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Vous avez sélectionné:
Lightly Latin Cello
Partitions à imprimer
28 partitions trouvées
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Tango d'Elinora, for Violin and Cello Duet
Tango d'Elinora, for Violin and Cello Duet
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Violon, Violoncelle (duo)
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INTERMÉDIAIRE
#
Tango
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David McKeown
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Tango d'Elinora, for Violin an
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David McKeown
#
SheetMusicPlus
Composed by David McKeown. 20th Century, Concert, Latin, World. Score and parts. 6 pages. David McKeown #5792909. Published by David McKeown ...
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Composed by David McKeown. 20th Century, Concert, Latin, World. Score and parts. 6 pages. David McKeown #5792909. Published by David McKeown
Tango d?Elinora is an exciting original composition by David McKeown, arranged as a duet for one Violin and one Cello.
This duet is written in the style of early twentieth century Tango music. Tango first appeared as in the late nineteenth century in Buenos Aires, Argentina, but it wasn?t long before the dance craze spread to North America and Europe. Performers like Carlos Gardel were the international superstars of their day. More recently the Nuevo Tango of Astor Piazzolla and others has pushed the boundaries and ensured that Tango is still a vibrant art form today.
If you play to an intermediate standard and upwards, then you and your audience will enjoy this piece. Rhythms should be lightly articulated with the first beat in the bar always strong; the melody should always flow and following the articulation in the score will help convey the style. Tango d?Elinora has a performance time of just under three minutes. Follow the link above to listen to a complete YouTube performance of the Clarinet version of Tango d?Elinora.
$3.99 ≈
3.57€
Salsa de Shibby, for Cello Duet
Salsa de Shibby, for Cello Duet
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2 Violoncelles (duo)
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INTERMÉDIAIRE
#
David McKeown
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Salsa de Shibby, for Cello Due
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David McKeown
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SheetMusicPlus
Cello Duet Cello - Level 3 - SKU: A0.588505 Composed by David McKeown. Concert,Jazz,Latin,World. Score. 7 pages. David McKeown #5776681. Published by Da...
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Cello Duet Cello - Level 3 - SKU: A0.588505 Composed by David McKeown. Concert,Jazz,Latin,World. Score. 7 pages. David McKeown #5776681. Published by David McKeown (A0.588505). Salsa de Shibby is an exciting original composition by David McKeown, arranged as a duet for two Cellos.This duet is based on the style of Salsa. The name Salsa was first used in 1960s New York to describe the popular and commercial dance music made by Latin emigrés in the city. Most of the musical and structural ideas came straight from Cuban Son Montuno, but the lack of one single traditional root has allowed musicians from different Latin American countries to bring their own flavours to the music. Given the tensions between the US and Cuba, there have been accusations of cultural appropriation and Cubans dislike the word Salsa, but there is no denying the music’s worldwide appeal. If you play to an intermediate standard and upwards, then you and your audience will enjoy this piece. Rhythms should be lightly articulated, the melody should always flow, and following the articulation in the score will help convey the style. Salsa de Shibby has a performance time of just over two and a half minutes. You can listen to a full performance the Clarinet version of this duet by following the YouTube link above.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
3.57€
Tango d'Elinora, for Cello Duet
Tango d'Elinora, for Cello Duet
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2 Violoncelles (duo)
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INTERMÉDIAIRE
#
Tango
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David McKeown
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Tango d'Elinora, for Cello Due
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David McKeown
#
SheetMusicPlus
Cello Duet Cello - Level 3 - SKU: A0.588506 Composed by David McKeown. 20th Century,Concert,Latin,World. Score. 6 pages. David McKeown #5792903. Publish...
