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Vous avez sélectionné:
Mendelssohn
EUPHONIUM
Partitions à imprimer
37 partitions trouvées
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Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
#
Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Felix Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
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jmsgu3
#
Euphonium,Piano - Level 3 - SKU: A0.549503 Composed by Felix Mendelssohn (1809 ??1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Per...
(+)
Euphonium,Piano - Level 3 - SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501871. Published by jmsgu3 (A0.549503). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95 ≈
30.70€
Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
#
Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
#
jmsgu3
#
Euphonium,Piano - Level 3 - SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,S...
(+)
Euphonium,Piano - Level 3 - SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501851. Published by jmsgu3 (A0.549501). BARITONE HORN (Treble Clef) and PIano - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95 ≈
30.70€
Mendelssohn: Sonata Op. 45 for Baritone Horn & Piano
Mendelssohn: Sonata Op. 45 for Baritone Horn & Piano
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Euphonium, Piano (duo)
#
INTERMÉDIAIRE
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Classique
#
Felix Bartholdy Mendelssohn
#
James Guthrie, ASCAP
#
piano.
#
Mendelssohn: Sonata Op. 45 for
#
jmsgu3
#
Euphonium,Piano - Level 3 - SKU: A0.551791 Composed by Felix Bartholdy Mendelssohn. Arranged by James Guthrie, ASCAP. Instructional,Romantic Period,Stan...
(+)
Euphonium,Piano - Level 3 - SKU: A0.551791 Composed by Felix Bartholdy Mendelssohn. Arranged by James Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 135 pages. Jmsgu3 #5721003. Published by jmsgu3 (A0.551791). Mendelssohn Sonata Op. 45 in three movements.Score: 76 pages, Duration ca. 26:301. Allegro vivace2. Andante3. Allegro assaiOriginally scored for cello & piano.
$32.95 ≈
30.70€
COMPLETE Book of 30 Euphonium and Tuba Duets for Fun (popular classics volumes 1 and 2) - various levels
COMPLETE Book of 30 Euphonium and Tuba Duets for Fun (popular classics volumes 1 and 2) - various levels
#
2 Euphoniums (duo)
#
INTERMÉDIAIRE
#
Noël
#
Newton, Meacham, Handel, Del
#
Austin Ralphson
#
COMPLETE Book of 30 Euphonium
#
Austin Ralphson
#
Composed by Newton, Meacham, Handel, Delibes, Bach, Purcell, Beethoven, Ugolino, Scott Joplin, Gershwin, Johann Strauss II, Mendelssohn, Grieg, Jeremi...
(+)
Composed by Newton, Meacham, Handel, Delibes, Bach, Purcell, Beethoven, Ugolino, Scott Joplin, Gershwin, Johann Strauss II, Mendelssohn, Grieg, Jeremiah Clarke, Mozart, Vivaldi, Tchaikovsky, Charpentier. Arranged by Austin Ralphson. 20th Century, Classical Period, Baroque Period, Wedding, Recital. Score. 136 pages. Published by Austin Ralphson
This is a book of popular pieces arranged for duet; it comprises both volumes from the '15 Duets for Fun' series, making a total of 30 duets in this set. The difficulty levels range from early-intermediate to advanced, and should provide something for everyone to enjoy. The pieces have been arranged so that both parts are interesting throughout - they often interweave and take on many roles within the music. A duet score is provided for each piece, and the repertoire covers wedding music, slow melodies, traditional Welsh melodies, baroque classics, famous symphonic melodies, piano works and other popular pieces. Music is provided in B flat treble and concert pitch bass clefs. This is the full list:
