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Vous avez sélectionné:
Motet: String Bass
Partitions à imprimer
29 partitions trouvées
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26
Motet: String Bass
Motet: String Bass
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Contrebasse (partie séparée)
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Classique
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Johannes Brahms
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Jerry Brubaker
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Motet: String Bass
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0000996_SB String Bass. Composed by Johannes Brahms. Arranged by Jerry Brubaker. Classical. Part. 1 pages. Alfred ...
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Full Orchestra - SKU: AX.00-PC-0000996_SB String Bass. Composed by Johannes Brahms. Arranged by Jerry Brubaker. Classical. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0000996_SB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0000996_SB). UPC: 038081271583.Breathtaking! A lovely piece with strings alone or with the addition of winds for concert and contest. Brahms' original scoring of this marvelous piece was for organ and 4 part chorus. It dates from the same period as his famous German Requiem. Much of the beautiful solemnity of the Reqiem is evident in this Motet asA scored for orchestra by Jerry Brubaker.Concert/Contest.
$3.00 ≈
2.69€
Mozart: Motet "Ave Verum Corpus" K618 - wind quintet
Mozart: Motet "Ave Verum Corpus" K618 - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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FACILE
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Classique
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Wolfgang Amadeus Mozart
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Ray Thompson
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Mozart: Motet "Ave Verum
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - SKU: A0.1111430 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Tho...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - SKU: A0.1111430 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical,Religious,Sacred. 8 pages. RayThompsonMusic #713717. Published by RayThompsonMusic (A0.1111430). Arranged standard wind quintet. I have arranged this with opening and closing phrases played by clt, hn and bsn. The main melody is given to the oboe, with the flute doubling at the octave. I have created sustaining semibreves in the horn part to hold the crescendo section together. Finally I have transposed the piece from D to Eb major Ave verum corpus (Hail, true body) is a motet in D major (K. 618), composed by Wolfgang Amadeus Mozart. It is a setting of the 14th century Eucharistic hymn in Latin Ave verum corpus in 1791. Mozart wrote it for Anton Stoll, a friend of Mozart and Joseph Haydn. Stoll was the musical coordinator in the parish of Baden bei Wien, near Vienna. This setting of the Ave verum corpus text was composed to celebrate the feast of Corpus Christi; the autograph is dated 17 June 1791. It is only forty-six bars long and is scored for SATB choir, string instruments, and organ. Mozart's manuscript contains minimal directions, with only a single sotto voce at the beginning. Check out my arrangements of movements from Mozart’s Requiem K626.
$2.99 ≈
2.68€
Abendlied for String Orchestra
Abendlied for String Orchestra
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Orchestre à Cordes
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Josef Gabriel Rheinberger
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Jason A
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Abendlied for String Orchestra
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Jason Allan Taurins
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SheetMusicPlus
String Orchestra - SKU: A0.934501 Composed by Josef Gabriel Rheinberger. Arranged by Jason A. Taurins. Christian,Christmas,Easter,Romantic Period,Sacred...
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String Orchestra - SKU: A0.934501 Composed by Josef Gabriel Rheinberger. Arranged by Jason A. Taurins. Christian,Christmas,Easter,Romantic Period,Sacred. Score and parts. 13 pages. Jason Allan Taurins #6319097. Published by Jason Allan Taurins (A0.934501). Accessible by any advanced, community, collegiate, or professional orchestra, this charming German motet will be a highlight of any program! Arranged for 2 violins, 2 violas, cello, and bass. The 1st viola can be replaced with a 3rd violin part (included) and the violas can play the second viola part. The bass part can be performed by the cellos as a second part at the written octave if necessary.
$29.99 ≈
26.86€
Elgar - Ave Verum Op.1 No.1 arranged for String Orchestra - Double Bass
Elgar - Ave Verum Op.1 No.1 - String Orchestra - Double Bass
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Orchestre à Cordes
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FACILE
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Classique
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Edward Elgar
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Adrian Connell
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Elgar - Ave Verum Op.1 No.1 -
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Adrian Connell
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.823487 Composed by Edward Elgar. Arranged by Adrian Connell. 20th Century,Sacred. Score and parts. 1 pages. Adrian ...