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Cello Duet Cello - Level 3 - SKU: A0.588506 Composed by David McKeown. 20th Century,Concert,Latin,World. Score. 6 pages. David McKeown #5792903. Published by David McKeown (A0.588506). Tango d’Elinora is an exciting original composition by David McKeown, arranged as a duet for two Cellos.This duet is written in the style of early twentieth century Tango music. Tango first appeared as in the late nineteenth century in Buenos Aires, Argentina, but it wasn’t long before the dance craze spread to North America and Europe. Performers like Carlos Gardel were the international superstars of their day. More recently the Nuevo Tango of Astor Piazzolla and others has pushed the boundaries and ensured that Tango is still a vibrant art form today. If you play to an intermediate standard and upwards, then you and your audience will enjoy this piece. Rhythms should be lightly articulated with the first beat in the bar always strong; the melody should always flow and following the articulation in the score will help convey the style. Tango d’Elinora has a performance time of just under three minutes. Follow the link above to listen to a complete YouTube performance of the Clarinet version of Tango d’Elinora.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
3.57€
Samba de Simão, for Cello Duet
Samba de Simão, for Cello Duet
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2 Violoncelles (duo)
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INTERMÉDIAIRE/AVANCÉ
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David McKeown
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Samba de Simão, for Cel
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David McKeown
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SheetMusicPlus
Cello Duet Cello - Level 4 - SKU: A0.588507 Composed by David McKeown. Jazz,Latin,World. Score. 8 pages. David McKeown #5801127. Published by David McKe...
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Cello Duet Cello - Level 4 - SKU: A0.588507 Composed by David McKeown. Jazz,Latin,World. Score. 8 pages. David McKeown #5801127. Published by David McKeown (A0.588507). Samba de Simão is an exciting original composition by David McKeown, arranged as a duet for two Cellos.This duet is based on the style of Samba. With roots in West African music, modern Samba emerged in Rio de Janiero, Brazil at the beginning of the twentieth century. There are many forms, both sung and instrumental, and the Samba rhythm has found its way around the world into jazz and modern electronic pop and dance music. Samba has become a cultural symbol of Brazil, with Rio’s famous Samba schools producing theatrical and ultra-professional showpieces for the annual carnival.If you play to an advanced intermediate standard and upwards, then you and your audience will enjoy this piece. Rhythms should be lightly articulated, the melody should always flow, the two underlying strong beats in each bar should always be felt, and following the articulation in the score will help convey the style. Samba de Simão has a performance time of two and a half minutes. Follow the link above to listen to a complete YouTube performance of the Clarinet version of Samba de Simão.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
3.57€
Bossa de Bastião, for Cello Duet
Bossa de Bastião, for Cello Duet
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2 Violoncelles (duo)
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INTERMÉDIAIRE
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David McKeown
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Bossa de Bastião, for C
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David McKeown
#
SheetMusicPlus
Cello Duet Cello - Level 3 - SKU: A0.588504 Composed by David McKeown. Jazz,Latin,World. Score. 5 pages. David McKeown #5770207. Published by David McKe...
(+)
Cello Duet Cello - Level 3 - SKU: A0.588504 Composed by David McKeown. Jazz,Latin,World. Score. 5 pages. David McKeown #5770207. Published by David McKeown (A0.588504). Bossa de Bastião is an exciting original composition by David McKeown, arranged as a duet for two Cellos.This duet is based on the Brazilian style of Bossa Nova which evolved in Rio de Janeiro during the late 1950s. Bossa in its purest form is lyrical song accompanied by nylon-stringed guitar. The rhythm derives from Samba but is played at around half tempo. The harmony is often complex and influenced by jazz; indeed it was the collaboration between guitarist João Gilberto and American Saxophonist Stan Getz that led to the huge international popularity of Bossa Nova in the 1960s and beyond.If you play to an intermediate standard and upwards, then you and your audience will enjoy this piece. Rhythms should be lightly articulated, the melody should always flow, and following the articulation in the score will help convey the style. Bossa de Bastião has a performance time of around two and a half minutes. You can listen to a full performance the Clarinet version of this duet by following the YouTube link above.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
3.57€
Amor, (Portuguese for Love), Cello Duet
Amor, (Portuguese for Love), Cello Duet
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2 Violoncelles (duo)
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INTERMÉDIAIRE
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David McKeown
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Amor,
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David McKeown
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SheetMusicPlus
Cello Duet Cello - Level 3 - SKU: A0.590712 Composed by David McKeown. Holiday,Latin,Love,Wedding,World. Score. 5 pages. David McKeown #6233621. Publish...
