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Vous avez sélectionné:
N. Williams
Partitions à imprimer
94 partitions trouvées
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Vaughan Williams : The Charterhouse Suite - n° 4 Slow Air
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Piano seul
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INTERMÉDIAIRE
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Classique
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Vaughan Williams
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The Charterhouse Suite
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Tomplay
Telechargez la partition Piano The Charterhouse Suite - n° 4 Slow Air de Vaughan Williams. Partition pour Piano seul -- Classique...
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Telechargez la partition Piano The Charterhouse Suite - n° 4 Slow Air de Vaughan Williams. Partition pour Piano seul -- Classique
3.99€
Sonata for Solo Cello
Sonata for Solo Cello
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Violoncelle
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INTERMÉDIAIRE/AVANCÉ
#
Contemporain
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N
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Sonata for Solo Cello
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N. Williams
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SheetMusicPlus
By N. Williams. For Cello. Romantic Period, 20th Century, 21st Century. Advanced Intermediate. Score. N. Williams #004. Published by N. Williams ...
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By N. Williams. For Cello. Romantic Period, 20th Century, 21st Century. Advanced Intermediate. Score. N. Williams #004. Published by N. Williams
$4.50 ≈
4.21€
Trio in E Minor
Trio in E Minor
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Violon, Violoncelle (duo)
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INTERMÉDIAIRE
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Contemporain
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N
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Trio in E Minor
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N. Williams
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SheetMusicPlus
By N. Williams. For Violin, Cello. Romantic Period, 21st Century. Intermediate. Score. N. Williams #002. Published by N. Williams ...
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By N. Williams. For Violin, Cello. Romantic Period, 21st Century. Intermediate. Score. N. Williams #002. Published by N. Williams
$3.99 ≈
3.73€
Trio in A Minor
Trio in A Minor
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Violon, Violoncelle (duo)
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INTERMÉDIAIRE
#
Contemporain
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N
#
Trio in A Minor
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N. Williams
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SheetMusicPlus
By N. Williams. For Violin, Cello. Romantic Period, 21st Century. Intermediate. Score. N. Williams #003. Published by N. Williams ...
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By N. Williams. For Violin, Cello. Romantic Period, 21st Century. Intermediate. Score. N. Williams #003. Published by N. Williams
$3.99 ≈
3.73€
Elegy for Piano
Elegy for Piano
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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N
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Elegy for Piano
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N. Williams
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SheetMusicPlus
By N. Williams. For Piano. 21st Century. Intermediate. Sheet Music Single. N. Williams #001. Published by N. Williams ...
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By N. Williams. For Piano. 21st Century. Intermediate. Sheet Music Single. N. Williams #001. Published by N. Williams
$3.99 ≈
3.73€
Mas Que Nada for Guitar and Piano Sergio Mendes Piano Duet,Violin,Guitar Lead Sheet,Score,Sheet Music Single Available Instantly 4.99 F & N Enterprise NULL Digital Print By Sergio Mendes. Arranged b
Mas Que Nada for Guitar and Piano Sergio Mendes Piano Duet,Violin,Guitar Lead Sheet,Score,Sheet Music Single Available Instantly 4.99 F & N Enterprise NULL Digital Print By Sergio Mendes. Arranged b
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Piano, Guitare (duo)
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Musique Sacrée
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Thomas J
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Jonathan Blumhofer
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Mas Que Nada for Guitar and P
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Jonathan Blumhofer Music
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SheetMusicPlus
Composed by Thomas J. Williams. Arranged by Jonathan Blumhofer. Christian, Sacred. Score, Set of Parts. 8 pages. Published by Jonathan Blumhofer Music (S0.53001...
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Composed by Thomas J. Williams. Arranged by Jonathan Blumhofer. Christian, Sacred. Score, Set of Parts. 8 pages. Published by Jonathan Blumhofer Music (S0.53001). - Score,Set of Parts - Christian,Sacred - Jonathan Blumhofer Music
$4.99 ≈
4.67€
Pharrell Williams: Girlfriend for voice, piano and guitar
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Pop musique
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Pharrell Williams
#
Virtualsheetmusic
Instantly printable sheet music by 'N Sync for voice, piano or guitar of MEDIUM skill level. / pop
Instantly printable sheet music by 'N Sync for voice, piano or guitar of MEDIUM skill level. / pop
$8.97 ≈
8.39€
Élégie
Élégie
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO...
