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Ode to Joy, A Version Harp I
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Vous avez sélectionné:
Ode to Joy, A Version Harp I
Partitions à imprimer
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Ode to Joy, A Version Harp I
Ode to Joy, A Version Harp I
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Harpe
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INTERMÉDIAIRE
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Musique Sacrée
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Ludwig van Beethoven
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Serena O'Meara
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Ode to Joy, A Version Harp I
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O'Meara Music
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SheetMusicPlus
Instrumental Duet,Pedal Harp - Level 3 - SKU: A0.803812 Composed by Ludwig van Beethoven. Arranged by Serena O'Meara. Christmas,Classical,Praise & Worsh...
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Instrumental Duet,Pedal Harp - Level 3 - SKU: A0.803812 Composed by Ludwig van Beethoven. Arranged by Serena O'Meara. Christmas,Classical,Praise & Worship,Sacred,Standards. 8 pages. O'Meara Music #4765301. Published by O'Meara Music (A0.803812). My Multi-level pieces were initially arranged in an A Version. When that was completed, it was then simplified to form the B Version. The B Version has thinner lines and allows more time for placing the fingers. The purpose is to permit harpists of various playing levels to enjoy performing together. This arrangement travels from the key of G, through the key of C to the key of F. The melody is equally divided between parts. Dynamics are clearly marked. Â You will receive the A Version Harp IÂ part. Beethoven was influenced by the writings of Johann Christoph Friedrich von Schiller, a German poet, playwright, and historian. His 1785 poem, An die Freude (Ode to Joy), spoke to Beethoven of perfect, eternal spiritual bliss and the unity of nature.
$6.00 ≈
5.39€
Ode to Joy, B Version Harp I
Ode to Joy, B Version Harp I
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2 Harpes (duo)
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FACILE
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Musique Sacrée
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Ludwig van Beethoven
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Serena O'Meara
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Ode to Joy, B Version Harp I
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O'Meara Music
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SheetMusicPlus
Instrumental Duet,Lever Harp - Level 2 - SKU: A0.803814 Composed by Ludwig van Beethoven. Arranged by Serena O'Meara. Christmas,Classical,Praise & Worsh...
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Instrumental Duet,Lever Harp - Level 2 - SKU: A0.803814 Composed by Ludwig van Beethoven. Arranged by Serena O'Meara. Christmas,Classical,Praise & Worship,Sacred,Standards. 8 pages. O'Meara Music #4765317. Published by O'Meara Music (A0.803814). My Multi-level pieces were initially arranged in an A Version. When that was completed, it was then simplified to form the B Version. The B Version has thinner lines and allows more time for placing the fingers. The purpose is to permit harpists of various playing levels to enjoy performing together. This arrangement travels from the key of G, through the key of C to the key of F. The melody is equally divided between parts. Dynamics are clearly marked.  You will receive the B Version Harp I part. Beethoven was influenced by the writings of Johann Christoph Friedrich von Schiller, a German poet, playwright, and historian. His 1785 poem, An die Freude (Ode to Joy), spoke to Beethoven of perfect, eternal spiritual bliss and the unity of nature.Â
$6.00 ≈
5.39€
Rorie Dall's Sister's Lament for Double-strung Harp
Rorie Dall's Sister's Lament for Double-strung Harp
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Harpe
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FACILE
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Celtique/Irlandais
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Rory Dall
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Karen Peterson
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Rorie Dall's Sister's Lament f
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Karen Peterson
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SheetMusicPlus
Harp - Level 2 - SKU: A0.928320 Composed by Rory Dall. Arranged by Karen Peterson. Celtic,Contemporary,Folk. Score. 4 pages. Karen Peterson #5955365. Pu...
