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Vous avez sélectionné:
Mater Mea
Partitions à imprimer
587 partitions trouvées
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MATER MEA
MATER MEA
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RICARDO DORADO
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MATER MEA
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Àngel Garcia MartÃnez
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.1415374 Composed by RICARDO DORADO. Arranged by Àngel GarcÃa MartÃnez. Christian,Classical,Religious,Sacred,Traditional. Brass Band. 26 pages. Àngel Garcia MartÃnez #997110. Published by Àngel Garcia MartÃnez (A0.1415374). Mater Mea is one of the most interpreted funeral march in Semana Santa of Spain. Was written by Ricardo Dorado and this arrangement for Brass Band was made by Àngel GarcÃa MartÃnez.
$25.00 ≈
¥181.51
Panorama 5 Certe quae facta est mea mater clamoris - Things That Made My Mother Cry
Panorama 5 Certe quae facta est mea mater clamoris - Things That Made My Mother Cry
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Saxophone Alto et Piano
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AVANCÉ
#
James F
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Panorama 5 Certe quae facta es
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WayWordBound
#
SheetMusicPlus
Alto Saxophone,Piano - Level 5 - SKU: A0.1318387 Composed by James F. Rickley. 21st Century,Classical,Contemporary. Score and part. 8 pages. WayWordBoun...
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Alto Saxophone,Piano - Level 5 - SKU: A0.1318387 Composed by James F. Rickley. 21st Century,Classical,Contemporary. Score and part. 8 pages. WayWordBound #907048. Published by WayWordBound (A0.1318387). Panorama 5 Certe quae facta est mea mater clamoris - Things That Made My Mother Cry for Alto Saxophone and Keyboard, James F. Rickley, Composer.
$5.00 ≈
¥36.30
Stabat Mater Dolorosa Piano Solo
Stabat Mater Dolorosa Piano Solo
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Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Nancy DeVries
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St Raphael's Psaltery
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Stabat Mater Dolorosa Piano So
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Nancy DeVries
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.964553 Composed by Nancy DeVries. Arranged by St Raphael's Psaltery. Christian,Concert,Easter,Sacred. Score. 2 pages. Nan...
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Piano Solo - Level 4 - SKU: A0.964553 Composed by Nancy DeVries. Arranged by St Raphael's Psaltery. Christian,Concert,Easter,Sacred. Score. 2 pages. Nancy DeVries #6260975. Published by Nancy DeVries (A0.964553). This piano solo work is an evocative meditation on the famous Gregorian chant hymn, Stabat Mater Dolorosa which depicts the sorrows of the Blessed Virgin Mary as she stands at the cross of her dying Son, Jesus. Suitable for home, recital or church use, this work would be especially meaningful for use during Lent, Holy Week and Good Friday. Intermediate/ Advanced Intermediate skill level. This is a profound and beautiful work well worth the challenges of four flats, changes in time signature, and deep and sonorous bass clef chords. 2 pages.
$3.99 ≈
¥28.97
MAGNIFICAT. Mov. 1. "Magnificat Anima Mea". Soprano and Choir with piano (orchestra reduction)
MAGNIFICAT. Mov. 1. "Magnificat Anima Mea". Soprano and Choir with piano (orchestra reduction)
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Chorale SATB
#
Gabriel Ruiz-Bernal
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MAGNIFICAT. Mov. 1. "Magn
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Gabriel Ruiz-Bernal
#
SheetMusicPlus
Choral Choir,Choral (SATB) - SKU: A0.893948 Composed by Gabriel Ruiz-Bernal. Christmas,Contemporary,Sacred. 18 pages. Gabriel Ruiz-Bernal #6320913. Publ...
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Choral Choir,Choral (SATB) - SKU: A0.893948 Composed by Gabriel Ruiz-Bernal. Christmas,Contemporary,Sacred. 18 pages. Gabriel Ruiz-Bernal #6320913. Published by Gabriel Ruiz-Bernal (A0.893948). The first movement Magnificat anima mea Dominum (My soul proclaims the greatness of the Lord) builds its thematic material directly from the original gregorian chant.  It starts with a broad Magnificat statement by the choir, continued by an intimate call from the soprano soloist. A portion of the original gregorian chant is quoted by the choir in the center of the movement.Demonstration recording available at:https://www.gabrielruizbernal.com/reference-recording.html.
$3.00 ≈
¥21.78
Mater Mea (March) - R. Dorado - For Brass Quintet (Full Score and Parts)
Mater Mea (March) - R. Dorado - For Brass Quintet (Full Score and Parts)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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FACILE
#
Contemporain
#
R
#
Daniel de la Rosa Oliva
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Mater Mea
#
Daniel de la Rosa Oliva
#
SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.744106 Composed by R. Dorado. Arranged by Daniel de la Rosa Oliva. Contemporary....
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.744106 Composed by R. Dorado. Arranged by Daniel de la Rosa Oliva. Contemporary. Score and parts. 15 pages. Daniel de la Rosa Oliva #5297853. Published by Daniel de la Rosa Oliva (A0.744106). For Brass Quintet or Gruop.
