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Musica dolce
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Vous avez sélectionné:
Musica dolce
Partitions à imprimer
56 partitions trouvées
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1
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51
Musica dolce (from Gli amori d'Apollo e di Dafne)
Musica dolce (from Gli amori d'Apollo e di Dafne)
#
Voix seule
#
Francesco Cavalli
#
Early Music Scores
#
Musica dolce
#
Early Music Scores
#
SheetMusicPlus
Vocal Solo,Voice - SKU: A0.791586 Composed by Francesco Cavalli. Arranged by Early Music Scores. Baroque,Classical,Opera. 3 pages. Early Music Scores #5...
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Vocal Solo,Voice - SKU: A0.791586 Composed by Francesco Cavalli. Arranged by Early Music Scores. Baroque,Classical,Opera. 3 pages. Early Music Scores #5320263. Published by Early Music Scores (A0.791586). Voice, two violins and continuo.Musica dolce, musica tu sei from Gli Amori di Apollo e di Dafne. Composed by Francesco Cavalli (1602-1676). (Biblioteca nazionale Marciana - Venezia - VE - Contarini It. IV, 404 [=9928]). Edited by Felipe Dias. 3 pages.
$6.99 ≈
6.26€
Dolce far niente
Dolce far niente
#
Piano seul
#
FRANCISCO BRAGA
#
Dolce far niente
#
Musica Brasilis
#
SheetMusicPlus
Piano Solo - SKU: A0.979060 Composed by FRANCISCO BRAGA. Romantic Period,World. Score. 6 pages. Musica Brasilis #3112911. Published by Musica Brasilis (...
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Piano Solo - SKU: A0.979060 Composed by FRANCISCO BRAGA. Romantic Period,World. Score. 6 pages. Musica Brasilis #3112911. Published by Musica Brasilis (A0.979060). Brazilian music.
$5.00 ≈
4.48€
FRESCOBALDI Girolamo: O mio cor, dolce mia vita, aria, arranged for Voice and Piano (B flat major)
FRESCOBALDI Girolamo: O mio cor, dolce mia vita, aria, - Voice and Piano (B flat major)
#
Voix duo
#
INTERMÉDIAIRE
#
Girolamo FRESCOBALDI
#
Sergei LEONOV
#
FRESCOBALDI Girolamo: O mio co
#
Really Good Music, LLC.
#
SheetMusicPlus
Voice Duet Voice - Level 3 - SKU: A0.868728 Composed by Girolamo FRESCOBALDI (1583 – 1644). Arranged by Sergei LEONOV. Baroque,Concert,Instructio...
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Voice Duet Voice - Level 3 - SKU: A0.868728 Composed by Girolamo FRESCOBALDI (1583 – 1644). Arranged by Sergei LEONOV. Baroque,Concert,Instructional,Standards. 5 pages. Really Good Music, LLC. #4409103. Published by Really Good Music, LLC. (A0.868728). O mio cor, dolce mia vita by Girolamo FRESCOBALDI (1583 – 1644) was realized by Sergei Leonov for voice and keyboard (preferably for harpsichord). This aria is one of the best known and frequently performed vocal compositions, taken from Secondo libro d’arie musicali (Florence, 1630). The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of B flat major (D4 – F5) for high voice.
$5.95 ≈
5.33€
FRESCOBALDI Girolamo: O mio cor, dolce mia vita, aria, arranged for Voice and Piano (G major)
FRESCOBALDI Girolamo: O mio cor, dolce mia vita, aria, - Voice and Piano (G major)
#
Chorale 2 parties
#
INTERMÉDIAIRE
#
Girolamo FRESCOBALDI
#
Sergei LEONOV
#
FRESCOBALDI Girolamo: O mio co
#
Really Good Music, LLC.
#
SheetMusicPlus
Choral Choir (2-Part) - Level 3 - SKU: A0.868729 Composed by Girolamo FRESCOBALDI (1583 – 1644). Arranged by Sergei LEONOV. Baroque,Concert,Instr...