1. All Through The Night (Welsh trad.)
2. Amazing Grace (Newton)
3. American Patrol (Meacham)
4. David of the White Rock (Welsh trad.)
5. Fanfare from ?Water Music? (Handel)
6. Happy Birthday
7. Largo from ?Xerxes? (Handel)
8. Myfanwy (Welsh trad.)
9. Pizzicati from ?Sylvia? (Delibes)
10. Prelude in C (Bach)
11. La Rjouissance from ?Music for the Royal Fireworks? (Handel)
12. Rondo from ?Abdelazer? (Purcell)
13. Scherzo from Symphony No. 2 (Beethoven)
14. Suo Gan (Welsh trad.)
15. Concerto for Mandolin and Strings (Ugolino)
16. The Entertainer (Scott Joplin)
17. Highlights from Rhapsody In Blue (Gershwin)
18. The Blue Danube Waltz (Johann Strauss II)
19. Six Christmas Pieces, No.5 (Mendelssohn)
20. Fr Elise (Beethoven)
21. In The Hall Of The Mountain King (Grieg)
22. Trumpet Voluntary (Jeremiah Clarke)
23. Eine Kleine Nachtmusik No.1 (Mozart)
24. The Londonderry Air / Danny Boy (trad.)
25. Symphony No.5, Mvt.1 (Beethoven)
26. Rondo Alla Turca (Mozart)
27. ?Autumn? from ?The Four Seasons? (Vivaldi)
28. ?Ode to Joy? from Symphony No.9 (Beethoven)
29. March of the Toy Soldiers from ?The Nutcracker? (Tchaikovsky)
30. Prelude from ?Te Deum? (Charpentier)
$29.99 ≈
27.94€
TRIPLE PACK of Euphonium and Tuba Duets - contains over 50 duets including Christmas, classical and jazz
TRIPLE PACK of Euphonium and Tuba Duets - contains over 50 duets including Christmas, classical and jazz
#
2 Euphoniums (duo)
#
INTERMÉDIAIRE
#
Noël
#
Newton, Meacham, Handel, Del
#
Austin Ralphson
#
TRIPLE PACK of Euphonium and T
#
Austin Ralphson
#
Composed by Newton, Meacham, Handel, Delibes, Bach, Purcell, Beethoven, Ugolino, Scott Joplin, Gershwin, Johann Strauss II, Mendelssohn, Grieg, Jeremi...
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Composed by Newton, Meacham, Handel, Delibes, Bach, Purcell, Beethoven, Ugolino, Scott Joplin, Gershwin, Johann Strauss II, Mendelssohn, Grieg, Jeremiah Clarke, Mozart, Vivaldi, Tchaikovsky, Charpentier, J. Pierpoint, L. Mason, F. Gruber, J. Mohr, Trad. Arranged by Austin Ralphson. 20th Century, Classical Period, Baroque Period, Christmas, Wedding. Score. 191 pages. Published by Austin Ralphson
This is a book of popular pieces arranged for duet; it comprises both volumes from the '15 Duets for Fun' series, plus the '21 Christmas Duets for Fun' as well, making a total of 51 duets in this set. The difficulty levels range from early-intermediate to advanced, and should provide something for everyone to enjoy. The pieces have been arranged so that both parts are interesting throughout - they often interweave and take on many roles within the music. A duet score is provided for each piece, and the repertoire covers wedding music, slow melodies, traditional Welsh melodies, baroque classics, famous symphonic melodies, piano works, Christmas classics and other popular pieces. Parts are provided in B flat treble and concert pitch bass clefs. This is the full list:
