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May the Words for mixed choir
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Vous avez sélectionné:
May the Words for mixed choir
Partitions à imprimer
24 partitions trouvées
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1
May the Words - for mixed choir
May the Words - for mixed choir
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Chorale SATB
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Ofer Ben-Amots
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May the Words - for mixed choi
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The Composer's Own Press
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.944044 Composed by Ofer Ben-Amots. Contemporary,Jewish,Sacred,World. Octavo. 8 pages. The Composer's Own Press #4799931. P...
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Choral Choir (SATB) - SKU: A0.944044 Composed by Ofer Ben-Amots. Contemporary,Jewish,Sacred,World. Octavo. 8 pages. The Composer's Own Press #4799931. Published by The Composer's Own Press (A0.944044). Out of the Hebrew prayer book: May the words of my mouth and the thoughts of my heart be acceptable before You...English Translation:May the words of my mouthand the thoughts of my heart be acceptable before You,Adonai, my rock, and redeemer,and let us say: Amen!He Who makes peace in His heights,may He make peace upon usand upon all OF Israel, and let us say: Amen!Hebrew Transliteration:Yee'heyu Le'ratzon Imrey Fi Vehegyon Libi Lefanecha Adonay Tzuri Vego'a'li Ve'imru Amen! Ose Shalom Bimromav Hu Ya'a'se Shalom Alenu Ve'al Kol Yisra'el, Ve'imru Amen!*** for any question or additional information please e-mail composer Ofer Ben-Amots at: thecomposerspress@gmail.com
$4.50 ≈
¥31.75
Son to Mother
Son to Mother
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Chorale SATB
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Henrik Dahlgren
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Son to Mother
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
SATB chorus divisi - SKU: BJ.1370 Composed by Henrik Dahlgren. Secular. Octavo. 12 pages. Bo Ejeby Forlag - Digital #1370. Published by Bo Ejeby Forlag ...
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SATB chorus divisi - SKU: BJ.1370 Composed by Henrik Dahlgren. Secular. Octavo. 12 pages. Bo Ejeby Forlag - Digital #1370. Published by Bo Ejeby Forlag - Digital (BJ.1370). 8.27 x 11.7 inches.In 2017, I was commissioned by the male voice choir Svanholm Singers to write a work for inclusion in a concert marking 70 years since the proclamation of the Universal Declaration of Human Rights. Choosing a text was difficult. I came across upon a poem by Maya Angelou, but it struck me as being too powerful and emotional for the music I was writing to carry it; everything I composed sounded banal next to Angelou's words. I soon realized that I could use silence to enhance the text, rather than heaping layers and layers of music upon it. Silence is both terrifying and serious - in a sense, it is the only adequate counterpoint to the poetry. So, I decided to build the piece on silence. Though the beginning of the piece is the opposite of silence - a scream of desperation -, I followed that outburst by cutting the poem's stanzas into single words, repeated in a different order each time, almost in the manner of a mantra. Finally, they end up in the right order and suddenly the words take on their rightful meaning. I hope, in this way, the music is equally powerful as the words. Son to Mother has been well-received and has gone on to become one of the most widely performed pieces I have written. It has been performed at various festivals and in various countries, including Taiwan, France and China - where it only just made it past the government censors. - Henrik DahlgrenThis version is an adaptation for mixed choir of the original male choir version. Henrik Dahlgren is a Swedish composer, born 1991. He has been studying at the Academy Of Music in Malmo with Prof. Rolf Martinsson and the Royal College Of Music in London with Dr. Haris Kittos. Henrik started his musical career as a drummer and has ever since worked in a very wide range of different genres and styles, both as a performer and as a composer.
$5.40 ≈
¥38.10
Son to Mother
Son to Mother
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Chorale TTBB
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Henrik Dahlgren
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Son to Mother
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
TTBB divisi chorus - SKU: BJ.1351 Composed by Henrik Dahlgren. Secular. Octavo. 12 pages. Bo Ejeby Forlag - Digital #1351. Published by Bo Ejeby Forlag ...
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TTBB divisi chorus - SKU: BJ.1351 Composed by Henrik Dahlgren. Secular. Octavo. 12 pages. Bo Ejeby Forlag - Digital #1351. Published by Bo Ejeby Forlag - Digital (BJ.1351). 8.27 x 11.7 inches.In 2017, I was commissioned by the Svanholm Singers to write a work for inclusion in a concert marking 70 years since the proclamation of the Universal Declaration of Human Rights. Choosing a text was difficult. I came across upon a poem by American poet Maya Angelou, but it struck me as being too powerful and emotional for the music I was writing to carry it; everything I composed sounded banal next to Angelou's words. I soon realized that I could use silence to enhance the text, rather than heaping layers and layers of music upon it. Silence is both terrifying and serious - in a sense, it is the only adequate counterpoint to the poetry. So, I decided to build the piece on silence. Though the beginning of the piece is the opposite of silence - a scream of desperation - I followed that outburst by cutting the poem's stanzas into single words, repeated in a different order each time, almost in the manner of a mantra. Finally, they end up in the right order and suddenly the words take on their rightful meaning. I hope, in this way, the music is equally powerful as the words. Son to Mother has been well-received and has gone on to become one of the most widely performed pieces I have written. It has been performed at various festivals and in various countries, including Taiwan, France and China - where it only just made it past the government censors.Also available for mixed choir.Henrik Dahlgren is a Swedish composer, born 1991. He has been studying at the Academy Of Music in Malmo with Prof. Rolf Martinsson and the Royal College Of Music in London with Dr. Haris Kittos. Henrik started his musical career as a drummer and has ever since worked in a very wide range of different genres and styles, both as a performer and as a composer.
