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Vous avez sélectionné:
Keith Michael Davis
Partitions à imprimer
13 partitions trouvées
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1
Do You Hear What I Hear
Do You Hear What I Hear
#
Voix haute
#
INTERMÉDIAIRE/AVANCÉ
#
Carrie Underwood
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Keith Michael Davis
#
Do You Hear What I Hear
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Komodo Music
#
SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.932833 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Keith Michael Davis. Contemporary. 9...
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High Voice,Vocal Solo - Level 4 - SKU: A0.932833 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Keith Michael Davis. Contemporary. 9 pages. Komodo Music #6616229. Published by Komodo Music (A0.932833). Piano/Vocal score for this holiday favorite, adapted from the arranger's band and orchestra versions. Suitable for any Christmas time concert or recital, this tune is sure to get a great response from your audience.
$6.99 ≈
6.41€
Do You Hear What I Hear
Do You Hear What I Hear
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Contemporain
#
Carrie Underwood
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Keith Michael Davis
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Do You Hear What I Hear
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Komodo Music
#
SheetMusicPlus
Large Ensemble Voice - Level 4 - SKU: A0.932824 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Keith Michael Davis. Contemporary. Sc...
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Large Ensemble Voice - Level 4 - SKU: A0.932824 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Keith Michael Davis. Contemporary. Score and parts. 53 pages. Komodo Music #6511329. Published by Komodo Music (A0.932824). A colorful new arrangement of a holiday favorite! Showcase your vocal soloist (range F4 to A-flat5 for treble voice) with the backdrop of a full symphony orchestra, beginning quietly and building to a stirring finale. Suitable for high school, community or professional musicians, this piece is sure to be a crowd-pleaser and a high point in any holiday program! Duration: ca. 4 minutes. Scored for Piccolo, 2 Flutes, 2 Oboes (2nd Oboe dbl. English horn, 2 B-flat Clarinets, Bass Clarinet, 2 Bassoons, 4 Horns in F, 3 Trumpets in B-flat, 2 Tenor Trombones, Bass Trombone, Tuba, Timpani, Orchestra Bells, Percussion, Harp and Strings.
$80.00 ≈
73.41€
Silver Bells
Silver Bells
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Contemporain
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Plumb
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Keith Michael Davis (ASCAP)
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Silver Bells
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Komodo Music
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SheetMusicPlus
Large Ensemble Voice - Level 4 - SKU: A0.932832 By Plumb. By Jay Livingston and Ray Evans. Arranged by Keith Michael Davis (ASCAP). Contemporary. Score ...
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Large Ensemble Voice - Level 4 - SKU: A0.932832 By Plumb. By Jay Livingston and Ray Evans. Arranged by Keith Michael Davis (ASCAP). Contemporary. Score and parts. 79 pages. Komodo Music #6611233. Published by Komodo Music (A0.932832). Showcase your holiday vocalist with this colorful and exciting arrangement of a Christmastime classic! Silver Bells is a perennial favorite with audiences and singers alike, and your high school or community band musicians will enjoy their part as well. Includes optional parts for Contrabass Clarinet, Contra Alto Clarinet and String Bass. Newly edited and typeset parts for ease of readablilty.
$60.00 ≈
55.06€
Mother Goose Suite (score only, 11" x 17" format)
Mother Goose Suite (score only, 11" x 17" format)
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Maurice Ravel
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Keith Michael Davis
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Mother Goose Suite
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Komodo Music
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.932827 Composed by Maurice Ravel (1875-1937). Arranged by Keith Michael Davis. 20th Century,Children. Score and parts. ...