$15.00 ≈
¥108.91
Mater Mea (March) - R. Dorado - For String Quartet (Full Score and Parts)
Mater Mea (March) - R. Dorado - For String Quartet (Full Score and Parts)
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
#
Contemporain
#
R
#
Daniel de la Rosa Oliva
#
Mater Mea
#
Daniel de la Rosa Oliva
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.744105 Composed by R. Dorado. Arranged by Daniel de la Rosa Oliva. Contemporary. Sc...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.744105 Composed by R. Dorado. Arranged by Daniel de la Rosa Oliva. Contemporary. Score and parts. 16 pages. Daniel de la Rosa Oliva #5297845. Published by Daniel de la Rosa Oliva (A0.744105). For String Quartet.
$15.00 ≈
¥108.91
Peaceful Measures - Interchangeable, Repeatable Phrases for Background Piano Music
Peaceful Measures - Interchangeable, Repeatable Phrases for Background Piano Music
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Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Renee Hyche McKee
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Peaceful Measures - Interchang
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Renee H. McKee
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.885159 By Renee Hyche McKee. By Renee Hyche McKee. New Age,Praise & Worship,Sacred,Traditional,Wedding. Score. 28 pages. ...
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Piano Solo - Level 4 - SKU: A0.885159 By Renee Hyche McKee. By Renee Hyche McKee. New Age,Praise & Worship,Sacred,Traditional,Wedding. Score. 28 pages. Renee H. McKee #491468. Published by Renee H. McKee (A0.885159). Classically-trained pianists are often asked to “play some quiet background music†which is non-invasive, that will support the event without bringing attention to the music itself, and can be brought to a graceful close quickly. “What to play?†is not the only challenge, but also, “What do I do if I run out of music before the event is done?†or, How can I bring a piece to a close if I'm told to stop playing before the piece is over?†“HELP! I can't improvise! I offer you a set of beautiful phrases that are uniquely purposed to fill these needs - and more. Peaceful Measures is a set of twelve four-measure, repeatable, interchangeable phrases with very little melodic distraction. Start with any phrase that suits your need, such as background music for a pastoral prayer. Repeat one phrase indefinitely or flow directly to any other. Skip around. Each phrase leads to all others, and all lead to your choice of two clearly labeled Endings. Because this download includes the seven most commonly used major keys, Peaceful Measures can also be used as vamping material until the song you are accompanying is ready to sing. Or use a phrase to extend a song in order to continue its mood. Print only the pages of the key you need now, or the whole set for quick referrals later. Explore their flexibility for other purposes, such as the passing of Communion for example: find your favorite phrases to repeat, then flow into the Ending that will serve the best timing. Need quiet music filler for an unknown length of time? Choose a phrase and repeat, then go to an Ending of your choice. Everything is written out for easy navigation and on-the-spot reading. The recording I have included is a series of phrases, some repeated, in F Major and uses Ending I. Pianists will discover even more settings for these versatile phrases! Not only are they great for worship services of any faith, they serve as background music for speeches, funeral prelude music, dedications of any kind, wedding filler music, civil ceremonies, personal prayer, and calming meditation music for groups large or small. For some, the most enjoyable thing is to just play them randomly and enjoy the calm they bring for yourself. It is my heart’s desire that these lovelies will serve you, the pianist, the one who is so often called upon to serve others. Blessings, - Renee PS I've included a bonus page that has an extended version of one of the phrases. Enjoy!
$7.99 ≈
¥58.01
The Sorrowing Meadows - Dust: An Elysian Tail (Piano Selections)
The Sorrowing Meadows - Dust: An Elysian Tail (Piano Selections)
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Piano seul
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INTERMÉDIAIRE
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Jeux Videos
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HyperDuck SoundWorks
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Sydney Kjerstad
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The Sorrowing Meadows - Dust:
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Materia Editions
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SheetMusicPlus
Composed by HyperDuck SoundWorks. Arranged by Sydney Kjerstad. Video Game. Score. 8 pages. Materia Editions #6505093. Published by Materia Editions...
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Composed by HyperDuck SoundWorks. Arranged by Sydney Kjerstad. Video Game. Score. 8 pages. Materia Editions #6505093. Published by Materia Editions
$2.99 ≈
¥21.71
Green Meadow Quartet
Green Meadow Quartet
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Rosemary Sugden Waltzer
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Green Meadow Quartet
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New City Music
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SheetMusicPlus
Brass Ensemble Horn - Level 3 - SKU: A0.904613 Composed by Rosemary Sugden Waltzer. Concert,Contemporary. Score and parts. 10 pages. New City Music #323...
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Brass Ensemble Horn - Level 3 - SKU: A0.904613 Composed by Rosemary Sugden Waltzer. Concert,Contemporary. Score and parts. 10 pages. New City Music #3237359. Published by New City Music (A0.904613). Green Meadow Quartet for horns starts in 4/4 and then swings into 3/4 time. The thematic material is distributed among all the parts. The first horn goes to F# while fourth horn’s lowest note is F# below middle C. This brisk quartet is intermediate level and is suitable for high school - or any - concert or recital. It could be programmed as an opener, or an encore or for as a culminating ensemble in a horn recital.
