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Little Prelude in the Classical Style
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Vous avez sélectionné:
Little Prelude in the Classical Style
Partitions à imprimer
12 partitions trouvées
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Little Prelude in the Classical Style (for Organ)
Little Prelude in the Classical Style (for Organ)
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Orgue
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INTERMÉDIAIRE
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Contemporain
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Michael Calabris
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Little Prelude in the Classica
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Michael Calabris
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SheetMusicPlus
Composed by Michael Calabris. 21st Century, Neo-Classical. 5 pages. Published by Michael Calabris ...
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Composed by Michael Calabris. 21st Century, Neo-Classical. 5 pages. Published by Michael Calabris
Composed in early January, 2021, Little Prelude in the Classical Style (for Organ) is a short organ work inspired by the music of J.S. Bach. This piece is not merely an imitation of an earlier style, though. The piece's metrical changes, phrase structure, and occasional sharp dissonances all carry the hallmarks of music composed in the twenty-first century.
$5.00 ≈
4.59€
Clarinet Concerto ... Sounds of the Islands (2003) for clarinet solo and orchestra
Clarinet Concerto ... Sounds of the Islands (2003) for clarinet solo and orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Clarinet Concerto ... Sounds o
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869365 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 102 p...
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Full Orchestra - Level 4 - SKU: A0.869365 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 102 pages. Thomas Oboe Lee #29655. Published by Thomas Oboe Lee (A0.869365). Instrumentation: 2222-4321-2perc-pf-strings. When Andrea Bates, executive director of the Brockton Symphony Orchestra, first told me that the Brockton Symphony had commissioned me to write a new work to be premiered in 2003-2004, I immediately thought that since its music director, Jonathan Cohler, is a marvelous clarinetist I would be most attracted to the idea of writing a clarinet concerto for the occasion. Both Andrea and Jonathan were very receptive and enthusiastic about my idea. Andrea also told me that the commissioned work should somehow bring to attention the diverse cultures of the recent immigrants that have settled in the city of Brockton. So in the spring of 2003 I came down to Brockton for a meeting to which Andrea had invited representative members of these new communities. Three showed up: Maria Evora-Rosa, Rick Marrero and Fred Fontaine. Andrea had asked them to bring recordings of the music from their countries for me to listen to. There were CDs of very exciting and fun music from Cape Verde, Puerto Rico, Cuba, the Dominican Republic and Haiti. After spending months listening to the music from these countries, all of them islands in the Atlantic or the Caribbean, I slowly began to get a sense of the beauty and the magic of the musical style and language of each place, each individual island. The end result is a three-movement work for clarinet and orchestra. Unlike the traditional Concerto form which is Fast-Slow-Fast, this work begins with something slow. A fast number follows as a second movement; and then, after a short, slow interlude, another fast number appears. The first movement is my adaptation of the morna of Cape Verde – slow, melancholy and sad. The diva of the morna is Cesaria Evora. Her singing brings to mind a fusion between the African blues and the Portuguese fado. The second movement is my take on the merengue as performed by the inimitable Xavier Cugat. It is dance music through and through!!! The third movement is also a dance number: the ever-popular music from Haiti, the reggae. And in order to give some contrast between the two dance numbers, I added a slow chorale for clarinet and strings that serves as a prelude before the dancing begins in the final movement. I envision the chorale as a little church music before the people go out and dance the night away. Throughout the entire work, the solo clarinet is the principal voice … singing, dancing, and cavorting!!! Gotta dance!!! Have fun and enjoy the music!!! I surely did as I was working on it ….
$9.99 ≈
9.17€
Bach: Six Little Preludes BWV 933-938 for String Quartet
Bach: Six Little Preludes BWV 933-938 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Six Little Preludes BWV
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1128370 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Ch...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1128370 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Classical,Contest,Festival,Wedding. 30 pages. Jmsgu3 #728962. Published by jmsgu3 (A0.1128370). J. S. Bach's Six Little Preludes BWV 933-938 were composed during the Baroque period. The preludes are in the key of C major and are among Bach's most famous works. They are short pieces, each lasting about two minutes in duration. Each prelude is a miniature, self-contained piece with its own musical ideas and themes. The preludes demonstrate Bach's mastery of counterpoint and his ability to create complex, interesting musical textures. The first prelude is simple and joyful, while the second prelude features a fugue. The third prelude is a chromatic, slightly more serious piece. The fourth prelude is a bright, joyful piece with a lot of counterpoint. The fifth prelude is quiet and contemplative, and the sixth is more lively and upbeat. These preludes provide an excellent example of Bach's mastery of the Baroque style.