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Concert Band - Level 4 - SKU: A0.932827 Composed by Maurice Ravel (1875-1937). Arranged by Keith Michael Davis. 20th Century,Children. Score and parts. 45 pages. Komodo Music #6530195. Published by Komodo Music (A0.932827). Ravel's enchanting masterpiece, transcribed for symphonic band or wind ensemble in a brand new edition for SMP Press! The entire suite has been lovingly and painstakingly recast for winds and percussion, with an emphasis on transparent textures and colorful scoring. Included are: the pensive Pavane for the Sleeping Princess in the Woods, Little Tom Thumb, the exotic Oriental-flavored Laidonnerette (Little Ugly), Princess of the Pagodas, the charming waltz Dialogue Between Beauty and the Beast, and the ravishingly beautiful finale, The Fairy Garden. Long a favorite with orchestras and audiences, Ravel's Mother Goose Suite's introduction to wind band audiences is long overdue! Score only, parts available separately.
$40.00 ≈
36.70€
HIVE
HIVE
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Contemporain
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Keith Michael Davis
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HIVE
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Komodo Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.932821 Composed by Keith Michael Davis. Contemporary. Score and parts. 35 pages. Komodo Music #6232405. Published by Ko...
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Concert Band - Level 3 - SKU: A0.932821 Composed by Keith Michael Davis. Contemporary. Score and parts. 35 pages. Komodo Music #6232405. Published by Komodo Music (A0.932821). Music for flexible ensemble, to be performed live or via conferencing software, such as Zoom.
$50.00 ≈
45.88€
Arrival of the Queen of Sheba for Two Solo Instruments and Concert Band
Arrival of the Queen of Sheba for Two Solo Instruments and Concert Band
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Orchestre d'harmonie
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Classique
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George Frideric Handel
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Keith Michael Davis
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Arrival of the Queen of Sheba
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Komodo Music
#
SheetMusicPlus
Concert Band - SKU: A0.932830 Composed by George Frideric Handel. Arranged by Keith Michael Davis. Baroque. Score and parts. 78 pages. Komodo Music #659...
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Concert Band - SKU: A0.932830 Composed by George Frideric Handel. Arranged by Keith Michael Davis. Baroque. Score and parts. 78 pages. Komodo Music #6593353. Published by Komodo Music (A0.932830). A lively sinfonia from one of Handel's last oratorios, this excerpt from Solomon has established itself as standard fare for chamber orchestras and ensembles around the globe. With this arrangement, this Baroque classic is now available for your concert band, with an opportunity to feature your finest instrumentalists (in C or B-flat) in a prominent duet.
$60.00 ≈
55.06€
Mother Goose Suite (set of parts, 8.5" x 11" format)
Mother Goose Suite (set of parts, 8.5" x 11" format)
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
#
Maurice Ravel
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Keith Michael Davis
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Mother Goose Suite
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Komodo Music
#
SheetMusicPlus
Concert Band - Level 4 - SKU: A0.932828 Composed by Maurice Ravel (1875-1937). Arranged by Keith Michael Davis. 20th Century,Children. Score and parts. ...
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Concert Band - Level 4 - SKU: A0.932828 Composed by Maurice Ravel (1875-1937). Arranged by Keith Michael Davis. 20th Century,Children. Score and parts. 154 pages. Komodo Music #6530209. Published by Komodo Music (A0.932828). Set of parts for the symphonic band transcription of Ravel's enchanting masterpiece. Includes standard symphonic band instrumentation, along with parts (cross-cued) for Alto Flute, English Horn, Contrabass Clarinet, String Bass. Also includes important material for the Piano and Mallet Percussion.
$110.00 ≈
100.94€
Shadows: based on Schubert's "Der Doppelgänger"
Shadows: based on Schubert's "Der Doppelgänger"
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Orchestre d'harmonie
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Keith Michael Davis
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Shadows: based on Schubert's &
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Komodo Music
#
SheetMusicPlus
Concert Band - SKU: A0.932829 Composed by Keith Michael Davis. Halloween,Romantic Period. Score and parts. 50 pages. Komodo Music #6537707. Published by...
