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Vous avez sélectionné:
Nada que ver [piano]
Partitions à imprimer
219 partitions trouvées
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Nada que ver [piano]
Nada que ver [piano]
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Piano seul
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Nada que ver [piano]
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Juan Maria Solare
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.596517 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Standards. Score. 8 pages. Juan Maria Solare #3425193....
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Piano Solo - Level 3 - SKU: A0.596517 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Standards. Score. 8 pages. Juan Maria Solare #3425193. Published by Juan Maria Solare (A0.596517). Nada que ver. mercenary waltz for piano The Spanish expression nada que ver has two senses: literal and idiomatic. In its broader sense, nada que ver is just that: there is nothing to see (this is what the police usually say when they want you not to stop). But as an idiom, nada que ver implies what you are saying is absolutely unrelated and therefore you are totally wrong. Why is this waltz mercenary? Because it is very direct, traditional and does not intend to experiment with anything. In addition to the original version (for solo piano) the composer has made one for violin and piano (which can be played without major problems with flute, or with clarinet with slight adaptations). Nada que ver is included in the album Sombras blancas [White Shadows], label Janus Music & Sound, JMS-014, and present in Spotify, Apple Music, Deezer and all the usual streaming services, in addition to iTunes or Amazon mp3. https://open.spotify.com/track/0POhB4VuQXsjrgSkHU3HkS The score comes in two sizes: reduced (two pages) and normal (three pages). You will choose one or the other depending on the power of your eyes and the size of your music stand. Juan MarÃa Solare, January 2018
$2.00 ≈
1.86€
Las lavanderas Guabina por: Nicanor Velásquez Ortiz y Darío Garzón Charry
Las lavanderas Guabina por: Nicanor Velásquez Ortiz y Darío Garzón Charry
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Piano seul
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INTERMÉDIAIRE
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Nicanor Velásquez Ortiz y D
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Juan Carlos Cortés A
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Las lavanderas Guabina por: Ni
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.958751 Composed by Nicanor Velásquez Ortiz y DarÃo Garzón Charry. Arranged by Juan Carlos Cortés A. 20th Cent...
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Piano Solo - Level 3 - SKU: A0.958751 Composed by Nicanor Velásquez Ortiz y DarÃo Garzón Charry. Arranged by Juan Carlos Cortés A. 20th Century,Concert,Standards,Traditional,World. Score. 2 pages. Juan Carlos Cortés Aguirre #6141271. Published by Juan Carlos Cortés Aguirre (A0.958751). Transcripción para Piano Solo por:JUAN CARLOS CORTÉS A.Basado en la versión del dueto Garzón y Collazos integrado por DarÃo Garzón Charry, primera voz y guitarra (Girardot, el 9 de enero de 1915 - 21 de marzo de 1986) y Eduardo Collazos Varón, segunda voz y tiple (Ibagué el 13 de octubre de 1916 - 23 de noviembre de 1977).Texto:Las lavanderas(Guabina) Por:Nicanor Velásquez Ortiz y DarÃo Garzón CharryINTRODUCCIÓN:Sentadas junto a la orilla, de la lÃmpida quebrada,ya terminan la jornada, porque la ropa les brilla.Son las pobres lavanderas, que lavan del mundo a solas,los pecados que las olas, extienden por las riveras. (BIS)Chas, Chis, Chis, Chas.Va la tarde repitiendo, el agua sigue corriendo,el agua sigue corriendo, y el jabón no lava más. (BIS)INTERLUDIO:Sigue lavando, lavando, ¡oh! lavandera ignorada;sigue lavando y lavando, hasta entrar la oscuridad.Que por más agua en la quebrada, no limpiarás estas manchas.No limpiarás estas manchas, de la triste humanidad. (BIS)Chas, Chis, Chis, Chas.Va la tarde repitiendo, el agua sigue corriendo,el agua sigue corriendo, y el jabón no lava más.
$7.99 ≈
7.45€
Mi viejo querido. Tango por Abel Aznar y Juan Carlos Bera
Mi viejo querido. Tango por Abel Aznar y Juan Carlos Bera
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Tango
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Abel Aznar
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Juan Carlos Cortés Aguirre
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Mi viejo querido. Tango por Ab
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1120916 By Abel Aznar. By Juan Carlos Bera. Arranged by Juan Carlos Cortés Aguirre. Folk,Instructional,Latin,Multicult...
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Piano Solo - Level 4 - SKU: A0.1120916 By Abel Aznar. By Juan Carlos Bera. Arranged by Juan Carlos Cortés Aguirre. Folk,Instructional,Latin,Multicultural,Traditional,World. Score. 2 pages. Juan Carlos Cortés Aguirre #722114. Published by Juan Carlos Cortés Aguirre (A0.1120916). Transcripción para piano solo por: JUAN CARLOS CORTÉS A. AntologÃa especial con tangos y valses cantados por Enrique Campos. Mi viejo querido. Tango Letra: Abel Aznar - Música: Juan Carlos Bera. RECITADO: La vida se cobró caro, mil veces quise volver, hoy que lo hago arrepentido, usted, mi viejo querido, me perdona y para qué. CANTANDO: No tire la bronca viejo, no me diga nada, nada, yo no sé si pa’ ser hombre, se precisa un tropezón. Si una biaba en pleno cuore, nos achica la parada, pero recibà una biaba, que fue más…Que una lección. Me engrupà con el apoyo, de la barra de la esquina, y por culpa de esa barra, me hice guapo de café. Engrupido por el calce, que me dieron cuatro minas, con el mate trastornado, de esta casa me pianté. No llores, viejo querido… Déjeme llorar a mÃ… Déjeme que arrepentido, abra mi pecho oprimido, para llorar lo que fui. La vieja, la pobre vieja…Quiero verla ¿adónde está?... ¿Por qué se queda callado? Comprendo soy un malvado… Ni Dios me perdonará. RECITADO: No me diga, pobrecita, que hace solo una semana, con el alma acongojada, destrozado el corazón, como tantas tardecitas, asomada a la ventana, esperó que yo volviera por el mismo callejón. CANTADO: Y perdida la esperanza no aguantó la madrugada, con mi nombre entre sus labios, para siempre se durmió. Basta viejo, se lo ruego, no puedo escuchar más nada, pero usted no me perdone, lo que mama perdonó. ¿Por qué se queda callado? Comprendo soy un malvado… Ni Dios me perdonará.