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Harp - Level 2 - SKU: A0.928320 Composed by Rory Dall. Arranged by Karen Peterson. Celtic,Contemporary,Folk. Score. 4 pages. Karen Peterson #5955365. Published by Karen Peterson (A0.928320). This tune was published by Daniel Dow in the 1770s and was probably composed by Roderick Morison (~1656-1713). My double-strung harp arrangement in the dorian mode has rolled, echoed chords, highlighting the depth of sound we can get from having two sets of strings. The accompaniment hand traverses the entire range of the harp, often overlapping the melody hand.Range and key: D dorian (all naturals). 24x2 strings. C below middle C through E.Lever changes: None.Good for: Performance, memorials, therapeutic settings.Double-strung effects: The LH accompaniment frequently overlaps the RH melody range. Rolled accompaniment chords often contain the same note as the melody, creating a rolled echo. Some chords that aren’t rolled have doubled notes in both hands, creating depth. The repetition of LH patterns makes this a great piece to learn overlapping hands with.Characteristics: Neither hand needs to place more than an octave spread. There are some four-note chords (always LH 1-3-5-8). The RH has almost no chords. Few of the chords are inversions. There are very few sixteenth notes; no more than three played together with one hand. The LH has two long-run patterns (1-5-8-9-10 and 1-5-8-9) which can be played with cross-unders or a wandering thumb. The RH has a few cross-overs/unders.Finger placement: Finger number suggestions are provided for key phrases. Numbers above the notes are suggestions for the RH (marked with R or R# when they occur in the bottom staff). Numbers below the notes are suggestions for the LH (marked with L or L# when they occur in the top staff). To see what I mean, view the PDF of finger placement examples in Rorie Dall's Sister's Lament: www.EnjoyTheHarp.com/s/rorie-dalls-sisters-lament-notes-enjoy-the-harp.pdfNotation: Chord symbols are provided. Treble clef is used for both staves, with 8vb for the low notes. Length: 4 pages. 60 measures, plus 12 if you take the repeat. 4 minutes.Page turns: If you are printing, double-side pages 2 and 3 so that there is only one page turn. The RH can be used on all notes of page 2’s last measure, so that the LH can turn the page. If you are using single pages on a tablet, you can do something similar at the end of page 3. Page 1’s turn is manageable. Contact me after purchase if you’d like a version that fits on two pages: EnjoyTheHarp@gmail.comPerformance notes and history at www.EnjoyTheHarp.com/rorie-dalls-sisters-lament
$4.99 ≈
4.48€
Thérèse Brenet : A Thing of Beauty Is A Joy Forever" for alto saxophone and string orchestra, score
Thérèse Brenet : A Thing of Beauty Is A Joy Forever" for alto saxophone and string orchestra, score
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Therese Brenet
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Thérèse Brenet :
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Alto Saxophone,Cello,Viola,Violin - Level 3 - SKU: A0.532887 Composed by Therese Brenet. Contemporary,Sacred,Standards. Score and parts. ...
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Small Ensemble Alto Saxophone,Cello,Viola,Violin - Level 3 - SKU: A0.532887 Composed by Therese Brenet. Contemporary,Sacred,Standards. Score and parts. 32 pages. Musik Fabrik Music Publishing #119473. Published by Musik Fabrik Music Publishing (A0.532887). This work was inspired by the poem of the same name by Keats. It was written originally for saxophone and organ by its comissioner the saxophonist Paul Wehage and Françoise Lvéchin-Gangloff, the organist at the Church of Sain Roch in Paris where the work was premièred on February 12, 2012 It also exists in a version for saxophone and piano and for saxophone and string orchestra (with harp). The orchestral version was recorded on Thérèse Brenet's CD Le Livre de L'Harmonie du Monde on JTB-Prod (http://www.jtbprod.com/llhm.htm ) The orchestral materials are available on rental from the publisher (email to infoATclassicalmusicnow.com) The work is not a literal illustration of the poem, but an evocation of emotional states between a Romantic literary work and the music which the writing inspired more than a century and a half later, seen through a Modern musical aesthetic. I. - A thing of beauty...(Une belle chose... ) - 1’45 II.- ...is a joy for ever... (...est une joie pour toujours...) - 1’ III. - its lovelyness increases (...son charme s'amplifie...) - 4’ IV. - it will never fall into nothingness... (il ne tombera jamais dans le néant...) - 4’15 Total duration : 11'.
$25.95 ≈
23.31€
Old French Song
Old French Song
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Harpe
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FACILE
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Classique
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Pyotr Ilich Tchaikovsky
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Luis Anjos Teixeira
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Old French Song
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Luis Anjos Teixeira
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SheetMusicPlus
Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Period, Repertoire, Recital. Individual Part, Solo Part. 6 pages. Publi...
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Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Period, Repertoire, Recital. Individual Part, Solo Part. 6 pages. Published by Luis Anjos Teixeira
The Children's Album is dedicated to Tchaikovsky's favorite nephew, Vladimir Davydov. On 12/24 December 1878, Tchaikovsky wrote to Lev Davydov: "Tell Bobik that the music has been printed with pictures, that the music was composed by Uncle Petya, and that on it is written Dedicated to Volodya Davydov. The silly little fellow will not understand what dedicated means... Even so, Bobik is an inimitably delightful figure when he's playing, and he might look at the notes, and think that a whole symphony is dedicated to him?.
