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Vous avez sélectionné:
Mass of Christ: the Son of God
Partitions à imprimer
64 partitions trouvées
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Mass of Christ: the Son of God (Lead Sheet Edition)
Mass of Christ: the Son of God (Lead Sheet Edition)
#
Chorale Unison
#
FACILE
#
Musique Sacrée
#
Stephen DeCesare
#
Mass of Christ: the Son of God
#
Exultet Music
#
SheetMusicPlus
Choral Choir (Unison) - Level 2 - SKU: A0.612410 Composed by Stephen DeCesare. Christian,Praise & Worship,Sacred. Octavo. 19 pages. Exultet Music #57938...
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Choral Choir (Unison) - Level 2 - SKU: A0.612410 Composed by Stephen DeCesare. Christian,Praise & Worship,Sacred. Octavo. 19 pages. Exultet Music #5793853. Published by Exultet Music (A0.612410). Simple but majestic setting that can easily be learned by a choir and/or congregation. Can be utilized for many times throughout the year. Full Score is also available which is scored for Bb-Trumpet, SATB, with Organ accompaniment. Accessible and appropriate for any church setting. .
$3.99 ≈
3.68€
Glory To God (from "Mass of Christ: the Son of God") (Through Composed Version)
Glory To God (from "Mass of Christ: the Son of God") (Through Composed Version)
#
Chorale SATB
#
FACILE
#
Musique Sacrée
#
Stephen DeCesare
#
Glory To God
#
Exultet Music
#
SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.618744 Composed by Stephen DeCesare. Christian,Praise & Worship,Sacred. Octavo. 12 pages. Exultet Music #1965887...
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Choral Choir (SATB) - Level 2 - SKU: A0.618744 Composed by Stephen DeCesare. Christian,Praise & Worship,Sacred. Octavo. 12 pages. Exultet Music #1965887. Published by Exultet Music (A0.618744). Simple but majestic setting that can easily be learned by a choir and/or congregation. Can be utilized for many times throughout the year. Scored for Bb-Trumpet, SATB, and Organ.
$3.99 ≈
3.68€
Glory To God (from Mass of Christ: the Son of God") (Refrain and Verses Edition)
Glory To God (from Mass of Christ: the Son of God") (Refrain and Verses Edition)
#
Chorale SATB
#
FACILE
#
Musique Sacrée
#
Stephen DeCesare
#
Glory To God
#
Exultet Music
#
SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.620296 Composed by Stephen DeCesare. Christian,Praise & Worship,Sacred. Octavo. 11 pages. Exultet Music #3236813...
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Choral Choir (SATB) - Level 2 - SKU: A0.620296 Composed by Stephen DeCesare. Christian,Praise & Worship,Sacred. Octavo. 11 pages. Exultet Music #3236813. Published by Exultet Music (A0.620296). Simple but majestic setting that can easily be learned by a choir and/or congregation. Can be utilized for many times throughout the year. Scored for Bb-Trumpet, SATB, and Organ.
$3.99 ≈
3.68€
Holy (from "Mass of Christ: the Son of God")
Holy (from "Mass of Christ: the Son of God")
#
Chorale SATB
#
FACILE
#
Musique Sacrée
#
Stephen DeCesare
#
Holy
#
Exultet Music
#
SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.618745 Composed by Stephen DeCesare. Christian,Praise & Worship,Sacred. Octavo. 8 pages. Exultet Music #1975749....
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Choral Choir (SATB) - Level 2 - SKU: A0.618745 Composed by Stephen DeCesare. Christian,Praise & Worship,Sacred. Octavo. 8 pages. Exultet Music #1975749. Published by Exultet Music (A0.618745). Simple but majestic setting that can easily be learned by a choir and/or congregation. Can be utilized for many times throughout the year. Scored for Bb-Trumpet, SATB, and Organ.