1. Jingle Bells v1
2. Jingle Bells v2
3. Ding Dong Merrily On High v1
4. Ding Dong Merrily On High v2
5. Ding Dong Merrily On High v3
6. Joy To The World v1
7. Joy To The World v2
8. Joy To The World v3
9. Deck The Halls v1
10. Deck The Halls v2
11. Deck The Halls v3
12. O Christmas Tree v1
13. O Christmas Tree v2
14. Silent Night v1
15. Silent Night v2
16. Silent Night v3
17. O Little Town Of Bethlehem v1
18. O Little Town Of Bethlehem v2
19. O Little Town Of Bethlehem v3
20. God Rest Ye Merry, Gentlemen v1
21. God Rest Ye Merry, Gentlemen v2
22. All Through The Night (Welsh trad.)
23. Amazing Grace (Newton)
24. American Patrol (Meacham)
25. David of the White Rock (Welsh trad.)
26. Fanfare from ?Water Music? (Handel)
27. Happy Birthday
28. Largo from ?Xerxes? (Handel)
29. Myfanwy (Welsh trad.)
30. Pizzicati from ?Sylvia? (Delibes)
31. Prelude in C (Bach)
32. La Rjouissance from ?Music for the Royal Fireworks? (Handel)
33. Rondo from ?Abdelazer? (Purcell)
34. Scherzo from Symphony No. 2 (Beethoven)
35. Suo Gan (Welsh trad.)
36. Concerto for Mandolin and Strings (Ugolino)
37. The Entertainer (Scott Joplin)
38. Highlights from Rhapsody In Blue (Gershwin)
39. The Blue Danube Waltz (Johann Strauss II)
40. Six Christmas Pieces, No.5 (Mendelssohn)
41. Fr Elise (Beethoven)
42. In The Hall Of The Mountain King (Grieg)
43. Trumpet Voluntary (Jeremiah Clarke)
44. Eine Kleine Nachtmusik No.1 (Mozart)
45. The Londonderry Air / Danny Boy (trad.)
46. Symphony No.5, Mvt.1 (Beethoven)
47. Rondo Alla Turca (Mozart)
48. ?Autumn? from ?The Four Seasons? (Vivaldi)
49. ?Ode to Joy? from Symphony No.9 (Beethoven)
50. March of the Toy Soldiers from ?The Nutcracker? (Tchaikovsky)
51. Prelude from ?Te Deum? (Charpentier)
$39.99 ≈
37.26€
Six Songs Without Words for Euphonium & Piano, Volume II
Six Songs Without Words for Euphonium & Piano, Volume II
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Euphonium, Piano (duo)
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AVANCÉ
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Classique
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Felix Bartholdy Mendelssohn
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Ralph Sauer
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Six Songs Without Words for Eu
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Gordon Cherry
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Euphonium,Piano - Level 5 - SKU: A0.811180 Composed by Felix Bartholdy Mendelssohn. Arranged by Ralph Sauer. Classical,Romantic Period. Score and part. ...
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Euphonium,Piano - Level 5 - SKU: A0.811180 Composed by Felix Bartholdy Mendelssohn. Arranged by Ralph Sauer. Classical,Romantic Period. Score and part. 32 pages. Gordon Cherry #5888501. Published by Gordon Cherry (A0.811180). Ralph Sauer has transcribed six of Mendelssohn’s many Songs Without Words for Euphonium and Piano, Volume Two. Mendelssohn wrote eight volumes of songs for the Piano throughout his life. These pieces became popular immediately because of their beauty and accessibility. The Songs are mostly lyrical and of utmost beauty. Mr. Sauer has found a previously un-mined resource and added immeasurably to the Euphonium repertoire. For advanced performers with about 14 minutes of exquisite music in bass clef.
$22.50 ≈
20.97€
Six Songs Without Words for Euphonium & Piano
Six Songs Without Words for Euphonium & Piano
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Euphonium, Piano (duo)
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AVANCÉ
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Classique
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Felix Bartholdy Mendelssohn
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Sauer, Ralph
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Six Songs Without Words for Eu
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Gordon Cherry
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Euphonium,Piano - Level 5 - SKU: A0.792388 Composed by Felix Bartholdy Mendelssohn. Arranged by Sauer, Ralph. 20th Century,Classical,Romantic Period. Sc...
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Euphonium,Piano - Level 5 - SKU: A0.792388 Composed by Felix Bartholdy Mendelssohn. Arranged by Sauer, Ralph. 20th Century,Classical,Romantic Period. Score and part. 32 pages. Gordon Cherry #4820293. Published by Gordon Cherry (A0.792388). Ralph Sauer has transcribed six of Mendelssohn’s many Songs Without Words for Euphonium. Mendelssohn wrote eight volumes of songs for the Piano throughout his life. These pieces became popular immediately because of their beauty and accessibility technically. The Songs are mostly lyrical and of utmost beauty. Mr. Sauer has found a previously unmined resource and added immeasurably to the Euphonium repertoire. For advanced performers in Bass Clef.