$5.40 ≈
¥38.10
Spring from "The Seasons" (Downloadable Piano/Choral Score)
Spring from "The Seasons" (Downloadable Piano/Choral Score)
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Chorale SATB
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INTERMÉDIAIRE
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Frank Ferko
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Spring from "The Seasons&
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir and string quartet - Medium - SKU: MQ.8559-E Composed by Frank Ferko. Secular, 21st Century, Creation/Nature, Spring. Score & instrument part...
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SATB choir and string quartet - Medium - SKU: MQ.8559-E Composed by Frank Ferko. Secular, 21st Century, Creation/Nature, Spring. Score & instrument part. 10 pages. Duration 2 minutes, 40 seconds. E. C. Schirmer Music Company - Digital #8559-E. Published by E. C. Schirmer Music Company - Digital (MQ.8559-E). UPC: 600313485596. English.The Seasons was commissioned by the South Bend Chamber Singers, Nancy Menk, conductor, and first performed on March 3, 2013 by the South Bend Chamber Singers with the Euclid Quartet in a concert devoted to music about the weather. The texts for this work were selected by the composer, and they represent three different time periods, the 17th, 19th and early 20th centuries, to show that writers have long been fascinated by the seasons and by the distinct weather conditions that each season brings. Although certain types of weather, such as wind or rain, may occur in any of the seasons, the descriptions of weather in these four poems present specific weather conditions which commonly occur in each of the four seasons: a still, hot, sultry day interrupted by the movement of a light breeze from the hills (summer); the cooling morning mists and light frost which signal the coming of winter (autumn); the bitter iciness of fierce winds and frozen air-in this poem, further compared with man's ingratitude (winter); the warm rains and southerly winds that melt the ice and bring about new life (spring). Throughout this piece various musical devices are employed to underscore or even interpret the words. These devices include text painting, contrapuntal structures (double canon and fugue), and dramatically shifting harmonic colors as each season unfolds. The contrasting performing forces of mixed choir and string quartet are particularly well-suited for presenting, very colorfully, the various musical depictions of the weather conditions and characteristics of each of the seasons. -Frank FerkoDuration: 2:40.
$2.65 ≈
¥18.70
CHOPSTICKS: The Celebrated Chop Stick Waltz for 13-note Bells and Boomwhackers (Color Coded Notes)
CHOPSTICKS: The Celebrated Chop Stick Waltz for 13-note Bells and Boomwhackers (Color Coded Notes)
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Sharon Wilson
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Sharon Wilson Music
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CHOPSTICKS: The Celebrated Cho
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Sharon Wilson
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SheetMusicPlus
Mixed Percussion Bells,Boomwhackers,Handbell,Handchime,Orff Instrument,Xylophone - Level 1 - SKU: A0.569889 By Sharon Wilson. By Arthur de Lulli. Arrang...
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Mixed Percussion Bells,Boomwhackers,Handbell,Handchime,Orff Instrument,Xylophone - Level 1 - SKU: A0.569889 By Sharon Wilson. By Arthur de Lulli. Arranged by Sharon Wilson Music. 20th Century,Children,Folk,Instructional,March. 46 pages. Sharon Wilson #6616395. Published by Sharon Wilson (A0.569889). This sheet music is notated for 8-note, C major diatonic scale (one octave) instruments with Handbells on one staff and Boomwhackers® on a second staff creating a 2-part instrumental ensemble (requires one set of each instrument). For most of the song, the Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords.The first 31 measures progress through the melody one time and can be used as a stand-alone performance. This first part of the arrangement is perfect for introducing new players to Bells and Boomwhackers®. Beginning in measure 32, the arrangement becomes more challenging by embellishing the melody, adding eighth notes, and alternating the chopstick theme between the parts. This second section utilizes more advanced note-reading and rhythmic skills and helps develop the ringing and whacking techniques needed for more advanced songs. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note and chord reference chart is also provided. To aid in the learning and teaching of this song or for use with other instruments (such as a Ukulele), chord names are included on the Boomwhackers® staff and score. In addition, a complete set of scores for 4 ringers and 3 whackers is provided. Though there are multiple combinations for the number of ringers and whackers needed for any given performance, this extra set of scores is specifically designed for 7 performers with 2 notes assigned to each player. For each ringer and whacker, the 1-staff score shows only the notes they are assigned. This alternate score format may be easier to sight-read since the only notes on the staff are the assigned notes allowing the player to focus on rhythm. This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. Only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to distinguish (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter and eighth rests are used to help visualize the number of beats per measure. Notes used for each instrument are as follows: Bells ~ C D E F G A B C* where C* is high C, one octave above middle C Boomwhackers® ~ C D E F G B Note assignment suggestions are provided. Other suggestions and uses:* have both parts played by bells or both parts played using only Boomwhackers®* form a choir using multiple sets of bells and/or Boomwhackers® * use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groupsPermission is granted to make as many copies as needed for one family, church, school, or other performing group. Please purchase additional copies for multiple groups or organizations. Boomwhackers® is a registered trademark of Rhythm Band Instruments LLC. Used by permissionVisit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusicKeywords: boomwhacker, boomwacker, boomwackers, pitched percussion, tuned percussion tubes, plastic tubes, elementary classroom music
$10.00 ≈
¥70.55
A Whitman Triptych: II. What Is the Grass? (Downloadable)
A Whitman Triptych: II. What Is the Grass? (Downloadable)
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David Conte
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A Whitman Triptych: II. What I
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Tenor voice solo, SATB choir unaccompanied - Moderately Difficult - SKU: MQ.8322-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, ...