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String Orchestra - Level 2 - SKU: A0.823487 Composed by Edward Elgar. Arranged by Adrian Connell. 20th Century,Sacred. Score and parts. 1 pages. Adrian Connell #3395433. Published by Adrian Connell (A0.823487). An orchestration of Elgar's motet Ave Verum Op.1 No.1 for String Orchestra
$1.99 ≈
1.78€
Gabrieli: Canzon Septimi Toni Ch 172 for Double String Quartet
Gabrieli: Canzon Septimi Toni Ch 172 for Double String Quartet
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Strings - Level 3 - SKU: A0.549209 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3462323. Publishe...
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Strings - Level 3 - SKU: A0.549209 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3462323. Published by jmsgu3 (A0.549209). Instrumentation: Two string quartets arranged antiphonally. Full Score: 28 pgs. Study Score: 14 pgs. Instrumental parts: 2 pg. ea. Duration: ca. 3:00. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. www.jamesguthrie.com.
$47.95 ≈
42.94€
Ave Maria (WAB 6) (String Orchestra)
Ave Maria (WAB 6) (String Orchestra)
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Orchestre à Cordes
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FACILE
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Anton Bruckner
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Stephen DeCesare
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2, Cello 1 &
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Ave Maria
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Exultet Music
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.611501 Composed by Anton Bruckner. Arranged by Stephen DeCesare. Chamber,Christian,Classical,Romantic Period,Sacred...
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String Orchestra - Level 2 - SKU: A0.611501 Composed by Anton Bruckner. Arranged by Stephen DeCesare. Chamber,Christian,Classical,Romantic Period,Sacred. Score and Parts. 14 pages. Exultet Music #1909589. Published by Exultet Music (A0.611501). The hauntingly beautiful sacred motet by Anton Bruckner has now been arranged for String Orchestra. Scored for: Violin 1-3, Viola 1 & 2, Cello 1 & 2, Double Bass.
$12.95 ≈
11.60€
Hodie Christus Natus Est (2 String Quintets - 4 Violins, 2 Violas, 2 Cellos, 2 Basses)
Hodie Christus Natus Est (2 String Quintets - 4 Violins, 2 Violas, 2 Cellos, 2 Basses)
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Jan P
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Regis Bookshar
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Hodie Christus Natus Est
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Regis Bookshar
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SheetMusicPlus
String Ensemble Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.812991 Composed by Jan P. Sweelinck. Arranged by Regis Bookshar. Christmas,Multicultu...
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String Ensemble Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.812991 Composed by Jan P. Sweelinck. Arranged by Regis Bookshar. Christmas,Multicultural,Renaissance,Standards,World. Score and parts. 44 pages. Regis Bookshar #5996849. Published by Regis Bookshar (A0.812991). Two String Quintets - Intermediate - . This selection, Hodie Christus Natus Est (Today Christ is Born), was originally a vocal motet written by Jan P. Sweelinck and has been arranged for two String Quintets, each consisting of 2 Violins, 1 Viola, 1 Violoncello and 1 Double Bass, by Regis Bookshar. I envision this arrangement to be performed antiphonally. It is perfect for Christmas concerts or church services but could also be performed for other festive occasions as well and is suitable for high school or college students. Included is a score and a complete set of parts (44 pages). Also available are other settings of this motet for a variety of instrumental ensembles as well as numerous other arrangements in a variety of styles. Please feel free to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that students will definitely enjoy playing this arrangement.
$30.00 ≈
26.87€
VIVALDI - RV 623 motetto: Canto in prato, ride in monte - G MAJOR
VIVALDI - RV 623 motetto: Canto in prato, ride in monte - G MAJOR
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Orchestre à Cordes
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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Matthew Toogood
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Continuo
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VIVALDI - RV 623 motetto: Cant
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Matthew Toogood
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1163722 Composed by Antonio Vivaldi. Arranged by Matthew Toogood. Baroque,Chamber,Classical,Early Music,Renaissance...