$22.50 ≈
20.97€
Goethe Lieder for Euphonium solo and Piano
Goethe Lieder for Euphonium solo and Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Mendelssohn-Hansel, Fanny
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Darling, Steven
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Goethe Lieder for Euphonium so
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Gordon Cherry
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Euphonium,Piano - Level 3 - SKU: A0.810857 Composed by Mendelssohn-Hansel, Fanny. Arranged by Darling, Steven. Classical,Romantic Period. Score and part...
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Euphonium,Piano - Level 3 - SKU: A0.810857 Composed by Mendelssohn-Hansel, Fanny. Arranged by Darling, Steven. Classical,Romantic Period. Score and part. 13 pages. Gordon Cherry #3585409. Published by Gordon Cherry (A0.810857). Fanny Mendelssohn-Hensel wrote over 460 works, mostly for solo piano and voice (lieder). She set over 34 songs to poems by Goethe, who was her favorite poet. Her songs are very expressive and are in a similar style as Schubert.The Goethe Lieder is a collection of four songs and is just right for a young performer at the intermediate level, however even a mature artist will enjoy the beautiful music of this talented composer.
$15.00 ≈
13.98€
Sullivan: The Lost Chord for Euphonium & Piano
Sullivan: The Lost Chord for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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Sullivan: The Lost Chord for E
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jmsgu3
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Euphonium,Piano - Level 4 - SKU: A0.549459 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,S...
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Euphonium,Piano - Level 4 - SKU: A0.549459 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497273. Published by jmsgu3 (A0.549459). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95 ≈
25.11€
Song Without Words, Op. 109 for Euphonium & Piano
Song Without Words, Op. 109 for Euphonium & Piano
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Euphonium, Piano (duo)
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AVANCÉ
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Classique
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Felix Bartholdy Mendelssohn
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Sauer, Ralph
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Song Without Words, Op. 109 fo
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Gordon Cherry
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Euphonium,Piano - Level 5 - SKU: A0.792389 Composed by Felix Bartholdy Mendelssohn. Arranged by Sauer, Ralph. 20th Century,Classical,Romantic Period. Sc...
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Euphonium,Piano - Level 5 - SKU: A0.792389 Composed by Felix Bartholdy Mendelssohn. Arranged by Sauer, Ralph. 20th Century,Classical,Romantic Period. Score and part. 12 pages. Gordon Cherry #4820291. Published by Gordon Cherry (A0.792389). Mendelssohn wrote 8 books of Songs Without Words for Piano alone. However this one song is the only one not for solo Piano, but for Cello & Piano and was published posthumously. The work is in A-B-A form, the B section being moody in contrast to the heavenly outer sections. The sublime lyricism of the work gives it its great strength. Mr. Sauer has once again found the perfect key for his Euphonium and Piano transcription. For advanced performers.
$15.00 ≈
13.98€
Hark, The Herald Angels Sing - two Euphoniums with Piano accompaniment
Hark, The Herald Angels Sing - two Euphoniums with Piano accompaniment
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2 Euphoniums (duo)
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INTERMÉDIAIRE
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Noël
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Felix Bartholdy Mendelssohn
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Bragi Thor Valsson
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Hark, The Herald Angels Sing -
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Bragi Thor Valsson
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Euphonium,Instrumental Duet - Level 3 - SKU: A0.1410335 Composed by Felix Bartholdy Mendelssohn. Arranged by Bragi Thor Valsson. 19th Century,Christian,...
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Euphonium,Instrumental Duet - Level 3 - SKU: A0.1410335 Composed by Felix Bartholdy Mendelssohn. Arranged by Bragi Thor Valsson. 19th Century,Christian,Christmas,Religious,Sacred. 10 pages. Bragi Thor Valsson #992752. Published by Bragi Thor Valsson (A0.1410335). An arrangement of the Christmas song Hark, The Herald Angels Sing for two Euphoniums with Piano accompaniment.Two scores are provided - one version is in bass clef, concert pitch, and the other one is in treble clef for Bb euphonium.