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Tenor voice solo, SATB choir unaccompanied - Moderately Difficult - SKU: MQ.8322-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, Americana, Children, Creation/Nature, Hope/Assurance. Instrument part. 15 pages. Duration 5 minutes, 42 seconds. E. C. Schirmer Music Company - Digital #8322-E. Published by E. C. Schirmer Music Company - Digital (MQ.8322-E). UPC: 600313483226. English. The three a cappella choral pieces that comprise “A Whitman Triptych†were composed between 2012 and 2014. O Setting Sun was commissioned by the Madison Chamber Choir, Madison, Wisconsin, Anthony Cao, conductor, and was premiered on April 20th, 2012. “What is the Grass†was composed for Cappella SF, Ragnar Bohlin, conductor, and is being premiered on tonight’s concert. Facing West was commissioned in celebration of the 75th anniversary of the Golden Gate Bridge by the International Orange Chorale, Zane Fiala, conductor, and was premiered on May 27th, 2012. I first set Whitman to music in 1986,when I adapted part of “When Lilacs Last in the Dooryard Bloomed†as the basis for my composition “Invocation and Dance.†I went on to set “Good-Bye, My Fancy†for Male Chorus and Soprano Saxophone in 1992, and “Song of the Open Road†for Mixed Chorus and Piano in 2004. Like so many composers, I have found the visionary quality of Whitman’s verse inspiring; the vigor and intensity of the poetry seem naturally to draw out music. “What is the Grass?†is also an adaptation of a much longer poem, one of Whitman’s deepest, and most mysterious. The poem begins as a child-like meditation on grass; as hope, as an embodiment of new life and new growth in the plant world. Then suddenly there is a somber turn with the line “And now it seems to me the beautiful uncut hair of graves.†Here Whitman enters an extended mediation on how grass connects life and death, informed by his experiences in the Civil War. Hope returns with the line: “They are alive and well somewhere,†leading to the mysterious final line: “And to die is different from what anyone supposed, and luckier…†Here Whitman affirms that death can be an initiation into a broader participation of existence. In the words of poet Ivan M. Granger, Whitman offers a “Zen-like riddle that doesn’t offer an answer so much as a pathway of questioning.†My musical setting follows Whitman’s exploration, first taking a child’s point of view, expressed with lilting melodies set in a lively compound meter. The entry of the tenor soloist indicates a change of mood to the serious. The first mood returns, leading to a climax on the words “And led forward life…â€, set in 9-part harmony. The mood turns reverent, as the tenor soloist intones: “All goes onward and outward; nothing collapses.†The piece ends with a tone of gentle, slightly ironic questioning. -David ConteDuration: 5:42
$2.85 ≈
¥20.11
Canticum Canticorum for Krzysztof Penderecki
Canticum Canticorum for Krzysztof Penderecki
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Orchestre de chambre
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AVANCÉ
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MohammadHadi Ayanbod
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Canticum Canticorum for Krzysz
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Rimorarte Edition
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and parts. 32 pages. ...