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String Orchestra - Level 3 - SKU: A0.1163722 Composed by Antonio Vivaldi. Arranged by Matthew Toogood. Baroque,Chamber,Classical,Early Music,Renaissance. Score and Parts. 36 pages. Matthew Toogood #764068. Published by Matthew Toogood (A0.1163722). Score and parts COMPLETE of transposed arrangement of Vivaldi's motetto for soprano RV 623: Canto in prato, ride in monte. Original key A major transposed here down to G major. Included in PDF is:- SCORE (first 20 pages to print A3 double sided booklet/folded)- VIOLIN 1- VIOLIN 2- VIOLA- BASSO- Vocal & Continuo
$10.00 ≈
8.96€
Abendlied for String Sextet
Abendlied for String Sextet
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Josef Gabriel Rheinberger
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Jason A
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Abendlied for String Sextet
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Jason Allan Taurins
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SheetMusicPlus
String Ensemble Cello,Double Bass,Viola,Violin - Level 5 - SKU: A0.934502 Composed by Josef Gabriel Rheinberger. Arranged by Jason A. Taurins. Christian...
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String Ensemble Cello,Double Bass,Viola,Violin - Level 5 - SKU: A0.934502 Composed by Josef Gabriel Rheinberger. Arranged by Jason A. Taurins. Christian,Christmas,Easter,Romantic Period,Sacred. Score and parts. 12 pages. Jason Allan Taurins #6319091. Published by Jason Allan Taurins (A0.934502). Accessible by any advanced string sextet, this charming German motet will be a highlight of any program! Arranged for 2 violins, 2 violas, and 2 cellos. The second cello part can be performed by a bassist if needed.
$19.99 ≈
17.90€
Mozart: Motet "Ave Verum Corpus" K618 - wind dectet
Mozart: Motet "Ave Verum Corpus" K618 - wind dectet
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Classique
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Wolfgang Amadeus Mozart
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Ray Thompson
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Mozart: Motet "Ave Verum
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RayThompsonMusic
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SheetMusicPlus
Bass Clarinet,Bassoon,Double Bass,Flute,Horn,Oboe - Level 2 - SKU: A0.1110981 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical,R...
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Bass Clarinet,Bassoon,Double Bass,Flute,Horn,Oboe - Level 2 - SKU: A0.1110981 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical,Religious,Sacred. 16 pages. RayThompsonMusic #713249. Published by RayThompsonMusic (A0.1110981). Arranged wind dectet and bass. Optional tiba/double bass, and 2 bass clts for bsns Ave verum corpus (Hail, true body) is a motet in D major (K. 618), composed by Wolfgang Amadeus Mozart. It is a setting of the 14th century Eucharistic hymn in Latin Ave verum corpus in 1791. Mozart wrote it for Anton Stoll, a friend of Mozart and Joseph Haydn. Stoll was the musical coordinator in the parish of Baden bei Wien, near Vienna. This setting of the Ave verum corpus text was composed to celebrate the feast of Corpus Christi; the autograph is dated 17 June 1791. It is only forty-six bars long and is scored for SATB choir, string instruments, and organ. Mozart's manuscript contains minimal directions, with only a single sotto voce at the beginning. Check out my arrangements of movements from Mozart’s Requiem K626.
$9.95 ≈
8.91€
Hodie Christus Natus Est (String Quintet - 2 Violins, 1 Viola, 1 Cello, 1 Bass)
Hodie Christus Natus Est (String Quintet - 2 Violins, 1 Viola, 1 Cello, 1 Bass)
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Jan P
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Regis Bookshar
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Hodie Christus Natus Est
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Regis Bookshar
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SheetMusicPlus
String Ensemble,String Quintet - Level 3 - SKU: A0.813024 Composed by Jan P. Sweelinck. Arranged by Regis Bookshar. Christian,Christmas,Renaissance,Stan...
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String Ensemble,String Quintet - Level 3 - SKU: A0.813024 Composed by Jan P. Sweelinck. Arranged by Regis Bookshar. Christian,Christmas,Renaissance,Standards,World. Score and parts. 27 pages. Regis Bookshar #6050905. Published by Regis Bookshar (A0.813024). String Quintet - Intermediate - . This selection, Hodie Christus Natus Est (Today Christ is Born), was originally a vocal motet written by Jan P. Sweelinck and has been arranged by Regis Bookshar for a String Quintet, consisting of 2 Violins, 1 Viola, 1 Violoncello and 1 Double Bass. It is perfect for Christmas concerts and church services but could be performed for other festive occasions as well. It is suitable for high school and college students. Included is a score and a complete set of parts (27 pages). Also available are other settings of this motet for a variety of instrumental ensembles as well as numerous other arrangements in a variety of styles. Please feel feel to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that students will enjoy playing this selection.
