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Vous avez sélectionné:
Love Me Harder
Partitions à imprimer
25 partitions trouvées
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1
Love Me Harder
Love Me Harder
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Basse electrique
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Ariana Grande & The Weeknd
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Gavin Jackson Music
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Love Me Harder
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Gavin Jackson Music
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SheetMusicPlus
Bass Guitar TAB - SKU: A0.1401435 By Ariana Grande & The Weeknd. By Abel Tesfaye, Ahmad Balshe, Ali Payami, Anders Svensson, Max Martin, and Savan Kotec...
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Bass Guitar TAB - SKU: A0.1401435 By Ariana Grande & The Weeknd. By Abel Tesfaye, Ahmad Balshe, Ali Payami, Anders Svensson, Max Martin, and Savan Kotecha. Arranged by Gavin Jackson Music. Pop,R & B. Score. 3 pages. Gavin Jackson Music #984630. Published by Gavin Jackson Music (A0.1401435). Ariana Grande ft. The Weeknd - Love Me HarderAlbum - My EverythingComplete Bass TranscriptionTuning - Standard Tuning / E Standard (4 String Bass).
$4.99 ≈
4.67€
Love Me Harder
Love Me Harder
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Violon
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FACILE
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Soul/R&B
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Ariana Grande & The Weeknd
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Julia Mills
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arranged for solo violin.
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Love Me Harder
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Julia Mills
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SheetMusicPlus
Violin Solo - Level 2 - SKU: A0.730864 By Ariana Grande & The Weeknd. By Abel Tesfaye, Ahmad Balshe, Ali Payami, Anders Svensson, Max Martin, and Savan ...
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Violin Solo - Level 2 - SKU: A0.730864 By Ariana Grande & The Weeknd. By Abel Tesfaye, Ahmad Balshe, Ali Payami, Anders Svensson, Max Martin, and Savan Kotecha. Arranged by Julia Mills. Hip-Hop,Pop,R & B. 1 pages. Julia Mills #339122. Published by Julia Mills (A0.730864). Love Me Harder by Ariana Grande ft. The Weeknd; arranged for solo violin.
$4.99 ≈
4.67€
5 Valentine's Hymns - Boundless Love
5 Valentine's Hymns - Boundless Love
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Piano seul
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FACILE
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Musique Sacrée
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Adoniram J
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Amanda Tero
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5 Valentine's Hymns - Boundles
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Amanda Tero
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1373611 Composed by Adoniram J. Gordon, Frederick H. Lehman, Traditional, and William B. Bradbury. Arranged by Amanda Ter...
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Piano Solo - Level 2 - SKU: A0.1373611 Composed by Adoniram J. Gordon, Frederick H. Lehman, Traditional, and William B. Bradbury. Arranged by Amanda Tero. Christian,Holiday,Religious,Sacred,Traditional. Score. 29 pages. Amanda Tero #957915. Published by Amanda Tero (A0.1373611). Do you need Valentine's Hymns for church services in February? These 5 hymns cover God's love to us, Jesus's love to us, and our love to Him.Written in the key of C, these 5 early intermediate piano solos have simple patterns that are easy for the intermediate pianist to sightread.These early intermediate hymn solos are equivalent to most Level 2 and 3 curricula.Ideal for church services (especially in February), Valentine’s banquets, conferences, recitals, and more!Arranged to be simple yet tasteful in style.Here is all the information you’ll need to decide if this collection of early intermediate sheet music is the level you’re looking for:·     All in the Key of C (What Wondrous Love is This? is in A Dorian—no accidentals in key signature)·     No key changes·     Basic format: intro, verse/chorus, interlude, verse/chorus, ending·     2 verses each·     Single-note melody in the right hand (brief LH melody in The Love of God)·     Mostly broken 5ths and triads in the left hand·     Repetitive patterns for easy learning·     Similar chords between verses·     Note reading up to 2 ledger lines·     Rhythm not faster than eighth notes·     Just 1 page turn each (exception: Oh, How I Love Jesus has 2) Jesus Loves Me is an old favorite, often seen as a “children’s song.†However, the words to this hymn of love are just as important for adults as for children. While a simple arrangement, this is not a childish sounding arrangement.·     Features an “echo†melody written 8va·     Left hand in treble clef for portions·     Ends with hand crossing My Jesus, I Love Thee begins unexpectedly with colorful chords that finally release tension into a calm first verse. There are slight jazz textures in this arrangement but also classical elements with scales and Alberti bass.·     Rich chord textures (just a hint of jazz/dissonance)·     Accidentals·     Right hand scales (ascending & descending) Oh, How I Love Jesus is a cheerful arrangement with just a hint of cinematic-style melodies. The chords are very similar between verse 1 and 2 in this arrangement, making it especially easy for the pianist to learn.·     6/8 meter·     Cinematic elements·     Chords repeat: open 5ths and 6ths or filled in triads/chords The Love of God starts with left hand melody, making this different from all the other arrangements. The goal is for this to be a seamless melody transition between the hands while the non-melody hand supports at a slightly lower volume.·     Left hand melody for part·     Right hand chords for part·     Left hand repeats in different octaves for broader sound What Wondrous Love is This? is a haunting conclusion to the collection. It is predominantly arranged with open 5ths in the left hand and repeating patterns in the right hand. It ends with slow, four-note chords that are very hymn-like.·     A Dorian mode·     Very easy left hand (repeating open 5ths)·     Sounds harder than it really is.