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Concert Band - SKU: A0.932829 Composed by Keith Michael Davis. Halloween,Romantic Period. Score and parts. 50 pages. Komodo Music #6537707. Published by Komodo Music (A0.932829). Eerie, haunting and dramatic, this adaptation of Franz Schubert's masterwork Der Doppelgänger is an ideal addition to a Halloween themed program, or anytime a darkly contrasting piece is needed. Low reeds and brass are especially featured in this homage to one of the great Lieder by the Romantic genius. Suitable for high school, community and professional bands. Duration ca. 5 minutes
$85.00 ≈
78.00€
Do You Hear What I Hear
Do You Hear What I Hear
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Carrie Underwood
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Keith Michael Davis
#
4th Horn parts.
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Do You Hear What I Hear
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Komodo Music
#
SheetMusicPlus
Concert Band - Level 4 - SKU: A0.932826 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Keith Michael Davis. Contemporary. Score and ...
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Concert Band - Level 4 - SKU: A0.932826 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Keith Michael Davis. Contemporary. Score and parts. 76 pages. Komodo Music #6518037. Published by Komodo Music (A0.932826). Showcase your vocal soloist on your holiday program with this exciting arrangement of a perennial favorite! Beginning with a quiet introduction and ending with rousing fanfares and flourishes, Do You Hear What I Hear? is sure to be a hit with your audience and musicians alike. Suitable for high school, college and community bands, the vocal part has a (treble clef) range of F4 to A-flat 5, and uses standard concert band instrumentation, with cross cues for the oboe, bassoon and 3rd & 4th Horn parts.
$80.00 ≈
73.41€
Cossack Dance (Hopak)
Cossack Dance (Hopak)
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Peter Ilich Tchaikovsky
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Keith Michael Davis
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Cossack Dance
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Komodo Music
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.932825 Composed by Peter Ilich Tchaikovsky. Arranged by Keith Michael Davis. Romantic Period. Score and parts. 124 page...
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Concert Band - Level 4 - SKU: A0.932825 Composed by Peter Ilich Tchaikovsky. Arranged by Keith Michael Davis. Romantic Period. Score and parts. 124 pages. Komodo Music #6525699. Published by Komodo Music (A0.932825). A glittering jewel from the Russian master! This transcription features a driving rhythmic accompaniment, lively woodwind melodies and lush countermelodies of the kind Tchaikovsky is deservedly famous for. With a rousing coda for good measure, this lesser known work rivals Russlan and Ludmilla, and Festive Overture for sheer exhilaration and excitement! Good for a program featuring dance forms, Russian music, and woodwind showcases.
$69.95 ≈
64.19€
Moonlight Serenade for Tuba Quintet (Jazz for 5 Series)
Moonlight Serenade for Tuba Quintet (Jazz for 5 Series)
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Ensemble de Tubas
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INTERMÉDIAIRE
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Jazz
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Glenn Miller
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Keith Terrett
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Moonlight Serenade for Tuba Qu
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Music for all Occasions
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SheetMusicPlus
Tuba, Euphonium, Tuba Quintet - Intermediate - Composed by Glenn Miller. Arranged by Keith Terrett. 20th Century, Jazz, Swing, Old-time. Score, Set ...
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Tuba, Euphonium, Tuba Quintet - Intermediate - Composed by Glenn Miller. Arranged by Keith Terrett. 20th Century, Jazz, Swing, Old-time. Score, Set of Parts. 8 pages. Published by Music for all Occasions
Moonlight Serenade" arranged here for Tuba Quintet, is an American popular song composed by Glenn Miller with subsequent lyrics by Mitchell Parish. It was an immediate phenomenon when first released in May 1939 as an instrumental arrangement and was adopted as Miller?s signature tune. In 1991, Miller?s recording of "Moonlight Serenade" was inducted into the Grammy Hall of Fame.
The song, recorded on April 4, 1939 on RCA Bluebird, was a Top Ten hit on the U.S. pop charts in 1939, reaching number three on the Billboard charts, where it stayed for fifteen weeks. It was the number 5 top pop hit of 1939 in the Billboard year-end tally. Glenn Miller had five records in the top 20 songs of 1939 on Billboard′s list.