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Choral Choir (2-Part) - Level 3 - SKU: A0.868729 Composed by Girolamo FRESCOBALDI (1583 – 1644). Arranged by Sergei LEONOV. Baroque,Concert,Instructional,Standards. Octavo. 5 pages. Really Good Music, LLC. #4409107. Published by Really Good Music, LLC. (A0.868729). O mio cor, dolce mia vita by Girolamo FRESCOBALDI (1583 – 1644) was realized by Sergei Leonov for voice and keyboard (preferably for harpsichord). This aria is one of the best known and frequently performed vocal compositions, taken from Secondo libro d’arie musicali (Florence, 1630). The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of G major (B3 – D5) for low voice.
$5.95 ≈
5.33€
Cara e Dolce-Scarlatti-String Trio
Cara e Dolce-Scarlatti-String Trio
#
Trio à Cordes: 2 violons, violoncelle
#
INTERMÉDIAIRE/AVANCÉ
#
Alessandro Scarlatti
#
Phil Beaman
#
Cara e Dolce-Scarlatti-String
#
Phil Beaman
#
SheetMusicPlus
String Ensemble,String Trio Cello,Violin - Level 4 - SKU: A0.844880 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,Opera,Standards. ...
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String Ensemble,String Trio Cello,Violin - Level 4 - SKU: A0.844880 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,Opera,Standards. Score and parts. 6 pages. Phil Beaman #5954915. Published by Phil Beaman (A0.844880). The Italian Baroque composer Alessandro Scarlatti wrote Cara e Dolce as a Vocal Aria for his opera Fidalba e Oreste (ca 1679). It was originally written with just melody and a figured bass line. I have arranged it for an Instrumental Trio. I began by putting the original melody and bass line in place with minor changes. Then I realized a single inner voice according to the figured bass. Since there were no lyrics now, I needed to add interest musically. I next elaborated each of the lines with extra notes to create a more melodic line for each part. Then in several places I also elaborated the figured bass and used period chord substitutions to strengthen texture. Next I devised detailed new phrasing to create a more polyphonic feeling. Finally I decorated with numerous baroque ornaments and dynamics. Don't worry, all that effort was just to make it easy and fun for you to play and absolutely gorgeous. This piece is a fantastic addition to Baroque period repertoire.
$6.99 ≈
6.26€
Cara e Dolce-Scarlatti-Woodwind Trio 4
Cara e Dolce-Scarlatti-Woodwind Trio 4
#
Alessandro Scarlatti
#
Phil Beaman
#
Cara e Dolce-Scarlatti-Woodwin
#
Phil Beaman
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bass Clarinet,Flute - Level 4 - SKU: A0.844886 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,Opera,...
(+)
Woodwind Ensemble,Woodwind Trio Bass Clarinet,Flute - Level 4 - SKU: A0.844886 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,Opera,Standards. 6 pages. Phil Beaman #5969595. Published by Phil Beaman (A0.844886). The Italian Baroque composer Alessandro Scarlatti wrote Cara e Dolce as a Vocal Aria for his opera Fidalba e Oreste (ca 1679). It was originally written with just melody and a figured bass line. I have arranged it for an Instrumental Trio. I began by putting the original melody and bass line in place with minor changes. Then I realized a single inner voice according to the figured bass. Since there were no lyrics now, I needed to add interest musically. I next elaborated each of the lines with extra notes to create a more melodic line for each part. Then in several places I also elaborated the figured bass and used period chord substitutions to strengthen texture. Next I devised detailed new phrasing to create a more polyphonic feeling. Finally I decorated with numerous baroque ornaments and dynamics. Don't worry, all that effort was just to make it easy and fun for you to play and absolutely gorgeous. This piece is a fantastic addition to Baroque period repertoire.
$6.99 ≈
6.26€
Cara e Dolce-Scarlatti-Mixed Trio 3
Cara e Dolce-Scarlatti-Mixed Trio 3
#
Alessandro Scarlatti
#
Phil Beaman
#
Cara e Dolce-Scarlatti-Mixed T
#
Phil Beaman
#
SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Violin - Level 4 - SKU: A0.844889 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,Opera,Standards. Sc...