$32.95 ≈
30.23€
Bach: Eight Little Preludes & Fugues BWV 553-560 for String Quartet
Bach: Eight Little Preludes & Fugues BWV 553-560 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James M
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Bach: Eight Little Preludes &a
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1126644 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Ch...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1126644 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Classical,Contest,Festival,Wedding. 145 pages. Jmsgu3 #727289. Published by jmsgu3 (A0.1126644). Score: 42 pages. Duration: ca. 22:45J.S. Bach's Eight Little Preludes & Fugues, BWV 553-560, are a set of organ pieces composed between 1720 and 1723. They are composed in the Baroque style and show Bach's mastery of the form. The pieces consist of a prelude followed by a fugue, and are short and compact in form. The preludes are mostly in a two-part contrapuntal style, with occasional triplets and dotted rhythms adding variety and interest. The fugues are more complex and show Bach's ability to write complex counterpoint and intricate contrapuntal textures. These pieces are great for both teaching and performing, and provide a wonderful introduction to Bach's music.
$74.95 ≈
68.77€
Happy Birthday / Bach's Cello Suite No. 1 Prelude
Happy Birthday / Bach's Cello Suite No. 1 Prelude
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Rock
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The Candlelight Guitarist
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Brad Powell
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Happy Birthday / Bach's Cello
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Geofonica Artistworks
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1393268 By The Candlelight Guitarist. By J.S. Bach / traditional. Arranged by Brad Powell. Baroque,Classical,Holiday,Instruct...
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Guitar - Level 3 - SKU: A0.1393268 By The Candlelight Guitarist. By J.S. Bach / traditional. Arranged by Brad Powell. Baroque,Classical,Holiday,Instructional,Traditional. Guitar Tab. 4 pages. Geofonica Artistworks #976750. Published by Geofonica Artistworks (A0.1393268). This is a mash-up of the traditional Happy Birthday melody superimposed over J.S. Bach's Cello Suite No. 1 Prelude, arranged for solo classical guitar. This arrangement involved careful editing of essential elements of the Cello Suite Prelude (not the entire piece), tuning the guitar's 5th and 6th strings down a whole step, and adjusting harmonies of the Cello Suite to match Happy Birthday, still retaining Bach's compositional style.  It's an intermediate level classical fingerstyle, similar in difficulty to the Sor Etudes. You can see & hear the full arrangement performed in the YouTube link provided. LYRICS are included in both English and German.ABOUT: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso, and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (March 2019-January 2024), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.com...perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender..
$3.99 ≈
3.66€
Lagrima for Classical Guitar
Lagrima for Classical Guitar
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Keith Terrett
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Keith Terrett
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Lagrima for Classical Guitar
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Keith Terrett
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1440991 By Keith Terrett. By Francisco de Asís Tárrega Eixea (21 November 1852 – 15 December 1909). Arr...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1440991 By Keith Terrett. By Francisco de Asís Tárrega Eixea (21 November 1852 – 15 December 1909). Arranged by Keith Terrett. 20th Century,Classical,Contest,Festival,Instructional,Multicultural,World. Score. 3 pages. Keith Terrett #1020970. Published by Keith Terrett (A0.1440991). Lágrima (Teardrop) is a romantic prelude for solo guitar by Spanish guitarist Francisco Tárrega. It is one of the best-known original compositions by Tárrega. It has been published by Ildefonso Alier.Analysis:Lágrima is a very short miniature consisting of only 16 bars. It takes around 2 minutes to perform and its tempo marking is andante. It has an A-B-A structure, section A being in E major and B in E minor, and has been overwhelmingly highlighted by critics because of its simplicity and melancholic atmosphere. Each section has 8 bars. Section A consists of a very simple and predictable melody with quarter notes and dotted half notes, while the accompaniment has eighth notes. Section B turns a little bit less predictable but otherwise still very simple, with eighth notes on the main voice. At the end of section B, section A is repeated to close the work.[ As usual in Tárrega's composition, Lágrima bears some technical difficulties in spite of its simplicity.Composed between late 1891 and early 1892, it is one of Tárrega's most performed pieces. Lágrima has not been included in a definitive catalogue of his works. It has been, however, included in other collections of pieces and has been numbered depending on the position in those collections or in recordings.Musical style:Tárrega composed music in the romantic style of 19th-century European masters. His conservatory training and familiarity with contemporary classical genres and techniques are apparent in his compositions and transcriptions; these are more sophisticated than those of Spanish guitarist-composers of the previous generation and his contemporaries, e.g., Magín Alegre, Tomás Damas, Julián Arcas, José Viñas, and José Ferrer.A virtuoso on his instrument, he was known as the Sarasate of the guitar, although Tárrega preferred small intimate performances over the concert stage.Tárrega is considered to have laid the foundations for 20th-century classical guitar and for increasing interest in the guitar as a recital instrument.