$7.99 ≈
7.45€
Mas Que Nada
Mas Que Nada
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Trompette, Piano
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INTERMÉDIAIRE
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Jazz
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Sergio Mendes
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Fishel Pustilnik
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Mas Que Nada
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F & N Enterprise
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SheetMusicPlus
Trumpet, piano - Level 3 - SKU: A0.633836 By Sergio Mendes. By Jorge Ben. Arranged by Fishel Pustilnik. Jazz. Score and part. 7 pages. F & N Enterprise ...
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Trumpet, piano - Level 3 - SKU: A0.633836 By Sergio Mendes. By Jorge Ben. Arranged by Fishel Pustilnik. Jazz. Score and part. 7 pages. F & N Enterprise #3466068. Published by F & N Enterprise (A0.633836). An excellent arrangement of famous Song Mas Que Nada for Trumpet and Piano (Jazz/Pop Version with Improvisation). The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.Additional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic/
$4.99 ≈
4.65€
Mas Que Nada
Mas Que Nada
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Trombone et Piano
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INTERMÉDIAIRE
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Jazz
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Sergio Mendes
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Fishel Pustilnik
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Mas Que Nada
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F & N Enterprise
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.633837 By Sergio Mendes. By Jorge Ben. Arranged by Fishel Pustilnik. Jazz. Score and part. 7 pages. F & N Enterprise ...
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Piano,Trombone - Level 3 - SKU: A0.633837 By Sergio Mendes. By Jorge Ben. Arranged by Fishel Pustilnik. Jazz. Score and part. 7 pages. F & N Enterprise #3466124. Published by F & N Enterprise (A0.633837). An excellent arrangement of famous Song Mas Que Nada for Trombone and Piano (Jazz/Pop Version with Improvisation). The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.Additional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic/
$4.99 ≈
4.65€
Mas Que Nada
Mas Que Nada
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Jazz
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Sergio Mendes
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Fishel Pustilnik
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Mas Que Nada
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F & N Enterprise
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.633835 By Sergio Mendes. By Jorge Ben. Arranged by Fishel Pustilnik. Jazz. Score and part. 7 pages. F & N Enterprise #346...
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Oboe,Piano - Level 3 - SKU: A0.633835 By Sergio Mendes. By Jorge Ben. Arranged by Fishel Pustilnik. Jazz. Score and part. 7 pages. F & N Enterprise #3465712. Published by F & N Enterprise (A0.633835). An excellent arrangement of famous Song Mas Que Nada for Oboe and Piano (Jazz/Pop Version with Improvisation). The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.Additional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic/
$4.99 ≈
4.65€
Three Chromicons for piano solo
Three Chromicons for piano solo
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Joseph Dillon Ford
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Three Chromicons for piano sol
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David Warin Solomons
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SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Joseph Dillon Ford. 21st Century, Contemporary Classical, Impressionistic. Score. 2...
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Piano Solo - Advanced Intermediate - Digital Download Composed by Joseph Dillon Ford. 21st Century, Contemporary Classical, Impressionistic. Score. 22 pages. Published by David Warin Solomons
The pdf file contains the original score (in letter format) followed by the somewhat larger copy with dedication by the composer and fingerings by Valentin Bogolubov who premiered the 3 Chromicons.
The sound sample is the live performance.
The Three Chromicons were premiered by pianist Valentin Bogolubov at the Socit de concerts de St-Bruno, Saint-Bruno, Quebec, Canada, on 27 January 2007. Bogolubov's adventurous, technically demanding program, which also featured the works of Alexander Scriabin and Jean Chatillon, was accompanied by video animation of numerous works of art, four of which were created by the composer (among them, the Chromicon No. 3).
Ford explains the significance of these unique scores:
"In both my earliest chromicons, which I had begun to create by the 1980s, and in those I continue to make today, color is the element that links what is seen to what is heard. Unlike composer Alexander Scriabin, who may have been a true synaesthete as the result of a rare neurological condition enabling him actually to hear colors, my approach to color music has been by way of analogy. Although the tones in a musical scale and the colors of a prism both result from specific vibratory frequencies, scales can be replicated in various octaves while there is no comparable transposition observable in the case of the spectrum. However, the analogy between pitch and hue is implicit in the term "chromatic scale" (the Greek chrma signifies "color"), and on that basis it is possible to equate the twelve tones of Western music with the hues on a twelvefold color wheel: red, red-orange, orange, yellow-orange, yellow, yellow-green, green, blue-green, blue, blue-violet, violet, and red-violet."
"By placing the pitch names of the chromatic scale in a separate band around the periphery of a such color wheel, much like the numbers on the face of a clock, and by rotating the central color wheel, it is possible for any given pitch to be aligned and associated with any hue. Such an easily constructed device, which I have dubbed the "chromonomicon," is the key necessary to decipher the musical meaning of my chromicons. The chromicon can be thought of as a calligraphic text in which each discrete area of color is a separate letter."
"Although there are literally millions of possible colors, all of them can be categorized as one of the twelve hues shown on the chromonomicon. Instead of being written from left to right or from right to left, the color-letters in a chromicon are arranged concentrically. The shapes of the individual letters, usually painted in watercolor and "illuminated" with metallic paints, colored pencils, and other media, are the result of each artist's creative meditation. The personal meaning of the chromiconic text as a whole emerges during and after this meditation, and may be expressed by a conventional title or accompanying commentary."
