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Vous avez sélectionné:
Make Me A Memory
Partitions à imprimer
34 partitions trouvées
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26
Make Me A Memory (Sad Samba)
Make Me A Memory (Sad Samba)
#
Ensemble Jazz
#
INTERMÉDIAIRE
#
Latin/Musique du monde
#
Grover Washington Jr
#
Eric Gale, guitar
#
Make Me A Memory
#
Gerald Ramsey
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1389644 By Grover Washington Jr. By Grover Washington Jr. Arranged by Mike Michalicek and Gerald Ramsey....
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1389644 By Grover Washington Jr. By Grover Washington Jr. Arranged by Mike Michalicek and Gerald Ramsey. Jazz,Soul. 60 pages. Gerald Ramsey #973223. Published by Gerald Ramsey (A0.1389644). Grover Washington, Jr., recorded this composition on his Winelight album with a stellar rhythm section of Richard Tee, Rhodes piano; Eric Gale, guitar; Marcus Miller, bass; Steve Gadd, drums; and Ralph MacDonald, percussion. Despite the subtitle, this piece is not a samba, but rather a soulful solo vehicle for Grover and members of the rhythm section.This arrangement is written flexibly so that it could be performed by a full big band, by solo alto sax with rhythm section, or by big band with a featured alto soloist. The arrangement can be opened up for multiple soloists. Young soloists can improvise very effectively using a g minor blues scale, although the piece is not a blues. More advanced players can use the provided sheets with the chord changes transposed for each instrument.The MIDI-rendered recording provides an adequate representation of this arrangement, but check out Groverâ??s recording on the streaming platform of your choice for an outstanding model to emulate.
$50.00 ≈
45.88€
Make Me A Memory (Sad Samba)
Make Me A Memory (Sad Samba)
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Ligne De Mélodie, (Paroles) et Accords
#
Grover Washington Jr
#
Make Me A Memory
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Hal Leonard - Digital
#
SheetMusicPlus
SKU: HX.469191 By Grover Washington Jr. Jazz,Latin. Real Book - Melody/Chords. 1 pages. Published by Hal Leonard - Digital (HX.469191). ...
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SKU: HX.469191 By Grover Washington Jr. Jazz,Latin. Real Book - Melody/Chords. 1 pages. Published by Hal Leonard - Digital (HX.469191).
$1.99 ≈
1.83€
(you Make Me Feel Like) A Natural Woman
(you Make Me Feel Like) A Natural Woman
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Trio à Cordes: 3 violoncelles
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INTERMÉDIAIRE/AVANCÉ
#
Aretha Franklin
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Phyllis Hopper
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(you Make Me Feel Like) A Natu
#
HopSez Productions
#
SheetMusicPlus
String Ensemble,String Trio Cello - Level 4 - SKU: A0.1157085 By Aretha Franklin. By Carole King, Gerry Goffin, and Jerry Wexler. Arranged by Phyllis Ho...
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String Ensemble,String Trio Cello - Level 4 - SKU: A0.1157085 By Aretha Franklin. By Carole King, Gerry Goffin, and Jerry Wexler. Arranged by Phyllis Hopper. Broadway,Jazz,Musical/Show,Pop. Score and parts. 8 pages. HopSez Productions #757413. Published by HopSez Productions (A0.1157085). In loving memory of the incomparable Aretha Franklin. This cello trio arrangement is a soulful exercise in swing time. Part 1 is written in treble clef, so it may be read by a violin. Please note: additional arrangements are available for this song: string quartet, string orchestra, cello quartet. Feel free to contact me with feedback or requests: phroglis@tutanota.com.
$16.99 ≈
15.59€
(You Make Me Feel Like) A Natural Woman
(You Make Me Feel Like) A Natural Woman
#
3 Saxophones (trio)
#
INTERMÉDIAIRE
#
Soul/R&B
#
Celine Dion
#
Sam Spear
#
(You Make Me Feel Like) A Natu
#
Sam Spear Music
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.995462 By Celine Dion. By Carole King, Gerry Goffi...
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Woodwind Ensemble,Woodwind Trio Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.995462 By Celine Dion. By Carole King, Gerry Goffin, and Jerry Wexler. Arranged by Sam Spear. R & B,Soul. 16 pages. Sam Spear Music #5210615. Published by Sam Spear Music (A0.995462). A soulful arrangement of this classic in memory of Aretha Franklin for intermediate saxophone quartet.
$19.99 ≈
18.34€
(You Make Me Feel Like) A Natural Woman
(You Make Me Feel Like) A Natural Woman
#
Celine Dion
#
Sam Spear
#
(You Make Me Feel Like) A Natu
#
Sam Spear Music
#
SheetMusicPlus
Small Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Interactive Download SKU: A0.479239 By Celine Dion. By Carole King, Gerry Goffin, and ...
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Small Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Interactive Download SKU: A0.479239 By Celine Dion. By Carole King, Gerry Goffin, and Jerry Wexler. Arranged by Sam Spear. This edition: Interactive Download. Hip-Hop,Pop,Standards. Score and parts. 16 pages. Duration 145. Published by Sam Spear Music (A0.479239). Arranged in memory of Aretha Franklin for saxophone quartet.