$6.99 ≈
6.51€
Hark, The Herald Angels Sing - Euphonium with Piano accompaniment
Hark, The Herald Angels Sing - Euphonium with Piano accompaniment
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Felix Bartholdy Mendelssohn
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Bragi Thor Valsson
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Hark, The Herald Angels Sing -
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Bragi Thor Valsson
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Euphonium,Piano - Level 3 - SKU: A0.1391360 Composed by Felix Bartholdy Mendelssohn. Arranged by Bragi Thor Valsson. 19th Century,Christian,Christmas,Re...
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Euphonium,Piano - Level 3 - SKU: A0.1391360 Composed by Felix Bartholdy Mendelssohn. Arranged by Bragi Thor Valsson. 19th Century,Christian,Christmas,Religious,Sacred. Score and part. 8 pages. Bragi Thor Valsson #974897. Published by Bragi Thor Valsson (A0.1391360). An arrangement of the Christmas song Hark, The Herald Angels Sing for Euphonium with Piano accompaniment.Two scores are provided - one version is in bass clef, concert pitch, and the other one is in treble clef for Bb euphonium.
$4.99 ≈
4.65€
Concerto in D Minor
Concerto in D Minor
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Euphonium, Piano (duo)
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Classique
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Felix Bartholdy Mendelssohn
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Mikhail Nakariakov
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Concerto in D Minor
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Editions Marc Reift - Digital
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Euphonium & Piano - Grade 6 - SKU: R0.53330 (1822). Composed by Felix Bartholdy Mendelssohn. Arranged by Mikhail Nakariakov. Euphonium & Piano. S...
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Euphonium & Piano - Grade 6 - SKU: R0.53330 (1822). Composed by Felix Bartholdy Mendelssohn. Arranged by Mikhail Nakariakov. Euphonium & Piano. Score and parts. 54 pages. Duration 19'50. Editions Marc Reift - Digital #53330. Published by Editions Marc Reift - Digital (R0.53330).
$27.95 ≈
26.04€
Three Romances Without Words Opus 17 for Euphonium and Piano
Three Romances Without Words Opus 17 for Euphonium and Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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FaureÌ, Gabrie
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Sauer, Ralph
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Three Romances Without Words O
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Gordon Cherry
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Euphonium,Piano - Level 4 - SKU: A0.792277 Composed by Fauré, Gabrie. Arranged by Sauer, Ralph. 20th Century,Romantic Period,World. Score and part. 15...
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Euphonium,Piano - Level 4 - SKU: A0.792277 Composed by FaureÌ, Gabrie. Arranged by Sauer, Ralph. 20th Century,Romantic Period,World. Score and part. 15 pages. Gordon Cherry #4803789. Published by Gordon Cherry (A0.792277). The Three Romances Without Words, Opus 17 were most likely composed for solo Piano in 1863 while FaureÌ was still a student at the ÌEcole Niedermeyer, but not performed in public until much later. They have all of the recognizable features of the composer: simplicity, lyricism, charm and fluidity. Their inspiration may have come from the earlier works by Mendelssohn which Mr. Sauer has also lovingly given life to. These 3 short works can be performed by intermediate to advanced performers.
$17.50 ≈
16.31€
3 Lieder ohne Worte
3 Lieder ohne Worte
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Euphonium, Piano (duo)
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Classique
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Felix Bartholdy Mendelssohn
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Timofei Dokshitser
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3 Lieder ohne Worte
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Editions Marc Reift - Digital
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Euphonium & Piano - Grade 3 - SKU: R0.46714 Opus 53, Nr. 20 / Opus 62, Nr. 25 / Opus 62, Nr. 30. Composed by Felix Bartholdy Mendelssohn. Arrange...
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Euphonium & Piano - Grade 3 - SKU: R0.46714 Opus 53, Nr. 20 / Opus 62, Nr. 25 / Opus 62, Nr. 30. Composed by Felix Bartholdy Mendelssohn. Arranged by Timofei Dokshitser. Euphonium & Piano. Score and parts. 19 pages. Duration 6'30. Editions Marc Reift - Digital #46714. Published by Editions Marc Reift - Digital (R0.46714).