$3.99 ≈
3.68€
Lord's Prayer (from "Mass of Christ: the Son of God")
Lord's Prayer (from "Mass of Christ: the Son of God")
#
Chorale SATB
#
FACILE
#
Musique Sacrée
#
Stephen DeCesare
#
Lord's Prayer
#
Exultet Music
#
SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.618746 Composed by Stephen DeCesare. Christian,Praise & Worship,Sacred. Octavo. 8 pages. Exultet Music #1984387....
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Choral Choir (SATB) - Level 2 - SKU: A0.618746 Composed by Stephen DeCesare. Christian,Praise & Worship,Sacred. Octavo. 8 pages. Exultet Music #1984387. Published by Exultet Music (A0.618746). Simple but majestic setting that can easily be learned by a choir and/or congregation. Can be utilized for many times throughout the year. Scored for SATB, and Organ.
$3.99 ≈
3.68€
Mass of Christ: the Son of God (Full Score)
Mass of Christ: the Son of God (Full Score)
#
Chorale SATB
#
FACILE
#
Musique Sacrée
#
Stephen DeCesare
#
Mass of Christ: the Son of God
#
Exultet Music
#
SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.618747 Composed by Stephen DeCesare. Christian,Praise & Worship,Sacred. Octavo. 63 pages. Exultet Music #1984401...
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Choral Choir (SATB) - Level 2 - SKU: A0.618747 Composed by Stephen DeCesare. Christian,Praise & Worship,Sacred. Octavo. 63 pages. Exultet Music #1984401. Published by Exultet Music (A0.618747). Simple but majestic setting that can easily be learned by a choir and/or congregation. Can be utilized for many times throughout the year. Scored for Solo, SATB, Bb-Trumpet, and Organ.
$12.99 ≈
11.97€
Now Thank We All Our God - Unison choir with solo
Now Thank We All Our God - Unison choir with solo
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Chorale Unison
#
FACILE
#
Johann Cruger
#
Phil Beaman
#
4 minutes
#
Now Thank We All Our God - Uni
#
Phil Beaman
#
SheetMusicPlus
Choral Choir (Unison) - Level 2 - SKU: A0.844488 Composed by Johann Cruger. Arranged by Phil Beaman. Christian,Holiday,Patriotic,Sacred,Wedding. Octavo....
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Choral Choir (Unison) - Level 2 - SKU: A0.844488 Composed by Johann Cruger. Arranged by Phil Beaman. Christian,Holiday,Patriotic,Sacred,Wedding. Octavo. 7 pages. Phil Beaman #3448625. Published by Phil Beaman (A0.844488). Now Thank We All Our God is an English adaptation of the ancient German hymn Nun danket alle Gott. The lyrics were written by Rinkart in 1636, the melody by Cruger in 1647, and the popular harmony by Mendlessohn in 1840.This arrangement begins with a Handelian keyboard introduction, modulates to the 1st Verse for Unison choir with a new homophonic reharmonization for accompaniment, then modulates to Verse 2 which is a softer Unison with a drone accompaniment and a voice solo antiphon, then a final modulation into Verse 3 which is Unison with optional traditional SATB hymn parts.Since it is in Choral Unison we have used it here in the National Cathedral for gathered massed choirs from around the country to celebrate the official Government Holiday of National Day of Thanksgiving. I am aware that one country has also used this piece as part of the Investiture Ceremony to install their new Bishop. The addition of the Psalm antiphons gives it a Nationalistic angle as well. Further, in some countries this hymn is also a tradition at Christian Weddings. In short...this piece is perfect for any moment of Thanksgiving!7 pages 4 minutes
$2.99 ≈
2.76€
Holy (from "Mass of God the Father")
Holy (from "Mass of God the Father")
#
Chorale Unison
#
DÉBUTANT
#
Stephen DeCesare
#
Holy
#
Exultet Music
#
SheetMusicPlus
Choral Choir (Unison) - Level 1 - SKU: A0.620388 Composed by Stephen DeCesare. Christmas,Easter,Sacred. Octavo. 4 pages. Exultet Music #3259985. Publish...