$19.99 ≈
18.34€
Broke - Chose Money Over Me
Broke - Chose Money Over Me
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Ensemble Jazz
#
AVANCÉ
#
Gbērē Dodoh
#
Broke - Chose Money Over Me
#
Holyone Tombari Dodoh
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.518631 By Gbērē Dodoh. By Holyone Tombari Dodoh. 20th Century,Blues,Jazz,Pop,Romantic Period. Sc...
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Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.518631 By Gbērē Dodoh. By Holyone Tombari Dodoh. 20th Century,Blues,Jazz,Pop,Romantic Period. Score and parts. 100 pages. Holyone Tombari Dodoh #129341. Published by Holyone Tombari Dodoh (A0.518631). The broken hearted. Lyrics performed by an Open Source Virtual Singer Software (bot). Score and parts included. Lyrics No, no, no, no, no! Can't hide it anymore, She's happy but I'm hurt, I want to be her joy; She said I'm so annoy'ng, Baby I'm so sorry! Baby I'm so sorry! She has no hope in me making it big, She saw no future in me becoming rich, She chose luxury over me; Baby I'm so sorry! She saw no happiness with me so soon, She chose money over me Because I was broke; We ate together, We laughed together; We loved each other: She said she love me I am everything to her, She said I meant the world and the life in her, But she chose luxury over me, Baby I'm so sorry! Luxury so sweet; the life she feels I cannot give, She chose money over me Because I was broke; I was out in the colds Just to gist with you, I know my failures Made me look senseless And my path rejections Made me look worthless; I buried my labour just to make you so happy And sweet smile on your face gave me joy and hope on my dreams I will never forget you, I will always remember, For the memory of you Had consumed my thoughts, Baby I'm so sorry! Baby I'm so sorry! I thought I was the one for you all this while, I hope your luxury will love and care for you More than the way I would love and care for you, Because I thought my little love was just enough She chose money over me Because I was broke; No, no, no, no, no! Can't hide it any more, She's happy but I'm hurt, I want to be her joy; She said I'm so annoy'ng, Baby I'm so sorry! Baby I'm so sorry! My dreams of promises to her is gone with her For it never became a reality, I told her to never leave me. She said I'm giving her tough times. I called her my Belov'd the one in whom I am well pleased, I told her it will be all right for one day we Will make it to the top of the World together, But she never believed me Because I was broke; She started feeling bored for texting and chatting with me; She started laying False accusations against me; I denied pleasure and Distance just to be with her And made her so happy But she could not do same for me, Baby I'm so sorry! Baby I'm so sorry! She suspects me for what I do not know, I had to let it go For her to be happy Because that's what she wants! Baby I'm so sorry! Baby I'm so sorry! It's hard to say the word Because I was broke; Baby I'm so sorry! Baby I'm so sorry! Baby I'm so sorry! Baby I'm so sorry!
$6.70 ≈
6.15€
Thanks For The Memory
Thanks For The Memory
#
Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Dave McKenna
#
John Fries
#
Thanks For The Memory
#
John Fries
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1357212 By Dave McKenna. By Leo Robin and Ralph Rainger. Arranged by John Fries. 20th Century,Film/TV,Jazz,Standards. Sco...
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Piano Solo - Level 4 - SKU: A0.1357212 By Dave McKenna. By Leo Robin and Ralph Rainger. Arranged by John Fries. 20th Century,Film/TV,Jazz,Standards. Score. 4 pages. John Fries #941840. Published by John Fries (A0.1357212). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  Thanks for the Memory (1938) is a popular song composed by Ralph Rainger with lyrics by Leo Robin. It was introduced in the 1938 film The Big Broadcast of 1938 by Bob Hope and Shirley Ross. The song won the Academy Award for Best Original Song, and became Hope's signature tune, with many different lyrics adapted to any situation. In 2004, it finished No. 63 on AFI's 100 Years...100 Songs survey of top tunes in American cinema. I have included the lyrics with this piano solo.
$5.99 ≈
5.50€
Thanks For The Memory
Thanks For The Memory
#
Piano, Voix et Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Dave McKenna
#
John Fries
#
Thanks For The Memory
#
John Fries
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1198273 By Dave McKenna. By Leo Robin and Ralph Rainger. Arranged by John Fries. 20th Century,Pop,Standards...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1198273 By Dave McKenna. By Leo Robin and Ralph Rainger. Arranged by John Fries. 20th Century,Pop,Standards. Score. 2 pages. John Fries #797465. Published by John Fries (A0.1198273). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Thanks for the Memory (1938) is a popular song composed by Ralph Rainger with lyrics by Leo Robin. It was introduced in the 1938 film The Big Broadcast of 1938 by Bob Hope and Shirley Ross. The song won the Academy Award for Best Original Song, and became Hope's signature tune, with many different lyrics adapted to any situation. In 2004, it finished No. 63 on AFI's 100 Years...100 Songs survey of top tunes in American cinema.
$4.99 ≈
4.58€
Remember me
Remember me
#
Chorale 3 parties
#
Bob Chilcott
#
Remember me
#
Oxford University Press Digital
#
SheetMusicPlus
SSA choir & piano - SKU: OX.9780193524972 Composed by Bob Chilcott. Sheet music. Octavo. 8 pages. Duration 3.5'. Oxford University Press Digital #978019...