$24.00 ≈
21.49€
Motet: B-flat Bass Clarinet
Motet: B-flat Bass Clarinet
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Clarinette (partie séparée)
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Classique
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Johannes Brahms
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Jerry Brubaker
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Motet: B-flat Bass Clarinet
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0000996_BC B-flat Bass Clarinet. Composed by Johannes Brahms. Arranged by Jerry Brubaker. Classical. Part. 1 pages...
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Full Orchestra - SKU: AX.00-PC-0000996_BC B-flat Bass Clarinet. Composed by Johannes Brahms. Arranged by Jerry Brubaker. Classical. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0000996_BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0000996_BC). UPC: 038081271583.Breathtaking! A lovely piece with strings alone or with the addition of winds for concert and contest. Brahms' original scoring of this marvelous piece was for organ and 4 part chorus. It dates from the same period as his famous German Requiem. Much of the beautiful solemnity of the Reqiem is evident in this Motet asA scored for orchestra by Jerry Brubaker.Concert/Contest.
$3.00 ≈
2.69€
Mouton: Christmas Motet for String Choir
Mouton: Christmas Motet for String Choir
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Chorale SATB
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FACILE
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Noël
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Jean Mouton
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James M
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Mouton: Christmas Motet for St
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jmsgu3
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SheetMusicPlus
Choral Choir (4-Part) - Level 2 - SKU: A0.550371 Composed by Jean Mouton. Arranged by James M. Guthrie. Christmas,Concert,Renaissance,Sacred,Standards. ...
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Choral Choir (4-Part) - Level 2 - SKU: A0.550371 Composed by Jean Mouton. Arranged by James M. Guthrie. Christmas,Concert,Renaissance,Sacred,Standards. Octavo. 25 pages. Jmsgu3 #4616031. Published by jmsgu3 (A0.550371). Quadruple canon: Nesciens mater virgo virum. Score: 7 pages. Duration: ca. 3:00. Scored for 3 violins, 3 violas, 2 cellos, bass optional.
$49.95 ≈
44.73€
Motet: Bassoon
Motet: Bassoon
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Orchestre
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Classique
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Johannes Brahms
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Jerry Brubaker
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Motet: Bassoon
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0000996_B1 Bassoon. Composed by Johannes Brahms. Arranged by Jerry Brubaker. Classical. Part. 1 pages. Alfred Musi...
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Full Orchestra - SKU: AX.00-PC-0000996_B1 Bassoon. Composed by Johannes Brahms. Arranged by Jerry Brubaker. Classical. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0000996_B1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0000996_B1). UPC: 038081271583.Breathtaking! A lovely piece with strings alone or with the addition of winds for concert and contest. Brahms' original scoring of this marvelous piece was for organ and 4 part chorus. It dates from the same period as his famous German Requiem. Much of the beautiful solemnity of the Reqiem is evident in this Motet asA scored for orchestra by Jerry Brubaker.Concert/Contest.
$3.00 ≈
2.69€
Ave Verum Corpus for Concert Band and Optional Choir
Ave Verum Corpus for Concert Band and Optional Choir
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Diego Marani
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Ave Verum Corpus for Concert B
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Diego Marani
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.528107 Composed by Wolfgang Amadeus Mozart. Arranged by Diego Marani. Classical,Sacred,Standards. Score and parts. 35 p...
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Concert Band - Level 3 - SKU: A0.528107 Composed by Wolfgang Amadeus Mozart. Arranged by Diego Marani. Classical,Sacred,Standards. Score and parts. 35 pages. Diego Marani #4745361. Published by Diego Marani (A0.528107). Ave verum corpus (Hail, true body), (K. 618), is a marvelous motet composed by Wolfgang Amadeus Mozart in 1791, six months before his death. It is a setting of the Latin hymn Ave verum corpus and was composed for the feast of Corpus Christi.This arrangement for Concert Band with Optional Choir includes the following parts: Flute, Oboe, Bassoon, Bb Clarinet 1-2-3, Bb Bass Clarinet, Eb Alto Saxophone 1-2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1-2-3, F/Eb Horn 1-2, C/Bb Trombone 1-2, C/Bb Baritone 1-2, C/Bb Tuba, String Bass, Choir (SATB).