$18.95 ≈
17.66€
Bach: Wachet auf for Euphonium & Piano
Bach: Wachet auf for Euphonium & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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#
Bach: Wachet auf for Euphonium
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jmsgu3
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Euphonium,Piano - Level 2 - SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standar...
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Euphonium,Piano - Level 2 - SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555095. Published by jmsgu3 (A0.549854). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95 ≈
23.25€
Bach-Gounod: Ave Maria, Schwencke version for Euphonium & Piano
Bach-Gounod: Ave Maria, Schwencke version for Euphonium & Piano
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Euphonium, Piano (duo)
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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Euphonium,Piano - Level 2 - SKU: A0.550927 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and p...
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Euphonium,Piano - Level 2 - SKU: A0.550927 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888357. Published by jmsgu3 (A0.550927). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$32.95 ≈
30.70€
The Elephant
The Elephant
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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Matthew Nunes
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The Elephant
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Matthew Nunes Music
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Euphonium,Piano - Level 3 - SKU: A0.1265066 Composed by Camille Saint-Saens. Arranged by Matthew Nunes. 19th Century,Children,Classical,Instructional. S...
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Euphonium,Piano - Level 3 - SKU: A0.1265066 Composed by Camille Saint-Saens. Arranged by Matthew Nunes. 19th Century,Children,Classical,Instructional. Score and part. 10 pages. Matthew Nunes Music #857906. Published by Matthew Nunes Music (A0.1265066). Http://www.matthewnunesmusic.com/arrangements.htmlIncludes Treble Clef (TC) and Bass Clef (BC) parts. The Elephant is the fifth movement in Camille Saint-Saens 1886 suite The Carnival of the Animals and originally features the double bass. A quirky and imaginative piece, the Carnival features the representations of lions and swans, assortments of fowl, aquatic wonders, and even fossils. The Elephant is based on two themes, the Scherzo from A Midsummer Night’s Dream by Felix Mendelssohn and Dance of the Sylphs from The Damnation of Faust by Hector Berlioz. There are plenty of jokes in the Carnival, and no doubt audiences at the time chuckled when hearing familiar themes in a much lower presentation.
$1.99 ≈
1.85€
Five Songs Without Words for Euphonium & Piano
Five Songs Without Words for Euphonium & Piano
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Euphonium, Piano (duo)
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AVANCÉ
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Sergei Prokofiev
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Sauer, Ralph
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Five Songs Without Words for E
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Gordon Cherry
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Euphonium,Piano - Level 5 - SKU: A0.811056 Composed by Sergei Prokofiev. Arranged by Sauer, Ralph. 20th Century,Romantic Period,World. Score and part. 3...
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Euphonium,Piano - Level 5 - SKU: A0.811056 Composed by Sergei Prokofiev. Arranged by Sauer, Ralph. 20th Century,Romantic Period,World. Score and part. 32 pages. Gordon Cherry #4820307. Published by Gordon Cherry (A0.811056). The Prokofiev Five Songs Without Words, Opus 35 were written in December 1920 during a tour of the USA. The musical format of songs without words is not unusual, as Mendelssohn composed a number of very beautiful ones for the Piano and of course Rachmaninoff’s Vocalise is one of the most famous works in the musical repertoire. The Five Songs Without Words were premiered in New York City in 1921 by the soprano Nina Koshetz. In 1925, while living in Paris the composer arranged the five brief songs for Violin and Piano. Their haunting, bittersweet and lyrical style is typical of Prokofiev and the advanced performer will find these wonderful miniatures totaling 12 minutes in length a perfect vehicle for a major work on a recital. Mr. Sauer has scored these songs beautifully for the Euphonium and Piano.
$22.50 ≈
20.97€
Bach-Gounod: Ave Maria for Euphonium & Piano
Bach-Gounod: Ave Maria for Euphonium & Piano
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Euphonium, Piano (duo)
#
FACILE
#
Bach-Gounod
#
James M
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Bach-Gounod: Ave Maria for Eup
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jmsgu3
#
Euphonium,Piano - Level 2 - SKU: A0.549370 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score an...