"Now, anyone wishing to realize a chromicon is at liberty to follow any path?straight or curvilinear?from the centermost letter to the periphery, constructing a cantus (melody) by notating the musical pitches associated with each contiguous color-letter encountered along the way. The cantus thereafter serves as the structural basis of a new, freely composed work. The individual pitches in the cantus may be moved to any octave, and may be repeated any number of times before proceeding to the next pitch in the sequence. Customarily, once the final tone of the cantus is reached, the entire melody is heard in reverse (retrograde), resulting in a palindrome. That palindrome is itself subject to varied repetition, so that in formal terms, each realization of a chromicon amounts to a 'mirror' theme with variations."
"Chromicon No. 3 travels even further back in collective human memory to the eighteenth century. For all its contemporary melodic and harmonic inflections, the style is pervasively contrapuntal, summoning to mind the polyphonic keyboard textures of Bach and Handel. It eschews the worldly strife and diversions mirrored in the first two chromicons, maintaining a dignified, highly stylized manner throughout, but with its unexpected final cadence on D, there seems to be a fleeting intimation of transcendence."
Video of Chromicon III
https://www.youtube.com/watch?v=VHMw-vzZlGE
$12.00 ≈
11.18€
Aqui tenes mi historia. Tango por: Manuel Sucher
Aqui tenes mi historia. Tango por: Manuel Sucher
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Manuel Sucher
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Juan Carlos Cortés Aguirre
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Aqui tenes mi historia. Tango
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1120932 By Manuel Sucher. By Manuel Sucher. Arranged by Juan Carlos Cortés Aguirre. Folk,Instructional,Latin,Multicult...
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Piano Solo - Level 4 - SKU: A0.1120932 By Manuel Sucher. By Manuel Sucher. Arranged by Juan Carlos Cortés Aguirre. Folk,Instructional,Latin,Multicultural,Traditional,World. Score. 2 pages. Juan Carlos Cortés Aguirre #722122. Published by Juan Carlos Cortés Aguirre (A0.1120932). Transcripción para piano solo por: JUAN CARLOS CORTÉS A. AntologÃa especial con tangos y valses cantados por Enrique Campos. Aqui tenes mi historia (Tango) Letra y música por: Manuel Sucher RECITADO: Aquà tenes mi historia, que al fin nadie ha de contar. INTRODUCCIÓN: Termino mi vida errante, de muchacho calavera, ya no quiero saber nada, de milonga y cabaret. Que vayan saliendo otros, que hay lugar para cualquiera, yo me abrà de esta parada, porque estaba en la palmera… Y ya sin vuelta de hoja, llevaba las de perder. Hay que ver que papa hermano, cuando todas las mañanas, me levanto tempranito para ir a laburar. Y veo que recién llegan, los que se creen tan ranas, porque en rueda e'malandrines, fueron marcaos por la cana… Y se engrupen que son guapos, pobres gatos de albañar. INTERLUDIO: RECITADO: Si supieran esos vivos, que la suerte no es pa'todos, y que los hombres derechos, muy pocos quedando van. No hay más amigo que el vento, hoy que pienso de ese modo, les aconsejo chochamus, que se aparten de ese lodo, donde todo es fuleria, donde todo es falsedad. CANTADO: Yo que le he marcado el tiempo, al potrillo de la vida, para dármelas de logi, me les voy a declarar: He encontrado una pebeta, y aunque parezca mentira, y solo espero el momento de completar mi partida, porque quiero que lo sepan…Que me voy a casorear.
$7.99 ≈
7.45€
Mas Que Nada
Mas Que Nada
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Jazz
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Sergio Mendes
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Fishel Pustilnik
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Mas Que Nada
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F & N Enterprise
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SheetMusicPlus
Small Ensemble Alto Saxophone,Baritone Saxophone,Organ,Piano - Level 3 - SKU: A0.632156 By Sergio Mendes. By Jorge Ben. Arranged by Fishel Pustilnik. Ja...
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Small Ensemble Alto Saxophone,Baritone Saxophone,Organ,Piano - Level 3 - SKU: A0.632156 By Sergio Mendes. By Jorge Ben. Arranged by Fishel Pustilnik. Jazz. Score and parts. 7 pages. F & N Enterprise #2075893. Published by F & N Enterprise (A0.632156). 2016 Arranging Contest Entry An excellent arrangement of famous Song Mas Que Nada by Jorge Ben for Alto Sax and Piano. The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99 ≈
4.65€
Mas Que Nada
Mas Que Nada
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Piano, Voix et Guitare
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DÉBUTANT
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Sergio Mendes
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Fabio Eduardo de Oliveira
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Mas Que Nada
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Fabio Eduardo
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.1191805 By Sergio Mendes. By Jorge Ben. Arranged by Fabio Eduardo de Oliveira. Jazz,Latin,Pop,Standards. Sc...
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Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.1191805 By Sergio Mendes. By Jorge Ben. Arranged by Fabio Eduardo de Oliveira. Jazz,Latin,Pop,Standards. Score. 2 pages. Fabio Eduardo #791311. Published by Fabio Eduardo (A0.1191805). FREE DOWNLOAD PLAYBACK https://www.fabioeduardomusiconline.com/freedownloadMas que Nada is a song written and originally recorded in 1963 by Jorge Ben on his debut album Samba Esquema Novo, which was covered in 1966 by Sérgio Mendes, becoming one of the latter's signature songs. It was voted by the Brazilian edition of Rolling Stone as the fifth-greatest Brazilian song. It was inducted to the Latin Grammy Hall of Fame in 2013.
$4.99 ≈
4.65€
Mas Que Nada
Mas Que Nada
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Piano Facile
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DÉBUTANT
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Sergio Mendes
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Fabio Eduardo de Oliveira
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Mas Que Nada
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Fabio Eduardo
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1191806 By Sergio Mendes. By Jorge Ben. Arranged by Fabio Eduardo de Oliveira. Jazz,Latin,Pop,Standards. Score. 2 pages. ...