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SSA choir & piano - SKU: OX.9780193524972 Composed by Bob Chilcott. Sheet music. Octavo. 8 pages. Duration 3.5'. Oxford University Press Digital #9780193524972. Published by Oxford University Press Digital (OX.9780193524972). ISBN 9780193524972.For SSA and piano. Setting Christina Rossetti's poem 'Remember', this gentle piece was written in memory of the young people who lost their lives in the attack on Utøya, Norway in July 2011. Remember me will make a moving addition to any upper-voice choir's concert repertoire.
$3.25 ≈
2.98€
A Promise to Stand By:
A Promise to Stand By:
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Orchestre d'harmonie
#
Contemporain
#
Benjamin Ayotte
#
A Promise to Stand By:
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Ayotte Custom Musical Engravings
#
SheetMusicPlus
Concert Band - SKU: A0.733009 Composed by Benjamin Ayotte. Contemporary. Score and parts. 30 pages. Ayotte Custom Musical Engravings #2075851. Published...
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Concert Band - SKU: A0.733009 Composed by Benjamin Ayotte. Contemporary. Score and parts. 30 pages. Ayotte Custom Musical Engravings #2075851. Published by Ayotte Custom Musical Engravings (A0.733009). A promise to stand by... this phrase indicate loyalty, steadfastness, being a man of one's word, knowing that integrity and honor are the enduring qualities by which we will be judged; not fame, fortune, influence, or other worldly measures. It is no surprise, therefore, that this phrase was incorporated by Lou Fortunate and Msgr Herman Kucyk, of blessed memory, into the alma mater of Divine Child High School. When I was approached by Mr. Bush and the Divine Child Band Boosters about the possibility of writing a piece to celebrate the fiftieth anniversary of the band program I was excited, flattered, and--most of all--humbled that I should be chosen out of many worthier candidates, in my estimation. Divine Child has had, for the longest time--since the beginning, it seems--a vibrant and thriving fine arts program involving music (both vocal and instrumental), theatre, and the visual arts as well as literature and poetry. I began to conceive of a work that would pay homage to each of these arts musically and be a celebration of all that Divine Child has to offer. One of my favourite composers, Gustav Mahler, famously said, a symphony must be like the world; it must contain everything. In the 1988 vice-presidential debate, Lloyd Bentsen famously said to Dan Quayle, Senator, you're no Jack Kennedy. A voice in my head said, Benjamin, you're no Gus Mahler. As the discarded drafts in the recycle bin took on a life of their own, I eventually dismissed the idea as impractical, and even vainglorious. I settled upon a more general idea to make the music about the band program. Most every student in the band program goes through the rigors of marching band and performs at the Falcon football games where they become intimate with the Three School Songs: the Falcon Fanfare, the Fight Song, and the Alma Mater. Taking the latter piece as my inspiration, I meditated upon the mission of the school: a promise to educate us in body, mind, and spirit. Divine Child High School stands by her promise, recruiting some of the best teachers in the area to guide us through the tumultuous adolescent years. We students, too, have a promise: to strive to be worthy of this gift, and to accept it and use it for the betterment of society. In band class, under Leo Tallieu, I learned to listen; to contribute to the group; to consider my part in relation to the whole ensemble; to show leadership when needed; and to be a role player when needed. And so, my conception of the piece changed. I wanted to use melodic, harmonic, and rhythmic devices that would be familiar to all DCHS band students, but to use them in a new and different way; to recontextualize them. As time went on, Bob Bush asked me if I would be able to work in a tribute to two band students who had tragically died in the last few years: Blaise H.
$19.99 ≈
18.34€
Jesus, Keep Me Near the Cross (Hymn Tune: Near the Cross)
Jesus, Keep Me Near the Cross (Hymn Tune: Near the Cross)
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Piano seul
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AVANCÉ
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Musique Sacrée
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William H
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Judith
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Jesus, Keep Me Near the Cross
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Maggs
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.821315 Composed by William H. Doane (Frederick C. Maker). Arranged by Judith. L. Maggs. Christian,Easter,Religious,Sacred...
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Piano Solo - Level 5 - SKU: A0.821315 Composed by William H. Doane (Frederick C. Maker). Arranged by Judith. L. Maggs. Christian,Easter,Religious,Sacred. Score. 6 pages. Maggs #6103823. Published by Maggs (A0.821315). Jesus, Keep Me Near the Cross is a hymn of heartfelt devotion, sung with words by Fanny Crosby. This piano arrangement would be lovely in any church service, but especially during Lent and Holy Week. Note: This arrangement is included in my collection, “In Loving Memory,†also available on this site.
$2.99 ≈
2.74€
Make Me a Memory by Grover Washington Jr. - Alto Saxophone Solo
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Saxophone Alto
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Grover Washington Jr.
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Make Me a Memory
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Musicnotes
Performed by: Grover Washington Jr.: Make Me a Memory - (Sad Samba) Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable di...