$6.00 ≈
¥43.56
Do You Know What It Means To Miss New Orleans
Do You Know What It Means To Miss New Orleans
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Chorale TTBB
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FACILE
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Eddie De Lange and Louis Alter
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Robert Rund
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Do You Know What It Means To M
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Robert Rund
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270880 Composed by Eddie De Lange and Louis Alter. Arranged by Robert Rund. Barbershop,Jazz. Octavo. 5 pages. R...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270880 Composed by Eddie De Lange and Louis Alter. Arranged by Robert Rund. Barbershop,Jazz. Octavo. 5 pages. Robert Rund #863263. Published by Robert Rund (A0.1270880). TTBB acapella arrangement in the barbershop style (melody in the second tenor line), that includes original material by Robert Rund (Everybody's Walkin' Down in New Orleans) and Basin Street Blues (in public domain).
$3.99 ≈
¥28.97
Dorian Album For String Trio
Dorian Album For String Trio
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Harvey S
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Dorian Album For String Trio
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Rubank Publications
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SheetMusicPlus
Cello, Violin, String Duet, String Ensemble - Difficulty: medium SKU: HL.4472730 Violin, Cello and Piano. Arranged by Harvey S. Whistler and Herma...
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Cello, Violin, String Duet, String Ensemble - Difficulty: medium SKU: HL.4472730 Violin, Cello and Piano. Arranged by Harvey S. Whistler and Herman Hummel. Ensemble Collection. Baroque and Classical Period. Set of performance parts (includes separate pull out parts for violin & cello). 63 pages. Rubank Publications #RUBL285. Published by Rubank Publications (HL.4472730). ISBN 9781540001801. UPC: 073999184112. 9x12 inches. Whistler/Hummel.These 30 easy level (grade 2) string trios from the masters, arranged by Rubank legends Harvey Whistler and Herman Hummel, are the ultimate way to introduce your youngest players to ensemble playing. Songs average 30-40 measures long, with optional repeats to create a longer piece at your discretion. Includes a treasure trove of titles: Abendlied (Schumann) * Allegro from Der Freischutz (Weber) * Ave Verum (Mozart) * Carnival of Venice * Chanson Triste (Tchaikovsky) * Cielito Lindo * Country Dance (Beethoven) * Liebestraum (Liszt) * Drink to Me Only with Thine Eyes * New World Symphony Excerpts (Dvorak) * Jesu, Joy of Man's Desiring (students play the melody, not the triplet pattern) * Jolly Coppersmith * Melody for Strings (Rubinstein) * Men of Harlech * Menuet from Symphony No. 7 (Haydn) * Procession (Handel) * Theme from Fantasie Impromptu (Chopin) * Rondo (Schubert) * Theme from Symphony No. 1 (Brahms) * Vienna Life (Strauss) * Volga Boatman * Waltz from HMS Pinafore.
Song List
: Alma Mater Ave Verum (Jesu, Word of God Incarnate) Carnival of Venice Cielito Lindo (My Pretty Darling) Drink to Me Only With Thine Eyes Fantaisie-Impromptu It Came Upon the Midnight Clear Jesu, Joy Of Man's Desiring Jolly Coppersmith March Liebestraum (Dream Of Love) Melody Men Of Harlech O Promise Me Silent Night New World Symphony (Theme) Song Of The Volga Boatman Theme (Der Freischutz) Abendlied (Evening Song) Theme (Iphigenia In Tauris) Happy Holiday Theme (Symphony #7) String Salutation Waltz From The H.M.S. Pinafore Chanson Triste Country Dance Theme Theme (Handel) Gaily The Troubador Vienna Life
$12.99 ≈
¥94.31
Panorama Complete, [Musique ironique avec innocence], 12 Compositions
Panorama Complete, [Musique ironique avec innocence], 12 Compositions
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Saxophone Alto et Piano
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AVANCÉ
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James F
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Panorama Complete, [Musique ir
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WayWordBound
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SheetMusicPlus
Alto Saxophone,Piano - Level 5 - SKU: A0.1318410 Composed by James F. Rickley. 21st Century,Classical,Contemporary. Score and part. 98 pages. WayWordBou...
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Alto Saxophone,Piano - Level 5 - SKU: A0.1318410 Composed by James F. Rickley. 21st Century,Classical,Contemporary. Score and part. 98 pages. WayWordBound #907071. Published by WayWordBound (A0.1318410). Panorama Complete, [Musique ironique avec innocence] 12 Compositions for Alto Saxophone and Keyboard, James F. Rickley, Composer1. Venerum Contundito - Romantic Crushes 2.   Impedimentis - Embarrassments 3. Desideriis - Regrets 4.   Ridiculum - Ridiculous 5. Certe quae facta est mea mater clamoris - Things That Made My Mother Cry 6.   Verum Corda - True Hearts 7. Invidus Invidia - Envious Jealousy 8. Eccitazione fisica - Physical Excitement 9. Trionfi dei Giusti - Triumph of the Righteous 10.   Spectant dimissione - Watching the Demise of… 11.   Verschrobener Geizhals - Cranky Curmudgeon 12.   Die Liebe meines Lebens ist verschwunden - The Love of My Life Has Gone Away.