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Chamber Orchestra - Level 5 - SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and parts. 32 pages. Rimorarte Edition #5996921. Published by Rimorarte Edition (A0.1027777). Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is a musical piece based on the old text with the same name from Vulgate. The Canticum Canticorum text also known as Song of Songs, the Song of Solomon, the Canticle of Canticles, (Old Greek: Άσμα Ασμάτων, same meaning as song of songs). As David Berlo once beautifully put this into words: Meanings are in people … not in the messages …. The elements and structure of a language … are only symbols …. Meanings are not transmittable … Only messages are transmittable, and meanings are not in the message, they are in the message-users! Therefore, I needed to understand and interpret the text itself, even before I wanted to try setting it to the music. However, in order to understand the text correctly, one should comprehend the origin of the text and get to know its author(s), at first. In the case of Canticum Canticorum, both the author and the origin of the text are obscure. Furthermore, even the approximate date/century/era of the birth and the cultural context in which the text was created, are far from clear. According to the scholars, the creation of the text ranges from the tenth century B.C.; the era of Solomon, up to the first century B.C., and the origin of it considers from Indian, Tamil, or Ethiopic literature to Palestinian one. Because of these vast spectra of dates and cultures, I had to read and understand the text, compare with other sources, find similarities in other languages and cultures, hermeneutically interpret it and search for those non-written or metaphorical clues that may lead to unfasten the mystery has been attached to the text. In order to achieve the most accurate and faithful interpretation of the text I also had to answer few questions regarding the style, structure, medium, architecture and techniques of the music in relation to the text. I have used string orchestra and mixed choir to render the ideas, since that is among highly versatile instrumentations capable of providing small and delicate whispers, heavenly voices, and intonation changes that is hardly-reproducible by other mediums as well as thunderous sounds. Although Canticum Canticorum is single-movement work, but still possible to distinguish three different sections: the beginning choral part that is a long fugue in 5 voices with the material of serial music which helps orchestra to enter and grow, the a-capella middle section consists of two contrasting but invisibly related atmospheres and the third section – the recapitulation of the ideas already presented, in both the text and the music. The culmination of the work; 11-parts choral, takes place in the third section, somewhere near the end of the piece. Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is dedicated to the genius composer of our time, Maestro Prof. dr. h.c. Krzysztof Penderecki.
$24.99 ≈
¥176.30
Robin Adair for mixed choir (SATB)
Robin Adair for mixed choir (SATB)
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Chorale SATB
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FACILE
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Carroll O'Daly
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David Warin Solomons
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Robin Adair for mixed choir
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David Warin Solomons
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.576139 Composed by Carroll O'Daly. Arranged by David Warin Solomons. Contemporary,Folk,World. Octavo. 3 pages. D...
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Choral Choir (SATB) - Level 2 - SKU: A0.576139 Composed by Carroll O'Daly. Arranged by David Warin Solomons. Contemporary,Folk,World. Octavo. 3 pages. David Warin Solomons #2031597. Published by David Warin Solomons (A0.576139). Choral arrangement of Robin Adair, with some interesting harmonies. Audio sample sung (multitrack and transposed down a little) by the composer The original tune was composed with the words Eibhlin a Ruin (Ellen Aroon or Eileen Aroon) by the Irish bard Carroll O'Daly (14th Century), although it was later attributed to the 18th century Irish composer Charles Coffey (this was presumably an arrangement of the original). The words of Robin Adair itself are understood to be by Lady Caroline Keppel, who was in love with a surgeon by that name. (This seems more likely than the theory that Robert Burns wrote it, although Burns certainly knew Keppel's lyrics and made his own parodies upon the words). Some later versions of the melody contain Scotch snaps but this version follows the simplest melodic line, without the Scotch snaps - which may have been closer to O'Daly's original tune - and with quite romantic choral harmonies.
$2.99 ≈
¥21.09
National Anthem: The Star Spangled Banner for 3-part SAB Mixed Choir with optional keyboard accompan
National Anthem: The Star Spangled Banner for 3-part SAB Mixed Choir with optional keyboard accompan
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Chorale 3 parties
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DÉBUTANT
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Patriotique
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Patriotique
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Music by John Stafford Smith a
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Sylvia Chapa
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National Anthem: The Star Span
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Sylvia Chapa
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SheetMusicPlus
Choral Choir (SAB) - Level 1 - SKU: A0.827772 Composed by Music by John Stafford Smith and Words by Francis Scott Key. Arranged by Sylvia Chapa. A Cappe...
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Choral Choir (SAB) - Level 1 - SKU: A0.827772 Composed by Music by John Stafford Smith and Words by Francis Scott Key. Arranged by Sylvia Chapa. A Cappella,Graduation,Holiday,Instructional,Patriotic. Octavo. 2 pages. Sylvia Chapa #4632785. Published by Sylvia Chapa (A0.827772). An easy 3-part SAB Choir arrangement of The Star Spangled Banner, the US National Anthem, this was originally created for a high school choir with limited music reading capabilities. It may be sung a cappella or with the keyboard accompaniment. The accompaniment supports and doubles the parts often, and is helpful in the beginning stages of teaching the song. It could be played by a high school pianist or on a church organ. It may also be sung as a solo if following the highest notes in the treble clef (melody). This is in the Medium Low Key of Ab, so if you have that soprano, go for it! The MP3 recorded sounds are computer generated voices and piano in the key of Ab. Note that it is also available in the lower key of G, and higher keys of A, and Bb. The optional high note is then G, A, or Bb. Suitable for a vocal solo at a ball game, Memorial Day programs/church if allowed, Fourth of July, Veteran's Day, Patriots Day, and any patriotic observance in the US.
$2.50 ≈
¥17.64
National Anthem: The Star Spangled Banner for 3-part SAB Mixed Choir with optional keyboard accompan
National Anthem: The Star Spangled Banner for 3-part SAB Mixed Choir with optional keyboard accompan
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Chorale 3 parties
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DÉBUTANT
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Patriotique
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Patriotique
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Music by Francis Scott Key and
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Sylvia Chapa
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National Anthem: The Star Span
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Sylvia Chapa
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SheetMusicPlus
Choral Choir (SAB) - Level 1 - SKU: A0.827770 Composed by Music by Francis Scott Key and Words by John Stafford Smith. Arranged by Sylvia Chapa. A Cappe...