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Performed by: Grover Washington Jr.: Make Me a Memory - (Sad Samba) Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo;Transcribed Solo, instruments: Alto Saxophone; 6 pages -- Jazz~~Contemporary Jazz~~R & B~~Quiet Storm~~Crossover Jazz~~Jazz-Pop~~Instrumental Jazz
$4.25 ≈
3.90€
Come to Me
Come to Me
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Chorale TTBB
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INTERMÉDIAIRE
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Christopher Aspaas
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Come to Me
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Aspen Hill Music - Digital
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SheetMusicPlus
SATB chorus divisi and piano - Medium - SKU: MQ.AHM-04-E Composed by Christopher Aspaas. 12 pages. Aspen Hill Music - Digital #AHM-04-E. Published by As...
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SATB chorus divisi and piano - Medium - SKU: MQ.AHM-04-E Composed by Christopher Aspaas. 12 pages. Aspen Hill Music - Digital #AHM-04-E. Published by Aspen Hill Music - Digital (MQ.AHM-04-E). English. Matthew 11:28-30; John 14:1.Come to me was commissioned in loving memory of Bob Doan, and premiered at Wayzata Community Church. The texts were drawn from his memorial service (Matthew 11 and John 14). The piece begins with a sense of longing with a lyric melody. Limited divisi makes this accessible for smaller ensembles.
$2.65 ≈
2.43€
La nemesi
La nemesi
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now your fire is spent
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Monica Bergo
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La nemesi
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Monica Bergo
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SheetMusicPlus
Small Ensemble Pan Pipe,Piano,Trumpet,Tubular Bells,Viola,Violin - Level 3 - SKU: A0.976861 Composed by Monica Bergo. Contemporary,Halloween. Score and ...
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Small Ensemble Pan Pipe,Piano,Trumpet,Tubular Bells,Viola,Violin - Level 3 - SKU: A0.976861 Composed by Monica Bergo. Contemporary,Halloween. Score and parts. 43 pages. Monica Bergo #3238977. Published by Monica Bergo (A0.976861). 2017 Holiday Contest EntryNEMESIS I enter the room of my consciousness That incredible disorder I rummage through the drawers Where I keep sufferings And the ineradicable memories Dust that knows of regret Spider webs cover my time, I recompose pieces of life But I'm here for you Fleeting shadow And my face reflects, Inside you My nemesis, my alter ego You reflect me and then Are a dark ghost The imperfect and the unsaid I will let you be what you are, My soul, black and rending. If you destroy my image It does not matter Finally that door remains open And opening the border between dream and reality I stumble among people at my funeral Who cry, who laugh, It is my Carnival I look at them from above, a spectral profile Rush down into the void that I have inside Nobody hugs me, I touch the silence, Slow-motion of a movie without more viewers, Close the curtain of the world outside and ... and ... The snow falls , how cold it is For this actress without identity I escape from the frost of my uncertainties But there is no refuge save me from she Who is heat, but to hurt Is my animal instinct I'm alone in this storm But certainly I do not regret Your mood swings, your sterile love Even without, I will survive My nemesis now dominates Be careful! If she comes for you She destroys you, crushes you, is cruel and savage, And then she will laugh in your face And sitting here on the bank of my river I'm waiting for you to pass this way Naked and without arrogance I'll never get enough This dance that gives me joy And in the darkness I move safe and stealthy (what are you?) I'm not afraid of anything and I feel wicked (you are lost now) Souls dancing to the beat of their sins (you like us) In this limbo I disown my past days (and so will you be...) Wind and storm I'm not just this, The rumble of thunder I don't understand any longer which side I’m on And it goes against the wind and sharpens my torment I'm hungry for the Sun Nemesis cannot dominate me My nemesis is here, Is stronger than ever And I know that she is reaching for me And it’s she who does not know Ever to stop halfway, Is Lady of Vice and Deception She seizes me , she exhausts me because She does not accept the peace that I have inside She has no balance, Makes me waver, And frustrates what I have achieved Tell me that you'll disappear As a dream in the morning light And will be, within me, A memory clouded by time I leave the room of my consciousness To make order is impossible Strange this drawer, not only sufferings But something relentless Nemesis, it is no longer your time By now your fire is spent And I will be born again to enchantment By words and music Food for the soul ... Monica Bergo
$3.99 ≈
3.66€
O Lord, thou hast searched me out
O Lord, thou hast searched me out
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Chorale SATB
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Musique Sacrée
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John Rutter
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O Lord, thou hast searched me
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Oxford University Press Digital
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SheetMusicPlus
SATB chorus choir, cor anglais (or clarinet, or viola) and organ - Digital Download Composed by John Rutter (1945-). Sheet music. Octavo. 16 pages. O...
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SATB chorus choir, cor anglais (or clarinet, or viola) and organ - Digital Download Composed by John Rutter (1945-). Sheet music. Octavo. 16 pages. Oxford University Press Digital #9780193541115. Published by Oxford University Press Digital
ISBN 9780193541115.
For SATB choir, cor anglais (or clarinet, or viola) and organ. This reflective setting of verses from Psalm 139 was composed in memory of George Guest and first performed by the choir of St John's College, Cambridge, on Ash Wednesday, 2007. The work makes a highly effective Lenten or contemplative anthem.