$35.00 ≈
¥254.12
Patios de Córdoba
Patios de Córdoba
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Traditional
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Richard Hirsch
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Patios de Córdoba
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.594506 Composed by Traditional. Arranged by Richard Hirsch. Folk,Instructional,Multicultural,Traditional,World. Individu...
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Solo Guitar - Level 2 - SKU: A0.594506 Composed by Traditional. Arranged by Richard Hirsch. Folk,Instructional,Multicultural,Traditional,World. Individual part. 5 pages. Richard Hirsch #203776. Published by Richard Hirsch (A0.594506). An arrangement of the Flamenco Soleares style (palo) for the dance (baile). The musical material for the arrangement is taken from standard traditional themes for the Soleares style of Flamenco. The arrangement is meant for guitarists and students of guitar that are new to Flamenco and want to learn the basics for one of the most important palos in Flamenco. The arrangement can be used to accompany a solo dance, customary in serious (jondo) Flamenco, often performed by a woman dancer. The Soleares rhythm consists of a repetition of a twelve beat phrase the Flamencos refer to as a compás where accents fall on the third, sixth, eight, tenth, and twelfth beats of the phrase (1 2 3 4 5 6 7 8 9 10 11 12). I notate the compás as a series of five measures that comprises two 3/4 measures followed by three 2/4 measures. Throughout the notation there is, therefore, a fluctuating between two measures in 3/4 and three measures in 2/4 time. The first beat of the compás falls on the second beat of the first 3/4 measure in the series and the first accented beat falls on the first beat of the second 3/4 measure. The sixth, eight, and tenth accented beats fall on the first beats of the 2/4 measures in the series. The twelfth beat falls on the first beat of the next series beginning with a 3/4 measure. Notating the compás in this manner allows the guitarist a total grasp of the underlying structure of the music, something that is often lost in other notations I have studied for Soleares. A command of the compás is essential for the guitarist to be able to work with Flamenco singers and dancers. The Soleares is a stately dance that moves at a moderate pace, but often ends in a finale (macho por BulerÃas) that is more than twice as fast as the first sections of the dance. The finale also contains a key change from the Phrygian mode of the llamadas and corridas to the key of E major. The arrangement contains essential basic techniques for Flamenco guitar, the rasqueado, the legato with hammering on, the four finger tremolo that rips at the strings before a full chord with the thumb, alzapúa where the thumb strikes in triplets down, up, down in rapid succession, etc. Students should dedicate themselves to a close and careful study of the notation to gain full mastery of these techniques. The arrangement consists of several sections, the llamadas which are calls to the dancer to take the stage, corridas where the dancer moves in a circle executing various heel and toe steps together with hand, arm, and body gestures, and the macho where the dance ends in a storm of stamping and a fit of wild abandon. The corrida sections consist of melodies Flamencos call “falsetasâ€. One of these is simply a series of broken chords while another is a melody taken from a song called “Caña†that is a member of the Soleares family. The notation ends, as is prescribed for the dance, on the tenth beat of the last compás (the first beat of the last 2/4 measure in the last five measure series). The Soleares was the first palo my maestro Juan González “Triguito†introduced me to in my studies with him in Madrid in the late 1960’s and is considered to be the “mother†of true forms of Flamenco. The title of the arrangement is in celebration of the beautiful patios of Córdoba, home of the Flamenco palo Soleares.
$3.99 ≈
¥28.97
Pere Marquette #1225, Op. 2
Pere Marquette #1225, Op. 2
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Orchestre
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INTERMÉDIAIRE
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Christian Moehrle, H
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Christian Moehrle
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Pere Marquette #1225, Op. 2
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Christian Frederick Moehrle
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1024376 Composed by Christian Moehrle, H. Owen Reed, and Winifred Lee Brent Lyster. Arranged by Christian Moehrle. Ch...
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Full Orchestra - Level 3 - SKU: A0.1024376 Composed by Christian Moehrle, H. Owen Reed, and Winifred Lee Brent Lyster. Arranged by Christian Moehrle. Children,Christmas,Contemporary,Folk. Score and parts. 29 pages. Christian Frederick Moehrle #5001315. Published by Christian Frederick Moehrle (A0.1024376). Another selection from my Steam Locomotive Songbook, this ballad was meant to musically describe the official state steam locomotive of Michigan, the Pere Marquette #1225, which is owned and operated by the Steam Railroading Institute in Owosso, MI. Most people should recognize this easily, as it starred as the titular train in the 2004 animated movie The Polar Express, starring Tom Hanks. And seeing that the #1225 is the real-life version of said Christmas train, that runs holiday-themed excursions based upon the original Chris Van Allsburg story, I'd thought it is appropriate to give it a Christmas theme. Again, much of this is my own work, although it also recycles material from the official Michigan State University Alma Mater, MSU Shadows, and the traditional German Hymn turned official Michigan State Song O Tannebaum/Michigan my Michigan. With all that being said, I also do not own the Pere Marquette railroad.