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Cello Duet Cello - Level 3 - SKU: A0.590712 Composed by David McKeown. Holiday,Latin,Love,Wedding,World. Score. 5 pages. David McKeown #6233621. Published by David McKeown (A0.590712). Amor, (Portuguese for Love), is an exciting original composition by David McKeown, arranged as a duet for two Cellos, and is one of series of pieces celebrating Love in different languages around the world.This duet is based on the Brazilian style of Bossa Nova which evolved in Rio de Janeiro during the late 1950s. Bossa in its purest form is lyrical song accompanied by nylon-stringed guitar. The rhythm derives from Samba but is played at around half tempo. The harmony is often complex and influenced by jazz; indeed it was the collaboration between guitarist João Gilberto and American Saxophonist Stan Getz that led to the huge international popularity of Bossa Nova in the 1960s and beyond.If you play to an intermediate standard and upwards, then you and your audience will enjoy this piece. Rhythms should be lightly articulated, the melody should always flow, and following the articulation in the score will help convey the style. Amor has a performance time of around three minutes. Click the link above to listen to a full YouTube performance of the clarinet version of Amor.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
3.57€
Tico-Tico no Fubá - Choro - Duet Cello
Tico-Tico no Fubá - Choro - Duet Cello
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2 Violoncelles (duo)
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INTERMÉDIAIRE
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Zequinha De Abreu
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Thomas Graf
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Tico-Tico no Fubá - Cho
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Cello Duet Cello - Level 3 - SKU: A0.568551 Composed by Zequinha De Abreu (1880-1935). Arranged by Thomas Graf. Folk,Latin,World. Score. 6 pages. Thomas...
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Cello Duet Cello - Level 3 - SKU: A0.568551 Composed by Zequinha De Abreu (1880-1935). Arranged by Thomas Graf. Folk,Latin,World. Score. 6 pages. Thomas Graf - the-hit-factory.com #2966677. Published by Thomas Graf - the-hit-factory.com (A0.568551). The highlight of your upcoming concerts: The lightly flowing groove of this tune will quickly catch the audience and probably make them dance. This arrangement would not take much time to put together and you'll be guaranteed standing ovations! Instrumentation: Cello 1/2 Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/6BgS8q-oPwk
$4.99 ≈
4.47€
Salsa de Shibby, for Violin and Cello Duet
Salsa de Shibby, for Violin and Cello Duet
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Violon, Violoncelle (duo)
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INTERMÉDIAIRE
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David McKeown
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Salsa de Shibby, for Violin an
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David McKeown
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SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Violin - Level 3 - SKU: A0.589139 Composed by David McKeown. Concert,Jazz,Latin,World. Score and parts. 7 page...
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Instrumental Duet Cello,Instrumental Duet,Violin - Level 3 - SKU: A0.589139 Composed by David McKeown. Concert,Jazz,Latin,World. Score and parts. 7 pages. David McKeown #5776687. Published by David McKeown (A0.589139). Salsa de Shibby is an exciting original composition by David McKeown, arranged as a duet for one Violin and one Cello.This duet is based on the style of Salsa. The name Salsa was first used in 1960s New York to describe the popular and commercial dance music made by Latin emigrés in the city. Most of the musical and structural ideas came straight from Cuban Son Montuno, but the lack of one single traditional root has allowed musicians from different Latin American countries to bring their own flavours to the music. Given the tensions between the US and Cuba, there have been accusations of cultural appropriation and Cubans dislike the word Salsa, but there is no denying the music’s worldwide appeal. If you play to an intermediate standard and upwards, then you and your audience will enjoy this piece. Rhythms should be lightly articulated, the melody should always flow, and following the articulation in the score will help convey the style. Salsa de Shibby has a performance time of just over two and a half minutes. You can listen to a full performance the Clarinet version of this duet by following the YouTube link above.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
3.57€
Samba de Simão, for Violin and Cello Duet
Samba de Simão, for Violin and Cello Duet
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Violon, Violoncelle (duo)
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INTERMÉDIAIRE/AVANCÉ
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David McKeown
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Samba de Simão, for Vio
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David McKeown
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SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.589141 Composed by David McKeown. Jazz,Latin,World. Score and parts. 8 pages. David...