(+)
Small Ensemble Bassoon,Clarinet,Violin - Level 4 - SKU: A0.844889 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,Opera,Standards. Score and parts. 6 pages. Phil Beaman #5969615. Published by Phil Beaman (A0.844889). The Italian Baroque composer Alessandro Scarlatti wrote Cara e Dolce as a Vocal Aria for his opera Fidalba e Oreste (ca 1679). It was originally written with just melody and a figured bass line. I have arranged it for an Instrumental Trio. I began by putting the original melody and bass line in place with minor changes. Then I realized a single inner voice according to the figured bass. Since there were no lyrics now, I needed to add interest musically. I next elaborated each of the lines with extra notes to create a more melodic line for each part. Then in several places I also elaborated the figured bass and used period chord substitutions to strengthen texture. Next I devised detailed new phrasing to create a more polyphonic feeling. Finally I decorated with numerous baroque ornaments and dynamics. Don't worry, all that effort was just to make it easy and fun for you to play and absolutely gorgeous. This piece is a fantastic addition to Baroque period repertoire.
$6.99 ≈
6.26€
Cara e Dolce-Scarlatti-Mixed Chamber Trio 2
Cara e Dolce-Scarlatti-Mixed Chamber Trio 2
#
Alessandro Scarlatti
#
Phil Beaman
#
Cara e Dolce-Scarlatti-Mixed C
#
Phil Beaman
#
SheetMusicPlus
Small Ensemble Bassoon,Oboe,Violin - Level 4 - SKU: A0.844884 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,Opera,Standards. Score ...
(+)
Small Ensemble Bassoon,Oboe,Violin - Level 4 - SKU: A0.844884 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,Opera,Standards. Score and parts. 6 pages. Phil Beaman #5969527. Published by Phil Beaman (A0.844884). The Italian Baroque composer Alessandro Scarlatti wrote Cara e Dolce as a Vocal Aria for his opera Fidalba e Oreste (ca 1679). It was originally written with just melody and a figured bass line. I have arranged it for an Instrumental Trio. I began by putting the original melody and bass line in place with minor changes. Then I realized a single inner voice according to the figured bass. Since there were no lyrics now, I needed to add interest musically. I next elaborated each of the lines with extra notes to create a more melodic line for each part. Then in several places I also elaborated the figured bass and used period chord substitutions to strengthen texture. Next I devised detailed new phrasing to create a more polyphonic feeling. Finally I decorated with numerous baroque ornaments and dynamics. Don't worry, all that effort was just to make it easy and fun for you to play and absolutely gorgeous. This piece is a fantastic addition to Baroque period repertoire.
$6.99 ≈
6.26€
Cara e Dolce-Scarlatti-Woodwind Trio 2
Cara e Dolce-Scarlatti-Woodwind Trio 2
#
Alessandro Scarlatti
#
Phil Beaman
#
Cara e Dolce-Scarlatti-Woodwin
#
Phil Beaman
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bass Clarinet,Oboe - Level 4 - SKU: A0.844885 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,Opera,S...
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Woodwind Ensemble,Woodwind Trio Bass Clarinet,Oboe - Level 4 - SKU: A0.844885 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,Opera,Standards. 6 pages. Phil Beaman #5969589. Published by Phil Beaman (A0.844885). The Italian Baroque composer Alessandro Scarlatti wrote Cara e Dolce as a Vocal Aria for his opera Fidalba e Oreste (ca 1679). It was originally written with just melody and a figured bass line. I have arranged it for an Instrumental Trio. I began by putting the original melody and bass line in place with minor changes. Then I realized a single inner voice according to the figured bass. Since there were no lyrics now, I needed to add interest musically. I next elaborated each of the lines with extra notes to create a more melodic line for each part. Then in several places I also elaborated the figured bass and used period chord substitutions to strengthen texture. Next I devised detailed new phrasing to create a more polyphonic feeling. Finally I decorated with numerous baroque ornaments and dynamics. Don't worry, all that effort was just to make it easy and fun for you to play and absolutely gorgeous. This piece is a fantastic addition to Baroque period repertoire.
$6.99 ≈
6.26€
Cara e Dolce-Scarlatti-Woodwind Trio 3
Cara e Dolce-Scarlatti-Woodwind Trio 3
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Alessandro Scarlatti
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Phil Beaman
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Cara e Dolce-Scarlatti-Woodwin
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Phil Beaman
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bass Clarinet,Flute,Oboe - Level 4 - SKU: A0.844882 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,O...