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Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95 ≈
3.70€
Royal Garden Blues
Royal Garden Blues
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Jazz
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Clarence Williams and Spencer
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Adrian Horvath
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Royal Garden Blues
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Horváth Adrián
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1280877 Composed by Clarence Williams and Spencer Williams. Arranged by Adrian Horvath. Jazz,Standards. Score and Parts...
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Concert Band - Level 3 - SKU: A0.1280877 Composed by Clarence Williams and Spencer Williams. Arranged by Adrian Horvath. Jazz,Standards. Score and Parts. 73 pages. Horváth Adrián #872220. Published by Horváth Adrián (A0.1280877). Visit my website: https://www.hadrian.huInstrumentation: Full Score (A4 Portrait), Parts (A4 Portrait): Flute 1., 2., Oboe, Bassoon, Clarinet in Bb 1., 2., 3., Bass Clarinet in Bb, Alto Saxophone 1., 2., Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1., 2., 3., Horn in F, Horn in Eb, Euphonium in Bb (T.C.), Euphonium in C (B.C.), Trombone 1., 2., 3., Trombone in Bb (T.C.) 1., 2., 3., Tuba in C (B.C.), Bass in Eb (T.C.), Bass in Bb (T.C.), Bass Guitar, Drum Set.
$49.99 ≈
46.78€
Chili. Beguine por Felix Gregory
Chili. Beguine por Felix Gregory
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Piano seul
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Felix Gregory
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Juan Carlos Cortés A
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Chili. Beguine por Felix Grego
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
Piano Solo - SKU: A0.958718 Composed by Felix Gregory. Arranged by Juan Carlos Cortés A. Concert,Jazz,Latin,Standards,Traditional. Score. 3 pages. Ju...
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Piano Solo - SKU: A0.958718 Composed by Felix Gregory. Arranged by Juan Carlos Cortés A. Concert,Jazz,Latin,Standards,Traditional. Score. 3 pages. Juan Carlos Cortés Aguirre #6115789. Published by Juan Carlos Cortés Aguirre (A0.958718). Transcripción par Piano Solo por:JUAN CARLOS CORTÉS A.Basado en la versión original grabada por la Orquesta Krazy Kats (Más conocida como Felix y sus Gatitos) dirigida por el clarinetista norteamericano Felix Gregory, el 29 de Marzo de 1935, en el estudio 1 de la RCA VÃctor en la ciudad de New York.Video You Tube Felix y sus Gatitos: https://www.youtube.com/watch?v=_okiN5fumMYDicho conjunto estaba coformado por cinco instrumentos musicales como Contrabajo, Clarinete, Trompeta, Ukelele y Piano. La grabación estuvo dirigida por el maestro italiano Alfredo Cibelli, muy célebre por haber considerado por muchos años al compositor argentino Terig Tucci, como colombiano (Por sus inolvidables arreglos y composiciones de música colombiana), hasta que Carlos Gardel le aclaró la confusión, y colocó a su compatriota Tucci al frente de sus históricas grabaciones de tango. Este Beguine catalogado para el marketing como antillano, traduce su tÃtulo en inglés: Chili al español: Chile (Variedad de pimiento pequeño y muy picante que se usa como condimento) Felix Gregory hizo parte de la Royal Flush Orchestra de Fess Williams como Clarinetista, Saxofonista Alto y Saxofonista Tenor.Otra grabación antológica de este tema, fue grabada por el Combo de Duque Palomino con el saxofonista Nelson DÃaz y el violÃn del maestro antioqueño Luis Hernando Posada, en los estudios de Discos Tropical en la ciudad de Barranquila, en febrero de 1968, (antes de los carnavales de Barranquilla). En este LP estaba incluÃdo el éxito de dicha grabación: Que me coma el tigre: Chili. Nelson DÃaz con Duque Palomino y su Combo Video You Tube:https://www.youtube.com/watch?v=SEgp6FmjRE4
$7.99 ≈
7.48€
Havana
Havana
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Pop musique
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Camila Cabello
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Kathy Hirche
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Havana
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Kathy Hirche
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 3 - SKU: A0.819989 By Camila Cabello. By Adam Feeney, Ali Tamposi, Andrew Wotman, Brian Lee, Brittany ...
