boring! The long winding, rising and falling line on the oboe and flute is deliberately ambiguous in its tonality, leading one to feel it strives upwards, but then loses its way. The frequent dissonances as this line crosses itself in the other parts represents the effect of all the plotting on ordinary people. Before letter B, there are a couple of brief hints of Dies Irae, but I didn’t want that idea to dominate too much. After B and into C, we get the day-to-day chitchat in Westminster, with interjections from many voices proclaiming their message, trying to persuade their colleagues and just leading to confusion and tonal extremism. From letter C to the end of the section is an extended accel/stretto as the discussion gets more heated. Section 2 is titled Scheming. The tempo is faster than the previous section, but the pace is slower. More motives have formed and developed organically out of the rhythm and pitch patterns. The 5/7/9 cross rhythms are now at double speed, giving a fiercer drive to the music. The bassoon and horn, for now, adhere to the longer pulse of the first section, providing something of a harmonic underpinning. At bar 101, the long but now slightly broken narrative line of the first movement returns in modified form. This now provides a backdrop for the rhythmic bartering and ‘back and forth’ of the political day. The section reaches a climax as the political bickering becomes rowdier. Section 3 begins in a relatively happy mood. The bassoon has a jolly capering little motif, later taken up by other members of the ensemble. There are hints of English folk tune-ness in the resulting conversation, perhaps emphasised by the overlays of this pleasant melody from letter D. Letter E is a ‘turning point’ as all the rhythmic pulses finally align again. This is the first time all five parts have played on the same beat since the opening. At Letter G, a pulsing drone is added to the mix, using the quaver version of the pulse. Perhaps representing the soring of politicians. There is a parallel drone added at letter H, these drones use the 5 (bassoon) and 7 (horn) beat pulses. The result is a solid underpinning of the rhythmic and melodic ideas in the upper 3 parts. After letter I comes a reprise of the spritely bassoon motif with dissonant harmonies as the discussion becomes more heated. The little semiquaver figures have the rhythm Mr. Speaker as members of the house shout for attention. In the repeat bars, we hear the Speaker shout Order! Letter J provides an altered reprise of the begi.
$35.00 ≈
32.75€
Slave To The Rhythm
Slave To The Rhythm
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Flûte, Hautbois, Clarinette, Basson
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FACILE
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Contemporain
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Bruce Woolley, Simon Darlow, S
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Jeff Tincher
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Slave To The Rhythm
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Jeff Tincher
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - SKU: A0.584444 Composed by Bruce Woolley, Simon Darlow, Steve Lipson, and Tre...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - SKU: A0.584444 Composed by Bruce Woolley, Simon Darlow, Steve Lipson, and Trevor Horn. Arranged by Jeff Tincher. Contemporary. 21 pages. Jeff Tincher #5754953. Published by Jeff Tincher (A0.584444). This is the song that turned me onto Grace Jones music. I borrowed the Slave To The Rhythm LP from the library, put it on the turntable, and thought this is different. This track was the last track on the A-side. As I further listened to the LP I realized that the album used the same song in different genres, format, and keys. You wouldn't know it unless you really listened to the LP. This arrangement, however, is in the original key from her Island Life LP. This song has funk all over it. Grace is a strange character but has a great voice. What made me pick this song is I was searching through youtube to find a song to arrange and I found Grace doing this song live. Again, Grace surprised me. You think female stars today has energy. She sang the song while hula hooping. She was 64 when she did this. She still does this on her concerts. Here is the link to amaze you...https://www.youtube.com/watch?v=vSa5EvWqB7g. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99 ≈
12.15€
O Little Town of Bethlehem for Wind Quintet
O Little Town of Bethlehem for Wind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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FACILE
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Noël
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Musique Sacrée
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Lewis Redner and Phillips Broo
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James Smith
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O Little Town of Bethlehem for
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James Smith
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - SKU: A0.1346818 Composed by Lewis Redner and Phillips Brooks. Arranged b...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - SKU: A0.1346818 Composed by Lewis Redner and Phillips Brooks. Arranged by James Smith. Christian,Christmas,Holiday,Religious,Traditional. 12 pages. James Smith #931601. Published by James Smith (A0.1346818). O Little Town of Bethlehem is a popular Christmas carol, beloved in countries on both sides of the Atlantic Ocean. This arrangement features the version of the tune heard in the United States, featuring a melody written by Lewis Redner. Perfect for wind quintets of all experience levels looking to add variety into their repertoire.View more holiday arrangements, and much more, in my catalog here at https://linktr.ee/jamessmithmusic.
$9.99 ≈
9.35€
Symphony No. 8 ... City of Light (2011) for chamber orchestra
Symphony No. 8 ... City of Light (2011) for chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 8 ... City of Lig
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Thomas Oboe Lee
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.869356 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. ...
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Chamber Orchestra - Level 4 - SKU: A0.869356 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 113 pages. Thomas Oboe Lee #15879. Published by Thomas Oboe Lee (A0.869356). Instrumentation: 1 flute, 1 oboe, 1 English horn, 2 bassoons, 2 French horns, timpani and strings.Program note: In the year 2010, my wife Kristin Beckwith and I went to Paris twice, the first time in May and the second time in December right after Christmas. The weather was magnificent in May. Our friends Seph and Roger met us there. Being long-time veterans of Paris, they took us all over the city: Le Marais, the Left Bank, Montmartre, Sacré Coeur, Père LaChaise cemetery, Avenue des Champs-Élysées, Jardin du Luxembourg, Jardin des Tuileries, Notre Dame cathedral, Eiffel Tower, the flea market at Porte de Clignancourt, the canal at Saint Martin, etc. Since the weather was so great we basically stayed outside the entire two weeks. My wife Kris said that we had to return next again to Paris to go inside the museums. So we did. The weather in Paris after Christmas was very damp and chilly. So we did indoor activities: Le Louvre, Musée D’Orsay, Palais Garnier, etc. We even attended a beautiful performance of Swan Lake by the Paris Opera Ballet at L’Opéra Bastille. I should also mention that on both occasions I met up with a former student of mine from Berklee, Joe Makholm. He makes a living in Paris playing jazz piano. Joe got us a gig at the Swan Bar in Montparnasse. On the first occasion we did it as a trio with a French bass player. I played flute. On the second occasion, we did it as a duo. Playing jazz in Paris? You can’t beat that!!! Early this year, Steven Lipsitt and I had a chat about my writing a new work for the Boston Classical Orchestra. My last work for the BCO was a piano concerto with Robert Levin as soloist. I told Steven that this time I wanted to write a symphony. He said, Sure. Go ahead. I told him it would be about Paris. He said he would put Mozart’s Paris Symphony on the same program. I said, Fabulous! Symphony No. 8 … City of Light (2011) is in five movements. 1. La Seine Presto, Moderato 2. Basilique du Sacré-Coeur Largo 3. Palais Garnier Allegro, Trio 4. Avenue des Champs-Élysées Allegro 5. Musée du Louvre Largo, Moderato This work is dedicated to my wife and muse, Kristin Beckwith. Audio Link: https://thomasoboelee.bandcamp.com/album/symphony-no-8-city-of-light-2011Video link: https://youtu.be/-Yn76vWg7jE
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On My Lips Bassoon