$7.65 ≈
¥55.54
Akrilates No.2
Akrilates No.2
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Jailton de Oliveira
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Section II: bars 43-99
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Akrilates No.2
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Jailton de Oliveira
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SheetMusicPlus
Bass Drum,Bongos,Cymbals,Glockenspiel,Piano,Snare Drum,Tam Tam,Tom Tom,Triangle,Vibraphone,Woodblock,Xylophone - SKU: A0.1438474 Composed by Jailton de ...
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Bass Drum,Bongos,Cymbals,Glockenspiel,Piano,Snare Drum,Tam Tam,Tom Tom,Triangle,Vibraphone,Woodblock,Xylophone - SKU: A0.1438474 Composed by Jailton de Oliveira. 21st Century,Chamber,Classical,Contemporary. 27 pages. Jailton de Oliveira #1018493. Published by Jailton de Oliveira (A0.1438474). Akrilates II, for piano and percussion. The title “Akrilates” does not refer to a specific thematic material in the work. Rather, it is only a neutral word, allowing the music to be free of any pre-established idea. The work has a single movement divided into two sections: Section I: bars 1-42; Section II: bars 43-99. Section II is a retrograde variation of Section I. The work has a slow tempo and uses the overtone scale, an octatonic scale, starting on note G ( G-A-B-C#-D-Eb-F-F#-G) . The piano is the lead instrument of thematic events and it dialogues with various timbres of percussion instruments. In most of the work sequences of measures are explored, progressing alternately every two bars. Also are explored harmonic intervals of 5th., 4th., 3rd. and 2nd. In some stretches occur numeric relationships between measure and intervals used, e.g., measure 5/4 = interval of 5th; 4/4 = 4th, etc. From measure 85 to the end occurs a coda, where the work concludes summarizing the main materials used earlier.
$12.95 ≈
¥94.02
Isn't It Enough to Think...Without Having to Believe (or, The Only Church)
Isn't It Enough to Think...Without Having to Believe (or, The Only Church)
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Orchestre d'harmonie
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Contemporain
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Neal Endicott
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Isn't It Enough to Think...Wit
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Neal Endicott Music
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SheetMusicPlus
Concert Band - SKU: A0.1030824 Composed by Neal Endicott. Contemporary. Score and parts. 35 pages. Neal Endicott Music #1249. Published by Neal Endicott...
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Concert Band - SKU: A0.1030824 Composed by Neal Endicott. Contemporary. Score and parts. 35 pages. Neal Endicott Music #1249. Published by Neal Endicott Music (A0.1030824). This piece was originally titled Istn’t it Enough, drawing inspiration from the famous passage from The Hitchhiker’s Guide to the Galaxy. I changed the wording slightly to be more encompassing of different modes of perception (thought is a broader concept than sight and the word think created better melodic material than the word see, using the method described below) I provided an alternate title to more clearly convey the meaning behind the piece. That is; that the only church that I will ever need is the one I find in musical expression and in the beauty of the natural world. Though Adams’ meaning was meant to convey the primary reasoning for his atheism-a reason that I use as well-I also see it as an admonishment of our need for constant stimulation. Adams felt-and I feel-that people need to take the time to slow down and enjoy life: we need to enjoy the beauty of the garden (both literally and metaphorically). That, quite simply, is what this piece is (or at least what it is to me). Among the compositional techniques that I used in this piece is one that I have been using quite a lot. I call it crypto-serialism. The basic concept is that I will take a piece of text (the Douglas Adams quote, in this case) and convert each letter to a number between 0 and 11 and then convert those numbers to musical pitches, where 0 = C, 1 = C#, etc. The technique offers me a way to draw actual musical ideas from the text itself, which I see as a means of creating a deeper connection to the text. The piece is dedicated to the Four Horsemen of the Non-Apocolypse: Richard Dawkins, Christopher Hitchens, Sam Harris, and Daniel Dennett.
$25.00 ≈
¥181.51
Jazz Guitar Lines
Jazz Guitar Lines
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Jazz
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Vincent Bredice
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Jazz Guitar Lines
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar (jazz and contemporary) - Intermediate - SKU: M0.93721EB Composed by Vincent Bredice. Improvising, Lines & Phrases. Jazz. E-book. Mel Bay Publica...