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Woodwind Ensemble,Woodwind Trio Bass Clarinet,Flute,Oboe - Level 4 - SKU: A0.844882 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,Opera,Standards. 6 pages. Phil Beaman #5969543. Published by Phil Beaman (A0.844882). The Italian Baroque composer Alessandro Scarlatti wrote Cara e Dolce as a Vocal Aria for his opera Fidalba e Oreste (ca 1679). It was originally written with just melody and a figured bass line. I have arranged it for an Instrumental Trio. I began by putting the original melody and bass line in place with minor changes. Then I realized a single inner voice according to the figured bass. Since there were no lyrics now, I needed to add interest musically. I next elaborated each of the lines with extra notes to create a more melodic line for each part. Then in several places I also elaborated the figured bass and used period chord substitutions to strengthen texture. Next I devised detailed new phrasing to create a more polyphonic feeling. Finally I decorated with numerous baroque ornaments and dynamics. Don't worry, all that effort was just to make it easy and fun for you to play and absolutely gorgeous. This piece is a fantastic addition to Baroque period repertoire.
$6.99 ≈
6.26€
Cara e Dolce-Scarlatti-Mixed Chamber Trio
Cara e Dolce-Scarlatti-Mixed Chamber Trio
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Alessandro Scarlatti
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Phil Beaman
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Cara e Dolce-Scarlatti-Mixed C
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Phil Beaman
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SheetMusicPlus
Small Ensemble Cello,Flute,Oboe - Level 4 - SKU: A0.844883 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,Opera,Standards. Score and...
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Small Ensemble Cello,Flute,Oboe - Level 4 - SKU: A0.844883 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,Opera,Standards. Score and parts. 6 pages. Phil Beaman #5969519. Published by Phil Beaman (A0.844883). The Italian Baroque composer Alessandro Scarlatti wrote Cara e Dolce as a Vocal Aria for his opera Fidalba e Oreste (ca 1679). It was originally written with just melody and a figured bass line. I have arranged it for an Instrumental Trio. I began by putting the original melody and bass line in place with minor changes. Then I realized a single inner voice according to the figured bass. Since there were no lyrics now, I needed to add interest musically. I next elaborated each of the lines with extra notes to create a more melodic line for each part. Then in several places I also elaborated the figured bass and used period chord substitutions to strengthen texture. Next I devised detailed new phrasing to create a more polyphonic feeling. Finally I decorated with numerous baroque ornaments and dynamics. Don't worry, all that effort was just to make it easy and fun for you to play and absolutely gorgeous. This piece is a fantastic addition to Baroque period repertoire.
$6.99 ≈
6.26€
Dolce frutto amor compose
Dolce frutto amor compose
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Classique
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Orazio Michi dell'Arpa
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Early Music Scores
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Dolce frutto amor compose
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Early Music Scores
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SheetMusicPlus
Vocal Solo,Voice - SKU: A0.791691 Composed by Orazio Michi dell'Arpa. Arranged by Early Music Scores. Baroque,Classical. 1 pages. Early Music Scores #59...
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Vocal Solo,Voice - SKU: A0.791691 Composed by Orazio Michi dell'Arpa. Arranged by Early Music Scores. Baroque,Classical. 1 pages. Early Music Scores #5955879. Published by Early Music Scores (A0.791691). Voice and continuoComposed by Orazio Michi dell'Arpa (1594-1641). Baroque period. From (Biblioteca Nazionale Centrale - Roma - Mss - Musicali 56. Edited by Felipe Dias. 1 page.
$5.99 ≈
5.36€
Il Bianco e dolce cigno
Il Bianco e dolce cigno
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Chorale 3 parties
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Jacques Arcadelt
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Lucyanne Georger Gordon
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Il Bianco e dolce cigno
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Choral Choir (SSA) - SKU: A0.733221 Composed by Jacques Arcadelt (1514-1557). Arranged by Lucyanne Georger Gordon. Contemporary. Octavo. 12 pages. Ayott...