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Instrumental Duet Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.589141 Composed by David McKeown. Jazz,Latin,World. Score and parts. 8 pages. David McKeown #5801135. Published by David McKeown (A0.589141). Samba de Simão is an exciting original composition by David McKeown, arranged as a duet for one Violin and one Cello.This duet is based on the style of Samba. With roots in West African music, modern Samba emerged in Rio de Janiero, Brazil at the beginning of the twentieth century. There are many forms, both sung and instrumental, and the Samba rhythm has found its way around the world into jazz and modern electronic pop and dance music. Samba has become a cultural symbol of Brazil, with Rio’s famous Samba schools producing theatrical and ultra-professional showpieces for the annual carnival.If you play to an advanced intermediate standard and upwards, then you and your audience will enjoy this piece. Rhythms should be lightly articulated, the melody should always flow, the two underlying strong beats in each bar should always be felt, and following the articulation in the score will help convey the style. Samba de Simão has a performance time of two and a half minutes. Follow the link above to listen to a complete YouTube performance of the Clarinet version of Samba de Simão.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
3.57€
Amor, (Portuguese for Love), Violin and Cello Duet
Amor, (Portuguese for Love), Violin and Cello Duet
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Violon, Violoncelle (duo)
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INTERMÉDIAIRE
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David McKeown
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Amor,
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David McKeown
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SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Violin - Level 3 - SKU: A0.590714 Composed by David McKeown. Holiday,Latin,Love,Wedding,World. Score and parts...
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Instrumental Duet Cello,Instrumental Duet,Violin - Level 3 - SKU: A0.590714 Composed by David McKeown. Holiday,Latin,Love,Wedding,World. Score and parts. 5 pages. David McKeown #6233625. Published by David McKeown (A0.590714). Amor, (Portuguese for Love), is an exciting original composition by David McKeown, arranged as a duet for one Violin and one Cello, and is one of series of pieces celebrating Love in different languages around the world.This duet is based on the Brazilian style of Bossa Nova which evolved in Rio de Janeiro during the late 1950s. Bossa in its purest form is lyrical song accompanied by nylon-stringed guitar. The rhythm derives from Samba but is played at around half tempo. The harmony is often complex and influenced by jazz; indeed it was the collaboration between guitarist João Gilberto and American Saxophonist Stan Getz that led to the huge international popularity of Bossa Nova in the 1960s and beyond.If you play to an intermediate standard and upwards, then you and your audience will enjoy this piece. Rhythms should be lightly articulated, the melody should always flow, and following the articulation in the score will help convey the style. Amor has a performance time of around three minutes. Click the link above to listen to a full YouTube performance of the clarinet version of Amor.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
3.57€
Lightly Latin - Cello
Lightly Latin - Cello
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Violoncelle (partie séparée)
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Latin/Musique du monde
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Henry Mancini
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Robert Longfield
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Lightly Latin - Cello
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Henry Mancini. Arranged by Robert Longfield. Latin. Orchestra. 1 pages. Published by Hal Leonard - Digital Sheet Music ...
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By Henry Mancini. Arranged by Robert Longfield. Latin. Orchestra. 1 pages. Published by Hal Leonard - Digital Sheet Music
$7.00 ≈
6.27€
Tico-Tico no Fubá - Choro - Piano Trio
Tico-Tico no Fubá - Choro - Piano Trio
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Clarinette, Violoncelle, Piano (trio)
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INTERMÉDIAIRE
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Latin/Musique du monde
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Zequinha De Abreu
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Thomas Graf
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Tico-Tico no Fubá - Choro - P
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Clarinet, Viola, Cello, Piano Trio - Intermediate - Digital Download Composed by Zequinha De Abreu (1880-1935). Arranged by Thomas Graf. Latin, South ...