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Choral Choir (SAB) - Level 1 - SKU: A0.827770 Composed by Music by Francis Scott Key and Words by John Stafford Smith. Arranged by Sylvia Chapa. A Cappella,Graduation,Holiday,Instructional,Patriotic. Octavo. 2 pages. Sylvia Chapa #4632781. Published by Sylvia Chapa (A0.827770). An easy 3-part SAB Choir arrangement of The Star Spangled Banner, the US National Anthem, this was originally created for a high school choir with limited music reading capabilities. It may be sung a cappella or with the keyboard accompaniment. The accompaniment supports and doubles the parts often, and is helpful in the beginning stages of teaching the song. It could be played by a high school pianist or on a church organ. It could be sung as a vocal solo by reading the top notes (melody). Suitable for a vocal solo or choir at a ball game, Memorial Day programs/church if allowed, Fourth of July, Veteran's Day, Patriots Day, and any patriotic observance in the US. This is in the High Key of Bb, so if you have that soprano, go for it! The MP3 recorded sounds are computer generated voices and piano in the key of Bb. Note that it is also available in the lower keys of G, Ab, and A. The optional high note is then G, Ab, or A. .
$2.50 ≈
¥17.64
The Despicable Pirate King - Piano Accompaniment Track
The Despicable Pirate King - Piano Accompaniment Track
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Accompagnement Piano
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Carol Troutman Wiggins
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The Despicable Pirate King - P
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Carol Troutman Wiggins
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SheetMusicPlus
Choir,Piano - SKU: A0.1065407 Composed by Carol Troutman Wiggins. Children,Instructional,Standards. Accompaniment. Duration 170. Carol Troutman Wiggins ...
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Choir,Piano - SKU: A0.1065407 Composed by Carol Troutman Wiggins. Children,Instructional,Standards. Accompaniment. Duration 170. Carol Troutman Wiggins #3049159. Published by Carol Troutman Wiggins (A0.1065407). The Despicable Pirate King - Piano Accompaniment TrackUnison/2-Part Mixed Chorus w/Optional Bass DrumThis despicable pirate king is not very nice!Great for advanced upper elementary & middle school singersBoys LOVE singing this song (and girls do, too!)Spoken or shouted Yo-ho's and a few other verbal cues are included in the score in rhythmic notationComfortable singing range for both partsKey of E minorBass drum (or other drum) may be played on the Yo-ho'sChords included for additional instrumentsLyrics a re a little wordy, but is great for practicing diction and where to breathe in a songThis song presents the perfect opportunity to learn the definitions of the words used in the songA vocabulary list is included on the last page of the scorePiano Accompaniment Track is included on this site.
$5.99 ≈
¥42.26
The Despicable Pirate King
The Despicable Pirate King
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Chorale 2 parties
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FACILE
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Carol Troutman Wiggins
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The Despicable Pirate King
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Carol Troutman Wiggins
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SheetMusicPlus
Choral Choir (2-Part) - Level 2 - SKU: A0.727196 Composed by Carol Troutman Wiggins. Children,Contemporary,Folk,Instructional,Multicultural,World. Octav...
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Choral Choir (2-Part) - Level 2 - SKU: A0.727196 Composed by Carol Troutman Wiggins. Children,Contemporary,Folk,Instructional,Multicultural,World. Octavo. 13 pages. Carol Troutman Wiggins #3049157. Published by Carol Troutman Wiggins (A0.727196). The Despicable Pirate KingUnison/2-Part Mixed Chorus w/Optional Bass DrumThis despicable pirate king is not very nice!Great for advanced upper elementary & middle school singersBoys LOVE singing this song (and girls do, too!)Spoken or shouted Yo-ho's and a few other verbal cues are included in the score in rhythmic notationComfortable singing range for both partsKey of E minorBass drum (or other drum) may be played on the Yo-ho'sChords included for additional instrumentsLyrics a re a little wordy, but is great for practicing diction and where to breathe in a songThis song presents the perfect opportunity to learn the definitions of the words used in the songA vocabulary list is included on the last page of the scorePiano Accompaniment Track is included on this site.
$2.50 ≈
¥17.64
The coming of winter
The coming of winter
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Chorale SATB
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Gerald Barry
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The coming of winter
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Schott Music - Digital
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SheetMusicPlus
Mixed choir (SATB) - SKU: S9.Q40685 For mixed choir (SATB). Composed by Gerald Barry. This edition: choral score. Choral Music of Our Time. Downl...
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Mixed choir (SATB) - SKU: S9.Q40685 For mixed choir (SATB). Composed by Gerald Barry. This edition: choral score. Choral Music of Our Time. Downloadable, Choral score. Duration 3 minutes. Schott Music - Digital #Q40685. Published by Schott Music - Digital (S9.Q40685). English.Gerald Barry’s The coming of winter is a setting of an Irish poem dating from the 9th or 10th century, and was commissioned for the 34th Seminar on Contemporary Choral Music at University College, Cork, in May 1997. The setting is notable for its idiosyncratic use of text: not only are the words of the poem sung both forwards and backwards, but the second half of the piece is given over to percussive nonsense syllables, making this a quirky but highly invigorating image of ‘the coming of winter’.