In a letter of 30 April/12 May 1878 to Nadezhda von Meck, the composer wrote: "A while ago I thought that it would not be a bad idea to make a small contribution to the stock of children's musical literature, which is very modest. I want to create a series of little individual pieces just for children, and with an attractive title, like Schumann`s.
Some months before this letter was written, while staying in Florence on 14/26 February, Tchaikovsky told Pyotr Jurgenson that he wanted "to write a number of easy pieces, like Kinderstck?. Evidently, the idea of creating a collection of pieces for young people had not been abandoned by the composer, and after his return to Kamenka in April he decided to begin composition. In the aforementioned letter to Nadezhda von Meck, he informed her: "Tomorrow I shall start working on my collection of miniatures for children".
On 1/13 May the composer wrote to Anatoly Tchaikovsky: "I'm working well and have done rather a lot". On 4/16 May the sketches for all 24 pieces were ready. Shortly afterwards, Tchaikovsky accepted an invitation from Nadezhda von Meck to stay at her Brailov estate until the end of May/beginning of June, before spending a few days in Moscow; from there he went to spend five days with his friend Nikolay Kondratyev at Nizy, and in mid/late June he called at Kiev, before returning to Verbovka. In the days following his arrival, he began to put the finishing touches to all the pieces written in April and May. The fair copy of the Children's Album was begun, it seems, on 13/25 July.
By 20 July/1 August the copying out was completed, and on 21 July/2 August the composer told Nadezhda von Meck that he was working on the Liturgy of Saint John Chrysostom.
On 29 July/10 August the manuscript of the Children's Album, along with a number of other compositions, was sent to Pyotr Jurgenson in Moscow. In October, after the proofs had been corrected, the album was published.
P.S.- Other than a modest suggestion for an interpretation, this arrangements remain absolute faithful to the original composition.
The first version is in the original key of g minor, the second is transposed to ?a minor?, the third one is intended for a little lap harp and transposed to d minor. It sounds better in the original key of g minor. I used a lot the d minor version and performed it with my little harp very often, always experiencing a very deep musical feedback.
A little nuance was added to the arrangements, thus obliged by its minimal use on the original manuscripts.
I included the original long and expressive leggato bows and left out the staccatos for the left hand between the bars 17 and 20. I felt somehow awkward when applying this technic on the harp myself.
May be the staccatos suites you best, and you should try it.
The score was written on Finale.
The sound file was produced with samplers from Garritan,
intended as an audio support for the presentation of the score.
A reproduction of Tchaikovsky`s original manuscript is added to the file as a reference to the original sources of this composition, it is an extra bonus intentionally didactic and obviously not included in the price of the arrangement itself.
Thank you very much for taking your time to read this text and to listen to the file.
I hope you enjoy the music.
$4.99 ≈
4.48€
Concerto for Trombone and Piano
Concerto for Trombone and Piano
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Trombone et Piano
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AVANCÉ
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Mark Narins
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Concerto for Trombone and Pian
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.811191 Composed by Mark Narins. 20th Century,Contemporary,Romantic Period. Score and part. 101 pages. Gordon Cherry #...