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Clarinet, Viola, Cello, Piano Trio - Intermediate - Digital Download Composed by Zequinha De Abreu (1880-1935). Arranged by Thomas Graf. Latin, South American. Score, Set of Parts. 19 pages. Published by Thomas Graf - the-hit-factory.com
The highlight of your upcoming concerts: The lightly flowing groove of this tune will quickly catch the audience and probably make them dance. This arrangement would not take much time to put together and you'll be guaranteed standing ovations!
Instrumentation: Clarinet in Bb/A, Cello/Viola, Piano
Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much!
$9.99 ≈
8.95€
Home Sweet Home
Home Sweet Home
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Violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Motley Crue
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Sarah Cellobat Chaffee
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Home Sweet Home
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Sarah Cellobat Chaffee
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SheetMusicPlus
Cello Solo - Level 4 - SKU: A0.1457605 By Motley Crue. By Nikki Sixx and Tommy Lee. Arranged by Sarah Cellobat Chaffee. Pop,Rock,Wedding. Individual par...
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Cello Solo - Level 4 - SKU: A0.1457605 By Motley Crue. By Nikki Sixx and Tommy Lee. Arranged by Sarah Cellobat Chaffee. Pop,Rock,Wedding. Individual part. 2 pages. Sarah Cellobat Chaffee #1036634. Published by Sarah Cellobat Chaffee (A0.1457605). Although hair metal band Mötley Crüe is best known for their rock anthems about girls and motorcycles, a standout moment of their discography is the (slightly) more sentimental power ballad Home Sweet Home. Released in 1985, the song opens with a catchy piano line and lyrics describing the singer's desire to come home and make things right with his significant other. Even though the epic guitar solo later in the song preserves the band's signature hard rock feel, this is still a popular request to this day for weddings and events, and you'll definitely have fun playing this Cellobat version for solo cello! Originally written for a wedding ceremony, this chart maintains the lyrical verses, hard-hitting choruses, and even the guitar solo of the original (although it is somewhat truncated, since the original solo is almost a full minute long!). Rated advanced-intermediate for some tenor clef and higher notes (not quite up to thumb position, but as high as 6th); this will be playable for more advanced students and sightreadable for professionals.Sarah “Cellobat” Chaffee is an in-demand acoustic & electric cellist and string arranger. You may have seen her onstage with legendary rock band Aerosmith as the cellist for their “Deuces Are Wild” residency, playing more than 50 sold-out shows with the Bad Boys from Boston; she is also the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays and tours with many other world-renowned groups including the Femmes of Rock, Premiere Wedding Music, Bella Electric Strings, and David Perrico’s Pop Strings Orchestra. Sarah has made a number of TV appearances including the Billboard Music Awards, the Latin Grammy Awards, the iHeartRadio Music Festival, and the CBS reality show “Love Island”; she also played with Michael Bublé for his sold-out Resorts World residency and appeared with him on the Kelly Clarkson Show. Sarah has performed and recorded with a number of other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Dionne Warwick, Sarah Brightman, and Sammy Hagar.Sarah is also an acclaimed string arranger with hundreds of arrangements published on Sheet Music Plus under her own label, Cellobat Charts. She is the exclusive arranger for several award-winning wedding and event companies across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles worldwide. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$7.99 ≈
7.16€
Sin Tregua (parts)
Sin Tregua (parts)
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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J
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Sin Tregua
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J. Andres Ballesteros
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.1022621 Composed by J. Andres Ballesteros. 20th Century,Concert,Contemporary. Score...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.1022621 Composed by J. Andres Ballesteros. 20th Century,Concert,Contemporary. Score and parts. 