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Guitar (jazz and contemporary) - Intermediate - SKU: M0.93721EB Composed by Vincent Bredice. Improvising, Lines & Phrases. Jazz. E-book. Mel Bay Publications - Digital Sheet Music #93721EB. Published by Mel Bay Publications - Digital Sheet Music (M0.93721EB). ISBN 9781619119710. 8.75x11.75 inches.An interval is the distance between two notes measured in whole and half steps. When we stack intervals one on top of another, we produce chords. If we play the intervals in the chord one after another, we produce an arpeggio. But since all intervals, chords, and arpeggios are generated by scales, it follows that scales are the basis of all music from these scales we will find our JAZZ LINES, which is what this book is about. The following is a list of most of the jazz scales the student will encounter as he becomes involved in the study of improvising. When we improvise, we use as our weapons the scale, harmony and melody. The two dimensions in music are the harmony (vertical) and melody (horizontal). It is highly recommended that every student of improvising, know his scales in all positions and a variety of chords that the scales generate. All scales should be played in at least four positions especially the 1st position forces one to learn the theory. All other position pattern scales must be transposed throughout the guitar. The author has written a few pages in the beginning of the book serving as a prerequisite for the jazz lines to follow. It is essential that the student know the scales, key signatures, intervals, and chord constructions that will be used throughout the book. In order to benefit fully from this approach to jazz, the student must understand the full meaning of the words practice and analysis. Most students confuse practice with playing or reading through the exercise. To really improve and absorb the material, every phase must be practiced. This means the fingering must be committed to memory, slowly at first and then as fast as technique allows. The idea must be so ingrained in the mind that it flows from any part of the fingerboard that the performer desires. This is the way great players approach an idea – from any fret, string or position! If there is no harmonic or melodic analysis of the material being studied, then the learning skill becomes superfluous and there is no comprehension and absorption, and without this proper digestion the performer cannot use it as his taste dictates. All of the great players, have had a great technique and this is the first goal of the young student – “great chops.†As the student matures, musicianship will grow but technique is at the grasp of all who seek it. Start today to acquire it!
$22.99 ≈
¥166.92
De La Chica: Experimentelle und unbestimmte Lieder Op. 9
De La Chica: Experimentelle und unbestimmte Lieder Op. 9
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Piano, Voix
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Julián De La Chica
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De La Chica: Experimentelle un
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Vagabundo Music Publishing
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SheetMusicPlus
Piano,Vocal,Voice - SKU: A0.1182309 Composed by Julián De La Chica. Classical,Opera,Spiritual. Score. 56 pages. Vagabundo Music Publishing #782045. P...
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Piano,Vocal,Voice - SKU: A0.1182309 Composed by Julián De La Chica. Classical,Opera,Spiritual. Score. 56 pages. Vagabundo Music Publishing #782045. Published by Vagabundo Music Publishing (A0.1182309). MUSIC NOTES:How does Julián De La Chica materialize the question of “being†in sound? Through text and music as sound material: the choice of the German tongue as a philosophic language; in its sonority, the reference to the tradition of Lieder, a form where word and sound construct a system of meanings in search of the essential. Materializing it through sound, the works achieve this “concentration†of the essential, guided by the question of the “being.†But, how do they achieve it? Long phrases, almost Gregorian rhythmicity, recuperate the capacity for enunciation born of medieval liturgical chant and Buddhist mantras. The concentration of power in the invoked words – to enunciate is to make real what is invoked. The essence is enunciated in the concept, in the construction of the enunciations that constitute the exoskeleton of these songs. The sound materializes the concept; it is sound that creates reality. The sound is in the center of the congealed hurricane. A person that asks the question of “beingâ€, stops time. Their presence is now; only the now exists. That instant is nonetheless a whirlwind that in the meditative act stops in front of the asking person and contemplates their mortal state, unappealable: the state of mortality as illumination. — Susan Campos-Fonseca.
$55.00 ≈
¥399.33
Ensembles For Strings - String Bass
Ensembles For Strings - String Bass
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Quatuor à cordes: 2 violons, alto, violoncelle
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Various
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Harvey S
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String Ensemble
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Ensembles For Strings - String
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Rubank Publications
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SheetMusicPlus
String Duet; String Ensemble; String Quartet; String Trio SKU: HL.4473500 For Duet, Trio, Quartet or String Orchestra. Composed by Various. Arrang...
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String Duet; String Ensemble; String Quartet; String Trio SKU: HL.4473500 For Duet, Trio, Quartet or String Orchestra. Composed by Various. Arranged by Harvey S. Whistler and Herman Hummel. Ensemble Collection. Classical. 16 pages. Published by Rubank Publications (HL.4473500). UPC: 073999735000. 9.0x12.0x0.06 inches.String teachers have long turned to Ensembles for Strings to fulfill the need for easy to intermediate ensemble pieces for student string players. Familiar classical melodies are arranged here for 2, 3, 4 or more players - even string orchestra. Each piece is scored to be playable in first position, and in such a manner that maximum results will be achieved regardless of the instrumentation employed. All of the material has been carefully edited and bowed, and was performance tested by the string faculty at San José State University.
Song List
: Theme From Swan Lake Viennese Refrain Andantino (Lemare) Aria Nobile (Classic Symphony) Haydn Deep River Young Prince (Rimsky-Korskov) Young Princess (Rimsky-Korsakov) Le Tambourin (Rameau J.) Waltz, Op. 39 No. 15 Menuetto (Mozart) Danse Macabre Nobody Knows The Trouble I've Seen The Happy Farmer Returning From Work, Op. 68, No. 10 Andante Cantabile On Wings Of Song (Auf Flugeln Des Gesanges) Scarf Dance, Op. 37, No. 3 Rondo, Op. 51, No. 1 Waltz, Op. 39, No. 15
$6.99 ≈
¥50.75
Ensembles For Strings - Third Violin
Ensembles For Strings - Third Violin
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Quatuor à cordes: 2 violons, alto, violoncelle
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Various
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Harvey S
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String Ensemble
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Ensembles For Strings - Third
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Rubank Publications
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SheetMusicPlus
String Duet; String Ensemble; String Quartet; String Trio SKU: HL.4473460 For Duet, Trio, Quartet or String Orchestra. Composed by Various. Arrang...