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Piano,Trombone - Level 5 - SKU: A0.811191 Composed by Mark Narins. 20th Century,Contemporary,Romantic Period. Score and part. 101 pages. Gordon Cherry #6069485. Published by Gordon Cherry (A0.811191). Cherry Classics is pleased to introduce Concerto for Trombone and Orchestra 2020 (Piano reduction) by San Francisco based composer/conductor Mark Narins. The concerto is in 4 movements: I. Prayer, II. Meditation, III. Call and Response, IV. Exaltation Here is a description of the work by Mark Narins, the composer: Prayer: The first movement starts with a shimmering tremolo in the strings over which the silver voice of the trombone plays an arching phrase that lingers on an extended appoggiatura. The trombone is a lone mystic reaching for the sky and then falling perilously down to the pedal register. Later the orchestra breaks into a frenetic vamp over which the trombone plays intense ascending scales and passage work. The movement ends with an ascent to a high C#, moving to a final ringing high C. Meditation: After the harp lays out a series of arpeggiated chords, the trombone plays a warm, rich theme in the middle range. The following episodes are variations on this theme. The trombone moves into the upper register, floating with the ease of a lead trombone in a big band. The movement ends with an ascending yearning phrase reaching a high D as the soloist touches the sky and then comes gently back to earth. Call and Response: The orchestral accompaniment starts in an anxious, mysterious tonality. The trombone enters with a burst of energy playing a machine gun series of Fs. The movement develops into a series of short brilliant solo passages answered boldly by the orchestra. This movement showcases the stunning declamatory powers of the trombone. Exaltation: Movement 4 starts as an allegro with intense tremolos in the basses. The trombone breaks out into an articulated driving theme followed by several extended melodic passages. Midway in the movement the strings abruptly lay out a syncopated Latin dance rhythm over which the trombone climbs from the bottom to the top of its range in rapid triplets. In the final codetta the trombone accelerates the dance tempo and climaxes on a series of high C#s in a brilliant and joyous fashion. The concerto is 27 minutes in duration and is appropriate for advanced performers. This version with Piano is a reduction of the full Orchestral version (to be published in the near future). The new Trombone Concerto by Mark Narins is a very exciting piece with dramatic contrasts between the slow and fast sections. The move to the finish of the piece makes for a great wrap-up. It's a real blow for the player, really exploring the range of the instrument. It will be demanding and fun for the trombonist. Ken Andresen, New York freelance musician
$27.50 ≈
24.70€
Contagion (Full Album Score)
Contagion (Full Album Score)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Franco Esteve
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Franco Esteve
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Contagion
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Franco Esteve
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1121448 By Franco Esteve. By Franco Esteve. Arranged by Franco Esteve. Classical,Contemporary,Film/TV. Score and part...
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Full Orchestra - Level 4 - SKU: A0.1121448 By Franco Esteve. By Franco Esteve. Arranged by Franco Esteve. Classical,Contemporary,Film/TV. Score and parts. 68 pages. Franco Esteve #722619. Published by Franco Esteve (A0.1121448). About Contagion, the music From quarantine life, something painful this way comes, a new, pandemic inspired, life soundtrack… Contagion is a moment, an interruption, signifying an expression of feelings and music that the Covid-19 coronavirus pandemic and quarantine brought to light. It’s a contemporary classical life-track, serving as a soundtrack to the contagion, to its spread, to its mystery, its attack on the body, to our losses during the Covid-19 pandemic and to our future beyond them. As the virus flooded every news outlet, Contagion became an interruption, a mysterious invader, taking over everything, needing to be expressed. It’s a “lifetrack†or “life soundtrack†with its contemporary classical orchestral sounds expressing the feelings and experiences of those first few months of dread and quarantine, through which many of us felt the fear of it all and the actual loss of loved ones. Original Album Release date: May 14th, 2020 Genre: Contemporary Classical / Life Soundtrack • The album length is 9 minutes and 33 seconds About the Score This version of the score includes ALL 5 songs in the album and the instrument selection varies in accordance with the specific composition of each of the songs. The instruments used are: Horn Section, Soprano Trumpet, Bass Drum, Piano, Harp, Tuba, Wine Glasses, Cabasa, Triangle, Violins I, Violins II, Horn, Trumpet, Trombone, Timpani, Crash Cymbals, Cello Section, Trumpet Section, Gong, Cello Solo. I can imagine the songs can work adapted in a number of ways by different groups or a very advanced group of students. It'll be fun to hear how others interpret them. Music included In the package, I've included the full album's music score with each of the individual songs and their instrument parts and the original published songs as a single HQ MP3 (320 kbps), so players can get a feel for my intentions when composing each one. (You can listen to them free at https://francoesteve.com or on your favorite streaming service - links on my website’s album page linked below). The MP3 also includes a cello solo version of Death Is Not the End. Track list 1. Contagion (2:15) 2. The Spread (2:24) 3. Patient Zero (1:26) 4. Infected (1:26) 5. Death Is Not the End (2:02) Composer: Franco Esteve Genres: Contemporary Classical, Modern Classical, 21st Century Level: Advanced The Package includes 1. PDF with the Score The full score for each of the 5 songs in the album. All the individual parts for each song as written. 2. All 5 songs in a single MP3 HQ (320 kbps) format file including the Bonus Cello Only Version of Death is Not the End. Find out more about this album on Contagion's page on the Franco Esteve website here: https://www.francoesteve.com/music/contagion-music-album/ Thank you for your interest in my music. I hope y’all enjoy playing it as much as I did composing it. Don’t forget to keep up to date with everything Franco Esteve: Website: http://www.francoesteve.com/ Patreon: https://patreon.com/FrancoEsteve Facebook: https://www.facebook.com/seefrancoesteve Twitter: https://www.twitter.com/FrancoEsteve Instagram: https://www.instagram.com/seefrancoesteve My music is also available on all major, online music stores and streaming services. I'm a BMI affiliated artist and you can contact me using the contact form at: http://www.francoesteve.com or through Facebook and Twitter. Thank you again and enjoy! :).