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Choral Choir (SSA) - SKU: A0.733221 Composed by Jacques Arcadelt (1514-1557). Arranged by Lucyanne Georger Gordon. Contemporary. Octavo. 12 pages. Ayotte Custom Musical Engravings #6479529. Published by Ayotte Custom Musical Engravings (A0.733221). Il bianco e dolce cigno
$4.99 ≈
4.47€
Landini: Si Dolce Non Sono for String Trio
Landini: Si Dolce Non Sono for String Trio
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Trio à Cordes: violon, alto, violoncelle
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FACILE
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Francesco Landini
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James M
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Landini: Si Dolce Non Sono for
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jmsgu3
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 2 - SKU: A0.1281002 Composed by Francesco Landini (1325-1397). Arranged by James M. Guthrie. Chamber,Contest,Earl...
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String Trio Cello,Viola,Violin - Level 2 - SKU: A0.1281002 Composed by Francesco Landini (1325-1397). Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Traditional. 13 pages. Jmsgu3 #872337. Published by jmsgu3 (A0.1281002). Si Dolce Non Sono (So sweet I am not ) is Landini's homage to French composer Philippe de Vitry, master of the sophisticated mathematical techniques of isorhythmic motet composition. It is one of his most famous works. It speaks of the sweet torment of loving someone who does not return that love.Landini was a leading composer of 14th-century Italy, famed during his lifetime for his musical memory, skill in improvisation, and virtuosity on the organetto, or portative organ, as well as for his compositions. Landini was blinded in childhood by smallpox. His blindness did not prevent him from becoming a highly skilled and renowned musician, composer, and instrument maker. His blindness may have contributed to his prodigious memory and great skill at improvisation. He was crowned with a laurel wreath as the winner of a poetical contest at Venice in 1364. Â Landini's output, preserved in the Squarcialupi Codex, represents almost a quarter of all surviving 14th-century Italian music. He was by far the most famous composer in Italy and is considered one of the most revered composers of the second half of the 14th century.Landini's music is characterized by lyrical, songlike melodies that possess an easy-flowing grace and are charmingly harmonized. He was the foremost exponent of the Italian Trecento style, sometimes called the Italian ars nova. His output was almost exclusively secular, and he is known for his ballet and madrigals, which were popular forms of Italian secular songs. It is assumed that he wrote the texts for many of his works.Francesco Landini's music is characterized by its lyrical melodies, secular themes, and unique rhythms, which set him apart from his contemporaries and contributed to his enduring legacy as a composer.
$24.95 ≈
22.34€
A Healing Prayer-a musical prayer for peace
A Healing Prayer-a musical prayer for peace
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Matt Johnson
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A Healing Prayer-a musical pra
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Dolce & Nuit Productions
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.909230 Composed by Matt Johnson. Holiday,Jewish,Sacred. Score. 12 pages. Dolce & Nuit Productions #3560833....
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.909230 Composed by Matt Johnson. Holiday,Jewish,Sacred. Score. 12 pages. Dolce & Nuit Productions #3560833. Published by Dolce & Nuit Productions (A0.909230). September 11th [2001] Remembrance Ceremony-commissioned 9/11 vocal work.
$4.95 ≈
4.43€
Dolce and Dance: 2nd Violin
Dolce and Dance: 2nd Violin
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Violon (partie séparée)
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Methodes
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Gary Fagan
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Festival.
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Dolce and Dance: 2nd Violin
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0016931_VN2 2nd Violin. Composed by Gary Fagan. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music...
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String Orchestra - SKU: AX.00-PC-0016931_VN2 2nd Violin. Composed by Gary Fagan. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016931_VN2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016931_VN2). UPC: 038081497082.Designed to show two very different aspects of life in the state of Virginia, this programmatic work is a study in musical contrasts. The piece illustrates the contrast between a thriving metropolitan center with an area known for its peaceful beauty. Excellent for cross-curricular study! (3:40)Concert/Contest; Festival.
$5.99 ≈
5.36€
Dolce and Dance: Viola
Dolce and Dance: Viola
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Alto (partie séparée)
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Methodes
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Gary Fagan
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Festival.
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Dolce and Dance: Viola
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0016931_VA1 Viola. Composed by Gary Fagan. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-...