13 pages. J. Andres Ballesteros #2803699. Published by J. Andres Ballesteros (A0.1022621). Sin Tregua, for string quartet (Score)by J. Andrés Ballesteros (2010, ed. 2016; ASCAP)I wrote Sin Tregua in response to the ongoing drug war being waged in Mexico. After years of war, the government has proved ineffective and unwilling to deal with the violence. The government is a corrupted version of what was intended, so it seemed only fitting to musically corrupt the anthem that is supposed to represent our country. The music does this by bringing out the militaristic rhythms of the original but twisting the harmony out of shape into harsh dissonances, just as our country has been twisted out of shape. The melody of the national anthem never makes it past it's high point, instead falling apart back into the disorganized chaos it can't seem to escape.This piece is a short piece for advanced ensembles looking to include high-energy, slightly Ives-ian music. It could fit into programs featuring music about Latin America or by Latin American composers, concerts dealing with political issues, or many other contexts.Parts details:Parts for Violin I (4 pages), Violin II (3 pages), Viola (3 pages), Cello (3 pages)Score is available separately.Advanced level; appropriate for college ensembles or professional groups. 2'30
$5.50 ≈
4.93€
Sin Tregua (score)
Sin Tregua (score)
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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J
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Sin Tregua
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J. Andres Ballesteros
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.1022620 Composed by J. Andres Ballesteros. 20th Century,Concert,Contemporary. Score...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.1022620 Composed by J. Andres Ballesteros. 20th Century,Concert,Contemporary. Score and parts. 13 pages. J. Andres Ballesteros #2803697. Published by J. Andres Ballesteros (A0.1022620). Sin Tregua, for string quartet (Score)by J. Andrés Ballesteros (2010, ed. 2016; ASCAP)I wrote Sin Tregua in response to the ongoing drug war being waged in Mexico. After years of war, the government has proved ineffective and unwilling to deal with the violence. The government is a corrupted version of what was intended, so it seemed only fitting to musically corrupt the anthem that is supposed to represent our country. The music does this by bringing out the militaristic rhythms of the original but twisting the harmony out of shape into harsh dissonances, just as our country has been twisted out of shape. The melody of the national anthem never makes it past it's high point, instead falling apart back into the disorganized chaos it can't seem to escape.This piece is a short piece for advanced ensembles looking to include high-energy, slightly Ives-ian music. It could fit into programs featuring music about Latin America or by Latin American composers, concerts dealing with political issues, or many other contexts.Score details:Score (11 pages).Parts are available separately.Advanced level; appropriate for college ensembles or professional groups. ~2'30
$5.50 ≈
4.93€
Veni, Emmanuel (O Come, O Come Emmanuel)
Veni, Emmanuel (O Come, O Come Emmanuel)
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Text: Latin, 12th century and
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Wendy Loder, ASCAP
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Veni, Emmanuel
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LarkAngel Productions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1115859 Composed by Text: Latin, 12th century and Tune: French 15th century plainsong. Arranged by We...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1115859 Composed by Text: Latin, 12th century and Tune: French 15th century plainsong. Arranged by Wendy Loder, ASCAP. Christian,Christmas,Classical,Medieval,Religious. 2 pages. LarkAngel Productions #717580. Published by LarkAngel Productions (A0.1115859). This beautiful Advent song begins with solo cello, joined by the full trio on Rejoice! Each instrument has a turn with the verse, harmonized slightly differently each time.
$9.99 ≈
8.95€
What Else Can I Do?
What Else Can I Do?
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Violon, Violoncelle (duo)
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FACILE
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Diane Guerrero & Stephanie Bea
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Rose Hashimoto
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What Else Can I Do?
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Rose Hashimoto
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SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Violin - Level 2 - SKU: A0.636854 By Diane Guerrero & Stephanie Beatriz. By Lin-Manuel Miranda. Arranged by Ro...
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Instrumental Duet Cello,Instrumental Duet,Violin - Level 2 - SKU: A0.636854 By Diane Guerrero & Stephanie Beatriz. By Lin-Manuel Miranda. Arranged by Rose Hashimoto. Broadway,Film/TV,Latin,Musical/Show,Pop. Score and parts. 2 pages. Rose Hashimoto #245931. Published by Rose Hashimoto (A0.636854). This arrangement is in a student-friendly key and has been slightly shortened and simplified to suit students of all levels. It can be played either as a duet for violin and cello or as a violin solo.