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Choral Choir (Unison) - Level 1 - SKU: A0.620388 Composed by Stephen DeCesare. Christmas,Easter,Sacred. Octavo. 4 pages. Exultet Music #3259985. Published by Exultet Music (A0.620388). Majestic Mass setting which can be used at anytime throughout the year which is scored for Congregation with Organ accompaniment. A Full score and a Choir/Vocal Score of the Mass of God the Father can be found on this site.
$3.99 ≈
3.68€
Mass of God the Father (Lead Sheet Edition)
Mass of God the Father (Lead Sheet Edition)
#
Chorale Unison
#
FACILE
#
Musique Sacrée
#
Stephen DeCesare
#
Mass of God the Father
#
Exultet Music
#
SheetMusicPlus
Choral Choir (Unison) - Level 2 - SKU: A0.627529 Composed by Stephen DeCesare. Christian,Praise & Worship,Sacred. Octavo. 14 pages. Exultet Music #60160...
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Choral Choir (Unison) - Level 2 - SKU: A0.627529 Composed by Stephen DeCesare. Christian,Praise & Worship,Sacred. Octavo. 14 pages. Exultet Music #6016067. Published by Exultet Music (A0.627529). Majestic Mass setting which can be used at anytime throughout the year. A Choir/Vocal score as well as a Full score with instrumentation is also available on this site.
$3.99 ≈
3.68€
A Mighty Fortress is Our God
A Mighty Fortress is Our God
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Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
#
Stephen R Dalrymple
#
A Mighty Fortress is Our God
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Stephen R Dalrymple
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.818222 By Stephen R Dalrymple. By Martin Luther. Arranged by Stephen R Dalrymple (Dalrymple Designs). Sacred. Score. 15 p...
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Piano Solo - Level 4 - SKU: A0.818222 By Stephen R Dalrymple. By Martin Luther. Arranged by Stephen R Dalrymple (Dalrymple Designs). Sacred. Score. 15 pages. Stephen R Dalrymple #3070993. Published by Stephen R Dalrymple (A0.818222). A Mighty Fortress is Our God ♫ piano solo arrangement by Stephen R Dalrymple ♫ Martin Luther wrote Ein Feste Burg sometime between 1527 and 1529. (Luther published the Ninety-five Theses in 1517 and was excommunicated in 1521.) Ein Feste Burg was translated into English by Miles Coverdale in 1539 with the title, Oure God is a defence and towre. The English text most familiar to me was translated by Francis Hedge in 1853. ♫ Luther believed in the power of music. In 1558 in the Forward to Georg Rhau's Symphoniae he wrote “I truly desire that all Christians would love and regard as worthy the lovely gift of music, which is a precious, worthy, and costly treasure given to mankind by God. … next to the Word of God, the noble art of music is the greatest treasure in the world. It controls our thoughts, minds, hearts, and spirits.... Our dear fathers and prophets did not desire without reason that music be always used in the churches. Hence, we have so many songs and psalms. This precious gift has been given to man alone that he might thereby remind himself that God has created man for the express purpose of praising and extolling God.†♫ In his lifetime, Luther made 3 major contributions to the Church: the doctrine of salvation by faith alone, the belief that Scripture should be translated into the people's language (producing a translation of the Bible into German), and the birth of congregational singing. In Roman Catholic churches of his day, only the cantor and a chorus sang the mass in Latin. He was determined to restore congregational singing in German to the church. ♫ In the slides, I have featured the Citadelle Laferrière, a fortress in Northern Haiti, commissioned in 1805 by Henri Christophe and completed in 1820, following Haiti’s independence from France in 1804. ♫ music © 2010 (copyright registered in 'Rejoice Ye Pure In Heart’ collection) ♫ recording ℗ 2020 Stephen R Dalrymple ♫ presentation © 2022 Stephen R Dalrymple ♫ performed by the arranger ♫ This .pdf file includes 2 files: 1) Letter size piano score 2) Small page piano score for performing from a 10 inch tablet ♫ (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.).