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Easy Piano - Level 1 - SKU: A0.1191806 By Sergio Mendes. By Jorge Ben. Arranged by Fabio Eduardo de Oliveira. Jazz,Latin,Pop,Standards. Score. 2 pages. Fabio Eduardo #791312. Published by Fabio Eduardo (A0.1191806). FREE DOWNLOAD PLAYBACK https://www.fabioeduardomusiconline.com/freedownloadMas que Nada is a song written and originally recorded in 1963 by Jorge Ben on his debut album Samba Esquema Novo, which was covered in 1966 by Sérgio Mendes, becoming one of the latter's signature songs. It was voted by the Brazilian edition of Rolling Stone as the fifth-greatest Brazilian song. It was inducted to the Latin Grammy Hall of Fame in 2013.
$4.99 ≈
4.65€
Mas Que Nada
Mas Que Nada
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Piano Facile
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DÉBUTANT
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Sergio Mendes
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Fabio Eduardo de Oliveira
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Mas Que Nada
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Fabio Eduardo
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SheetMusicPlus
C Instrument - Level 1 - SKU: A0.1191808 By Sergio Mendes. By Jorge Ben. Arranged by Fabio Eduardo de Oliveira. Jazz,Latin,Pop,Standards. Lead Sheet / F...
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C Instrument - Level 1 - SKU: A0.1191808 By Sergio Mendes. By Jorge Ben. Arranged by Fabio Eduardo de Oliveira. Jazz,Latin,Pop,Standards. Lead Sheet / Fake Book. 2 pages. Fabio Eduardo #791314. Published by Fabio Eduardo (A0.1191808). FREE DOWNLOAD PLAYBACK https://www.fabioeduardomusiconline.com/freedownloadMas que Nada is a song written and originally recorded in 1963 by Jorge Ben on his debut album Samba Esquema Novo, which was covered in 1966 by Sérgio Mendes, becoming one of the latter's signature songs. It was voted by the Brazilian edition of Rolling Stone as the fifth-greatest Brazilian song. It was inducted to the Latin Grammy Hall of Fame in 2013.
$3.99 ≈
3.72€
Concertino for Tuba (piano reduction)
Concertino for Tuba (piano reduction)
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Tuba et Piano
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INTERMÉDIAIRE
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Contemporain
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Gregory Fritze
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Concertino for Tuba
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Musica Nova USA
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SheetMusicPlus
Composed by Gregory Fritze. 21st Century, 20th Century, Contemporary Classical, Neo- Classical, Recital. Piano Reduction, Solo Part. 31 pages. Publishe...
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Composed by Gregory Fritze. 21st Century, 20th Century, Contemporary Classical, Neo- Classical, Recital. Piano Reduction, Solo Part. 31 pages. Published by Musica Nova USA
Concertino for Tuba was written in 2016 as a piano transcription to both the versions for band and orchestra, composed in 2003 and 2005, respectively. The duration is 13 minutes. The band version is grade 4 with the solo tuba grade 5. The solo tuba and band orchestration was adapted from Concertino for Euphonium and Band commissioned by the United States Army Band ?Pershing?s Own? in 1995. In 2002 Gary Bird asked me to compose a piece for him with band that was to be premiered by the Volga Band of Saratov, Russia conducted by Mary Ann Craig in 2004. Gary knew several of my compositions and asked me to compose a piece similar my Concertino for Euphonium and Band that was composed for Bob Powers and the United States Army Band. In 2004 Gary told my that he would be playing a solo with the Johnstown Symphony Orchestra and asked me to do a version for symphony orchestra. It was premiered by the Johnstown Symphony Orchestra; Istvan Jaray, Conductor in 2006. The orchestral version was recorded by Gary Bird and the Oak Grove Symphony Orchestra; Jack Stamp, Conducting. It is on the CD Tuba Safari on Albany Records. The band version was recorded by Gary Bird and the IUP Wind Ensemble; Jack Stamp, Conducting. Concertino for Tuba and Orchestra was a Semi Finalist Winner in the American Prize Composition Competition ? Orchestra Division in 2017, the only concerto awarded a prize in the Orchestra Division that year.
Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. He recently retired from Berklee College of Music where he was Professor and Chair of Composition and tuba instructor, serving on the faculty from 1979 to 2016. He has written over ninety compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally, including First Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest 2017, First Prize Winner of the Rene Fisher Composition Prize, First Prize Winner in the Concurso Bienal de Composicin de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d?Onore (highest award given) of the Mario Bernardo Angelo-Comneno International Music Competition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in the 1991 TUBA International Etude Composition Competition and several others. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world.
Gregory Fritze is also a very active tubist. He was Principal Tubist with the Rhode Island Philharmonic for thirty-three years as well as performing with many other ensembles in New England and Florida.
He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanish composers around the world. He is the only composer who has been commissioned six times by Spanishbands for Certamen competitions, with each band winning first prize.
He has thirty-four compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00 ≈
18.64€
Thérèse Brenet: Sonata for flute and piano
Thérèse Brenet: Sonata for flute and piano
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Flûte traversière et Piano
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AVANCÉ
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Therese Brenet
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Thérèse Brenet:
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Musik Fabrik Music Publishing
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SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.533397 Composed by Therese Brenet. Concert,Contemporary,Standards. Score and part. 30 pages. Musik Fabrik Music Publishi...