$9.99 ≈
8.95€
Ave Maria (Bach/Gounod)
Ave Maria (Bach/Gounod)
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach and Char
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Josef STASTNY
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Ave Maria
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Josef STASTNY
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.743233 Composed by Johann Sebastian Bach and Charles Gounod. Arranged by Josef STAS...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.743233 Composed by Johann Sebastian Bach and Charles Gounod. Arranged by Josef STASTNY. Baroque,Contemporary,Romantic Period,Wedding. Score and parts. 6 pages. Josef STASTNY #3216471. Published by Josef STASTNY (A0.743233). The Ave Maria by Bach/Gounod is a popular and much-recorded setting of the Latin text Ave Maria, originally published in 1853 as Méditation sur le Premier Prélude de Piano de S. Bach. The piece consists of a melody by the French Romantic composer Charles Gounod that he superimposed over an only very slightly changed version of the Prelude No. 1 in C major, BWV 846, from Book I of J.S. Bach's The Well-Tempered Clavier, written 137 years earlier. (Wikipedia).This arrangement tries to keep both nice melody by Gounod and arpeggios with harmony written by Bach.Some other strings arrangements: trios:   http://www.sheetmusicplus.com/search?Ntt=josef+stastny+string+trioquartets: http://www.sheetmusicplus.com/search?Ntt=josef+stastny+string+quartet 
$9.99 ≈
8.95€
Telepatia
Telepatia
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Kali Uchis
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Jasmine Brown
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Telepatia
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Jasmine Brown
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.960346 By Kali Uchis. By Alberto Melendez, Cristina Chiluiza Calderon, Enrique Lara...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.960346 By Kali Uchis. By Alberto Melendez, Cristina Chiluiza Calderon, Enrique Lara Colmenares, Karly Loaiza, Manuel Lara, Marco E Masis, Marco Efrain Masis, Maria Cristina Chiluiza Calderon, Patrick Ingunza, Servando Primera, Silverio Ramon Lozada Schwarck, and etc. Arranged by Jasmine Brown. Contemporary. Score and parts. 14 pages. Jasmine Brown #6331621. Published by Jasmine Brown (A0.960346). Kali Uchis's TelepatÃa for string quartet. I've arranged it in a slightly more Latin style.
$12.99 ≈
11.63€
Granada
Granada
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Katherine Jenkins
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Matt Amy
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Granada
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Matt Amy Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1415442 By Katherine Jenkins. By Agustin Lara and Dorothy Dodd (English). Arranged by Matt Amy. Classical,Contemporar...
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Full Orchestra - Level 4 - SKU: A0.1415442 By Katherine Jenkins. By Agustin Lara and Dorothy Dodd (English). Arranged by Matt Amy. Classical,Contemporary,Latin,Multicultural,World. 79 pages. Matt Amy Music #997178. Published by Matt Amy Music (A0.1415442). Key: Eb majorBPM: 160Style: Flamenco (orchestral)Duration: 3:10“ Ensemble type: Pops Orchestra (reduced)Full Recording (MIDI): Granada - in Eb (MIDI)Note: Slightly different to the other version I have in D major (routine and orchestration)Instrumentation- Reed 1- Reed 2- Reed 3- Horn 1, 2- Trumpet 1, 2- Trombone- Voice- Acoustic Bass (Rhythm Section)- Percussion- Harp- Violin 1- Violin 2- Viola- Cello- ContrabassClick the following link for more arrangements by Matt AmyContact Matt here
$50.00 ≈
44.78€
Bach-Gounod: Ave Maria for Trumpet (or Cornet) and Piano
Bach-Gounod: Ave Maria for Trumpet (or Cornet) and Piano
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Trompette, Piano
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FACILE
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J S Bach-Gounod
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Tru
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Colin Kirkpatrick Publications
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 2 - SKU: A0.1310493 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Instructional,Praise & Worship,Wedding. Sco...
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B-Flat Trumpet,Piano - Level 2 - SKU: A0.1310493 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Instructional,Praise & Worship,Wedding. Score and part. 6 pages. Colin Kirkpatrick Publications #899556. Published by Colin Kirkpatrick Publications (A0.1310493). This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. This arrangement by Colin Kirkpatrick is ideal for the intermediate trumpet or cornet player. It is in concert C and the transposed trumpet range is from A below the treble staff to F sharp on the top line. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined†piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary.The version of Bach's prelude which Gounod used included the so-called Schwencke measure (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness†(or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
$7.95 ≈
7.12€
Bach-Gounod: Ave Maria for Bassoon and Piano
Bach-Gounod: Ave Maria for Bassoon and Piano
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Basson, Piano (duo)
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FACILE
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J S Bach-Gounod
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Bas
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Colin Kirkpatrick Publications
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SheetMusicPlus
Bassoon,Piano - Level 2 - SKU: A0.1310502 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Easter,Sacred,Wedding. Score and part. 6 pages. Co...