$4.50 ≈
4.15€
Mass for the People of God (Lead Sheet Edition)
Mass for the People of God (Lead Sheet Edition)
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Chorale Unison
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FACILE
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Stephen DeCesare
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Mass for the People of God
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Exultet Music
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SheetMusicPlus
Choral Choir (Unison) - Level 2 - SKU: A0.612375 Composed by Stephen DeCesare. Christian,Christmas,Easter,Sacred. Octavo. 11 pages. Exultet Music #47765...
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Choral Choir (Unison) - Level 2 - SKU: A0.612375 Composed by Stephen DeCesare. Christian,Christmas,Easter,Sacred. Octavo. 11 pages. Exultet Music #4776551. Published by Exultet Music (A0.612375). Sung in Latin. Instead of the traditional Chant style in Graduale, this is more song style which will make it more accessible. Can be used for many times throughout the liturgical year. An Organ Score, Piano Score, and Vocal Scores are also available.
$3.99 ≈
3.68€
Lord Have Mercy (from Mass of Christ: the Son of God )
Lord Have Mercy (from Mass of Christ: the Son of God )
Organ,Voice,Choir,SATB
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Musique Sacrée
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Stephen DeCesare
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Lord Have Mercy
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Exultet Music
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SheetMusicPlus
Composed by Stephen DeCesare. Christian, Contemporary Christian, Sacred, Praise & Worship, General Worship. Sheet Music Single. 6 pages. Published by Exultet Mu...
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Composed by Stephen DeCesare. Christian, Contemporary Christian, Sacred, Praise & Worship, General Worship. Sheet Music Single. 6 pages. Published by Exultet Music (S0.112521). - Sheet Music Single - Christian,Contemporary Christian,Sacred,Praise & Worship,General Worship - Exultet Music
$1.99 ≈
1.83€
Lamb of God (from "Mass for Our Lenten Journey") (Unison Choir)
Lamb of God (from "Mass for Our Lenten Journey") (Unison Choir)
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Chorale Unison
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FACILE
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Musique Sacrée
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Traditional
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Stephen DeCesare
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Lamb of God
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Exultet Music
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SheetMusicPlus
Choral Choir (Unison) - Level 2 - SKU: A0.629211 Composed by Traditional. Arranged by Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred. Octavo...
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Choral Choir (Unison) - Level 2 - SKU: A0.629211 Composed by Traditional. Arranged by Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred. Octavo. 3 pages. Exultet Music #6294639. Published by Exultet Music (A0.629211). The widely used melody for Lent (St. Flavian) has now been adapted as a Mass setting and this piece is scored for a Unison choir with Organ accompaniment. Accessible and appropriate for any church setting. The entire Mass setting is also available on this site. An accompaniment track is also available.
$1.99 ≈
1.83€
Lamb Of God (from "Mass For A Deceased Loved One")
Lamb Of God (from "Mass For A Deceased Loved One")
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Chorale Unison
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FACILE
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Musique Sacrée
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Stephen DeCesare
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Lamb Of God
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Exultet Music
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SheetMusicPlus
Choral Choir (Unison) - Level 2 - SKU: A0.611996 Composed by Stephen DeCesare. Christian,Praise & Worship,Sacred. Octavo. 5 pages. Exultet Music #323680...
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Choral Choir (Unison) - Level 2 - SKU: A0.611996 Composed by Stephen DeCesare. Christian,Praise & Worship,Sacred. Octavo. 5 pages. Exultet Music #3236805. Published by Exultet Music (A0.611996). A tender setting of the Lamb Of God which is featured in Mass For A Deceased Loved One which is also available on this site. Scored for Solo, Congregation, Flute, and Piano. Accessible and appropriate for any church setting.