$5.99 ≈
¥42.26
Wassail the Trees
Wassail the Trees
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Chorale SATB
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the 4th verse the drone is in
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Paul Burnell
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Wassail the Trees
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Paul Burnell
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SheetMusicPlus
Choral Choir (Mixed) - SKU: A0.835784 Composed by Paul Burnell. Contemporary. Octavo. 2 pages. Paul Burnell #3396247. Published by Paul Burnell (A0.8357...
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Choral Choir (Mixed) - SKU: A0.835784 Composed by Paul Burnell. Contemporary. Octavo. 2 pages. Paul Burnell #3396247. Published by Paul Burnell (A0.835784). For voices and instruments. The words adapted from the poem by Robert Herrick (1591 - 1674)Duration 3:00 The piece can be performed in several ways - possible options are: The 1st verse/refrain is solo voices (perhaps one voice, or one section). Men would sing an octave lower.The 2nd, 3rd and 4th verses/refrains are accompanied by an increasingly layered drone. The drone could be a mix of organ and/or instruments and voices. The voices sing the drone to ‘ay’ and will need to stagger their breaths. By the 4th verse the drone is in three lines - and perhaps is in organ or instruments alone because voices are all singing the melody line. The ascending chromatic line could be doubled an octave lower. Each line of the drone begins at the end of the previous refrain.At each verse more singers join the melody line. The melody may be played by organ/instruments as well. The 4th refrain is the loudest.The 5th verse is sung without the drone. It might be effective for this to be performed with a gradual diminuendo, or for singers to drop out one by one.
$1.99 ≈
¥14.04
That they may rest in peace (voice with piano acc.)
That they may rest in peace (voice with piano acc.)
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Chorale SATB
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INTERMÉDIAIRE
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Hubert Parry
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Brock Lupton (1948-)
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That they may rest in peace
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Brock Lupton
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SheetMusicPlus
Choral Choir (Mixed) - Level 3 - SKU: A0.942423 Composed by Hubert Parry (1848-1918). Arranged by Brock Lupton (1948-). Christian,Contemporary,Romantic ...
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Choral Choir (Mixed) - Level 3 - SKU: A0.942423 Composed by Hubert Parry (1848-1918). Arranged by Brock Lupton (1948-). Christian,Contemporary,Romantic Period,Sacred. Octavo. 6 pages. Brock Lupton #4764195. Published by Brock Lupton (A0.942423). This setting is ideal for Remembrance Day: it is also suitable for a funeral or celebration of life. It is singable as a congregation hymn, as an anthem for unison voices, or as a vocal solo (range A below middle C to D a ninth above middle C). The text is by Canadian poet Frederick George Scott (1861-1944). The original title is Requiescant (Let them rest). The source is Christian Poetry in Canada (ed David A. Kent ed, Anglican Book Center and ECW Press, Toronto, Canada, 1993) page 54. Scott was a military chaplain during World War I. This poem was, in the poet’s own words, [b]egun while I was lying awake in a sleeping-bag under a tarpaulin at Brielen, near Ypres…. during the gas attack on April 22nd, 1915…. As I lay awake, I wondered what all our comrades who had passed over were doing now…. I finished the poem at a little village called Robec. As I wrote it, I could see through the window, my host, who was a carpenter, making a baby’s coffin. (http://www.canadianpoetry.ca/confederation/FGScott/collected_poems/notes.htm) I have made a few slight changes: awful has become awe-filled Dear Christ became O Christ, and the line A weary road these men have trod has been altered to A weary road these warriors trod. Both the music and the original text are in the public domain in Canada, where copyright expires 50 years after the death of the author or composer.A brass quintet arrangement compatible with the voice part is available separately.
$5.00 ≈
¥35.27
Let's Call The Whole Thing Off
Let's Call The Whole Thing Off
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Chorale 3 parties
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INTERMÉDIAIRE
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George Gershwin and Ira Gershw
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Karen Ivana
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Let's Call The Whole Thing Off
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Karen Ivana
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SheetMusicPlus
Choral Choir,Choral (SAB) - Level 3 - SKU: A0.1285591 Composed by George Gershwin and Ira Gershwin. Arranged by Karen Ivana. 20th Century,Broadway,Comed...
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Choral Choir,Choral (SAB) - Level 3 - SKU: A0.1285591 Composed by George Gershwin and Ira Gershwin. Arranged by Karen Ivana. 20th Century,Broadway,Comedy,Film/TV,Jazz,Musical/Show. 7 pages. Karen Ivana #876696. Published by Karen Ivana (A0.1285591). Fun comic song written for Fred Astaire and Gingers Rogers, it pokes gentle fun at the difference between US and British English pronunciations of various words, tomayto and tomarto, for example.This arrangement is for mixed SAB choir and piano.