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Flute,Piano - Level 5 - SKU: A0.533397 Composed by Therese Brenet. Concert,Contemporary,Standards. Score and part. 30 pages. Musik Fabrik Music Publishing #2894443. Published by Musik Fabrik Music Publishing (A0.533397). A sonata in three movements for flute and piano: I. EphémèreII. La lune s'éteignitIII. Miroirs The sonata lasts aproximately 13 minutes. Thérèse BRENET, born 22 October 1935 in Paris, France began her musical studies at a very early age, receiving her first prize in Piano from the Conservatoire de Reims.At the Paris Conservatory, her prinicipal teachers were Jean Rivier, Darius Milhaud, Maurice Duruflé, Noël Gallon and Henri Dutilleux and she obtained First Prizes in Harmony, Counterpoint, and Fugue. She finished her studies in 1965, receiving a First Prize in Orchestration, A First Prize with highest honors in Composition and the First Grand Prix de Rome in musical composition.She also won the Halphen Prize for Composition and the Fugue, a grant from the Coplay Foundation of Chigaco and was named honorable member of the National Academy of History of Reims. In 1971, she received the Stéphane Chapelier-Clergue-Gabriel Marie Prize from the SACEM and in 1973, the Silver Medal from the City of Paris.After her stay at the French Academy at the Villa Médicis in Rome, Thérèse Brenet undertook several post-graduate voyages for study, notably to Poland. Upon her return in Paris in 1970, she was immediately named to the Faculty of the Paris Conservatory (CNSMD de Paris) where she also was frequently part of the juries for music theory and composition, as well as electroacoustical music.Thérèse Brenet receiving her definitive SACEM membership from Georges Auric She retired from the Paris Conservatory in 2000 and has since devoted her time to musical composition. She uses both tonal and atonal musical language, which she uses to suit her personal style. Her works are strongly influenced by literature, by painting and by science (especially astronomy). She believes that a composer should use all technical means at his or her disposal and use them rather than be used by them.Her first commission from the French National Radio, Clamavit, for Narrator, Chorus and Orchestra which was premièred by the Orchestre Lyrique de l'O.R.T.F., under the direction of André Girard, with Michel Bouquet as the Narrator, was selected to represent France in the Composer's Forum of 'U.N.E.S.C.O., and was performed in many countries. Many other works have also been performed outside of France in countries such as Switzerland, England, Germany, Belgium, Ireland, the former Yugoslavia, Italy, Portugal, the Netherlands, Libya, Canada, Uruguay, Japan and the United States etc...
$16.95 ≈
15.80€
Siempre amigos Por: Benjamín Tagle Lara y Carlos V. G. Flores
Siempre amigos Por: Benjamín Tagle Lara y Carlos V. G. Flores
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Piano seul
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INTERMÉDIAIRE
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BenjamÃn Tagle Lara y Carlo
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Juan Carlos Cortés A
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Siempre amigos Por: Benjam&iac
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.958783 Composed by BenjamÃn Tagle Lara y Carlos V. G. Flores. Arranged by Juan Carlos Cortés A. 20th Century,Concer...
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Piano Solo - Level 3 - SKU: A0.958783 Composed by BenjamÃn Tagle Lara y Carlos V. G. Flores. Arranged by Juan Carlos Cortés A. 20th Century,Concert,Standards,Traditional,World. Score. 2 pages. Juan Carlos Cortés Aguirre #6872627. Published by Juan Carlos Cortés Aguirre (A0.958783). Transcripción para Piano Solo por:JUAN CARLOS CORTÉS A.Basado en la versión vocalizada por el cantor argentino Lalo Martel co el acompañamiento de la Orquesta TÃpica dirigida por Alfredo de Angelis.SIEMPRE AMIGOSLetra: BenjamÃn Tagle LaraMúsica: Carlos V. G. Flores (Alejandro Carlos Vicente Geroni Flores)INTRODUCCIÓN:Sentáte y escuchá... pero escondé las lágrimasSabiendo que tu llanto, ya no me va a engañar,Y si por verme has vuelto, pasá, ya que has venidoAl fin somos amigos y es grato conversar.Pero ni me menciones que estás arrepentidaY que desengañada, volvés por conquistarAquel nido de amores, destruido por tu culpaY que los dos recuerdas, juramos conservar.Sentáte, asà me cuentas, qué has hecho de tu vidaDesde la tarde aquella, en que te echó a perder,Quién sabe si consejos de malas compañÃasLas locas aventuras, te hicieron entrever.Te veo aquella tarde, paseándote nerviosaMirándome de reojo, dejando comprender,De que algo me ocultabas y yo en silencio siempreSujeto a tus caprichos, tu gusto dejé hacer.Recuerdas que luciste, el trajecito últimoQue para tu cumpleaños te habÃa hecho hacer,Y que en un beso frÃo, diciéndome: ya vengo,Saliste y desde entonces recién te vuelvo a ver.Levanta la cabeza y no te pongas tristeNo ves que sos mi amiga y siempre lo serás,Y siempre que te acuerdes venà a visitarmeQue somos siempre amigos, amigos nada más.Te vas y no me cuentas qué has hecho de tu vidaDesde que tus caprichos te echaron a rodar,Pero sà te agradezco el que de mà te acuerdesYa sabes, cuando quieras, venÃme a visitar.Y si alguien te pregunta por ahà si no me has vistoSin ocultarle nada, asà contestarás:De que nos vemos siempre,que somos siempre amigos¡Pero no olvides nunca, amigos, nada más!
$7.99 ≈
7.45€
The Year of the Trumpeter (piano reduction)
The Year of the Trumpeter (piano reduction)
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Trompette, Piano
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FACILE
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Contemporain
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Gregory Fritze
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The Year of the Trumpeter
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Musica Nova USA
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SheetMusicPlus
Composed by Gregory Fritze. 21st Century, Contemporary Classical, Neo-Classical, Sacred, Funeral. Piano Reduction, Solo Part. 14 pages. Published by M...
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Composed by Gregory Fritze. 21st Century, Contemporary Classical, Neo-Classical, Sacred, Funeral. Piano Reduction, Solo Part. 14 pages. Published by Musica Nova USA
Year of the Trumpeter (El Ao del Trompetista) is a piece for solo trumpet and band. Duration is 5 minutes, Grade for band and soloist is Grade 3. This is the piano reduction. It was composed in 2010 as an homage to four friends of mine who played trumpet and passed away in 2009.
