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Mark Elliott
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Vous avez sélectionné:
Mark Elliott
Partitions à imprimer
6 partitions trouvées
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Needles In My Hoover (Bring Back Christmas Memories)
Needles In My Hoover (Bring Back Christmas Memories)
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Piano, Voix
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FACILE
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Mark Elliott
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Mark Elliott
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Needles In My Hoover
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Mark Elliott
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.493001 By Mark Elliott. By Mark Elliott. Arranged by Mark Elliott. Christmas,Holiday. Score. 6 pages. Mark Elliott...
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Piano,Vocal,Voice - Level 2 - SKU: A0.493001 By Mark Elliott. By Mark Elliott. Arranged by Mark Elliott. Christmas,Holiday. Score. 6 pages. Mark Elliott #108117. Published by Mark Elliott (A0.493001). A Christmas song about cleaning up after the holidays.
$4.99 ≈
¥36.23
Beau Soir
Beau Soir
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Chorale SATB
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Classique
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Claude Debussy
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Mark Elliott
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Beau Soir
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Mark Elliott
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SheetMusicPlus
Choral Choir (SATB) - Digital Download Composed by Claude Debussy (1862-1918). Arranged by Mark Elliott. 20th Century, Classical. Octavo. 5 pages. Pu...
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Choral Choir (SATB) - Digital Download Composed by Claude Debussy (1862-1918). Arranged by Mark Elliott. 20th Century, Classical. Octavo. 5 pages. Published by Mark Elliott
$1.99 ≈
¥14.45
Chamber Symphony
Chamber Symphony
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David Diamond
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Chamber Symphony
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Imagine Music - Digital
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SheetMusicPlus
Clarinet, bassoon, trumpet, viola, piano - SKU: IZ.PDP100 Composed by David Diamond. Score and Parts. 97 pages. Imagine Music - Digital #PDP100. Publish...
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Clarinet, bassoon, trumpet, viola, piano - SKU: IZ.PDP100 Composed by David Diamond. Score and Parts. 97 pages. Imagine Music - Digital #PDP100. Published by Imagine Music - Digital (IZ.PDP100). 9 x 12 in inches.The Chamber Symphony dates from his New York period before he studied with the legendary Nadia Boulanger (1887-1979) at the American Conservatory outside of Paris. Like other works from his early 20s, this piece exhibits an extraordinary grasp of structure and overall design within a tonal harmonic language. The unusual scoring (clarinet, bassoon, viola, trumpet, and piano), like so many other chamber pieces written between the two World Wars, shows the influence of Igor Stravinsky (1882-1971), who would later become a close friend of the young American. The Chamber Symphony was premiered on 7 May 1937 at the Federal Theater in New York City. Jacques Gordon conducted the WP A Ensemble. Evidently the group was under-rehearsed and Diamond was not happy the performance. Thinking that the fault lay with the composition itself, he consigned the score and parts to a trunk in the attic of the family home in Rochester where it remained for over fifty years. I ran across a reference to the Chamber Symphony in the early 1990s and telephoned David Diamond to ask if I could get a copy of it. Thus began a sporadic exchange of telephone calls and postcards over the next five years. Among other things, we discovered that his parents and my paternal grandmother had come from the same region of Ukraine. Eventually he tottered up to the attic and sent me a copy of the score, with his penciled corrections, and his original parts, which I photocopied and returned to him. I performed the piece with colleagues at Kansas State University and sent Diamond a copy of the recording. He was ecstatic with our performance and told me I wonder why I've suppressed it for all these years? I got to meet David Diamond in June 2000 and we discussed the possibility of trying to get the Chamber Symphony published. He averred that his regular publishers wouldn't be interested owing to the limited market for such a work. A year after David Diamond's death I began my venture into music publishing and contacted Sam Elliott, a close friend of the composer's who serves as the executor for his estate. Mr. Elliott was happy to hear that I wanted to publish the Piece through Prairie Dawg Press and gave his kind permission to do so. I hope that my colleagues will enjoy this work as much as I have and that it will receive frequent performances.
$55.00 ≈
¥399.33
The Grave of Washington
The Grave of Washington
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Piano, Voix
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Harmoneons
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The Grave of Washington
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Smithsonian Institution
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SheetMusicPlus
Piano/vocal - SKU: S8.AC0300-1000264 Respectfully Dedicated to Washington Elliott Esq. (of Bath ME.). By Harmoneons. By L.V.H. Crosby. From the S...