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Bassoon,Piano - Level 2 - SKU: A0.1310502 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Easter,Sacred,Wedding. Score and part. 6 pages. Colin Kirkpatrick Publications #899560. Published by Colin Kirkpatrick Publications (A0.1310502). This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. This arrangement by Colin Kirkpatrick is ideal for the intermediate bassoon player. It is in concert C and range is from G on the lowest line of the bass clef to the E just above the staff. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined†piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary.The version of Bach's prelude which Gounod used included the so-called Schwencke measure (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness†(or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
$7.95 ≈
7.12€
Bach-Gounod: Ave Maria for Baritone (or Euphonium) and Piano
Bach-Gounod: Ave Maria for Baritone (or Euphonium) and Piano
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Euphonium, Piano (duo)
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FACILE
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J S Bach-Gounod
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Bar
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Colin Kirkpatrick Publications
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.1310506 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Instructional,Religious,Sacred,Wedding. Score an...
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Euphonium,Piano - Level 2 - SKU: A0.1310506 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Instructional,Religious,Sacred,Wedding. Score and part. 7 pages. Colin Kirkpatrick Publications #899564. Published by Colin Kirkpatrick Publications (A0.1310506). This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. This arrangement by Colin Kirkpatrick is ideal for the intermediate baritone or euphonium player. Solo parts are provided (a) in bass clef in which the range is from the lowest G on the staff to the E just above it and (b) in treble clef transposed for B flat instrument in which the range is from the A just below the treble staff to the F sharp on the top line. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined†piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary.The version of Bach's prelude which Gounod used included the so-called Schwencke measure (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness†(or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
$7.95 ≈
7.12€
Bach-Gounod: Ave Maria for Tenor Saxophone and Piano
Bach-Gounod: Ave Maria for Tenor Saxophone and Piano
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Saxophone Tenor et Piano
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FACILE
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Classique
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J
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Ten
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Colin Kirkpatrick Publications
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SheetMusicPlus
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. General Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Score, Solo Part. 6 ...
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Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. General Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Score, Solo Part. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn
ceremonial events. It has always been a favorite among instrumental players and often used in
recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his
own melody over a rippling keyboard accompaniment which was a slightly adapted version of the
Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier,
published in 1722. The title of the ?combined? piece was Mditation sur le Premier Prlude de
Piano de S. Bach. Gounod?s original arrangement transposed Bach?s keyboard part from C major
into F major and it was scored for violin (or cello), organ and piano. In 1859, the French
music publishing company Jacques-Lopold Heugel brought out a vocal version based on the
familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the
Virgin Mary, the mother of Jesus.
The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m.
27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist
Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered
a harmonic weakness in the original. Whether there actually was a ?harmonic weakness? (or
possibly an error in the manuscript) remains a matter of conjecture but the fact remains that
the most familiar-sounding version of this piece, recorded countless times by both singers and
instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.
Some published arrangements show minor inconsistencies in the rhythm of the melody. This
arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859
edition.
$7.95 ≈
7.12€
Bach-Gounod: Ave Maria for Clarinet and Piano
Bach-Gounod: Ave Maria for Clarinet and Piano
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Clarinette et Piano
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FACILE
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Classique
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J
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Cla
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Colin Kirkpatrick Publications
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SheetMusicPlus
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Piano Reduction...
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Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Piano Reduction, Solo Part. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favourite among instrumental players and often used in recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the ?combined? piece was Mditation sur le Premier Prlude de Piano de S. Bach. Gounod?s original arrangement transposed Bach?s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Lopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.
The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a ?harmonic weakness? (or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.
Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
$7.95 ≈
7.12€
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Lightly Latin Cello
