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Vous avez sélectionné:
Messe de Mort
Partitions à imprimer
11 partitions trouvées
<
1
Messe de Mort
Messe de Mort
#
Andre Campra
#
Messe de Mort
#
Ernst Eulenburg & Co. GmbH - Digital
#
SheetMusicPlus
Tailles de violon - SKU: S9.Q5948 Composed by Andre Campra. This edition: separate part. Eulenburg Orchestral Series. Downloadable, Individual part. Ern...
(+)
Tailles de violon - SKU: S9.Q5948 Composed by Andre Campra. This edition: separate part. Eulenburg Orchestral Series. Downloadable, Individual part. Ernst Eulenburg & Co. GmbH - Digital #Q5948. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q5948). Campra's sacred music includes 5 books of petits motets, the polyphonic Missa ad Majorem Dei Gloriam, the Messe de mort, and a large number of grands motets. All these works demonstrate the composer's mastery of theatrical conventions - descriptive instrumental preludes and dramatically representative scenes are not uncommon - and their style is imbued with the worldly, fashionable Italianate spirit of the time. The Messe de mort is today one of the more frequently performed of Campra's sacred works and it is also one of the most enigmatic scores of his entire output. The occasion of its commission and first performance are unknown. Montagnier, however, proposes the hypothesis that the Messe de mort was expressly composed for the memorial service for Philippe II duc d'Orléans (Campra's patron since 1697) who died at Versailles on 4 February 1723.
$4.99 ≈
£3.76
Messe de Mort
Messe de Mort
#
Andre Campra
#
Messe de Mort
#
Ernst Eulenburg & Co. GmbH - Digital
#
SheetMusicPlus
Hautes-contre de violon - SKU: S9.Q5947 Composed by Andre Campra. This edition: separate part. Eulenburg Orchestral Series. Downloadable, Individual par...
(+)
Hautes-contre de violon - SKU: S9.Q5947 Composed by Andre Campra. This edition: separate part. Eulenburg Orchestral Series. Downloadable, Individual part. Ernst Eulenburg & Co. GmbH - Digital #Q5947. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q5947). Campra's sacred music includes 5 books of petits motets, the polyphonic Missa ad Majorem Dei Gloriam, the Messe de mort, and a large number of grands motets. All these works demonstrate the composer's mastery of theatrical conventions - descriptive instrumental preludes and dramatically representative scenes are not uncommon - and their style is imbued with the worldly, fashionable Italianate spirit of the time. The Messe de mort is today one of the more frequently performed of Campra's sacred works and it is also one of the most enigmatic scores of his entire output. The occasion of its commission and first performance are unknown. Montagnier, however, proposes the hypothesis that the Messe de mort was expressly composed for the memorial service for Philippe II duc d'Orléans (Campra's patron since 1697) who died at Versailles on 4 February 1723.
$4.99 ≈
£3.76
Messe de Mort
Messe de Mort
#
Andre Campra
#
Messe de Mort
#
Ernst Eulenburg & Co. GmbH - Digital
#
SheetMusicPlus
Flute / violin - SKU: S9.Q5946 Composed by Andre Campra. This edition: separate part. Eulenburg Orchestral Series. Downloadable, Individual part. Ernst ...
(+)
Flute / violin - SKU: S9.Q5946 Composed by Andre Campra. This edition: separate part. Eulenburg Orchestral Series. Downloadable, Individual part. Ernst Eulenburg & Co. GmbH - Digital #Q5946. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q5946). Campra's sacred music includes 5 books of petits motets, the polyphonic Missa ad Majorem Dei Gloriam, the Messe de mort, and a large number of grands motets. All these works demonstrate the composer's mastery of theatrical conventions - descriptive instrumental preludes and dramatically representative scenes are not uncommon - and their style is imbued with the worldly, fashionable Italianate spirit of the time. The Messe de mort is today one of the more frequently performed of Campra's sacred works and it is also one of the most enigmatic scores of his entire output. The occasion of its commission and first performance are unknown. Montagnier, however, proposes the hypothesis that the Messe de mort was expressly composed for the memorial service for Philippe II duc d'Orléans (Campra's patron since 1697) who died at Versailles on 4 February 1723.