$2.99 ≈
¥21.09
Let's Call The Whole Thing Off
Let's Call The Whole Thing Off
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Chorale 3 parties
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INTERMÉDIAIRE
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George Gershwin and Ira Gershw
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Karen Ivana
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Let's Call The Whole Thing Off
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Karen Ivana
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SheetMusicPlus
Choral Choir,Choral (SAT) - Level 3 - SKU: A0.1285593 Composed by George Gershwin and Ira Gershwin. Arranged by Karen Ivana. 20th Century,Broadway,Comed...
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Choral Choir,Choral (SAT) - Level 3 - SKU: A0.1285593 Composed by George Gershwin and Ira Gershwin. Arranged by Karen Ivana. 20th Century,Broadway,Comedy,Film/TV,Jazz,Musical/Show. 7 pages. Karen Ivana #876699. Published by Karen Ivana (A0.1285593). Fun comic song written for Fred Astaire and Gingers Rogers, it pokes gentle fun at the difference between US and British English pronunciations of various words, tomayto and tomarto, for example.This arrangement is for mixed SAT choir and piano.
$2.99 ≈
¥21.09
Spooky Goblin, a Halloween Sing & Ring Spooky Fun Song for Voices, Hand Bells, Chimes, or Orff Instr
Spooky Goblin, a Halloween Sing & Ring Spooky Fun Song for Voices, Hand Bells, Chimes, or Orff Instr
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Chorale SATB
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DÉBUTANT
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Sylvia Chapa
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Spooky Goblin, a Halloween Sin
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Sylvia Chapa
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SheetMusicPlus
Choral Choir (Mixed) - Level 1 - SKU: A0.827768 Composed by Sylvia Chapa. Children,Halloween,Instructional. Octavo. 2 pages. Sylvia Chapa #3820443. Publ...
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Choral Choir (Mixed) - Level 1 - SKU: A0.827768 Composed by Sylvia Chapa. Children,Halloween,Instructional. Octavo. 2 pages. Sylvia Chapa #3820443. Published by Sylvia Chapa (A0.827768). PERMISSION TO COPY AS NEEDED IS GRANTED FOR EDUCATIONAL PURPOSES WITH PURCHASE OF 1 COPY. When Halloween is on children's minds, Spooky Goblin helps keep them on task to continue learning to read music while having Halloween fun! This Halloween novelty song is designed for easy and quick use by general music teachers and directors of Children's Choirs in church or school. This may be quickly learned for a Halloween party, a handbell choir recruiting activity, or for regular classroom instruction using singing, bells, chimes, or Orff instruments. 2 pages are included: the Spooky Goblin song with letter names, counts, words, and notated pitches plus a page with teaching instructions. Be sure to listen to the mp3 of real kids ringing and singing Spooky Goblin. (A fill in the blank worksheet for an extended lesson plan is available at Item ID SO.434647 ).
$5.00 ≈
¥35.27
Three Short Pieces for Choir (a cappella)
Three Short Pieces for Choir (a cappella)
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Chorale SATB
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FACILE
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Musique Sacrée
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Tim Brace
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Magnolia Arts
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Three Short Pieces for Choir
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Magnolia Arts
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SheetMusicPlus
Choral Choir (Mixed) - Level 2 - SKU: A0.963112 Composed by Tim Brace. Arranged by Magnolia Arts. A Cappella,Christian,Sacred. Octavo. 7 pages. Magnolia...
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Choral Choir (Mixed) - Level 2 - SKU: A0.963112 Composed by Tim Brace. Arranged by Magnolia Arts. A Cappella,Christian,Sacred. Octavo. 7 pages. Magnolia Arts #6249385. Published by Magnolia Arts (A0.963112). Three short pieces arrangement for 3 equal voices, a cappella. Easily learned and useful in various places in Christian church services (Prelude, Offertory, Communion music, Anthem). Each piece is 1-2 minutes duration one time through. Holy Jesus Hear Our Call is an original composition with words and music by Tim Brace, for 3 equal voices in canon. Lamb of God is an arrangement of the traditional hymn by the same name (melody=O Lamm Gottes, Unschuldig). My Jesus I Love Thee is also an arrangement of the traditional hymn by the same name (melody=Gordon). Price is total price, not per copy. You may make as many copies as you need.
$20.00 ≈
¥141.10
On Liberty and Slavery
On Liberty and Slavery
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Chorale Unison
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FACILE
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Contemporain
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Hilton Kean Jones
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On Liberty and Slavery
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Hilton Kean Jones
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SheetMusicPlus
Choral Choir (2-Part) - Level 2 - SKU: A0.988481 Composed by Hilton Kean Jones. Contemporary. Octavo. 5 pages. Hilton Kean Jones #6301139. Published by ...