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Euphonium,Piano - Level 2 - SKU: A0.549370 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3491309. Published by jmsgu3 (A0.549370). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Euphonium & Piano, S0.661829. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95 ≈
30.70€
Wedding March (Bridal Chorus - Here comes the Bride) for Euphonium Solo
Wedding March (Bridal Chorus - Here comes the Bride) for Euphonium Solo
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Euphonium
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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Cadenza Editions
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Wedding March
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Cadenza Editions
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Euphonium Solo - Level 3 - SKU: A0.570609 Composed by Felix Bartholdy Mendelssohn. Arranged by Cadenza Editions. 20th Century,Holiday,Romantic Period,We...
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Euphonium Solo - Level 3 - SKU: A0.570609 Composed by Felix Bartholdy Mendelssohn. Arranged by Cadenza Editions. 20th Century,Holiday,Romantic Period,Wedding. Individual part. 2 pages. Cadenza Editions #4882905. Published by Cadenza Editions (A0.570609).
$4.99 ≈
4.65€
Hark, the Herald Angels Sing (Solo Trombone and Piano)
Hark, the Herald Angels Sing (Solo Trombone and Piano)
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Euphonium, Piano (duo)
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FACILE
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Musique Sacrée
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Charles Wesley, Felix Mendelss
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Garrett Breeze
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Hark, the Herald Angels Sing
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Lagom Music
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Euphonium,Piano - Level 2 - SKU: A0.723371 Composed by Charles Wesley, Felix Mendelssohn. Arranged by Garrett Breeze. Christian,Christmas,Praise & Worsh...
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Euphonium,Piano - Level 2 - SKU: A0.723371 Composed by Charles Wesley, Felix Mendelssohn. Arranged by Garrett Breeze. Christian,Christmas,Praise & Worship,Sacred. Score and part. 8 pages. Lagom Music #6132665. Published by Lagom Music (A0.723371). This instrumental solo arrangement by composer Garrett Breeze features simple harmonies accompanied by a challenging piano part written in a classical, quasi-operatic style, giving the piece a majestic feeling. Listeners will also hear references to the carol Angels We Have Heard on High which accompany the first two verses as a new refrain.
$5.99 ≈
5.58€
Three Romances Without Words, Op. 17 for Euphonium & Piano
Three Romances Without Words, Op. 17 for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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Sauer, Ralph
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Three Romances Without Words,
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Gordon Cherry
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Euphonium,Piano - Level 4 - SKU: A0.810920 Composed by Gabriel Faure. Arranged by Sauer, Ralph. 20th Century. Score and part. 15 pages. Gordon Cherry #3...
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Euphonium,Piano - Level 4 - SKU: A0.810920 Composed by Gabriel Faure. Arranged by Sauer, Ralph. 20th Century. Score and part. 15 pages. Gordon Cherry #3820429. Published by Gordon Cherry (A0.810920). The Three Romances Without Words, Opus 17 were most likely composed for solo Piano in 1863 while Fauré was still a student at the ÌEcole Niedermeyer, but not performed in public until much later. They have all of the recognizable features of the composer: simplicity, lyricism, charm and fluidity. Their inspiration may have come from the earlier works by Mendelssohn which Mr. Sauer has also lovingly given life to.These 3 short works can be performed by intermediate to advanced performers.
$15.00 ≈
13.98€
Bach: Bist du bei mir BWV 508 for Euphonium & Piano
Bach: Bist du bei mir BWV 508 for Euphonium & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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Euphonium,Piano - Level 2 - SKU: A0.549222 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Sc...
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Euphonium,Piano - Level 2 - SKU: A0.549222 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468180. Published by jmsgu3 (A0.549222). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95 ≈
30.70€
Bach: Wachet auf for Baritone Horn & Piano
Bach: Wachet auf for Baritone Horn & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Baritone
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jmsgu3
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Euphonium,Piano - Level 2 - SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standar...
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Euphonium,Piano - Level 2 - SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555081. Published by jmsgu3 (A0.549852). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95 ≈
23.25€
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