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Instrumental Duet Instrumental Duet,Piano - Level 3 - SKU: A0.819989 By Camila Cabello. By Adam Feeney, Ali Tamposi, Andrew Wotman, Brian Lee, Brittany Hazzard, Camila Cabello, Jeffery Lamar Williams, Kaan Gunesberk, Louis Bell, and Pharrell. Arranged by Kathy Hirche. Pop. Score and parts. 10 pages. Kathy Hirche #4269933. Published by Kathy Hirche (A0.819989). The music of this popular song has been specially arranged to be suitable for Intermediate Level performers and for use as instructional repertoire. The written range is kept mostly within the staff and the appropriate performance range of pitches on the keyboard is achieved by octave displacement, i.e. the Primo part is performed an octave higher than written and the Secondo an octave lower. As the performance range extends beyond that of a 61-note keyboard, an acoustic piano or 88-note keyboard is required if both players are to perform on the same instrument. Another performance option is to use two 61-note keyboards and use the transpose function to displace the parts by an octave (up for Primo, down for Secondo). Both the score and separate parts are provided. ISMN 79-0-9009762-9-1 kathysprintmusic.com Dueto de Piano/Teclado La música en esta canción popular ha sido arreglada especialmente para ejecutantes de Nivel Intermedio asi como para formar parte del repertorio de enseñanza. El rango escrito se mantiene principalmente con el personal de enseñanza y el rango apropiado de tonos en el teclado se consigue por desplazamiento de octavos, o sea que la parte Prima se ejecuta en una octava mas alta que lo escrito; el Secondo se ejecuta en una octava mas baja. Ya que el rango de ejecución se extiende mas allá de un teclado de 61- notas, se requiere un piano acústico de 88 notas si ambos músicos van a tocar en un mismo instrumento. Otra opción de ejecución es usar dos teclados de 61 notas y usar la función de transposición para desplazar cada parte por una octava (hacia arriba para Primo y hacia abajo para Secondo). todas las partes separadas y la partitura se incluyen.
$5.99 ≈
5.61€
One of the Finest
One of the Finest
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Piano, Voix
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Gus Williams
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J
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One of the Finest
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.4956 Composed by Gus Williams. Arranged by J.P. Skelly. Policemen, Occupations, Vanity, Courage. Lester S. Levy Collection. 4 ...
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Piano and voice - SKU: LV.4956 Composed by Gus Williams. Arranged by J.P. Skelly. Policemen, Occupations, Vanity, Courage. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4956). One of the Finest. Written, Composed by Gus Williams. Arr. by J.P. Skelly. Published 1883 by Gus Williams] in n.p. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Policemen, Occupations, Vanity, Courage. First line reads Oh, yes, I am one of the finest, the finest Police ever known.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.61€
Drift Away
Drift Away
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Chorale TTBB
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INTERMÉDIAIRE
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Contemporain
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Starlifter
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Matt Astle
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Drift Away
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Matt Astle Music
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.891478 By Starlifter. By Jerry Lynn Williams, Mentor R. Williams, and Mentor Williams. Arranged by Matt Astle. C...
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Choral Choir (TTBB) - Level 3 - SKU: A0.891478 By Starlifter. By Jerry Lynn Williams, Mentor R. Williams, and Mentor Williams. Arranged by Matt Astle. Contemporary. Octavo. 9 pages. Matt Astle Music #4980267. Published by Matt Astle Music (A0.891478). Gimme the beat, boys, and free my soul. I wanna get lost in your rock n' roll and drift away. This classic rock classic is now arranged for barbershop quartet. In this quartet version, one purchase entitles you to four copies for the quartet.More information and custom arrangements available at facebook.com/mattastlemusic.