$25.00 ≈
22.46€
Tree Dance
Tree Dance
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Marimba
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AVANCÉ
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Marei Suyama
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Tree Dance
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good umbrella inc
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SheetMusicPlus
Marimba Solo - Level 5 - SKU: A0.1406581 By Marei Suyama. By Marei Suyama. 21st Century,Classical,Contemporary,Multicultural,New Age,World. Individual p...
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Marimba Solo - Level 5 - SKU: A0.1406581 By Marei Suyama. By Marei Suyama. 21st Century,Classical,Contemporary,Multicultural,New Age,World. Individual part. 72 pages. Good umbrella inc #989346. Published by good umbrella inc (A0.1406581). It is said that when an earthquake occurs, trees grow well.Though there is no evidence, the vibration of the earthquake seems to stir and condition the soil.Even through unprecedented disasters when the earth is cracked and the city is burnt, and even when people suffer from helplessness and anger, the trees (including apricot and blackberry branches) grow unaffectedly.Inger Christensen, the author of the poetry collection 'Alphabet', through her perceptive and lyrical senses, expressed that human beings are not managers of nature.On a lonely night, all we hear is the sound of crawling roots underneath the earth and rhythmic breathing of branches and leaves.....Not a few people consider classical music as something you listen to quietly while frowning. Tapping your feet to the rhythm is simply not acceptable. But I’ve always thought that classical music could be danceable - something that DJs can play at a club and you can move your body to.≪Tree dance≫, as the title suggests, is a musical piece featuring marimba and piano expressing the way trees dance in the wind. The music is almost like the classical version of craftwork, combining four-on-the-floor beats of techno music with the sharp sounds of modern music and organic poetry.I hope that the colorful musical notes on the score will be given life to and grow in this concert hall, creating a feast of dancing trees. I would be overwhelmed with joy to see the audience move their bodies or tap their feet to the rhythm of music. Marei Suyama
$38.00 ≈
34.13€
On Christmas Night, On Christmas Day, Rejoice! (medley) ? brass quintet
On Christmas Night, On Christmas Day, Rejoice! (medley) ? brass quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Noël
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Traditional English carols
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Todd Marchand
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On Christmas Night, On Christm
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Con Spirito Music
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SheetMusicPlus
Composed by Traditional English carols. Arranged by Todd Marchand. Christian, Sacred, Christmas. Score, Set of Parts. 18 pages. Published by Con Spirito Music (...
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Composed by Traditional English carols. Arranged by Todd Marchand. Christian, Sacred, Christmas. Score, Set of Parts. 18 pages. Published by Con Spirito Music (S0.180015). - Score,Set of Parts - Christian,Sacred,Christmas - Con Spirito Music
?On Christmas Night, On Christmas Day, Rejoice!? takes its name from lyrics of the three tunes that comprise this medley. ?On Christmas night all Christians sing? are the opening words of the Sussex Carol, a traditional English tune with words first published in 1684. English folk-song collectors Cecil Sharp and Ralph Vaughan Williams both collected versions of the song, and Vaughan Williams published his arrangement of the tune in 1919. ?On Christmas day in the morning? are the concluding words of the refrain of the carol also known as ?I Saw Three Ships.? Like the Sussex Carol, it is a traditional English carol, and it was published by William Sandys in his 1833 work, Christmas Carols Ancient and Modern. ?Rejoice? is the imperative verb in the invitation, ?Good Christian men, rejoice,? which are the opening words to the medieval carol, ?In dulci jubilo? (?In sweet rejoicing?). John Mason Neale, an Anglican priest, scholar, and hymn-writer, wrote the familiar English translation in 1853. Quick to rehearse and fun to play, this cheerful medley evokes the joy of Christmas. Intrmediate level, suitablefor high school to professional ensembles for use in concert,recital, and worship. Full score and parts, 8.5x11-inch format. Copyright2015 Todd Marchand / ConSpiritoMusic.com
$15.00 ≈
13.47€
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Ode to Joy, A Version Harp I