$5.99 ≈
£4.51
Messe de Mort
Messe de Mort
#
Andre Campra
#
Messe de Mort
#
Ernst Eulenburg & Co. GmbH - Digital
#
SheetMusicPlus
Soloists, mixed choir (SATB) and orchestra - SKU: S9.Q5950 Composed by Andre Campra. This edition: set of solo parts. Eulenburg Orchestral Series. Downl...
(+)
Soloists, mixed choir (SATB) and orchestra - SKU: S9.Q5950 Composed by Andre Campra. This edition: set of solo parts. Eulenburg Orchestral Series. Downloadable, Set of solo parts. Ernst Eulenburg & Co. GmbH - Digital #Q5950. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q5950). Campra's sacred music includes 5 books of petits motets, the polyphonic Missa ad Majorem Dei Gloriam, the Messe de mort, and a large number of grands motets. All these works demonstrate the composer's mastery of theatrical conventions - descriptive instrumental preludes and dramatically representative scenes are not uncommon - and their style is imbued with the worldly, fashionable Italianate spirit of the time. The Messe de mort is today one of the more frequently performed of Campra's sacred works and it is also one of the most enigmatic scores of his entire output. The occasion of its commission and first performance are unknown. Montagnier, however, proposes the hypothesis that the Messe de mort was expressly composed for the memorial service for Philippe II duc d'Orléans (Campra's patron since 1697) who died at Versailles on 4 February 1723.
$47.99 ≈
£36.11
Messe de Mort
Messe de Mort
#
Chorale SATB
#
Andre Campra
#
Messe de Mort
#
Schott Music - Digital
#
SheetMusicPlus
Solos: TTB - choir: SST(A)TBB - 2.0.0.0. - 0.0.0.0. - vl.2va.vc/db soloists, mixed choir (SATB) and orchestra - SKU: S9.Q22897 Requiem. Composed ...
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Solos: TTB - choir: SST(A)TBB - 2.0.0.0. - 0.0.0.0. - vl.2va.vc/db soloists, mixed choir (SATB) and orchestra - SKU: S9.Q22897 Requiem. Composed by Andre Campra. This edition: vocal/piano score. Downloadable, Piano reduction. Duration 55 minutes. Schott Music - Digital #Q22897. Published by Schott Music - Digital (S9.Q22897). Campra's sacred music includes 5 books of petits motets, the polyphonic Missa ad Majorem Dei Gloriam, the Messe de mort, and a large number of grands motets. All these works demonstrate the composer's mastery of theatrical conventions - descriptive instrumental preludes and dramatically representative scenes are not uncommon - and their style is imbued with the worldly, fashionable Italianate spirit of the time. The Messe de mort is today one of the more frequently performed of Campra's sacred works and it is also one of the most enigmatic scores of his entire output. The occasion of its commission and first performance are unknown. Montagnier, however, proposes the hypothesis that the Messe de mort was expressly composed for the memorial service for Philippe II duc d'Orléans (Campra's patron since 1697) who died at Versailles on 4 February 1723.
$10.99 ≈
£8.27
Messe de Mort
Messe de Mort
#
Andre Campra
#
Messe de Mort
#
Ernst Eulenburg & Co. GmbH - Digital
#
SheetMusicPlus
Solos: TTB - choir: SST(A)TBB - 2.0.0.0. - 0.0.0.0. - vl.2va.vc/db BAsso - SKU: S9.Q5949 Composed by Andre Campra. This edition: separate part. Eulenbur...