$12.99 ≈
12.16€
Usted Abuso (Voce Abusou)
Usted Abuso (Voce Abusou)
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Piano seul
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INTERMÉDIAIRE
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Celia Cruz
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Avis Balkcom-Williams
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Usted Abuso
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Avis Balkcom-Williams
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SheetMusicPlus
Instrumental Solo,Piano and Keyboard - Level 3 - Interactive Download SKU: A0.1134015 By Celia Cruz (Duo Com Willie Col N). By Antonio Pinto and Jose Fig...
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Instrumental Solo,Piano and Keyboard - Level 3 - Interactive Download SKU: A0.1134015 By Celia Cruz (Duo Com Willie Col N). By Antonio Pinto and Jose Figueiredo. Arranged by Avis Balkcom-Williams. This edition: Interactive Download. Latin,World. Individual part. 7 pages. Duration 284. Avis Balkcom-Williams #1tGqf0BleX5WlC9BWUcg3a. Published by Avis Balkcom-Williams (A0.1134015). Key: G major.Piano solo upper intermediate or advanced performers. This arrangement is reminiscent of the Latin style, melodies and Cuban dance rhythms of the Queen of Salsa Celia Cruz.
$5.99 ≈
5.61€
Angels
Angels
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Clarinette
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INTERMÉDIAIRE
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Pop musique
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Robbie Williams
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Thomas Graf
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Angels
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Clarinet Solo - Level 3 - SKU: A0.568767 By Robbie Williams. By Guy Chambers and Robert Peter Williams. Arranged by Thomas Graf. Pop. Individual part. 2...
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Clarinet Solo - Level 3 - SKU: A0.568767 By Robbie Williams. By Guy Chambers and Robert Peter Williams. Arranged by Thomas Graf. Pop. Individual part. 22 pages. Thomas Graf - the-hit-factory.com #3235661. Published by Thomas Graf - the-hit-factory.com (A0.568767). Robby Williams' great Ballad from the nineties, a must have for your repertoire. Have fun! Instrumentation: Clarinet 1/2/3 in Bb, Basset Horn/Clarinet 4 in Bb, Bass Clarinet in Bb Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/8nZMoWWZD_c
$14.99 ≈
14.03€
Angels
Angels
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Pop musique
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Robbie Williams
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Thomas Graf
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Angels
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - SKU: A0.568969 By Robbie Williams. By Guy Chambers and Robert Peter Williams. A...
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - SKU: A0.568969 By Robbie Williams. By Guy Chambers and Robert Peter Williams. Arranged by Thomas Graf. Pop. Score and parts. 24 pages. Thomas Graf - the-hit-factory.com #3480249. Published by Thomas Graf - the-hit-factory.com (A0.568969). Robby Williams' great Ballad from the nineties, a must have for your repertoire. Have fun! Instrumentation: Violin 1/2, Viola, Cello, Contra Bass Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N..... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic 2018 Chamber Music Contest Entry Video: https://www.youtu.be/-6l8zFfLInY
$19.99 ≈
18.71€
Cavatina
Cavatina
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2 Guitares (duo)
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FACILE
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Contemporain
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John Williams
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Cavatina
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José Hernán Navarro Sánchez
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SheetMusicPlus
Guitar,Instrumental Duet - Level 2 - SKU: A0.1402322 By John Williams. By Stanley Myers. Arranged by José Hernán Navarro Sánchez. 20th Century,...
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Guitar,Instrumental Duet - Level 2 - SKU: A0.1402322 By John Williams. By Stanley Myers. Arranged by José Hernán Navarro Sánchez. 20th Century,Classical,Contemporary,Film/TV. 5 pages. José Hernán Navarro Sánchez #985530. Published by José Hernán Navarro Sánchez (A0.1402322).