$14.99 ≈
14.03€
Love Me Harder
Love Me Harder
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Piano Facile
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Rock
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Ariana Grande & The Weeknd
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Love Me Harder
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Hal Leonard - Digital
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SheetMusicPlus
Interactive Download SKU: HX.397891 By Ariana Grande & The Weeknd. This edition: Interactive Download. Pop,Rock. Easy Piano. 5 pages. Published by Hal Le...
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Interactive Download SKU: HX.397891 By Ariana Grande & The Weeknd. This edition: Interactive Download. Pop,Rock. Easy Piano. 5 pages. Published by Hal Leonard - Digital (HX.397891).
$3.99 ≈
3.73€
M-O-T-H-E-R, A Word That Means The world To Me
M-O-T-H-E-R, A Word That Means The world To Me
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Piano Facile
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DÉBUTANT
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Traditional
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Joan Bujacich
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M-O-T-H-E-R, A Word That Means
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Joan Bujacich
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1217385 Composed by Traditional. Arranged by Joan Bujacich. Holiday,Standards,Traditional. Score. 4 pages. Joan Bujacich ...
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Easy Piano - Level 1 - SKU: A0.1217385 Composed by Traditional. Arranged by Joan Bujacich. Holiday,Standards,Traditional. Score. 4 pages. Joan Bujacich #813927. Published by Joan Bujacich (A0.1217385). Looking for a great traditional song to play for your Mom or Grandmother for Mother's Day or anytime of year? M-O-T-H-E-R, A Word That Means The World To Me is from 1915 and was written by Theodore F. Morse and the words were written by Howard E Johnson. Ms. Bujacich created a clean, easy to read version with Alpha Notes in the key of F. It also has the words included. Fun for the family to sing-a-long! She simplified the rhythm so that there are no eighth notes and kept it in the original key of F but did not use a key signature. Instead, to make it easier, she just puts in the Bb's and other accidentals as needed. If you are looking for a harder version check out her Intermediate version also found on Sheet Music Direct and Sheet Music Plus.  Ms. Bujacich also has tutorials available from Youtube, so be sure to subscribe to her channel. She has been arranging music for her students over many decades giving her an edge on creating accessible and satisfying music for all level pianists, including children, adults and professionals. She goes the extra mile to bring you professionally notated scores that sound great and are created with love and care.  Here is a link to her SMP page where you will find a lot of her other great musical arrangements:  https://www.sheetmusicplus.com/publishers/joan-bujacich/18769Â
$2.99 ≈
2.80€
Love Me Harder by DPSM - Piano Solo
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Piano seul
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DPSM
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Love Me Harder
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Musicnotes
Performed by: DPSM: Love Me Harder Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Piano...
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Performed by: DPSM: Love Me Harder Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Piano; 6 pages -- Instrumental Pop~~Electronica~~Dance-Pop~~Contemporary R & B~~R & B~~Pop~~Synth-pop~~Solo Instrumental
$9.99 ≈
9.35€
Love Me Harder by YourPianoCover - Piano Solo
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Piano seul
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Pop musique
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YourPianoCover
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Love Me Harder
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Musicnotes
Performed by: YourPianoCover: Love Me Harder Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo;Piano/Cho...