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String Duet; String Ensemble; String Quartet; String Trio SKU: HL.4473460 For Duet, Trio, Quartet or String Orchestra. Composed by Various. Arranged by Harvey S. Whistler and Herman Hummel. Ensemble Collection. Classical. 16 pages. Published by Rubank Publications (HL.4473460). UPC: 073999440409. 9.0x12.0x0.067 inches.String teachers have long turned to Ensembles for Strings to fulfill the need for easy to intermediate ensemble pieces for student string players. Familiar classical melodies are arranged here for 2, 3, 4 or more players - even string orchestra. Each piece is scored to be playable in first position, and in such a manner that maximum results will be achieved regardless of the instrumentation employed. All of the material has been carefully edited and bowed, and was performance tested by the string faculty at San José State University.
Song List
: Theme From Swan Lake Viennese Refrain Andantino (Lemare) Aria Nobile (Classic Symphony) Haydn Deep River Young Prince (Rimsky-Korskov) Young Princess (Rimsky-Korsakov) Le Tambourin (Rameau J.) Waltz, Op. 39 No. 15 Menuetto (Mozart) Danse Macabre Nobody Knows The Trouble I've Seen The Happy Farmer Returning From Work, Op. 68, No. 10 Andante Cantabile On Wings Of Song (Auf Flugeln Des Gesanges) Scarf Dance, Op. 37, No. 3 Rondo, Op. 51, No. 1 Waltz, Op. 39, No. 15
$6.99 ≈
¥50.75
Ensembles For Strings - Full Score
Ensembles For Strings - Full Score
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Various
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Harvey S
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String Ensemble
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Ensembles For Strings - Full S
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Rubank Publications
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SheetMusicPlus
String Duet; String Ensemble; String Orchestra; String Quartet; String Trio SKU: HL.4473520 For Duet, Trio, Quartet or String Orchestra. Composed ...
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String Duet; String Ensemble; String Orchestra; String Quartet; String Trio SKU: HL.4473520 For Duet, Trio, Quartet or String Orchestra. Composed by Various. Arranged by Harvey S. Whistler and Herman Hummel. Ensemble Collection. Classical. 48 pages. Published by Rubank Publications (HL.4473520). UPC: 073999375589. 9.0x12.0x0.112 inches.String teachers have long turned to Ensembles for Strings to fulfill the need for easy to intermediate ensemble pieces for student string players. Familiar classical melodies are arranged here for 2, 3, 4 or more players - even string orchestra. Each piece is scored to be playable in first position, and in such a manner that maximum results will be achieved regardless of the instrumentation employed. All of the material has been carefully edited and bowed, and was performance tested by the string faculty at San José State University.
Song List
: Theme From Swan Lake Viennese Refrain Andantino (Lemare) Aria Nobile (Classic Symphony) Haydn Deep River Young Prince (Rimsky-Korskov) Young Princess (Rimsky-Korsakov) Le Tambourin (Rameau J.) Waltz, Op. 39 No. 15 Menuetto (Mozart) Danse Macabre Nobody Knows The Trouble I've Seen The Happy Farmer Returning From Work, Op. 68, No. 10 Andante Cantabile On Wings Of Song (Auf Flugeln Des Gesanges) Scarf Dance, Op. 37, No. 3 Rondo, Op. 51, No. 1 Waltz, Op. 39, No. 15
$8.99 ≈
¥65.27
Ensembles For Strings - Viola
Ensembles For Strings - Viola
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Quatuor à cordes: 2 violons, alto, violoncelle
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Various
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Harvey S
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String Ensemble
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Ensembles For Strings - Viola
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Rubank Publications
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SheetMusicPlus
String Duet; String Ensemble; String Quartet; String Trio SKU: HL.4473480 For Duet, Trio, Quartet or String Orchestra. Composed by Various. Arrang...
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String Duet; String Ensemble; String Quartet; String Trio SKU: HL.4473480 For Duet, Trio, Quartet or String Orchestra. Composed by Various. Arranged by Harvey S. Whistler and Herman Hummel. Ensemble Collection. Classical. 16 pages. Published by Rubank Publications (HL.4473480). UPC: 073999734805. 9.0x12.0x0.057 inches.String teachers have long turned to Ensembles for Strings to fulfill the need for easy to intermediate ensemble pieces for student string players. Familiar classical melodies are arranged here for 2, 3, 4 or more players - even string orchestra. Each piece is scored to be playable in first position, and in such a manner that maximum results will be achieved regardless of the instrumentation employed. All of the material has been carefully edited and bowed, and was performance tested by the string faculty at San Jose State University.