$4.99 ≈
4.67€
Oh, the Deep, Deep Love of Jesus
Oh, the Deep, Deep Love of Jesus
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Flûte traversière, Orgue (duo)
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INTERMÉDIAIRE/AVANCÉ
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1890, Hymn, and Thomas William
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Thomas N Beach
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Oh, the Deep, Deep Love of Jes
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Thomas N Beach
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SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Organ - Level 4 - SKU: A0.921984 Composed by 1890, Hymn, and Thomas Williams. Arranged by Thomas N Beach. Chri...
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Instrumental Duet Flute,Instrumental Duet,Organ - Level 4 - SKU: A0.921984 Composed by 1890, Hymn, and Thomas Williams. Arranged by Thomas N Beach. Christian. Score and parts. 6 pages. Thomas N Beach #3677009. Published by Thomas N Beach (A0.921984). Suitable for offertory music, performance time 2 min, 5 sec. Evokes the mystery of Jesus' love for us. Intermediate organ (no pedal), intermediate-advanced flute, baroque style. Organ part can be played on piano as well.
$2.99 ≈
2.80€
Fairy Godmother Song
Fairy Godmother Song
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Orchestre d'harmonie
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INTERMÉDIAIRE
#
Film/TV
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Andrew Adamson, Aron Warner, D
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N
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Fairy Godmother Song
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N. C. Wright
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1045560 Composed by Andrew Adamson, Aron Warner, Dave Smith, Harry Gregson-Williams, Stephen Barton, and Walt Dohrn. Ar...
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Concert Band - Level 3 - SKU: A0.1045560 Composed by Andrew Adamson, Aron Warner, Dave Smith, Harry Gregson-Williams, Stephen Barton, and Walt Dohrn. Arranged by N. C. Wright. Film/TV. Score and parts. 59 pages. N. C. Wright #650140. Published by N. C. Wright (A0.1045560). An heroic, inspiring arrangement of 'Holding Out From A Hero' as heard in 'Shrek 2 (otherwise known as the 'Fairy Godmother Song'). Suitable for a range of concert band abilities, but with passages that will offer a satisfactory challenge for more confident musicians.
$49.99 ≈
46.78€
O taste and see (Gustad y ver)
O taste and see (Gustad y ver)
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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R
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José Cordonero (n
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O taste and see
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José Carlos Cordonero
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1384212 Composed by R. Vaughan Williams (1872 - 1958). Arranged by José Cordonero (n. 2000). 19th Cent...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1384212 Composed by R. Vaughan Williams (1872 - 1958). Arranged by José Cordonero (n. 2000). 19th Century,20th Century,21st Century,A Cappella,Christian. 3 pages. José Carlos Cordonero #968558. Published by José Carlos Cordonero (A0.1384212). Taken from Psalm 34: 8, the communion anthem O taste and see was commissioned from Vaughan Williams for the coronation of Queen Elizabeth II and was first sung at Westminster Abbey on 2 June 1953. A simple, modal miniature, set in G major, the anthem is in two short parts, each headed with the innocent invocation of a haunting solo treble.This work offers an alternative version in Spanish.
$5.00 ≈
4.68€
The Voo-Doo Man. Song and Chorus
The Voo-Doo Man. Song and Chorus
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Piano, Voix
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Williams & Walker
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The Voo-Doo Man. Song and Chor
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.7495 Composed by Williams & Walker. Portraits, African Americans, Monsters, Fear, Revivals, Religious meetings, Dialects, Robb...
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Piano and voice - SKU: LV.7495 Composed by Williams & Walker. Portraits, African Americans, Monsters, Fear, Revivals, Religious meetings, Dialects, Robberies, Ethics, Ethnic stereotypes. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.7495). The Voo-Doo Man. Song and Chorus. by Williams & Walker. Published 1900 by Hurtig & Seamon in n.p. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, African Americans, Monsters, Fear, Revivals, Religious meetings, Dialects, Robberies, Ethics, Ethnic stereotypes. First line reads One night in Souf Calina at a gospel meetin' tent.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.61€
To Canaan. Song & Chorus. Song of the Six Hundred Thousand
To Canaan. Song & Chorus. Song of the Six Hundred Thousand
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Piano, Voix
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W
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To Canaan. Song & Chorus.