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Performed by: YourPianoCover: Love Me Harder Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo;Piano/Chords, instruments: Piano; 4 pages -- Pop~~Solo Instrumental~~Instrumental Pop
$9.99 ≈
9.35€
Love Me Harder by The Theorist - Piano Solo
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Piano seul
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Pop musique
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The Theorist
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Love Me Harder
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Musicnotes
Performed by: The Theorist: Love Me Harder Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo;Piano/Chord...
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Performed by: The Theorist: Love Me Harder Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo;Piano/Chords, instruments: Piano; 5 pages -- Solo Instrumental~~Pop~~Instrumental Pop
$9.99 ≈
9.35€
Love Me Harder by Ariana Grande & The Weeknd - Piano/Vocal/Guitar
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Piano, Voix et Guitare
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Ariana Grande & The Weeknd
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Love Me Harder
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Musicnotes
Performed by: Ariana Grande & The Weeknd: Love Me Harder Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital s...
(+)
Performed by: Ariana Grande & The Weeknd: Love Me Harder Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice 1;Voice 2;Piano;Guitar; 7 pages -- Dance-Pop~~Pop~~Teen Pop~~Contemporary R & B
$5.50 ≈
5.15€
Love Me Harder by Ariana Grande & The Weeknd - Piano/Vocal/Chords, Singer Pro
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Piano, Voix
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Ariana Grande & The Weeknd
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Love Me Harder
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Musicnotes
Performed by: Ariana Grande & The Weeknd: Love Me Harder Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital s...
(+)
Performed by: Ariana Grande & The Weeknd: Love Me Harder Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Chords;Singer Pro, instruments: Voice;Piano;Backup Vocals; 8 pages -- Pop~~Contemporary R & B~~Dance-Pop~~Teen Pop
$5.75 ≈
5.38€
Love Me Harder by Ariana Grande & The Weeknd - Easy Piano
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Piano Facile
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FACILE
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Ariana Grande & The Weeknd
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Love Me Harder
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Musicnotes
Performed by: Ariana Grande & The Weeknd: Love Me Harder Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital s...
(+)
Performed by: Ariana Grande & The Weeknd: Love Me Harder Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Chords, instruments: Piano;Voice; 6 pages -- Contemporary R & B~~Pop~~Teen Pop~~Dance-Pop
$5.25 ≈
4.91€
Love Me Harder by Ariana Grande & The Weeknd - Beginner Notes
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Piano grosses notes
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DÉBUTANT
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Ariana Grande & The Weeknd
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Love Me Harder
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Musicnotes
Performed by: Ariana Grande & The Weeknd: Love Me Harder Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital s...
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Performed by: Ariana Grande & The Weeknd: Love Me Harder Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Chords, instruments: Voice;Piano;Treble Clef Instrument; 8 pages -- Dance-Pop~~Teen Pop~~Contemporary R & B~~Pop
$4.25 ≈
3.98€
Love Me Harder by Ariana Grande & The Weeknd - Leadsheet
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Ligne De Mélodie, (Paroles) et Accords
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Ariana Grande & The Weeknd
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Love Me Harder
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Musicnotes
Performed by: Ariana Grande & The Weeknd: Love Me Harder Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital s...
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Performed by: Ariana Grande & The Weeknd: Love Me Harder Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Leadsheet;Lyrics/Melody/Chords, instruments: Voice;C Instrument;Backup Vocals; 5 pages -- Pop~~Contemporary R & B~~Dance-Pop~~Teen Pop
$3.50 ≈
3.27€
Love Me Harder
Love Me Harder
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Piano, Voix et Guitare
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Pop musique
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Ariana Grande and Ariana Grand
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Love Me Harder
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Ariana Grande and Ariana Grande & The Weeknd. Pop. Piano/Vocal/Guitar. 7 pages. Published by Hal Leonard - Digital Sheet Music ...
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By Ariana Grande and Ariana Grande & The Weeknd. Pop. Piano/Vocal/Guitar. 7 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
4.67€
Ariana Grande Piano Medley by KimBo - Piano Solo
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Piano seul
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KimBo
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Ariana Grande Piano Medley
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Musicnotes
Performed by: KimBo: Ariana Grande Piano Medley - (No Tears Left to Cry - Break Free - Love Me Harder - Into You - Side to Side - One Last Time - The Way) Digit...