$4.00 ≈
3.67€
Grover Washington Jr.: Make Me A Memory (Sad Samba) - voice & other instruments (real book)
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Ligne De Mélodie, (Paroles) et Accords
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INTERMÉDIAIRE
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Jazz
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Grover Washington Jr.
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Virtualsheetmusic
Instantly printable sheet music by Grover Washington Jr. for voice & other instruments (real book) of MEDIUM skill level. / jazz,latin
Instantly printable sheet music by Grover Washington Jr. for voice & other instruments (real book) of MEDIUM skill level. / jazz,latin
$2.97 ≈
2.73€
Paisley's Sonata
Paisley's Sonata
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Michael C
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Paisley's Sonata
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Michael C. Brown
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1030831 Composed by Michael C. Brown. 20th Century,Romantic Period. Score. 23 pages. Michael C. Brown #4051. Published by...
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Piano Solo - Level 4 - SKU: A0.1030831 Composed by Michael C. Brown. 20th Century,Romantic Period. Score. 23 pages. Michael C. Brown #4051. Published by Michael C. Brown (A0.1030831). This piece celebrates the life and mourns the loss of my granddaughter, Paisley Gladys Hogan, who was but 2 months old when she was called to Heaven. These are the words I wrote just before her funeral.... I. The Presence - She was here. I held her the day she was born. I held her and watched her smile at me less than 24 hours before she departed. She only knew love. No one around her ever showed her anything else that humanity had to offer; like hatred, heartache, pain, control, or anger. II. The Shock - She feels a Hand beckon her to leave her mortal coil, and she enters into a world we cannot yet reach.. With no one home, her former body ceases to wake. The unimaginable has happened and we struggle to reverse it. Finally, it becomes clear that we cannot. She sees us cry and she wonders what is happening. Having never known sorrow, she only sees that love didn't cause this response. She wants to comfort us with the love she knows, but we do not yet sense it. III. The Questions - One word has confounded mankind from its creation; Why? We have never found an acceptable answer. We ask, Why did this happen? and What did I do? and What didn't we do right? and Why couldn't it have been me? among others. We only know that her absence has carved holes in our hearts shaped like her. She tries to tell us, You can still love me. I just cannot be seen by you now. It does not mean your love cannot make me happy. I still want it. I still feel it. Please feel my love for you. IV. Letting Go - The day comes to bid farewell to the vehicle by which she came to us. We struggle to cope that we will see her face no more except in pictures. Because of the brevity of her life, memories are few to relive, but to do so is to recall happiness. In sorrow, we return her to the earth. All that is left is to return to recall, to talk to her, to bring flowers and other gifts, and to await the day we follow her. V. Remembering - The days and years follow. Normalcy slowly sets back into our lives. The holes in our hearts will never fully heal. But the salve of her love and her memory help to soothe the ache. We still return to where we placed her mortal home, where we laugh and cry in tandem, where our hearts ache to fill the void left by her departure. It will never really get better, but it will become easier for her love to dull the sting of her absence. VI. The Reunion - One by one, we will feel the same Hand bid us to come. The same events will befall those left behind each time. One by one, she will greet us as we reunite with her. We marvel at how she has stayed with us as we stay to comfort those we had just bidden farewell. The rest cannot be imagined by we that remain..........
$4.99 ≈
4.58€
Cherry Blossom in Three Days - Score Only
Cherry Blossom in Three Days - Score Only
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Johnson Gao
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Johnson Gao
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Cherry Blossom in Three Days -
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Johnson Gao
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio - Level 3 - SKU: A0.1308176 By Johnson Gao. By Johnson Gao. Arranged by Johnson Gao. 20th Century,Historic,Standards,Tra...
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Woodwind Ensemble,Woodwind Trio - Level 3 - SKU: A0.1308176 By Johnson Gao. By Johnson Gao. Arranged by Johnson Gao. 20th Century,Historic,Standards,Traditional. 5 pages. Johnson Gao #897430. Published by Johnson Gao (A0.1308176). It is based on a Chinese ancient melody called 梅花三弄.On October 20, 2023 I woke up early in the morning around 5:00 am, and I was thinking what gift could I present to my wife for her birthday near the end of October? Strangely, I got a melody in my ear, which is a song that I practiced with my Chinese violin when I was a high school boy about 66 years ago in 1957, named 梅花三弄, and  this year I am 86 alreay. Thanks to my gene which provided with me a good long memory that I could still remember most parts of the melody of that song, and fortunately, that I have not got the Alzheimer's disease, so that it permits me to arrange that song to form a nice new song, which I call it Cherry Blossom in Three Days. Then, I used that song to make a video presenting to my wife Catherine as a special birthday card. I hope that viewers can reuse my video to their honeys.This is the second version of the song with some improvements in dynamic of the melody and I made a new MTV.2023 å¹´ 10 月 20 日,我早上 5 點左å³é†’來,想著我å¯ä»¥ç‚ºå¦»å在 10 月底的生日é€ä»€éº¼ç¦®ç‰©ï¼Ÿ 奇怪的是,我的耳邊響起了一段旋律,這是大約66å¹´å‰çš„1957年,我還是高ä¸ç”Ÿæ™‚用ä¸åœ‹äºŒèƒ¡ç·´ç¿’çš„æŒæ›²ï¼Œåå«ã€Šæ¢…花三弄》,今年我86æ²äº†ã€‚æ„Ÿè¬æˆ‘çš„åŸºå› çµ¦äº†æˆ‘å¾ˆå¥½çš„é•·é 記​​憶力,我還能記得那首æŒçš„大部分旋律,而且幸é‹çš„是我沒有得阿茲海默症,所以æ‰å…許我把那首æŒæ”¹ç·¨æˆä¸€é¦–好è½çš„æ–°æŒï¼Œæˆ‘稱之為「三天櫻花ã€ã€‚ 然後,我用這首æŒè£½ä½œäº†ä¸€å€‹è¦–é »ï¼Œä½œç‚ºä¸€å¼µç‰¹åˆ¥çš„ç”Ÿæ—¥å¡é€çµ¦æˆ‘的妻å凱瑟ç³ã€‚ 我希望觀眾å¯ä»¥é‡è¤‡ä½¿ç”¨æˆ‘的影片給他們的寶è²å€‘。這是這首æŒçš„第二個版本,在旋律的動態上åšäº†ä¸€äº›æ”¹é€²ï¼Œæˆ‘製作了一個新的 MTV。.