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String Orchestra - SKU: AX.00-PC-0016931_VA1 Viola. Composed by Gary Fagan. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016931_VA1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016931_VA1). UPC: 038081497082.Designed to show two very different aspects of life in the state of Virginia, this programmatic work is a study in musical contrasts. The piece illustrates the contrast between a thriving metropolitan center with an area known for its peaceful beauty. Excellent for cross-curricular study! (3:40)Concert/Contest; Festival.
$5.99 ≈
5.36€
Dolce and Dance: String Bass
Dolce and Dance: String Bass
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Contrebasse (partie séparée)
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Methodes
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Gary Fagan
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Festival.
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Dolce and Dance: String Bass
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0016931_SB String Bass. Composed by Gary Fagan. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music...
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String Orchestra - SKU: AX.00-PC-0016931_SB String Bass. Composed by Gary Fagan. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016931_SB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016931_SB). UPC: 038081497082.Designed to show two very different aspects of life in the state of Virginia, this programmatic work is a study in musical contrasts. The piece illustrates the contrast between a thriving metropolitan center with an area known for its peaceful beauty. Excellent for cross-curricular study! (3:40)Concert/Contest; Festival.
$5.99 ≈
5.36€
Dolce and Dance: Cello
Dolce and Dance: Cello
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Orchestre à Cordes
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Methodes
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Gary Fagan
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Festival.
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Dolce and Dance: Cello
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0016931_VC1 Cello. Composed by Gary Fagan. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-...
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String Orchestra - SKU: AX.00-PC-0016931_VC1 Cello. Composed by Gary Fagan. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016931_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016931_VC1). UPC: 038081497082.Designed to show two very different aspects of life in the state of Virginia, this programmatic work is a study in musical contrasts. The piece illustrates the contrast between a thriving metropolitan center with an area known for its peaceful beauty. Excellent for cross-curricular study! (3:40)Concert/Contest; Festival.
$5.99 ≈
5.36€
Dolce and Dance: Score
Dolce and Dance: Score
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Orchestre à Cordes
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Methodes
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Gary Fagan
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Festival.
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Dolce and Dance: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - SKU: AX.00-PR-0005173 Score. Composed by Gary Fagan. Instructional. Score. 12 pages. Alfred Music - Digital Sheet Music #00-PR...
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String Orchestra - SKU: AX.00-PR-0005173 Score. Composed by Gary Fagan. Instructional. Score. 12 pages. Alfred Music - Digital Sheet Music #00-PR-0005173. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0005173). UPC: 038081497082.Designed to show two very different aspects of life in the state of Virginia, this programmatic work is a study in musical contrasts. The piece illustrates the contrast between a thriving metropolitan center with an area known for its peaceful beauty. Excellent for cross-curricular study! (3:40)Concert/Contest; Festival.
$9.00 ≈
8.06€
Dolce and Dance: 1st Violin
Dolce and Dance: 1st Violin
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Violon (partie séparée)
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Methodes
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Gary Fagan
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Festival.
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Dolce and Dance: 1st Violin
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0016931_VN1 1st Violin. Composed by Gary Fagan. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music...
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String Orchestra - SKU: AX.00-PC-0016931_VN1 1st Violin. Composed by Gary Fagan. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016931_VN1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016931_VN1). UPC: 038081497082.Designed to show two very different aspects of life in the state of Virginia, this programmatic work is a study in musical contrasts. The piece illustrates the contrast between a thriving metropolitan center with an area known for its peaceful beauty. Excellent for cross-curricular study! (3:40)Concert/Contest; Festival.
$5.99 ≈
5.36€
Il Dolce Suono (The Mad Scene from Lucia di Lammermoor)
Il Dolce Suono (The Mad Scene from Lucia di Lammermoor)
British brass band with Soprano cornet solo
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Classique
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Gaetano Donizetti
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Mike Lyons
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Il Dolce Suono
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Lyons Music Services
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SheetMusicPlus
Composed by Gaetano Donizetti (1797-1848). Arranged by Mike Lyons. Romantic Period, Musicals. Score, Set of Parts. 92 pages. Published by Lyons Music Services (...