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Performed by: KimBo: Ariana Grande Piano Medley - (No Tears Left to Cry - Break Free - Love Me Harder - Into You - Side to Side - One Last Time - The Way) Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo;Piano/Chords, instruments: Piano; 10 pages -- Instrumental Pop~~Solo Instrumental~~Pop~~Dance-Pop
$9.99 ≈
9.35€
Ariana Grande & The Weeknd: Love Me Harder - piano solo
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Piano seul
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FACILE
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Rock
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Ariana Grande & The Weeknd
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Virtualsheetmusic
Instantly printable sheet music by Ariana Grande & The Weeknd for piano solo of EASY skill level. / pop,rock,children
Instantly printable sheet music by Ariana Grande & The Weeknd for piano solo of EASY skill level. / pop,rock,children
$5.97 ≈
5.59€
Ariana Grande & The Weeknd: Love Me Harder - voice, piano or guitar
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Pop musique
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Ariana Grande & The Weeknd
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Virtualsheetmusic
Instantly printable sheet music by Ariana Grande & The Weeknd for voice, piano or guitar of MEDIUM skill level. / pop
Instantly printable sheet music by Ariana Grande & The Weeknd for voice, piano or guitar of MEDIUM skill level. / pop
$7.97 ≈
7.46€
The Birthday Waltz
The Birthday Waltz
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Piano seul
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INTERMÉDIAIRE
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Sarah Bonsignore
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Sarah Bonsignore
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The Birthday Waltz
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Sarah Bonsignore
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1161083 By Sarah Bonsignore. By Sarah Bonsignore. Arranged by Sarah Bonsignore. Classical,Contemporary,Instructional,Roma...
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Piano Solo - Level 3 - SKU: A0.1161083 By Sarah Bonsignore. By Sarah Bonsignore. Arranged by Sarah Bonsignore. Classical,Contemporary,Instructional,Romantic Period,Video Game. Score. 5 pages. Sarah Bonsignore #761406. Published by Sarah Bonsignore (A0.1161083). Hi Pianists! Here is a new piece I composed just this morning. I was chatting to my mom in South Africa yesterday, and she requested some new music for her upcoming birthday(preferably me singing another aria), but I woke up with this in my head early this morning and so I got to work. It reminded me a little of all the Chopin waltzes I played many moons ago, and it made me sad that he died at the young age of 39, so I decided to call it The Birthday Waltz. Chopin's music really shaped the way I hear melody, and I love his body of work. And my mom has always been my biggest fan, coach and champion, so I hope she likes this piece, and I guess Ill go and record an aria for her now!!! ps I think this piece will be a great preparation for students who are eager to learn some Chopin Waltzes. It sounds harder than it is and I think it's fun to play (and even my husband loved hearing it all day). I hope you enjoy it too.
$4.99 ≈
4.67€
It's Only A Paper Moon
It's Only A Paper Moon
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Piano seul
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INTERMÉDIAIRE
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Billy Rose, E
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Phyllis Love
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It's Only A Paper Moon
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Phyllis Love
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1344909 Composed by Billy Rose, E.Y. Yip Harburg, and Harold Arlen. Arranged by Phyllis Love. Jazz,Standards. Score. 3 pa...
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Piano Solo - Level 3 - SKU: A0.1344909 Composed by Billy Rose, E.Y. Yip Harburg, and Harold Arlen. Arranged by Phyllis Love. Jazz,Standards. Score. 3 pages. Phyllis Love #923432. Published by Phyllis Love (A0.1344909). It's Only A Paper Moon for intermediate pianoHarold Arlen wrote this swing tune in 1932. Here is an upbeat arrangement where there's a rubato intro, which then proceeds to a very rhythmic, finger snapping beat, and actually sounds a lot harder than it is to play!Accessible enough for any intermediate performer, yet incredibly rewarding for even the most accomplished pianist. Phyllis Love's instrumental arrangements for jazz piano remain true to the original melodies, with inventive harmonies and dynamic rhythmic patterns perfect for solo players! Each is a tasty addition to your show set, whether it's a classic show tune or a Standard from the Great American Songbook.Check out these other Phyllis Love arrangements for students of jazz piano at the intermediate level:The Breeze and IThe Last Time I Saw ParisYesterdaysYou and the Night and the MusicWe'll Be Together AgainA Nightingale Sang In Berkeley SquareFalling In Love With LoveFor All We KnowI Thought About YouI'll Remember AprilI'm Old FashionedIt Might As Well Be SpringLove Walked InMona LisaOn the Atchison, Topeka and the Santa FeOnce In A WhileSummertimeSurrey With The Fringe On TopTenderlyThat Old Black MagicPhyllis Love is a professional jazz pianist in the New York City area who's appeared at storied venues including Windows on the World, Gramercy Park Hotel, and Mama Leone's. She's performed with the Bill Lombardo Orchestra, scored music for film (Brighty of the Grand Canyon co-composer), and written jingles for Harvey’s Bristol Crème, Estee Lauder, Seiko watches and many others.