(+)
Solos: TTB - choir: SST(A)TBB - 2.0.0.0. - 0.0.0.0. - vl.2va.vc/db BAsso - SKU: S9.Q5949 Composed by Andre Campra. This edition: separate part. Eulenburg Orchestral Series. Downloadable, Individual part. Duration 55 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q5949. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q5949). Campra's sacred music includes 5 books of petits motets, the polyphonic Missa ad Majorem Dei Gloriam, the Messe de mort, and a large number of grands motets. All these works demonstrate the composer's mastery of theatrical conventions - descriptive instrumental preludes and dramatically representative scenes are not uncommon - and their style is imbued with the worldly, fashionable Italianate spirit of the time. The Messe de mort is today one of the more frequently performed of Campra's sacred works and it is also one of the most enigmatic scores of his entire output. The occasion of its commission and first performance are unknown. Montagnier, however, proposes the hypothesis that the Messe de mort was expressly composed for the memorial service for Philippe II duc d'Orléans (Campra's patron since 1697) who died at Versailles on 4 February 1723.
$4.99 ≈
£3.76
Charpentier: Messe de Menuit pour Noël (SSAA soli, SSAA choir, flutes, strings and continuo) - Full
Charpentier: Messe de Menuit pour Noël (SSAA soli, SSAA choir, flutes, strings and continuo) - Full
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Marc-Antoine Charpentier
#
Roar Kvam
#
Charpentier: Messe de Menuit p
#
KVAMusic Edition
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.768506 Composed by Marc-Antoine Charpentier. Arranged by Roar Kvam. Baroque,Christmas. Score and parts. 120 pages....
(+)
Chamber Orchestra - Level 3 - SKU: A0.768506 Composed by Marc-Antoine Charpentier. Arranged by Roar Kvam. Baroque,Christmas. Score and parts. 120 pages. KVAMusic Edition #4717673. Published by KVAMusic Edition (A0.768506). The Messe de Minuit was written around 1694 for the Jesuit church of Saint-Louis in Paris.What is remarkable about this mass is the use of ten French noëls (Christmas carols) in the composition. In the liturgy the birth of Christ is celebrated with three masses: the first during the night of December 24th, the second in the early morning of December 25th, and the third on the day itself. A special atmosphere surrounds the first of these masses on account of the midnight hour, and so CharpenÂtier gave special expression to the long observed practice in France of including popular Christmas carols in the Christmas liturgy by including them in the composition of his midnight mass. Although the Council of Trent had forbidden this kind of borrowing of secular melodies in masses in principle, long established customs were tolerated. Charpentier’s justly famous Messe de Minuit represents a perfect synthesis between the secular and liturgical, and between the popular and learned. Adapting the vast majority of the Latin mass to French noëls, the Messe de Minuit’s freshness and joyful spirit perfectly represent Advent. While Charpentier used ten different noël’s through the course of the work, the most serious moment of the mass, the statements of Christ’s incarnation, his mortal existence, and his death under Pontius Pilate, is given wholly original, appropriately sober music.
$20.00 ≈
£15.05
Charpentier: Messe de Menuit pur Noël (SSAA soli, SSAA choir, flutes, strings and continuo) - Choir
Charpentier: Messe de Menuit pur Noël (SSAA soli, SSAA choir, flutes, strings and continuo) - Choir
#
Chorale 3 parties
#
INTERMÉDIAIRE
#
MarcAntoine Charpentier
#
Roar Kvam
#
Charpentier: Messe de Menuit p
#
KVAMusic Edition
#
SheetMusicPlus
Choral Choir (SSA) - Level 3 - SKU: A0.768508 Composed by MarcAntoine Charpentier. Arranged by Roar Kvam. Baroque,Christian,Christmas,Sacred. Octavo. 38...
(+)
Choral Choir (SSA) - Level 3 - SKU: A0.768508 Composed by MarcAntoine Charpentier. Arranged by Roar Kvam. Baroque,Christian,Christmas,Sacred. Octavo. 38 pages. KVAMusic Edition #4717677. Published by KVAMusic Edition (A0.768508). The Messe de Minuit was written around 1694 for the Jesuit church of Saint-Louis in Paris.What is remarkable about this mass is the use of ten French noëls (Christmas carols) in the composition. In the liturgy the birth of Christ is celebrated with three masses: the first during the night of December 24th, the second in the early morning of December 25th, and the third on the day itself. A special atmosphere surrounds the first of these masses on account of the midnight hour, and so CharpenÂtier gave special expression to the long observed practice in France of including popular Christmas carols in the Christmas liturgy by including them in the composition of his midnight mass. Although the Council of Trent had forbidden this kind of borrowing of secular melodies in masses in principle, long established customs were tolerated. Charpentier’s justly famous Messe de Minuit represents a perfect synthesis between the secular and liturgical, and between the popular and learned. Adapting the vast majority of the Latin mass to French noëls, the Messe de Minuit’s fresnhess and joyful spirit perfectly represent Advent. While Charpentier used ten different noël’s through the course of the work, the most serious moment of the mass, the statements of Christ’s incarnation, his mortal existence, and his death under Pontius Pilate, is given wholly original, appropriately sober music.