$1.99 ≈
1.83€
Guthrie: Organ Prelude on In Nomine
Guthrie: Organ Prelude on In Nomine
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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James M
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Guthrie: Organ Prelude on In N
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jmsgu3
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SheetMusicPlus
Organ - Level 4 - SKU: A0.549915 Composed by James M. Guthrie. Contemporary,Instructional. Score. 3 pages. Jmsgu3 #3911787. Published by jmsgu3 (A0.5499...
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Organ - Level 4 - SKU: A0.549915 Composed by James M. Guthrie. Contemporary,Instructional. Score. 3 pages. Jmsgu3 #3911787. Published by jmsgu3 (A0.549915). In Nomine: A prelude to the St Luke Organ Book (by Daniel Pinkham) for one single organ manual. Subtitled The Little Time Machine, the composition features one iteration of the In Nomine cantus firmus. As the piece progresses, the cantus is treated in medieval, Renaissance, Baroque, classical, romantic, and modern styles. I performed this piece just before the world premiere of Daniel Pinkham's St. Luke Organ Book in 2006.The history of In Nomine is rooted in its origin as a type of contrapuntal instrumental composition by 16th-century English composers, usually for a consort of viols, lute, or keyboard, based on a version of a piece of plainchant. The name In Nomine was adopted for this type of piece after the English composer John Taverner composed an instrumental piece based on the plainchant Gloria Tibi Trinitas to which he set the words In nomine Domini in his Gloria Tibi Trinitas six-voice Mass. Over the next 150 years, English composers worked this melody into In Nomine pieces of ever more fantastic stylistic range. This set a fashion, and several 20th-century composers, such as Peter Maxwell Davies and Roger Smalley, have quoted In Nomines in their works. The In Nomine played a significant role in developing English polyphony. It is a title given to many pieces of English polyphonic, predominantly instrumental music, first composed during the 16th century. The In Nomine was the chief means by which the grand tradition of vocal polyphony was brought to bear on the evolution of instrumental music in England. The In Nomine is considered the most conspicuous single form in the early development of English consort music and is significant in the genesis of chamber music in England. It marked the first time a specific instrumental style was formed, and it influenced the development of English polyphony by bringing the tradition of vocal polyphony into the realm of instrumental music.Despite various attempts by scholars to elucidate its almost legendary origin, the mystery of the origin of the In Nomine remains unsolved.
$34.95 ≈
32.07€
Prelude
Prelude
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Piano seul
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INTERMÉDIAIRE
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New Age
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Contemporain
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Jonathan L'Espérance
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Prelude
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Jonathan L'Espérance
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1305588 By Jonathan L'Espérance. By Jonathan L'Espérance. 21st Century,Classical,Contemporary,New Age. Score. 2 pag...
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Piano Solo - Level 3 - SKU: A0.1305588 By Jonathan L'Espérance. By Jonathan L'Espérance. 21st Century,Classical,Contemporary,New Age. Score. 2 pages. Jonathan L'Espérance #895041. Published by Jonathan L'Espérance (A0.1305588). Prelude is the first opening track of Dear Ivy EP releases on November 2022 under Little Symphony Records. It has been streams for more than 1.7 millions on spotify solely and is amoung the most popular songs from Jonathan L'Espérance. A subtle melodic line on chordal accompaniment in the first section, then shifting to a change in the time signature with a more flowing accompaniment style.
$4.99 ≈
4.58€
Wait (Verbs 1)
Wait (Verbs 1)
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Piano seul
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AVANCÉ
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Contemporain
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Kathleen Ryan
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Wait
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Indigo Mesa Music LLC
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.995799 Composed by Kathleen Ryan. 20th Century,Contemporary. Score. 7 pages. Indigo Mesa Music LLC #5197945. Published by...