Fred Mills played trumpet with the Canadian Brass for 24 years. I met him when I performed with Harvey Phillips and his Tuba Consort when we joined the Canadian Brass in a Christmas concert at Carnegie Hall. I arranged a piccolo descant trumpet part for Fred that he played with the tuba group. We also worked together in Cordoba Argentina in 2006.
Linares Rodriguez was a member of the La Armonica Band of Buol. After he retired from playing, hebecame the manager for the society?s buildings. When I first lived in Buol in 1996 we became goodfriends and sometimes took walking excursions together.
Bill Maloof was my first boss as he was Chair of Composition during my first ten years as a facultymember at Berklee College of Music in Boston.
Nedo Pandolfi was considered a great musical force in Rhode Island. His last concert with the Rhode Island Philharmonic Orchestra in 1983 was my first performance with the orchestra. At that time heplayed French Horn but his original instrument was trumpet.
Year of the Trumpeter was premiered March 8, 2014 by Antonio Cambres Rodriguez and the CIM La Armonica, David Fiuza, Conductor in Buol (Valencia), Spain. The version for trumpet and piano was premiered in Magallon, Spain, July 2017 by Antonio Cambres with the composer playing piano. The band version was recorded by Cambres and the CIM La Armonica, David Fiuza, Conductor. It is on the CD Music for Wind Orchestraon La Armonica Records.
Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. He recently retired from Berklee College of Music where he was Professor and Chair of Composition and tuba instructor, serving on the faculty from 1979 to 2016. He has written over ninety compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally, including First Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest 2017, First Prize Winner of the Rene Fisher Composition Prize, First Prize Winner in the Concurso Bienal de Composicin de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d?Onore (highest award given) of the Mario Bernardo Angelo-Comneno International Music Competition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in the 1991 TUBA International Etude Composition Competition and several others. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world.
Gregory Fritze is also a very active tubist. He was Principal Tubist with the Rhode Island Philharmonic for thirty-three years as well as performing with many other ensembles in New England and Florida.
He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanish composers around the world. He is the only composer who has been commissioned six times by Spanishbands for Certamen competitions, with each band winning first prize.
He has thirty-four compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$15.00 ≈
13.98€
Mas Que Nada
Mas Que Nada
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Piano Facile
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Sergio Mendes
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Mas Que Nada
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Hal Leonard - Digital
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SheetMusicPlus
Interactive Download SKU: HX.437319 By Sergio Mendes. This edition: Interactive Download. Jazz,Latin,Pop. Very Easy Piano. 5 pages. Published by Hal Leon...
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Interactive Download SKU: HX.437319 By Sergio Mendes. This edition: Interactive Download. Jazz,Latin,Pop. Very Easy Piano. 5 pages. Published by Hal Leonard - Digital (HX.437319).
$3.99 ≈
3.72€
An American in Valencia - Trumpet Solo with Band (piano reduction)
An American in Valencia - Trumpet Solo with Band (piano reduction)
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Trompette, Piano
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INTERMÉDIAIRE
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Contemporain
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Gregory Fritze
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An American in Valencia - Trum
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Musica Nova USA
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SheetMusicPlus
Composed by Gregory Fritze. 21st Century, Contemporary Classical, Neo-Classical, Repertoire, Recital. Piano Reduction, Solo Part. 39 pages. Published ...
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Composed by Gregory Fritze. 21st Century, Contemporary Classical, Neo-Classical, Repertoire, Recital. Piano Reduction, Solo Part. 39 pages. Published by Musica Nova USA
An American in Valencia was commissioned by the United States Army Band ?Pershing?s Own? in Washington, DC in 1999. The Premiere Performance was May 22, 1999 at the Casa de Cultura in L?Alcudia (Valencia), Spain by Rafael Sanz-Espirt conducting La Filharmonica Band. Woodrow English, Principal Trumpet the U. S. Army Band "Pershing's Own" as was the soloist.
The piece is in three movements in a Spanish style suggesting the grand gesture of Bull fighting.The trumpet soloist portrays a toreador with the splendor of the corrida. The first movement represents theentrance of the toreador with all of the fanfare and showmanship as he bows to the audience. The second movement is a love song in a waltz tempo. The third movement starts with the raging bull coming out ofit?s corral, ready for the fight. The trumpet soloist is able to contain the bull with dashing melodic figures and a cadenza leading to the final bow in victory.
An American in Valencia was awarded Finalist in the Band Composition Competition of the American Prize in 2017. One of only two Concertos with Band awarded that year. It is recorded on Mark Records with Rafael Sanz-Espirt conducting La Filharmonica Band. Woodrow English is the soloist.
Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over ninety compositions for orchestra, band, chamber ensembles and soloists. He has won over fifty composition awards both nationally and internationally, including First Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest 2017, First Prize Winner of Rene Fisher Composition Prize, First Prize Winner in Concurso Bienal de Composicin de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d?Onore (highest award given) of the Mario Bernardo Angelo-Comneno International Music Competition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in 1991 TUBA International Etude Composition Competition, the IBLA Grand Prize (Italy), several awards from The American Prize, Composition Awards from Standard Awards Panel of American Society of Composers, Authors, and Publishers and many others. His compositions include works published by several publishers in the United States, South America and Europe and have been performed extensively throughout the world.
He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanish composers around the world. He is the only composer who has been commissioned six times by Spanish bands for Certamen competitions, with each band winning first prize.
He has thirty-three compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00 ≈
18.64€
Song From A Secret Garden (korean Version)
Song From A Secret Garden (korean Version)
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Piano seul
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INTERMÉDIAIRE
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Youngok Shin
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Sérgio Matias da Cunha
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Song From A Secret Garden
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Sérgio Matias da Cunha
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1292890 By Youngok Shin. By Jinyong Jung and Rolf Loevland. Arranged by Sérgio Matias da Cunha. 20th Century,Film/TV,W...