$3.99 ≈
3.68€
Since You Are Children of God [version for solo voice and keyboard]
Since You Are Children of God [version for solo voice and keyboard]
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Chorale Unison
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Todd Tarantino / Desmar Music
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Since You Are Children of God
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Todd Tarantino / Desmar Music
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SheetMusicPlus
Choral Choir (Unison) - SKU: A0.1017485 Composed by Todd Tarantino / Desmar Music. Christian,Contemporary,Sacred. Octavo. 7 pages. Todd Tarantino / Desm...
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Choral Choir (Unison) - SKU: A0.1017485 Composed by Todd Tarantino / Desmar Music. Christian,Contemporary,Sacred. Octavo. 7 pages. Todd Tarantino / Desmar Music #6635839. Published by Todd Tarantino / Desmar Music (A0.1017485). Todd Tarantino: Since You Are Children of God (2020) from Gradualia[version for solo voice and keyboard] Gradualia is a collection of works for a variety of forces - solo voice with accompaniment, chorus to large ensemble - setting the English proper antiphon texts of the Catholic Mass. Using a simplified harmonic language and the traditional alternation of Antiphon - Psalm verse form, the works from the series ennoble a liturgical service and are accessible to professional and semi-professional ensembles and soloists. Since You Are Children of God is the Communion Antiphon for the Feast of the Holy Trinity. Text from Galatians and Psalm 34. This setting exists in three versions: 1) solo voice and keyboard instrument; 2) solo voice, three clarinets; 3) vocal trio and guitar
$4.99 ≈
4.60€
Glory To God (from "Mass of the Angels and Saints") (Refrain and Verses Edition)
Glory To God (from "Mass of the Angels and Saints") (Refrain and Verses Edition)
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Chorale Unison
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FACILE
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Musique Sacrée
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Stephen DeCesare
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Glory To God
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Exultet Music
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SheetMusicPlus
Choral Choir (Unison) - Level 2 - SKU: A0.620816 Composed by Stephen DeCesare. Christian,Easter,Sacred. Octavo. 7 pages. Exultet Music #3471441. Publish...
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Choral Choir (Unison) - Level 2 - SKU: A0.620816 Composed by Stephen DeCesare. Christian,Easter,Sacred. Octavo. 7 pages. Exultet Music #3471441. Published by Exultet Music (A0.620816). Simple but majestic setting that can easily be learned by a choir and/or congregation. Can be utilized for many times throughout the year. Scored for Congregation (or Unison Choir singing) with Piano accompaniment.
$3.99 ≈
3.68€
Glory To God (from "Mass of the Angels and Saints") (Through Composed Version)
Glory To God (from "Mass of the Angels and Saints") (Through Composed Version)
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Chorale Unison
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FACILE
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Musique Sacrée
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Stephen DeCesare
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Glory To God
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Exultet Music
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SheetMusicPlus
Choral Choir (Unison) - Level 2 - SKU: A0.620815 Composed by Stephen DeCesare. Christian,Easter,Sacred. Octavo. 7 pages. Exultet Music #3471439. Publish...
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Choral Choir (Unison) - Level 2 - SKU: A0.620815 Composed by Stephen DeCesare. Christian,Easter,Sacred. Octavo. 7 pages. Exultet Music #3471439. Published by Exultet Music (A0.620815). Simple but majestic setting that can easily be learned by a choir and/or congregation. Can be utilized for many times throughout the year. Scored for Congregation (or Unison Choir singing) with Piano accompaniment.
$3.99 ≈
3.68€
Glory To God (from "Mass of the Holy Spirit - the Paraclete")
Glory To God (from "Mass of the Holy Spirit - the Paraclete")
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Chorale Unison
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FACILE
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Musique Sacrée
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Stephen DeCesare
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Glory To God
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Exultet Music
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SheetMusicPlus
Choral Choir (Unison) - Level 2 - SKU: A0.620692 Composed by Stephen DeCesare. Christian,Praise & Worship,Sacred. Octavo. 7 pages. Exultet Music #343046...