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Piano Solo - Level 5 - SKU: A0.995799 Composed by Kathleen Ryan. 20th Century,Contemporary. Score. 7 pages. Indigo Mesa Music LLC #5197945. Published by Indigo Mesa Music LLC (A0.995799). Verbs is a set of 24 impressionistic preludes for piano left hand alone, composed by Kathleen RyanEach prelude evokes the energy and mood of its title verb. Thus, the preludes utilize a wide range of modern styles and harmonic languages.Wait - to be in readiness or expectation. These preludes hark back to earlier antecedents by Debussy, Rachmaninov, Chopin and J S Bach in their variety and appeal, creating an album rich in contrasts. Ryan’s composing style is eclectic, referencing jazz, contemporary classical, traditional classical, and American folk songs and hymns: Play, for example, is a vibrant anthem, redolent of sacred harp singing, while other Preludes are more contemplative, tender and wistful (Forgive, Bloom). Push is energetic and rumbling, suggesting bustling city life, Bounce scampers playfully around the keyboard with jazzy syncopations and colourful harmonies, and Tangle is redolent of some of Prokofiev’s more introspective ‘Visions Fugitives’. The album closes with the meditative Bless. Frances Wilson, The Cross-Eyed PianistVerbs: 24 Preludes for Piano Left Hand is a fascinating collection of pieces composed by Kathleen Ryan. The project originated in 2006 when [Keith] Porter-Snell asked Ryan to create a set of twenty-four piano preludes for left hand only, one in each key. In her search for a unifying theme, Ryan settled on the idea of verbs, one for each prelude, because a verb conveys a distinct quality of energy and motion. ... Ryan’s eclectic composing style contains elements of jazz, contemporary classical, traditional classical, and her own vision that includes making the piano sing. ... It is hard to believe that these preludes are played with only one hand, as they are full, rich, and sound like they move all over the piano keyboard. All of the titles are one-word verbs and the preludes range in duration from 34 seconds to a little more than four minutes. Some are light and playful and some are more complex and dramatic. All are very different from each other and specific to their individual ‘verbs.’ Kathy Parsons, MainlyPiano.com
$5.25 ≈
4.82€
Six Little Preludes for Easiest Piano
Six Little Preludes for Easiest Piano
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Piano Facile
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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SilverTonalities
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Six Little Preludes for Easies
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SilverTonalities
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.644375 Composed by Johann Sebastian Bach. Arranged by SilverTonalities. Classical,Romantic Period. Score. 25 pages. Silve...
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Easy Piano - Level 1 - SKU: A0.644375 Composed by Johann Sebastian Bach. Arranged by SilverTonalities. Classical,Romantic Period. Score. 25 pages. SilverTonalities #3464589. Published by SilverTonalities (A0.644375). Six Little Preludes for Easiest Piano BWV 933 - 938 – Johann Sebastian Bach Composed for Harpsichord between the years of 1770 to 1720 For Beginner and Novice Pianists by SilverTonalities! - BWV 933 in C Major - BWV 934 in C Minor - BWV 935 in D Minor - BWV 936 in D Major - BWV 937 in E Major - BWV 938 in E MinorEasy Note Style Sheet MusicLetter Names of Notes embedded in each Notehead!
$10.99 ≈
10.08€
Selected Duets - Clarinet (Volume 2)
Selected Duets - Clarinet (Volume 2)
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Selected Duets - Clarinet
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Rubank Publications
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SheetMusicPlus
Volume 2 Clarinet; Clarinet Duet SKU: HL.4470950 Volume 2 - Advanced. Edited by Himie Voxman. Concert Band Method. Ensemble Collection. Classical,...
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Volume 2 Clarinet; Clarinet Duet SKU: HL.4470950 Volume 2 - Advanced. Edited by Himie Voxman. Concert Band Method. Ensemble Collection. Classical, Collection, Duet, Instruction. 72 pages. Rubank Publications #RUBL138. Published by Rubank Publications (HL.4470950). ISBN 9781423445333. UPC: 073999709506. 9.0x12.0x0.186 inches. Edited H. Voxman.This classic series of duets for like instruments is recognizable to nearly everyone who has ever studied an instrument. The wealth of material supplements musical development and provides a rich experience for growing musicians. Duet playing is often a student's first form of ensemble experience - technique, tone quality, intonation and balance are introduced as students do one of the things they enjoy most - making music with a friend. And duet playing leads easily and naturally to competent performance in larger ensembles. (Vol. I – Easy to Medium, Vol. 2 – Medium to Advanced). Contents: DUET Based upon the Sonata in C, K296, by Mozart (Allegro vivace, Andante sostenuto, Rondo (Allegro)) • DUET Based Upon the Sonata in Eb, K380, by Mozart (Allegro, Rondo (Allegro) • DUET Based Upon the Sonata in Bb, K454, by Mozart (Largo, Allegro, Allegretto) • Two Duets in Concert Style (Duet in G Major by Quantz, Duet in C Major by Ferling) • Six Duets Based Upon the Works of Bach (Two-Voiced Fugue, Two-Part Invention No. IV, Two-Part Invention No. VIII, Two-Part Invention No. X, Two-Part Invention No. XV, Little Prelude) • DUET No. 3 Based Upon the Duo in Bb for Clarinet and Bassoon by Beethoven (Allegro sostenuto, Aria con Variazioni (Andantino con moto), Allegro assai).
$11.99 ≈
11.00€
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Little Prelude in the Classical Style