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Piano Solo - Level 3 - SKU: A0.1292890 By Youngok Shin. By Jinyong Jung and Rolf Loevland. Arranged by Sérgio Matias da Cunha. 20th Century,Film/TV,Wedding. Score. 2 pages. Sérgio Matias da Cunha #883486. Published by Sérgio Matias da Cunha (A0.1292890). Arranjo claro, objetivo, conciso e acessÃvel apresentando marcações de cifra, dinâmica, sinais de intensidade, sinais de expressão, figuras rÃtmicas menores que a colcheia, livre interpretação e ornamentos, buscando o melhor efeito com harmonia e equilÃbrio. Acompanhamento baseado em arpejos de colcheias e semicolcheias sobre as notas dos respectivos acordes. Ideal para uma execução onde a melodia poética e romântica, proporcionem uma experiência leve, emocionante e apaixonada. Encontre mais partituras como essa, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques†no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).
$6.99 ≈
6.51€
The Village of Pianopolis
The Village of Pianopolis
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Piano Facile
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FACILE
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João F
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The Village of Pianopolis
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Joao F. Ferreira
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.944696 Composed by João F. Ferreira. Children,Contemporary,Instructional,Standards. Score. 35 pages. Joao F. Ferreira ...
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Easy Piano - Level 2 - SKU: A0.944696 Composed by João F. Ferreira. Children,Contemporary,Instructional,Standards. Score. 35 pages. Joao F. Ferreira #5024459. Published by Joao F. Ferreira (A0.944696). [EN] 18 easy pieces for piano, about a village full of fun and quirky characters with specific theatrical features that are related to different pianistic skills through physical and emotional capabilities.[PT] 18 peças fáceis para piano, sobre uma aldeia cheia de personagens divertidas e peculiares, com caracterÃsticas teatrais especÃficas que estão relacionadas com diferentes habilidades pianÃsticas através de capacidades fÃsicas e emocionais.
$15.99 ≈
14.90€
Ires y venires
Ires y venires
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Bruno Tapia
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Ires y venires
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Bruno Tapia
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.924602 Composed by Bruno Tapia. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and part. 91 pages. B...
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Flute,Piano - Level 4 - SKU: A0.924602 Composed by Bruno Tapia. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and part. 91 pages. Bruno Tapia #3860097. Published by Bruno Tapia (A0.924602). Versión completa de la colección Ires y venires, que tiene una historia propia. Una colección de seis piezas para piano y flauta.Historia de Ires y venires.1) Flores y pájaros: La princesa, como es costumbre, salió a pasear por los jardines cercanos al castillo. Un dÃa soleado, se le apareció un pequeño pájaro. Mayúscula sorpresa se llevó al enterarse de que ese pájaro era en realidad un dragón cambiaformas. Ella quedó cautivada por él.2) Mariposa del invierno: El dragón se hace humano y se le declara a la princesa. Le dice que la ama. Ella le contesta que lo ama, pero que su mano está prometida, y que su matrimonio traerÃa estabilidad polÃtica al reino. No podÃa corresponder al amor del dragón, pero aún asà estuvieron juntos un rato.3) Vals Bizarre: Tras haber sufrido el frÃo beso de la mariposa del invierno, el dragón habÃa agonizado y visto su muerte. Se logró salvar y recuperarse gracias a su amor por ella. No obstante, ella ya no estaba. El vals Bizarre suena en sus encuentros y desencuentros.4) Tango del diablo: Las tensiones entre ambos son cada vez mayores. Ella ya no puede estar con él, el tiempo la sofoca. Entonces, el dragón y la princesa bailan el apasionado tango del diablo, persiguiéndose con miedo a encontrarse.5) Himno de despedida angelical: El dragón se queda en la montaña, y de repente los ángeles lo encuentran. Los ángeles, como tributo a Dios, pretenden matarlo para que no amenace a la humanidad. Empieza entonces una batalla frenética con los ángeles volando por todos lados, tratando de atacar a un dragón que recibÃa y repartÃa mucho daño. Todos los ángeles murieron tras cantar su himno. El dragón quedó herido de gravedad.6) Marcha fúnebre: La princesa se iba en tren a otra ciudad a casarse. HabÃan pasado meses desde que dejó de ver al dragón. La última vez que vio algo fue meses atrás. Tuvo miedo por él. Por su parte, el dragón no tenÃa fuerzas y estaba muy herido. Se acurrucó y se preparó para dormir. Entrando al sueño, comienza a viajar, a proyectarse y encontrar a su amada princesa. Ella, cabeceando, sintió en su cabeza la voz de su amado dragón. Le contó que estaba herido, y que encontraba que la vida no tenÃa sentido. Que los dragones revivÃan cada cierto tiempo, y que sin ella nada serÃa lo mismo. Ella le cantó a su vez que lo amaba, y que tenÃa que salvarse. Pero el dragón fue claro. DormirÃa cientos de años, y nadie iba a detenerlo.A la distancia, la princesa alcanzó a ver la última llamarada en señal de despedida.
$25.00 ≈
23.30€
Al pibe lo tengo yo. Tango por Carlos Acosta (Lionel Félix Corbalán)
Al pibe lo tengo yo. Tango por Carlos Acosta (Lionel Félix Corbalán)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Carlos Acosta
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Juan Carlos Cortés Aguirre
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Al pibe lo tengo yo. Tango por
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1120947 By Carlos Acosta (Lionel Félix Corbalán). By Carlos Acosta (Lionel Félix Corbalán). Arranged by Juan ...