Song List
: Theme From Swan Lake Viennese Refrain Andantino (Lemare) Aria Nobile (Classic Symphony) Haydn Deep River Young Prince (Rimsky-Korskov) Young Princess (Rimsky-Korsakov) Le Tambourin (Rameau J.) Waltz, Op. 39 No. 15 Menuetto (Mozart) Danse Macabre Nobody Knows The Trouble I've Seen The Happy Farmer Returning From Work, Op. 68, No. 10 Andante Cantabile On Wings Of Song (Auf Flugeln Des Gesanges) Scarf Dance, Op. 37, No. 3 Rondo, Op. 51, No. 1 Waltz, Op. 39, No. 15
$6.99 ≈
¥50.75
Ensembles For Strings - Fourth Violin
Ensembles For Strings - Fourth Violin
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Quatuor à cordes: 2 violons, alto, violoncelle
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Various
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Harvey S
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String Ensemble
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Ensembles For Strings - Fourth
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Rubank Publications
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SheetMusicPlus
String Duet; String Ensemble; String Quartet; String Trio SKU: HL.4473470 For Duet, Trio, Quartet or String Orchestra. Composed by Various. Arrang...
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String Duet; String Ensemble; String Quartet; String Trio SKU: HL.4473470 For Duet, Trio, Quartet or String Orchestra. Composed by Various. Arranged by Harvey S. Whistler and Herman Hummel. Ensemble Collection. Classical. 16 pages. Published by Rubank Publications (HL.4473470). UPC: 073999734706. 9.0x12.0x0.061 inches.String teachers have long turned to Ensembles for Strings to fulfill the need for easy to intermediate ensemble pieces for student string players. Familiar classical melodies are arranged here for 2, 3, 4 or more players - even string orchestra. Each piece is scored to be playable in first position, and in such a manner that maximum results will be achieved regardless of the instrumentation employed. All of the material has been carefully edited and bowed, and was performance tested by the string faculty at San José State University.
Song List
: Theme From Swan Lake Viennese Refrain Andantino (Lemare) Aria Nobile (Classic Symphony) Haydn Deep River Young Prince (Rimsky-Korskov) Young Princess (Rimsky-Korsakov) Le Tambourin (Rameau J.) Waltz, Op. 39 No. 15 Menuetto (Mozart) Danse Macabre Nobody Knows The Trouble I've Seen The Happy Farmer Returning From Work, Op. 68, No. 10 Andante Cantabile On Wings Of Song (Auf Flugeln Des Gesanges) Scarf Dance, Op. 37, No. 3 Rondo, Op. 51, No. 1 Waltz, Op. 39, No. 15
$6.99 ≈
¥50.75
Ensembles For Strings - Cello
Ensembles For Strings - Cello
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Quatuor à cordes: 2 violons, alto, violoncelle
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Various
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Harvey S
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String Ensemble
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Ensembles For Strings - Cello
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Rubank Publications
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SheetMusicPlus
String Duet; String Ensemble; String Quartet; String Trio SKU: HL.4473490 For Duet, Trio, Quartet or String Orchestra. Composed by Various. Arrang...
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String Duet; String Ensemble; String Quartet; String Trio SKU: HL.4473490 For Duet, Trio, Quartet or String Orchestra. Composed by Various. Arranged by Harvey S. Whistler and Herman Hummel. Ensemble Collection. Classical. 16 pages. Published by Rubank Publications (HL.4473490). ISBN 9798350107128. UPC: 073999734904. 9.0x12.0x0.067 inches.String teachers have long turned to Ensembles for Strings to fulfill the need for easy to intermediate ensemble pieces for student string players. Familiar classical melodies are arranged here for 2, 3, 4 or more players - even string orchestra. Each piece is scored to be playable in first position, and in such a manner that maximum results will be achieved regardless of the instrumentation employed. All of the material has been carefully edited and bowed, and was performance tested by the string faculty at San José State University.
Song List
: Theme From Swan Lake Viennese Refrain Andantino (Lemare) Aria Nobile (Classic Symphony) Haydn Deep River Young Prince (Rimsky-Korskov) Young Princess (Rimsky-Korsakov) Le Tambourin (Rameau J.) Waltz, Op. 39 No. 15 Menuetto (Mozart) Danse Macabre Nobody Knows The Trouble I've Seen The Happy Farmer Returning From Work, Op. 68, No. 10 Andante Cantabile On Wings Of Song (Auf Flugeln Des Gesanges) Scarf Dance, Op. 37, No. 3 Rondo, Op. 51, No. 1 Waltz, Op. 39, No. 15
$7.99 ≈
¥58.01
Wie Du warst (Octavian's Aria) from Der Rosenkavalier - Accessible Accompaniments Edition
Wie Du warst (Octavian's Aria) from Der Rosenkavalier - Accessible Accompaniments Edition
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Wie Du warst
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Nicole Elyse DiPaolo
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 5 - SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 6 pages. N...
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Alto Voice,Vocal Solo - Level 5 - SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 6 pages. Nicole Elyse DiPaolo #5022023. Published by Nicole Elyse DiPaolo (A0.799612). The first of its kind, and the third entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Wie Du warst, Octavian's famous aria from Strauss's Der Rosenkavalier (1911). Mezzos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury. This edition also includes a two-measure recomposed ending four measures after rehearsal 25, making this edition a great choice for concert and audition situations in which another singer isn't available to sing the Marschallin's lines.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95 ≈
¥64.98
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