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Choral Choir (Unison) - Level 2 - SKU: A0.620692 Composed by Stephen DeCesare. Christian,Praise & Worship,Sacred. Octavo. 7 pages. Exultet Music #3430463. Published by Exultet Music (A0.620692). Traditional Gregorian chant style setting scored for Vocals with Organ accompaniment. Accessible and appropriate for any church setting. Can be used at anytime throughout the liturgical year.
$3.99 ≈
3.68€
Lamb of God (from "Mass of Saint Jude") (Congregation and Cantor)
Lamb of God (from "Mass of Saint Jude") (Congregation and Cantor)
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Chorale Unison
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FACILE
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Musique Sacrée
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Stephen DeCesare
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Lamb of God
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Exultet Music
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SheetMusicPlus
Choral Choir (Unison) - Level 2 - SKU: A0.630668 Composed by Stephen DeCesare. Christian,Jazz,Praise & Worship,Sacred. Octavo. 5 pages. Exultet Music #6...
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Choral Choir (Unison) - Level 2 - SKU: A0.630668 Composed by Stephen DeCesare. Christian,Jazz,Praise & Worship,Sacred. Octavo. 5 pages. Exultet Music #6463089. Published by Exultet Music (A0.630668). Tender, jazz harmonic setting which is scored for a Congregation, Cantor with Piano accompaniment. Accessible and appropriate for any church setting. Can be used anytime throughout the liturgical year. An accompaniment track is also available. .
$3.99 ≈
3.68€
Missa Solemnis, op. 27 (vocal score)
Missa Solemnis, op. 27 (vocal score)
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Chorale SATB
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #86844...
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Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99 ≈
81.08€
Missa Solemnis, op. 27 (parts)
Missa Solemnis, op. 27 (parts)
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Orchestre
#
AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1277141 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Score and Parts. 282 pages. Adrian Gagiu #8...
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Full Orchestra - Level 5 - SKU: A0.1277141 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Score and Parts. 282 pages. Adrian Gagiu #868829. Published by Adrian Gagiu (A0.1277141). Missa Solemnis in B major, op. 27 (orchestral parts). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$160.00 ≈
147.44€
Missa Solemnis, op. 27 - Score Only
Missa Solemnis, op. 27 - Score Only
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Orchestre
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published ...
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Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$85.99 ≈
79.24€
My Jesus, I Love Thee
My Jesus, I Love Thee
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Cloches
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FACILE
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Brenda Austin
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Brenda Austin
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ST. THEODULPH
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My Jesus, I Love Thee
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Chorister's Guild - Digital
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SheetMusicPlus
3, 4, or 5 octaves handbells - Level 2 - SKU: C7.CGB874 Composed by Brenda Austin. Arranged by Brenda Austin. Lent, General. With 3, 4, 5, or 6 octaves ...
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3, 4, or 5 octaves handbells - Level 2 - SKU: C7.CGB874 Composed by Brenda Austin. Arranged by Brenda Austin. Lent, General. With 3, 4, 5, or 6 octaves handchimes. Score. 8 pages. Chorister's Guild - Digital #CGB874. Published by Chorister's Guild - Digital (C7.CGB874). UPC: 749193020326.Tune sources: American spiritual; ST. THEODULPH; ELLACOMBE; EASTER HYMN; Jean Sibelius; Camille Saint-Saens; BROTHER JAMES' AIR; MORECAMBE * Lent, Palm Sunday, Easter, Pentecost, General * Contents: Jesus Walked This Lonesome Valley, Palm Sunday Processional (with All Glory, Laud and Honor and Hosanna, Loud Hosanna); Easter Triumph (incorporating Christ the Lord Is Risen Today); The Lord's My Shepherd; Spirit of God, Descend Upon My Heart * Levels 2 and 2+ * Ring in the spring with this collection of seasonal favorites carefully selected to highlight Palm Sunday, Easter, as well was other special Sundays in the spring. The selections will be meanintful additions to worshiop, and can be mastered with minimal rehearsal time. Published in editions for 2 or 3 and for 3, 4 or 5 octaves, the two editions are compatible for massed ringing events.