$4.99 ≈
4.67€
Finnish National Anthem for Brass Quintet
Finnish National Anthem for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Patriotique
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Keith Terrett
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Keith Terrett
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Finnish National Anthem for Br
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Keith Terrett
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SheetMusicPlus
Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1215110 By Keith Terrett. By Fredrik Pacius(1809-1891). Arranged by Keith Terrett...
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Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1215110 By Keith Terrett. By Fredrik Pacius(1809-1891). Arranged by Keith Terrett. Multicultural,Patriotic,Praise & Worship,Traditional,World. 8 pages. Keith Terrett #811975. Published by Keith Terrett (A0.1215110). The Finnish NA arranged for Brass Quintet.There also versions for String & full Orchestra in my two stores.The anthem lyrics were taken from a poem by Johan Ludvig Runeberg, a Swedish-speaking poet, called “VÃ¥rt land†(Our Land). The song was first sung in 1848 by a student group and became popular in Scandinavia and many of his patriotic poems, including VÃ¥rt land were used by promoters of Finnish nationalism. The poem was translated into Finnish some decades later, after VÃ¥rt land was well established as a national song, by Paavo Eemil Kajander and became the anthem before 1917 independence. Estonia‘s anthem, adopted 20 years later, has the same melody, however the last few lines do not repeat as they do normally in the Finnish anthem. Interestingly, the anthem has never been officially legislated as the Finnish anthem, but rather is traditionally used as the anthem. As such, there is no standard way to perform the 11-verse anthem, but usually the first and the last verses (as presented here) are sung. There sometimes arises a debate in Finland to change the anthem to Jean Sibelius’ song “Finlandia†(the melody was used in Biafra), a song recognized internationally as a symbol of Finland, but the general opinion seems to be for now to keep the current anthem. (One reason may be that Finlandia is harder to sing compared to Maamme.)Need an anthem fast?  They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.comLove anthems, then join me on twitter, facebook,  soundcloud & instagram for updates.Â
$8.99 ≈
8.41€
Chorus and Aria from Ariadne auf Naxos
Chorus and Aria from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne a
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00 ≈
6.55€
'A golden time ...' from Ariadne auf Naxos
'A golden time ...' from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
'A golden time ...' from Ariad
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00 ≈
6.55€
Excerpt from the Last Part of Ariadne Auf Naxos
Excerpt from the Last Part of Ariadne Auf Naxos
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Guitare
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INTERMÉDIAIRE
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Classique
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music ...
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Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00 ≈
6.55€
Overture from Ariadne auf Naxos
Overture from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Overture from Ariadne auf Naxo
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Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00 ≈
6.55€
Maroon 5 Megamix - 5 Prints by Sam Tsui & Peter Hollens - Men's Choir A Cappella
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Chorale TTBB
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Sam Tsui & Peter Hollens
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Maroon 5 Megamix - 5 Prints
#
Musicnotes
Performed by: Sam Tsui & Peter Hollens: Maroon 5 Megamix - Sunday Morning - Harder to Breathe - This Love - She Will Be Loved - Makes Me Wonder - Won't...
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Performed by: Sam Tsui & Peter Hollens: Maroon 5 Megamix - Sunday Morning - Harder to Breathe - This Love - She Will Be Loved - Makes Me Wonder - Won't Go Home Without You - Wake Up Call - Goodnight Goodnight - Moves Like Jagger - Never Gonna Leave This Bed - Give a Little More - Misery - Payphone Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Men's Choir A Cappella, instruments: Choir; 29 pages -- Pop~~R & B~~Adult Alternative~~Alternative Pop/Rock~~Dance-Pop~~Pop Rock~~Choral~~Electronica~~A cappella~~Dance-Rock
$2.99 ≈
2.80€
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Love Me Harder