$1.99 ≈
1.83€
THE LAST MY FLOWER (THE WOLF AND THE WITCH)
THE LAST MY FLOWER (THE WOLF AND THE WITCH)
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Piano seul
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Contemporain
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Monica Bergo
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THE LAST MY FLOWER
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Moni Bergo
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SheetMusicPlus
Piano Solo - SKU: A0.1012709 Composed by Monica Bergo. Contemporary. Score. 13 pages. Moni Bergo #5742973. Published by Moni Bergo (A0.1012709). ...
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Piano Solo - SKU: A0.1012709 Composed by Monica Bergo. Contemporary. Score. 13 pages. Moni Bergo #5742973. Published by Moni Bergo (A0.1012709). Music and song composed by meTHE LAST MY FLOWER (the wolf and the witch) I look at my last flower It loses its scentand I do not know what to do I protect you with warmthof this other story I have to tell creatures alone and desperate many scars heal a witch and a wolf do not know yet that their destinies are to merge and starts this magical storysweet as ancient fable in a forest with no place and no age out of touch and the time is stopped and does not move a breath and the heart, explodes and skip a beat and look you recognize like not having never lost and the wolf that is injured a white rose in red has turned He is bleeding along with drops of pain his red eyes burning with love and the witch instead hides because she isn't beautiful and it is not important nobody in the world has never belonged and a caress he never touched she care and caresses the soul he looks at her and his anger dominates and one year only lasts a moment lost in eternity and the wolf tells tales and the witch makes magic potions and exchange promises useless that the night guard and she will dance will dance naked and the wolf with his heart on his sleevelying by the fire that lights up, so free unobstructed and are reflected in the magic lake and do not feel that cold shiver... not last, do not you feel it too?cold around us Abracadabra !! from caterpillar to butterfly Alakazam !! and I too am beautiful do not you wonder how and why I started to talk to me snow fallsbut we are in August and there is nothing that you find a place this my music speaks for it self this is the strangest tale that is I stop here It will end well I can not tell the end of a love that is not written yet I stop here It will end well in a vacuum and the absence these days my silence and inconstancy in your feeling sthe flower dies already go wolf go stop thinking about her from your pack you will need to return and then runs away witch will if you want to transform changes role an actress who artand you will have new flowers day step into the dark caverns of regret Mix them with potions and transform everything into tears like a cat in the night I try the food in the trashno sun, no light no god here that help me body and spirit dentedas a glass stuckinside my poor heart the memory of a love He never really lived so alive in the mind is my animal instinct that makes me ache while another dream diesthe witch in the lake you slidethe water lapping against the planin his eyes the wolf that is now already far a fairy tale real or invented in between my hidden truth all my stories strange and weird over this skin are now tattooed I watc.
$5.00 ≈
4.59€
In the Silence
In the Silence
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Cor et Piano
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Daniel Baldwin
In t
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Daniel Baldwin
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In the Silence
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Imagine Music - Digital
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SheetMusicPlus
Horn & piano - Grade 4 - SKU: IZ.IMS1512 Composed by Daniel Baldwin. Score and Parts. 18 pages. Duration 10 minutes, 20 seconds. Imagine Music - Digital...
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Horn & piano - Grade 4 - SKU: IZ.IMS1512 Composed by Daniel Baldwin. Score and Parts. 18 pages. Duration 10 minutes, 20 seconds. Imagine Music - Digital #IMS1512. Published by Imagine Music - Digital (IZ.IMS1512). 9 x 12 in inches.For Horn & Piano.By Daniel BaldwinIn the Silence for Euphonium and Band was commissioned by the Holcomb, KS, High School band (Paul White, director) in the winter of 2010. It was commissioned after the death of a recent graduate, Tanner Born, a euphonium player who participated in the band for all four years of high school. Tanner's parents funded the commission in his memory and asked that I not just make it a memorial piece, but a celebration of his life. Tanner was an avid bowler (illustrated in the rhythmic and celebratory middle section), golfer, and band member.In the Silence is by turns beautiful and contemplative, as well as dark and dramatic, framing an enjoyable and rhythmic affirmation of life. The piece was premiered on Tuesday, May 10, 2011 by the Holcomb High School band, Jim Krohn conducting, with Travis Keller as the euphonium soloist. I had the distinct honor of sitting in Tanner's chair and playing euphonium with the band at the premiere.It was just around a year earlier that Tanner had started attending the church in Garden City where I was choir director in 2009. I was introduced to him and remember a kind face. It was a surreal experience when I was reminded of that introduction after the premiere.You never know where life will take you and how our lives can be intertwined with the lives of others without even being aware of it. It was a wonderful reminder to me that with just a simple twist of fate, the smallest of moments can lead to some of the most powerful moments in our lives.