$34.99 ≈
31.34€
Gabrieli: Sonata Pian e Forte Ch 175 for Cello Choir
Gabrieli: Sonata Pian e Forte Ch 175 for Cello Choir
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Giovanni Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
String Ensemble Cello - Level 2 - SKU: A0.549267 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Instructional,Renaissance,Standards...
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String Ensemble Cello - Level 2 - SKU: A0.549267 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Instructional,Renaissance,Standards. 45 pages. Jmsgu3 #3479835. Published by jmsgu3 (A0.549267). A musical monument: the first composition to employ dynamics. Minimum instrumentation: 11 cellos.  Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
42.94€
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only
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Orchestre de chambre
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AVANCÉ
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Christian contemporain
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Musique Sacrée
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Carson Cooman
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Carson Cooman: Symphony No. 3,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3...
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Chamber Orchestra - Level 5 - SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037097. Published by Musik Fabrik Music Publishing (A0.533672). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the score only. The complete parts and each seperate part are also available as seperate items.
$25.95 ≈
23.24€
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, full set of parts on
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, full set of parts on
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Christian contemporain
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Musique Sacrée
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Carson Cooman
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Carson Cooman: Symphony No. 3,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.533673 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 134 pages. Musik Fabrik Music Publishing #303...
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Small Ensemble - Level 5 - SKU: A0.533673 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 134 pages. Musik Fabrik Music Publishing #3037307. Published by Musik Fabrik Music Publishing (A0.533673). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the complete set of parts. The full score and the individual parts are avaialbe as seperate items.
$64.95 ≈
58.17€
Te Deum
Te Deum
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Jean-Baptiste Lully
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Te Deum
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Schott Music - Digital
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SheetMusicPlus
2 Trompeten, Pauken, Streicher und Basso continuo 2 mixed choirs (SATB/SATB), soloists (SSATTB) and orchestra - intermediate - SKU: S9.Q3274 Motet
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2 Trompeten, Pauken, Streicher und Basso continuo 2 mixed choirs (SATB/SATB), soloists (SSATTB) and orchestra - intermediate - SKU: S9.Q3274 Motet. Composed by Jean-Baptiste Lully. This edition: vocal/piano score. Downloadable, Piano reduction. Duration 40 minutes. Schott Music - Digital #Q3274. Published by Schott Music - Digital (S9.Q3274). Latin.This edition of a Te Deum by J.-B. Lully (1632-1687), composed in 1677, has been compiled from part-books belonging to the Euing Library in the University of Glasgow, and we wish to record our gratitude to that University, and to its librarian, Mr. R.O. MacKenna, for placing them at our disposal. The original score consists of a Petit Choeur for semi-chorus and soli, a Grand Choeur for full chorus, and an orchestra consisting of two trumpets, strings and basso continuo. Although there is no timpani part in the Glasgow part-books, it seems evident that there is need for timpani in performance. The editor has therefore ventured to include a part for them. The soloists required are SSAATTB. Some of their parts could well be sung by members of the Petit Choeur. This edition presents the text of the original sources except for the piano part which is partly a realization of the figured bass (marked continuo) and partly an adaption of the instrumental score (marked piano score).
$22.99 ≈
20.59€
"So nun der Geist" for Double Reed Quintet MP3
"So nun der Geist" for Double Reed Quintet MP3
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Johann Sebastian Bach
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Cristiano Vecchi
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"So nun der Geist" f
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Cristiano Vecchi
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SheetMusicPlus
Bassoon,English Horn,Oboe - Level 3 - SKU: A0.1507783 Composed by Johann Sebastian Bach. Arranged by Cristiano Vecchi. Barbershop,Chamber,Classical,Prai...
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Bassoon,English Horn,Oboe - Level 3 - SKU: A0.1507783 Composed by Johann Sebastian Bach. Arranged by Cristiano Vecchi. Barbershop,Chamber,Classical,Praise & Worship,Sacred. Full Performance. Duration 83. Cristiano Vecchi #1083084. Published by Cristiano Vecchi (A0.1507783). The motet So nun der Geist (If now the spirit), dramatic, intense and full of contrasts, from the Cantata BWV 227, here arranged for 2 Oboes, English Horn and 2 Bassoons; the phrasing follows the original score, while dynamics are an interpretation of mine.Duration: 1'23.Score and parts also available on this website.Also available for Clarinet in Bb and String Quartet.