$4.50 ≈
4.15€
Lamb Of God (from "Mass Of Christ: the Son of God")
Lamb Of God (from "Mass Of Christ: the Son of God")
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Chorale SATB
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FACILE
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Stephen DeCesare
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Lamb Of God
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Exultet Music
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.620297 Composed by Stephen DeCesare. Christian,Christmas,Easter,Sacred. Octavo. 6 pages. Exultet Music #3236819....
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Choral Choir (SATB) - Level 2 - SKU: A0.620297 Composed by Stephen DeCesare. Christian,Christmas,Easter,Sacred. Octavo. 6 pages. Exultet Music #3236819. Published by Exultet Music (A0.620297). Simple but majestic setting that can easily be learned by a choir and/or congregation. Can be utilized for many times throughout the year. Scored for Bb-Trumpet, SATB, and Organ.
$3.99 ≈
3.68€
Missa Millennia in Honor of St. Francis (SATB)
Missa Millennia in Honor of St. Francis (SATB)
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Chorale SATB
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AVANCÉ
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Musique Sacrée
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Curtis Hanson
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Missa Millennia in Honor of St
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Curtis Hanson
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.719523 Composed by Curtis Hanson. Christian,Sacred. Octavo. 59 pages. Curtis Hanson #2032867. Published by Curti...
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Choral Choir (SATB) - Level 5 - SKU: A0.719523 Composed by Curtis Hanson. Christian,Sacred. Octavo. 59 pages. Curtis Hanson #2032867. Published by Curtis Hanson (A0.719523). The Missa Millennia was composed during the spring of 2000 and premiered the following November by the choirs of the John Duss Music Conservatory, Duluth, MN. Scored for a chamber orchestra of strings, keyboard, and solo oboe (full score and instrumental parts available separately), the work is not so much a celebration of the new millennium as it is an assimilation of many of the musical styles, characteristics, and forms of the previous thousand years. The entire piece is in the form of the traditional Mass, a musical form having its origins in the Middle Ages, and is divided into the five movements commonly found in the Mass Ordinary: Kyrie (Lord, have mercy), Gloria (Glory to God in the highest), Credo (the Nicene Creed), Sanctus – Benedictus (Holy, holy, holy – Blessed is he who comes in the name of the Lord), and Agnus Dei (Lamb of God). In the final movement, the Prayer of St. Francis of Assisi (Lord, make me an instrument of thy peace) concludes the work. Although the Missa Millennia as a whole is distinctly contemporary, elements from many earlier musical periods are incorporated into the movements. These include chant, open fifth and parallel fifth harmonic movement (organum), and canonic imitation from the Middle Ages and Renaissance; fugue, word-painting, terraced dynamics, ostinato (a repeated rhythmic or bass accompaniment), Alberti bass accompaniment figures, ABA form, and dominant-tonic harmonic relationships typical of Baroque and Classical music to name but a few. Other significant features are the usage of non-Western modality in the plaintive solo oboe and of pedal point, a sustained tone in the bass over which the melody and harmony evolve. Pedal point, a compositional tool used throughout music history, dates from the Middle Ages about the time of St. Francis. Although not directly based upon the music of any composer, the astute listener may hear musical ideas reminiscent of Vivaldi, Vaughan Williams, Respighi, Duruflé, and others. In the audio file, the 2nd movement (Gloria) can be found at approximately 6'25, the 3rd movement (Credo) at 12'05, the 4th movement (Sanctus) at 21'15, and the final movement (Agnus Dei) at 31'05. The complete Mass is approximately 43 minutes long.
$10.00 ≈
9.21€
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