$15.00 ≈
13.76€
The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
3.66€
Fragments des Fragments du Narcisse, after Paul Valéry, for alto and guitar (mp3)
Fragments des Fragments du Narcisse, after Paul Valéry, for alto and guitar (mp3)
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David Warin Solomons
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Fragments des Fragments du Nar
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David Warin Solomons
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SheetMusicPlus
Alto Voice,Guitar - Level 4 - SKU: A0.1402629 By David Warin Solomons. By David Warin Solomons. Classical,Contemporary,Singer/Songwriter. Full Performan...
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Alto Voice,Guitar - Level 4 - SKU: A0.1402629 By David Warin Solomons. By David Warin Solomons. Classical,Contemporary,Singer/Songwriter. Full Performance. Duration 300. David Warin Solomons #985853. Published by David Warin Solomons (A0.1402629). This song is based on parts of the poem by Paul Valéry Fragments du Narcisse which explains and ponders the idea of the origin of narcissism (self-love)The words are as followsMais moi, Narcisse aimé, je ne suis curieuxQue de ma seule essence ;Tout autre n’a pour moi qu’un cœur mystérieux,Tout autre n’est qu’absence.Ô mon bien souverain, cher corps, je n’ai que toi !Le plus beau des mortels ne peut chérir que soi... Douce et dorée, est-il une idole plus sainte,De toute une forêt qui se consume, ceinte,Et sise dans l’azur vivant par tant d’oiseaux ?Est-il don plus divin de la faveur des eaux,Et d’un jour qui se meurt plus adorable usageQue de rendre à mes yeux l’honneur de mon visage ?Quitte enfin le silence, ose enfin me répondre,Bel et cruel Narcisse, inaccessible enfant,Tout orné de mes biens que la nymphe défend...Formons, toi sur ma lèvre, et moi, dans mon silence,Une prière aux dieux qu’émus de tant d’amourSur sa pente de pourpre ils arrêtent le jour !...Dieux ! de l’auguste jour, le pâle et tendre resteVa des jours consumés joindre le sort funeste ;Il s’abîme aux enfers du profond souvenir !Hélas ! corps misérable, il est temps de s’unir...Penche-toi... Baise-toi. Tremble de tout ton être !L’insaisissable amour que tu me vins promettrePasse, et dans un frisson, brise Narcisse, et fuit..English translation by D W SolomonsBut I, beloved Narcissus, am curious onlyabout my very beingeverything else has nothing more than a heart of mysteryeverything else is nothing but absenceOnly what I own, my dear sovereign body, is what I haveThe most beautiful of mortals cannot cherish anything more than itselfSweet and golden, is there a more holy idolwithin an entire forest, self-consumed and heldand set in the living azure by so many birds?Is there a more divine gift than the favour of the watersand a more adorable use of the dying daythan to return to me the honour of my face?Please don't be silent, please dare to replyBeautiful and cruel Narcissus, unreachable child owning what I hold dear but guarded by the nymphLet the two of us, you on my lips and I in my silencemake a prayer to the gods that they should be moved by so much lovethat they would keep the day held in its purple sunsetGods! only the pale and tender parts remain of the august day,It joins the fate of other days that were consumedIt goes down into the hell of deep memoryAlas, miserable body, it is time to become as oneBend down - kiss yourself - tremble with all your beingThe intangible love that you promisedhas gone by, and in a shiver, shatters Narcissus and flees.