$7.00 ≈
£5.27
Charpentier: Messe de Menuit pur Noël (SSAA soli, SSAA choir, flutes, strings and continuo) - Orche
Charpentier: Messe de Menuit pur Noël (SSAA soli, SSAA choir, flutes, strings and continuo) - Orche
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Chorale 3 parties
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INTERMÉDIAIRE
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MarcAntoine Charpentier
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Roar Kvam
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Charpentier: Messe de Menuit p
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KVAMusic Edition
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SheetMusicPlus
Choral Choir (SSA) - Level 3 - SKU: A0.768507 Composed by MarcAntoine Charpentier. Arranged by Roar Kvam. Baroque,Christian,Christmas. Octavo. 112 pages...
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Choral Choir (SSA) - Level 3 - SKU: A0.768507 Composed by MarcAntoine Charpentier. Arranged by Roar Kvam. Baroque,Christian,Christmas. Octavo. 112 pages. KVAMusic Edition #4717675. Published by KVAMusic Edition (A0.768507). The Messe de Minuit was written around 1694 for the Jesuit church of Saint-Louis in Paris.What is remarkable about this mass is the use of ten French noëls (Christmas carols) in the composition. In the liturgy the birth of Christ is celebrated with three masses: the first during the night of December 24th, the second in the early morning of December 25th, and the third on the day itself. A special atmosphere surrounds the first of these masses on account of the midnight hour, and so CharpenÂtier gave special expression to the long observed practice in France of including popular Christmas carols in the Christmas liturgy by including them in the composition of his midnight mass. Although the Council of Trent had forbidden this kind of borrowing of secular melodies in masses in principle, long established customs were tolerated. Charpentier’s justly famous Messe de Minuit represents a perfect synthesis between the secular and liturgical, and between the popular and learned. Adapting the vast majority of the Latin mass to French noëls, the Messe de Minuit’s fresnhess and joyful spirit perfectly represent Advent. While Charpentier used ten different noël’s through the course of the work, the most serious moment of the mass, the statements of Christ’s incarnation, his mortal existence, and his death under Pontius Pilate, is given wholly original, appropriately sober music.
$50.00 ≈
£37.63
Quaerens Me From Grande Messe De Morts
Quaerens Me From Grande Messe De Morts
Baritone Horn|B-Flat Trumpet
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Hector Berlioz
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Bill Schuetter
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Quaerens Me From Grande Messe
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Imagine Music - Digital
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SheetMusicPlus
By Hector Berlioz (1803-1869). Arranged by Bill Schuetter. For brass sextet (2 trumpets, 2 horns, 2 baritone horns). Level 3. Score and parts. Duration 4 minute...