$1.99 ≈
1.78€
"So nun der Geist" for Double Reed Quintet
"So nun der Geist" for Double Reed Quintet
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Johann Sebastian Bach
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Cristiano Vecchi
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"So nun der Geist" f
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Cristiano Vecchi
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SheetMusicPlus
Small Ensemble Bassoon,English Horn,Oboe - Level 3 - SKU: A0.1507782 Composed by Johann Sebastian Bach. Arranged by Cristiano Vecchi. Baroque,Chamber,Cl...
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Small Ensemble Bassoon,English Horn,Oboe - Level 3 - SKU: A0.1507782 Composed by Johann Sebastian Bach. Arranged by Cristiano Vecchi. Baroque,Chamber,Classical,Praise & Worship,Sacred. 10 pages. Cristiano Vecchi #1083082. Published by Cristiano Vecchi (A0.1507782). The motet So nun der Geist (If now the spirit), dramatic, intense and full of contrasts, from the Cantata BWV 227, here arranged for 2 Oboes, English Horn and 2 Bassoons; the phrasing follows the original score, while dynamics are an interpretation of mine.SCORE and PARTS. Duration: 1'23.MP3 also available on this website.Also available for Clarinet in Bb and String Quartet.
$6.99 ≈
6.26€
Ave verum corpus for Clarinet Ensemble
Ave verum corpus for Clarinet Ensemble
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Ensemble de Clarinettes
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AVANCÉ
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Musique Sacrée
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Wolfgang Amadeus Mozart
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James Haynor
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Ave verum corpus for Clarinet
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James Haynor
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 5 - SKU: A0.782229 Composed by Wolfgang Amadeus Mozart. Arranged by James Haynor. Classical,Praise & Worship. 13 page...
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Woodwind Ensemble Clarinet - Level 5 - SKU: A0.782229 Composed by Wolfgang Amadeus Mozart. Arranged by James Haynor. Classical,Praise & Worship. 13 pages. James Haynor #3684737. Published by James Haynor (A0.782229). Ave verum corpus (Hail, true body), ( K. 618), is a motet in D Major composed by Wolfgang Amedeus Mozart in 1791. It is a setting of the Latin hymn Ave verum corpus. Mozart wrote it for Anton Stoll, a friend who was the church musician of St. Stephan. The motet was composed for the feast Corpus Cristi; the autograph is dated 17 June 1791. It is scored for SATB Choir, string instruments and organ. Scored here for 6 Bb Clarinets, Bass Clarinet and Contrabass Clarinet. Duration : 3:09
$10.00 ≈
8.96€
Die Seligpreisungen - in memoriam Leipzig 1989
Die Seligpreisungen - in memoriam Leipzig 1989
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Enjott Schneider
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Die Seligpreisungen - in memor
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Schott Music - Digital
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SheetMusicPlus
Mixed choir, string trio, bassoon and organ - advanced - SKU: S9.Q7096 Text aus dem Matthäus-Evangelium, 5, 3-12 in der Übersetzung von Martin ...
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Mixed choir, string trio, bassoon and organ - advanced - SKU: S9.Q7096 Text aus dem Matthäus-Evangelium, 5, 3-12 in der Übersetzung von Martin Luther. Composed by Enjott Schneider. This edition: choral score. Downloadable, Choral score. Duration 13 minutes. Schott Music - Digital #Q7096. Published by Schott Music - Digital (S9.Q7096). German.St. Nicolas Church in Leipzig: the 9th of October 1989 saw the last great peace prayer with the Beatitudes, followed by the momentous non-violent peace demonstration. The famous film composer Enjott Schneider created a touching monument to the events of Leipzig by setting the Beatitudes from the Sermon on the Mount to music. In his motet for mixed choir, string trio, bassoon and organ, he captures the extraordinary mood of that day musically in three movements (I In Not - In time of need, II Barmherzigkeit - Mercy, III Hoffnung - Hope). The demanding, yet impressive choral work is perfect for church services.
$9.99 ≈
8.95€
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Motet: String Bass