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Piano/vocal - SKU: S8.AC0300-1000264 Respectfully Dedicated to Washington Elliott Esq. (of Bath ME.). By Harmoneons. By L.V.H. Crosby. From the Sam DeVincent Collection of Illustrated American Sheet Music, Series 5.2: Politics and Political Movements - Politicians and Political Figures, Box 13, Folder WW, Archives Center, National Museum of American History, Smithsonian Institution. Patriotic. 5 pages. Published by Smithsonian Institution (S8.AC0300-1000264). Sheet music published in 1846 by Oliver Ditson CompanyLyrics by Marshall S. Dike. About Sheet Music from the Smithsonian CollectionThe Smithsonian Collection: These official, high-quality facsimiles have been hand-picked from the Sam DeVincent Collection of Illustrated American Sheet Music in the Archives Center of the Smithsonian Institution and are available exclusively through Sheet Music Plus.The Smithsonian name and logo are registered trademarks of the Smithsonian Institution.
$5.99 ≈
¥43.49
Minuet sur le nom d'Haydn
Minuet sur le nom d'Haydn
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Maurice Ravel
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Robert Rainford
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Minuet sur le nom d'Haydn
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Forton Music - Digital
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SheetMusicPlus
4fl. Afl. Bfl. Cafl. Cbfl - Intermediate - SKU: F2.FM400 Composed by Maurice Ravel. Arranged by Robert Rainford. Arranged for Flute Ensemble/Choir - 4 F...
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4fl. Afl. Bfl. Cafl. Cbfl - Intermediate - SKU: F2.FM400 Composed by Maurice Ravel. Arranged by Robert Rainford. Arranged for Flute Ensemble/Choir - 4 Flutes, Alto Flute, Bass Flute, Contr'alto Flute, Contrabass Flute. Score and Parts. 12 pages. Forton Music - Digital #FM400. Published by Forton Music - Digital (F2.FM400). ISBN 9790570482993.Flute Ensemble (4 flutes, alto flute, bass flute, contr'alto flute, contrabass flute). Maurice Ravel wrote this exquisite miniature piece originally for piano in 1909, to mark the centenary of the death of the composer Franz Joseph Haydn. Ravel has used the letters of Haydn's name to give him the initial theme of the piece at the very start (flute 1 of this arrangement). B natural represents H, A and D represent their own letters, the next D represents the letter Y, and the final G represents N. This theme then weaves through the whole piece in various versions, sometimes upside down, and sometimes backwards. Many composers have used this method of using letters to give melodic pitches, from Josquin back in the fifteenth century all the way through to such twentieth century composers as Shostakovich, Messiaen and Elliott Carter. This arrangement uses just about the full range of flutes, including contr'alto and contrabass. Each flute has it's own independant part, and the 'HAYDN' theme is shared between them all.Whilst not technically difficult, it needs sensitive playing to balance the parts, and a strong sense of musical colour to make the most of the piece.
$10.95 ≈
¥79.50
Death Theme
Death Theme
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Ennio Morricone
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Death Theme
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www.studio-orchestrations.com
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1284734 Composed by Ennio Morricone. Arranged by John Langley (at Studio Orchestrations). 20th Century,Broadway,Chamb...
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Full Orchestra - Level 4 - SKU: A0.1284734 Composed by Ennio Morricone. Arranged by John Langley (at Studio Orchestrations). 20th Century,Broadway,Chamber,Film/TV,Musical/Show. Score and Parts. 14 pages. Www.studio-orchestrations.com #875911. Published by www.studio-orchestrations.com (A0.1284734). This is one of Ennio Morricone's most evocative and yearning themes from the Kevin Costner and Sean Connery classic THE UNTOUCHABLES directed by Brian De Palma. The theme comes where Malone has been brutally/mortally shot and wounded and gives Elliott Ness, his friend, the critical information to enable him to arrest Al Capone's bookeeper before dying. Malone's murder is one of the most unexpected and shocking moments on celluloid when it happens but Morricone's theme is full of pathos and lament for a much loved character.For your event/concert of film music, this is a short but always moving piece that hopefully will fit around your other programming ideas. In a market where loud film music is all the rage, this offers a beautiful sorbet to an evening of movie classics.This arrangement is written for Solo Alto Saxophone (Default solo instrument)Solo Alto Flute* (alternative solo instrument)Acoustic guitar (or Harp)*Strings* Morricone does use Alto Flute to play a version of this theme earlier in the soundtrack and this can make a contemplative and quiet version of the same music so your group can choose instrumentation, esepcially where no saxophone is available in your group or concert; also if your group doesn't have a guitar then this can be played by Harp as well.
$80.00 ≈
¥580.84
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Mark Elliott