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Piano Solo - Level 4 - SKU: A0.1120947 By Carlos Acosta (Lionel Félix Corbalán). By Carlos Acosta (Lionel Félix Corbalán). Arranged by Juan Carlos Cortés Aguirre. Folk,Instructional,Latin,Multicultural,Traditional,World. Score. 2 pages. Juan Carlos Cortés Aguirre #722137. Published by Juan Carlos Cortés Aguirre (A0.1120947). Transcripción para piano solo por: JUAN CARLOS CORTÉS A. AntologÃa especial con tangos y valses cantados por Enrique Campos. Al pibe lo tengo yo. Tango Letra y música: Carlos Acosta (Lionel Félix Corbalán) INTRODUCCIÓN: Lo que yo voy a decirte, sé que no te importa nada, pero yo sé que algún dÃa, esto lo vas a pensar, estás rodeada de lujos, de vento, y mil pavadas, pa´ mà lo perdiste todo, cuando dejaste el hogar. te marearon con el lujo, que yo no pude ofrecerte, pues al irte de mi casa, olvidaste lo mejor, podrás bañarte en el oro, que a vos te ayude la suerte, pero al pibe de mi vida... ¡Al pibe lo tengo yo! Esto sà que es un tesoro, que no conseguÃs con vento, porque un beso del purrete, nunca lo podrás pagar. Cuando te pinten las canas, y lo ficticio se acabe, recién sabrás lo que has hecho, el resto lo llorarás. INTERLUDIO: No pensés que lo que digo, es porque ya te he perdido, si no porque siento pena, por la vida que llevás. Yo tengo todo en el mundo, y es mi purrete querido, que veo crecer poco a poco, y que vos no verás más. Y podrás tener de todo, un bacán, un potentado, y pasearte con tú coche, y gozar de lo mejor, y codearte con la gente, que conmigo te hizo a un lado, Pero al pibe de mi vida... ¡Al pibe lo tengo yo!
$7.99 ≈
7.45€
Kansas City Kitty - 2 Flutes, Flute Duo & Piano
Kansas City Kitty - 2 Flutes, Flute Duo & Piano
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2 Flûtes traversières, Piano
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INTERMÉDIAIRE
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Jazz
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Donaldson
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Tim TK Murray
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Kansas City Kitty - 2 Flutes,
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TK (Tim) Murray
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SheetMusicPlus
2 Flutes, Flute Duo & Piano - Intermediate - Digital Download Composed by Donaldson. Arranged by Tim TK Murray. Jazz, Swing, Repertoire, Recital....
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2 Flutes, Flute Duo & Piano - Intermediate - Digital Download Composed by Donaldson. Arranged by Tim TK Murray. Jazz, Swing, Repertoire, Recital. Score, Set of Parts. 4 pages. Published by TK (Tim) Murray
Fun, swing-style song arranged for 2 Flutes & Piano. Approachable level, swing rhythms and jazzy harmonies - great in concerts.
Originally from Glasgow, Timothy studied at the Royal College of Music,London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trioand Ballet Creations and is now in demand as an accompanist and chambermusician having performed with artists such as Dame Sarah Connolly and TasminLittle. He has toured widely internationally and has recorded for BBC Radio 3and Classic FM as well as TV appearances in Russia and Egypt. Murray?scompositions have been recorded by The Fibbonnaci Sequence and Piers Lane amongothers with reviews such as ?Corruscating? (Independent) and ?Highlyimaginative? (The Sunday Times).
Contact; tkmurraycomp@aol.com
$5.95 ≈
5.55€
Beethoven - Rondo Op.49 - Flute, Clarinet, Bassoon & Piano Piano Quartet
Beethoven - Rondo Op.49 - Flute, Clarinet, Bassoon & Piano Piano Quartet
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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Tim TK Murray
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Beethoven - Rondo Op.49 - Flut
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TK
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Piano - Level 3 - SKU: A0.824093 Composed by Ludwig van Beethoven. Arranged by Tim TK Murray. Classical,Concert. S...
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Small Ensemble Bassoon,Clarinet,Flute,Piano - Level 3 - SKU: A0.824093 Composed by Ludwig van Beethoven. Arranged by Tim TK Murray. Classical,Concert. Score and parts. 20 pages. TK (Tim) Murray #5722569. Published by TK (Tim) Murray (A0.824093). Beethoven's joyous, jokey and rhythmic Rondo is the finale of his Piano Sonata Op.49. It's full of wit and humour and makes a great encore piece for any programme. This arrangement for Piano Quartet (Flute, Clarinet, Bassoon & Piano) is very approachable and gives all of the instruments something of interest to play. This is a real feel-good piece which everyone will enjoy! Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times). Contact; tkmurraycomp@aol.com
$6.95 ≈
6.48€
Beethoven - Rondo Op.49 - Flute, Clarinet, Bassoon Piano, Piano Quartet
Beethoven - Rondo Op.49 - Flute, Clarinet, Bassoon Piano, Piano Quartet
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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TK Murray
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tkmurraycomp@aol.com
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Beethoven - Rondo Op.49 - Flut
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TK
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Piano - Level 3 - SKU: A0.824161 Composed by Ludwig van Beethoven. Arranged by TK Murray. Classical,Concert,Standa...
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Small Ensemble Bassoon,Clarinet,Flute,Piano - Level 3 - SKU: A0.824161 Composed by Ludwig van Beethoven. Arranged by TK Murray. Classical,Concert,Standards. Score and parts. 26 pages. TK (Tim) Murray #6717051. Published by TK (Tim) Murray (A0.824161). Beethoven's joyous, jokey and rhythmic Rondo is the finale of his Piano Sonata Op.49. It's full of wit and humour and makes a great encore piece for any programme. This arrangement for Piano Quartet (Flute, Clarinet, Bassoon, Piano) is very approachable and gives all of the instruments something of interest to play. This is a real feel-good piece which everyone will enjoy!Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times).Contact; tkmurraycomp@aol.com
$6.95 ≈
6.48€
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