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Choral Choir (2-Part) - Level 2 - SKU: A0.988481 Composed by Hilton Kean Jones. Contemporary. Octavo. 5 pages. Hilton Kean Jones #6301139. Published by Hilton Kean Jones (A0.988481). A choral piece suitable for youth choir that utilizes unison male and female voices together and separate with no choral counterpoint; maybe also be performed as completely unison mixed choir or male or female choir. Choral parts have restricted ranges and are diatonic. The words are based on the famous poem by George Moses Horton who was an African-American poet from North Carolina, the first to be published in the Southern United States. His book was published in 1828 while he was still enslaved. He did not gain freedom until 1865, late during the Civil War. Wikipedia Born: Northampton County, North Carolina, NC. Died: 1883, Education: University of North Carolina at Chapel Hill, Books: Naked genius, The Black bard of North Carolina. The piano accompaniment is also available for band or student orchestra. The audio sample here is an instrumental transcription as there is not yet a choral recording.
$1.99 ≈
¥14.04
Panis Angelicus
Panis Angelicus
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Chorale SATB
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DÉBUTANT
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Cesar Auguste Franck
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Guy Bunce
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Panis Angelicus
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Enigma Music
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SheetMusicPlus
Choral Choir (Mixed) - Level 1 - SKU: A0.816709 Composed by Cesar Auguste Franck. Arranged by Guy Bunce. Christian,Romantic Period,Sacred. Octavo. 6 pag...
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Choral Choir (Mixed) - Level 1 - SKU: A0.816709 Composed by Cesar Auguste Franck. Arranged by Guy Bunce. Christian,Romantic Period,Sacred. Octavo. 6 pages. Enigma Music #5288447. Published by Enigma Music (A0.816709). Music and César FranckText by Saint Thomas Aquinas Panis angelicus (Latin for Bread of Angels) is the penultimate strophe of the hymn Sacris solemniis. Written by Saint Thomas Aquinas for the feast of Corpus Christi as part of a complete liturgy of the feast which includes prayers for the Mass and the Liturgy of the Hours. Panis angelicus fit panis hominum; Dat panis cœlicus figuris terminum: O res mirabilis! Manducat Dominum pauper, servus et humilis. Thus Angels' Bread is made the Bread of man today: the Living Bread from heaven with figures dost away: O wondrous gift indeed! the poor and lowly may upon their Lord and Master feed. César Franck’s setting of these words is perhaps the most well known. This arrangement for 2-part choir makes this wonderful piece accessible to choirs of all abilities. When allocating voices, put higher voices (S/T) on the upper part and lower voices (A/B) on the lower part.
$1.99 ≈
¥14.04
Candle Carol
Candle Carol
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Chorale SATB
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Alan Bullard
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Candle Carol
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Oxford University Press Digital
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SheetMusicPlus
SKU: OX.9780193569805 Composed by Alan Bullard. Score. 11 pages. Oxford University Press Digital #9780193569805. Published by Oxford University Press Di...
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SKU: OX.9780193569805 Composed by Alan Bullard. Score. 11 pages. Oxford University Press Digital #9780193569805. Published by Oxford University Press Digital (OX.9780193569805). ISBN 9780193569805.For SATB (or SA) and piano or organ. This carol may be sung by a mixed-voice choir, or by upper voices only. Bullard harmonically mirrors the move from darkness to light in a memorable setting of his own words. Offprinted from Carols for Choirs 6.
$3.65 ≈
¥25.75
I sing of a maiden
I sing of a maiden
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Karen Ivana
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I sing of a maiden
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Karen Ivana
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1096166 Composed by Karen Ivana. 21st Century,A Cappella,Christian,Christmas,Medieval. 4 pages. Karen Iva...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1096166 Composed by Karen Ivana. 21st Century,A Cappella,Christian,Christmas,Medieval. 4 pages. Karen Ivana #700123. Published by Karen Ivana (A0.1096166). This carol is set to words taken from a Medieval lyric (circa 1400) which may be one of the oldest poems in the English language about Mary and Jesus. It has been described as one of the first Christmas carols, and tells of the Annunciation, where the angel Gabriel appeared to Mary telling her she would bear a child.This music is for four part mixed choir (SATB) and is based on a beautiful original folk tune (in Phrygian mode) and takes harmonic inspiration from early music but with a twentieth century English feel. It is gentle and reflective with some gorgeous harmonies and melodies; a successful performance requires a reasonable level of intonation and phrasing.
$2.99 ≈
¥21.09
Psalm 51
Psalm 51
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Zachary Damm
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Psalm 51
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Digital Print Publishing
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SheetMusicPlus
Choral Choir (Mixed) - Level 4 - SKU: A0.969493 Composed by Zachary Damm. Christian,Sacred. Octavo. 16 pages. Digital Print Publishing #7221. Published ...
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Choral Choir (Mixed) - Level 4 - SKU: A0.969493 Composed by Zachary Damm. Christian,Sacred. Octavo. 16 pages. Digital Print Publishing #7221. Published by Digital Print Publishing (A0.969493). Psalm 51 has long been known as the Penitential Psalm. Its contrite accents, alternately soft and strident, present an exquisite medium for meditation on repentance and forgiveness. This piece captures the spirit and tone of David's words, utilizing piano and choir to convey the emotions of the Psalm. An optional harp part is included which adds additional meaning to the piece. From measures 76-89, the piano may play the harp part if the harp is not utilized.
$2.00 ≈
¥14.11
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May the Words for mixed choir