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By Hector Berlioz (1803-1869). Arranged by Bill Schuetter. For brass sextet (2 trumpets, 2 horns, 2 baritone horns). Level 3. Score and parts. Duration 4 minutes 25 seconds. Published by Imagine Music - Digital
$16.00 ≈
£12.04
DIES IRAE from REQUIEM by G. Verdi
DIES IRAE from REQUIEM by G. Verdi
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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FACILE
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Giuseppe Verdi
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Alessandro Macrì
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DIES IRAE from REQUIEM by G. V
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Music Macri Editions
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.931249 Composed by Giuseppe Verdi. Arranged by Alessandro Macrì. A Cappella,Concert,Fil...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.931249 Composed by Giuseppe Verdi. Arranged by Alessandro Macrì. A Cappella,Concert,Film/TV,Romantic Period,Sacred. Score and parts. 20 pages. Music Macri Editions #5771023. Published by Music Macri Editions (A0.931249). La Messa da Requiem di Giuseppe Verdi è un'opera certamente religiosa, ma in un modo tutto suo, scritta cioè da un uomo che non era propriamente praticante: composta ed eseguita (su un precedente progetto per Rossini) nel 1874 per commemorare Alessandro Manzoni a un anno dalla scomparsa, è un lavoro che unisce, alla devozione quasi filiale per i due Grandi, una sensibilità operistica tutta verdiana. E in verità , i cantanti solisti che Verdi aveva in mente nello scrivere la partitura erano certamente voci d’opera.La prima nella chiesa di San Marco a Milano ebbe un tale successo che si tennero altre tre esecuzioni al Teatro alla Scala. Francis Tovey scrive: La Messa era arrivata nella sua vera casa (...) dove il pubblico, che non doveva badare alle convenzioni ecclesiastiche, poté dare sfogo al proprio entusiasmo, con esuberanza tipicamente italiana. Verdi non aveva intenzione di riservare la partitura a rare, solenni commemorazioni. La qualità drammatica e operistica del Requiem mal si adatta all’uso di un servizio regolare in chiesa, né il compositore voleva che funzionasse come liturgia. Fin dall'inizio, Verdi ha concepito il suo Requiem per l’esecuzione, non per la devozione; voleva che il suo lavoro fosse complementare alla popolarità di Manzoni per mostrare al mondo la cultura italiana, tanto che lo portò personalmente in tournée a Parigi, New York, Londra e Vienna.Il Requiem di Verdi, come Ein deutsches Requiem di Johannes Brahms, è l’affermazione di un dolore personale che si serve di un testo preso in prestito dalla liturgia sacra.Neanche Brahms, come Verdi, era particolarmente devoto. Per entrambi, le parole della messa da requiem per i defunti rappresentano il bisogno universale di esprimere le emozioni che ci assalgono quando una persona amata muore: dolore, perdita, tristezza, rabbia, paura del giudizio divino e speranza di pace sia per i defunti che per coloro che sono in lutto.Verdi inizia con i versi Requiem aeternam dona eis, Domine che il coro e l'orchestra intonano in fasi sommesse e raccolte. I quattro solisti si uniscono al coro e all'orchestra per uno stentoreo Kyrie eleison. Il tonitruante boato orchestrale e corale del Dies irae che segue immediatamente il Kyrie è il momento più atteso e memorabile del Requiem. Qui i musicisti, i coristi e i cantanti devono produrre esplosioni sonore continue e inarrestabili. Gli ottoni, le percussioni, i legni e il coro sono tirati al massimo, mentre le voci gridano sgomento e dolore, e gli archi crescono di intensità e impeto. Del resto, il materiale musicale del pauroso Dies irae ritorna di continuo lungo tutta la Messa, dipingendo un quadro da Giorno del Giudizio: non a caso l’opera è stata equiparata all’affresco michelangiolesco della Cappella Sistina. Un lavoro cupamente drammatico, con intermittenti, brevi, violenti lampi di luce.Di volta in volta, Verdi ci fa vivere il terrore dell'inferno (timbri e registri bassi) e la luminosa speranza di salvezza, preparandoci alla gioia del Sanctus, con la tromba che annuncia Santo, santo, santo, Signore degli eserciti! Il cielo e la terra sono pieni della tua gloria!Verdi conclude il suo Requiem con un soprano che intona i primi versi di Libera me (Liberami, o Signore, dalla morte eterna in quel terribile giorno). Tutto il dramma, il terrore, l’angoscia delle sezioni precedenti ritorna, come se il compositore intendesse lasciarci con un senso di incertezza: saremo, alla fine, riscattati? Verdi riprende qui la musica del Dies irae, ma alla fine, il coro e il soprano finiscono in un sussurro quasi impercettibile, con Libera me. Libera me: una speranza, una preghiera, un gemito sommesso.
$9.00 ≈
£6.77
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Messe de Mort