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Composed by Gaetano Donizetti (1797-1848). Arranged by Mike Lyons. Romantic Period, Musicals. Score, Set of Parts. 92 pages. Published by Lyons Music Services (S0.85561). - Score,Set of Parts - Romantic Period,Musicals - Lyons Music Services
$30.00 ≈
26.87€
THEATER
THEATER
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Piano seul
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Contemporain
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Monica Bergo
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THEATER
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Moni Bergo
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SheetMusicPlus
Piano Solo - SKU: A0.1012706 Composed by Monica Bergo. Contemporary. Score. 7 pages. Moni Bergo #5742963. Published by Moni Bergo (A0.1012706).
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Piano Solo - SKU: A0.1012706 Composed by Monica Bergo. Contemporary. Score. 7 pages. Moni Bergo #5742963. Published by Moni Bergo (A0.1012706). Music and song composed by me IL TEATRO Se vuoi trasformare la tua realtà Se vuoi un’altra vita Il teatro è qua Scegli il personaggio Che interpreterai Segui il tuo copione e non sbaglierai Un sipario blu Le luci van giù E inizia la musica Un occhio di bue Che si accenderà La scena si illumina Dietro le quinte io Aspetto il turno mio Le gambe tremano Aumenta il battito La gente in platea Silenziosa sta E attende di vivere La storia che tu gli racconterai E tutto è possibile Afferro l’attimo Mi impegno al massimo C’è ritmo , c’è energia C’è grinta, c’è allegria Qui tutto è finto ma c’è verità Ed il destino qui, nulla potrà Perché la storia ha già la sua trama ed il suo finale Noi incarneremo qui Vizi e virtù Nella commedia tu ti perderai Respirerai con noi La magia che c’è qui stasera Vivi in quest’atmosfera Trash e un po’ surreale Ti coinvolgerà Con i suoi alberi di cartone, palazzi di tela Cieli di cartapesta ,laghi di stagnola Lacrime disegnate su guance rosso sangue Lune imperfette e sole che non splende È tutto un teatro questa vita mia Recito più ruoli In prosa o in poesia Siamo tutti attori In questa realtà Sfoglia il tuo copione Ti sorprenderà Finito lo show L’inchino per voi Gli applausi e la musica Un attimo e già ritrovo il mio io La solita Monica Mi sento un po’ un Pierrot Tra gioia e lacrime Ma è andata bene e poi domani replica Viver più vite per non morire mai Dolce illusione che mi cullerà E mi accompagnerà Anche fuori da questa scena Se recito bene tu conoscerai Insospettabili lati di me Sarò simpatica O arrogante e cattiva Una strega o una diva Eroina di un tempo andato Chi mai sarò? e come scrisse Pirandello Sono nessuno e centomila Interpreto me stessa E non è mai buona la prima Non sono convincente nei miei panni malandati E cambio le battute Dei miei giorni un po’ sbandati teatro dell'assurdo si trasforma in un film muto e grido senza voce nel mio palco desolato... Se sei alla ricerca di un'identità di un'interruzione della realtà scrivi il tuo copione o improvviserai sali su quel palco e sarai ciò che vuoi... Monica Bergo
$5.00 ≈
4.48€
Cam caminì Spazzacamin
Cam caminì Spazzacamin
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Shermann
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Ester Alessandrini
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Cam caminì Spazzacamin
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ester
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SheetMusicPlus
Flute,Guitar,Orff Instrument,Piano,Violin,Voice,Xylophone - SKU: A0.1063728 Composed by Shermann. Arranged by Ester Alessandrini. Broadway,Children,Clas...
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Flute,Guitar,Orff Instrument,Piano,Violin,Voice,Xylophone - SKU: A0.1063728 Composed by Shermann. Arranged by Ester Alessandrini. Broadway,Children,Classical,Instructional,Musical/Show. Full Performance. Duration 68. Ester #47141. Published by ester (A0.1063728). La dolce musica tratta dal Mary Poppins che ha accompagnato la nostra infanzia.
$2.00 ≈
1.79€
Madrigal Pavane / Timburibá
Madrigal Pavane / Timburibá
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Francisco Braga
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Luciano Lima
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Madrigal Pavane / Timburib&aac
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Pub...
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Guitar - Advanced - SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
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Musica dolce