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.22896 Composed by W. Williams and W.E. Thayer. Civil War--Union, Slavery, Campaigns & battles, Biblical references, Patriotism...
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Piano and voice - SKU: LV.22896 Composed by W. Williams and W.E. Thayer. Civil War--Union, Slavery, Campaigns & battles, Biblical references, Patriotism. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.22896). To Canaan. Song & Chorus. Song of the Six Hundred Thousand. W. Williams. W.E. Thayer. Published [n.d.] by Oliver Ditson & Co., 277 Washington St. in Boston. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Civil War--Union, Slavery, Campaigns & battles, Biblical references, Patriotism. First line reads Where are you going, Soldiers, with banner, gun and sword!.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.61€
Uptown Funk
Uptown Funk
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Instruments en Do
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INTERMÉDIAIRE
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Bruno Mars
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Dan Ford
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Uptown Funk
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Dan Ford
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SheetMusicPlus
C Instrument - Level 3 - SKU: A0.1090500 By Bruno Mars. By Bruno Mars, Charles Wilson, Devon Gallaspy, Jeff Bhasker, Lonnie Simmons, Mark Ronson, Nichol...
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C Instrument - Level 3 - SKU: A0.1090500 By Bruno Mars. By Bruno Mars, Charles Wilson, Devon Gallaspy, Jeff Bhasker, Lonnie Simmons, Mark Ronson, Nicholaus Williams, Philip Lawrence, Robert Wilson, Ronnie Wilson, and Rudolph Taylor. Arranged by Dan Ford. Contemporary,Hip-Hop,Pop,R & B,Rock. Lead Sheet / Fake Book. 8 pages. Dan Ford #694678. Published by Dan Ford (A0.1090500). Uptown Funk — Contemporary rock/pop ensemble By Nicholaus Williams, Devon Gallaspy, Bruno Mars, Jeff Bhasker, Lonnie Simmons, Ronnie Wilson, Robert Wilson, Mark Ronson, Philip Lawrence, Rudolph Taylor, Charles Wilson. Arranged by Dan Ford for contemporary rock/pop ensemble, including parts for rhythm section, tenor saxophone, alto saxophone, and trombone. This arrangement is gig-tested and designed for ease of reading during the heat of a live gig. All parts include chord changes for improvised solos or embellishment of backing parts. N.B. This arrangement does not include lyrics, the melody, or a vocal part. The parts are designed for live performance with a vocalist that knows the melody and lyrics. Uptown Funk is from Mark Ronson’s 2015 album Uptown Special, and features Bruno Mars. This arrangement features a combined Rhythm Section part with clear chord spellings and rhythmic cues for bass guitar, drum kit, guitar, and piano to follow. Additionally, the arranger has included extra backing parts for alto and tenor saxophone in the first and second verses, and changed the instrumentation to include a trombone doubling the saxophone parts. Find more arrangements by Dan Ford at www.danfordmusic.com.
$5.00 ≈
4.68€
The Escape (medium/big percussion ensemble)
The Escape (medium/big percussion ensemble)
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Frits Renting
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The Escape
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Frits_Renting
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SheetMusicPlus
Percussion Ensemble Bass Marimba,Chimes,Cymbals,Drum Set,Low Drum,Quad Toms,Shaker,Suspended Cymbal,Tam Tam,Tambourine,Timpani,Tom Tom,Tubular Bells,Vibraphone,...