$5.50 ≈
5.05€
Fragments des Fragments du Narcisse, after Paul Valéry, for alto and guitar
Fragments des Fragments du Narcisse, after Paul Valéry, for alto and guitar
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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David Warin Solomons
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Fragments des Fragments du Nar
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David Warin Solomons
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1402627 By David Warin Solomons. By David Warin Solomons. Classical,Contemporary,Singer/Songwriter. Score. ...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1402627 By David Warin Solomons. By David Warin Solomons. Classical,Contemporary,Singer/Songwriter. Score. 10 pages. David Warin Solomons #985851. Published by David Warin Solomons (A0.1402627). This song is based on parts of the poem by Paul Valéry Fragments du Narcisse which explains and ponders the idea of the origin of narcissism (self-love)The words are as followsMais moi, Narcisse aimé, je ne suis curieuxQue de ma seule essence ;Tout autre n’a pour moi qu’un cœur mystérieux,Tout autre n’est qu’absence.Ô mon bien souverain, cher corps, je n’ai que toi !Le plus beau des mortels ne peut chérir que soi... Douce et dorée, est-il une idole plus sainte,De toute une forêt qui se consume, ceinte,Et sise dans l’azur vivant par tant d’oiseaux ?Est-il don plus divin de la faveur des eaux,Et d’un jour qui se meurt plus adorable usageQue de rendre à mes yeux l’honneur de mon visage ?Quitte enfin le silence, ose enfin me répondre,Bel et cruel Narcisse, inaccessible enfant,Tout orné de mes biens que la nymphe défend...Formons, toi sur ma lèvre, et moi, dans mon silence,Une prière aux dieux qu’émus de tant d’amourSur sa pente de pourpre ils arrêtent le jour !...Dieux ! de l’auguste jour, le pâle et tendre resteVa des jours consumés joindre le sort funeste ;Il s’abîme aux enfers du profond souvenir !Hélas ! corps misérable, il est temps de s’unir...Penche-toi... Baise-toi. Tremble de tout ton être !L’insaisissable amour que tu me vins promettrePasse, et dans un frisson, brise Narcisse, et fuit..English translation by D W SolomonsBut I, beloved Narcissus, am curious onlyabout my very beingeverything else has nothing more than a heart of mysteryeverything else is nothing but absenceOnly what I own, my dear sovereign body, is what I haveThe most beautiful of mortals cannot cherish anything more than itselfSweet and golden, is there a more holy idolwithin an entire forest, self-consumed and heldand set in the living azure by so many birds?Is there a more divine gift than the favour of the watersand a more adorable use of the dying daythan to return to me the honour of my face?Please don't be silent, please dare to replyBeautiful and cruel Narcissus, unreachable child owning what I hold dear but guarded by the nymphLet the two of us, you on my lips and I in my silencemake a prayer to the gods that they should be moved by so much lovethat they would keep the day held in its purple sunsetGods! only the pale and tender parts remain of the august day,It joins the fate of other days that were consumedIt goes down into the hell of deep memoryAlas, miserable body, it is time to become as oneBend down - kiss yourself - tremble with all your beingThe intangible love that you promisedhas gone by, and in a shiver, shatters Narcissus and flees.
$11.00 ≈
10.09€
Harmonic Étude V
Harmonic Étude V
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Piano seul
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AVANCÉ
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Daniel Alexander Apátiga
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Harmonic Étude V
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Daniel Alexander Apátiga
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1011044 Composed by Daniel Alexander Apátiga. Contemporary,Instructional,Latin. Score. 17 pages. Daniel Alexander ApÃ...
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Piano Solo - Level 5 - SKU: A0.1011044 Composed by Daniel Alexander Apátiga. Contemporary,Instructional,Latin. Score. 17 pages. Daniel Alexander Apátiga #2967889. Published by Daniel Alexander Apátiga (A0.1011044). For virtuosic pianists who like to listen to Flamenco.Great for public concerts at concert halls, venues, pianist competitions, or for the purpose of impressing a lot of people.This piece is not appropriate for ill-equipped students and it is a great substitution to pieces created by the virtuosos of the Romantic period.This piece is designed to be performed at Churches because of its lifting-up, dance-like quality. Perfect for weddings, but less so during sermons.To perform this piece up to tempo, start slow repeating measures two-three times until it is in all three memory groups: muscular, visual, and auditory. Tweak your interpretation as you go along thinking about how what came before affected what comes after.This was composed in 2016, December, and on the piano.Approx. 5:15 minutes long.I have Soundcloud, but I do not have a recording of myself playing it yet. If you make a recording of yourself playing it, please let me know! Please message me on Soundcloud, email me, or call me with information about you and a link to your undoubtably fabulous interpretation! Thank you!My contact information:daniel-apatiga@uiowa.eduSoundcloud URL is https://soundcloud.com/daniel-alexander-ap-tigaTelephone # is 1-(319)-594-6456.
$2.59 ≈
2.38€
Something About The Way You Look Tonight
Something About The Way You Look Tonight
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Instruments en Do
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INTERMÉDIAIRE/AVANCÉ
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Elton John
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John Fries
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Something About The Way You Lo
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - SKU: A0.525234 By Elton John. By Bernie Taupin and Elton John. Arranged by John Fries. 20th Century,Pop,Standards. Lead Sheet /...
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C Instrument - Level 4 - SKU: A0.525234 By Elton John. By Bernie Taupin and Elton John. Arranged by John Fries. 20th Century,Pop,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #135770. Published by John Fries (A0.525234). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Five days after the song's solo release, it was issued as a double A-side single with Candle in the Wind 1997. That single and its video were dedicated to the memory of Diana, Princess of Wales, who died that year, with proceeds from the sale of the single going towards Diana's charities. According to the Recording Industry Association of America, with certified sales, this double A-side is the best-selling single of all time. The Guinness World Records 2009 states that the song is the biggest-selling single since UK and US singles charts began in the 1950s, having accumulated worldwide sales of 33 million copies. Billboard magazine said the song is a grandly executed ballad that washes John's larger-than-life performance in cinematic strings and whooping, choir-styled backing vocals. An instant fave for die-hards, this single will bring kids at top 40 to the table after a few spins..
$3.99 ≈
3.66€
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