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Percussion Ensemble Bass Marimba,Chimes,Cymbals,Drum Set,Low Drum,Quad Toms,Shaker,Suspended Cymbal,Tam Tam,Tambourine,Timpani,Tom Tom,Tubular Bells,Vibraphone,Xylophone - Level 4 - SKU: A0.1274188 Composed by Frits Renting. Film/TV. 51 pages. Frits_Renting #866319. Published by Frits_Renting (A0.1274188). Side note: This version is for medium/big percussion ensemblesEN:This composition was written for one of the parts of the D exam by Frits Renting. The starting point of the composition was: film music. Inspired by well-known works by Hans Zimmer, Brian Tyler, John Williams and works by De Efteling. The composition starts in a fairly small composition in which, with the help of crescendos and several instruments, it works towards a strong, but above all open and cheerful part. This is followed by a short untuned percussion solo. After this, theme A is closed in a calm, non-violent manner. Immediately theme B comes in which is built up through crescendos and multiple instruments over time. Theme B also comes to a quiet end afterwards. After this theme A and B return at the same time, which builds up and closes in a grandiose way.NL:Deze compositie is geschreven voor één van de onderdelen van het D examen van Frits Renting. Het uitgangsdoel van de compositie was: filmmuziek. Geïnspireerd door bekende werken van Hans Zimmer, Brian Tyler, John Williams en werken van De Efteling. De compositie begint in een vrij kleine samenstelling waarbij, met behulp van crescendo's en meerdere instrumenten, het zich toewerkt naar een sterk, maar vooral open en vrolijk gedeelte. Dit wordt opgevolgd door een korte ongestemde slagwerk solo. Hierna wordt thema A op een rustige, geweldloze manier afgesloten. Direct komt thema B binnenvallen wat word opgebouwd door middel van crescendo's en meerdere instrumenten in loop van de tijd. Ook komt thema B daarna tot rustig einde. Hierna komen thema A en B tegelijkertijd terug wat zich opbouwt en op een grandioze manier, zich afsluit.
$80.00 ≈
74.86€
The Escape - (small/medium percussion ensemble)
The Escape - (small/medium percussion ensemble)
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Film/TV
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Frits Renting
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Frits Renting
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The Escape -
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Frits_Renting
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SheetMusicPlus
Percussion Ensemble Bass Marimba,Chimes,Cymbals,Drum Set,Drums,Shaker,Suspended Cymbal,Tam Tam,Tambourine,Timpani,Tom Tom,Tubular Bells,Vibraphone,Xylophone - L...
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Percussion Ensemble Bass Marimba,Chimes,Cymbals,Drum Set,Drums,Shaker,Suspended Cymbal,Tam Tam,Tambourine,Timpani,Tom Tom,Tubular Bells,Vibraphone,Xylophone - Level 4 - SKU: A0.1288799 Composed by Frits Renting. Arranged by Frits Renting. Film/TV. 35 pages. Frits_Renting #879651. Published by Frits_Renting (A0.1288799). Side note: This version is for small/medium percussion ensemblesEN:This composition was written for one of the parts of the D exam by Frits Renting. The starting point of the composition was: film music. Inspired by well-known works by Hans Zimmer, Brian Tyler, John Williams and works by De Efteling. The composition starts in a fairly small composition in which, with the help of crescendos and several instruments, it works towards a strong, but above all open and cheerful part. This is followed by a short untuned percussion solo. After this, theme A is closed in a calm, non-violent manner. Immediately theme B comes in which is built up through crescendos and multiple instruments over time. Theme B also comes to a quiet end afterwards. After this theme A and B return at the same time, which builds up and closes in a grandiose way.NL:Deze compositie is geschreven voor één van de onderdelen van het D examen van Frits Renting. Het uitgangsdoel van de compositie was: filmmuziek. Geïnspireerd door bekende werken van Hans Zimmer, Brian Tyler, John Williams en werken van De Efteling. De compositie begint in een vrij kleine samenstelling waarbij, met behulp van crescendo's en meerdere instrumenten, het zich toewerkt naar een sterk, maar vooral open en vrolijk gedeelte. Dit wordt opgevolgd door een korte ongestemde slagwerk solo. Hierna wordt thema A op een rustige, geweldloze manier afgesloten. Direct komt thema B binnenvallen wat word opgebouwd door middel van crescendo's en meerdere instrumenten in loop van de tijd. Ook komt thema B daarna tot rustig einde. Hierna komen thema A en B tegelijkertijd terug wat zich opbouwt en op een grandioze manier, zich afsluit.
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