In the UK, "Moonlight Serenade" was released as the A-side of a 78 on His Master?s Voice, with "American Patrol" as the B-side. The recording reached number twelve in the UK in March 1954, staying on the chart for one week. In a medley with "Little Brown Jug" and "In the Mood", "Moonlight Serenade" reached number thirteen on the UK charts in January 1976, in a chart run of eight weeks.
The recording was also issued as a V-Disc, No. 39A, in November 1943.
The recording used a clarinet-led saxophone section, which is widely considered[citation needed] the classic Glenn Miller style. Miller studied the Schillinger technique with Joseph Schillinger, who is credited with helping Miller create the "Miller sound", and under whose tutelage he himself composed "Moonlight Serenade".
The song evolved from a 1935 version entitled "Now I Lay Me Down to Weep", with music by Glenn Miller and lyrics by Eddie Heyman to a version called "Gone with the Dawn" with lyrics by George Simon, and "The Wind in the Trees" with lyrics by Mitchell Parish. In his biography of Glenn Miller, George T. Simon recounted how vocalist Al Bowlly of the Ray Noble Orchestra sang him the Eddie Heyman lyrics to the Glenn Miller music of "Now I Lay Me Down to Weep" in 1935. The Noble Orchestra never recorded the song. Finally it ended up as "Moonlight Serenade" because Robbins Music bought the music and learned that Miller was recording a cover of "Sunrise Serenade", a Frankie Carle associated song, for RCA Victor. They thought "Moonlight" would be a natural association for "Sunrise".
"Now I Lay Me Down to Weep" was composed in 1935 with lyrics by Eddie Heyman and music by Glenn Miller. After "Moonlight Serenade", originally released solely as an instrumental, became a smash hit in 1939, Mitchell Parish wrote new lyrics for the music under that title.
A notable vocal version can be found on Frank Sinatra?s Moonlight Sinatra released in 1965, which also contains "Moon Love", "Moonlight Becomes You", and "Oh, You Crazy Moon", which were recorded by Glenn Miller and his Orchestra. "Moonlight Serenade" can also be found on Nothing But the Best, a 2008 Frank Sinatra greatest hits compilation by Reprise, on My Way: The Best of Frank Sinatra from 1997 by Warner Bros., and the Frank Sinatra compilation Greatest Love Songs from 2002. Frank Sinatra also released the song as part of an 7" EP 33RPM single in 1966, Reprise SR1018. The song also appeared on the 2015 centennial collection Ultimate Sinatra. In 1939, Count Basie and His Orchestra recorded one of the earliest versions to feature the lyrics added by Mitchell Parish which was released as a 78 single, Vocalion 5036.
"Moonlight Serenade" has been covered by Barry Manilow, Carly Simon, The Airmen of Note of the U.S. Air Force with Air Force Strings, Charlie Haden, Marc Reift, Chet Baker with The Mariachi Brass in 1966, Santo and Johnny, Thelma Houston, Carol Burnett, Toots Thielemans, Deodato, who reached number 18 on the Billboard Easy Listening Chart, Count Basie and his Orchestra with vocals by Helen Humes in 1939, Benny Goodman and his Orchestra, Cab Calloway, The Modernaires, Gene Krupa and his Orchestra, Freddy Martin and his Orchestra, Bert Kaempfert, Ray Conniff, Mina, Dick Todd on RCA Bluebird, Geoff Love and His Orchestra, Lloyd Gregory on solo guitar, Dick Hyman, Maxwell Davis and his Orchestra, Tony Evans, Los Indios Tabajaras, David Rose, Richard Himber, Fi Dells Quartet, Waikikis, The Universal-International Orchestra conducted by Joseph Gershenson, Oleg Lundstrom, Charlie Byrd, Taco, Alix Combelle, Richard Vaughn, Lisa Ono, Eddie Maynard, Simone Kopmajer, Hamburg Philharmonia, Frankie Capp, Dave, Robert Banks Trio, Karel Vlach, Transatlantic Swing Band, the Frankie Condon Orchestra, The Romantic Strings, Paul Mauriat, Tommy Leonetti, Johnny Desmond, the Boston Pops under Arthur Fiedler, John Williams, and Keith Lockhart, Charlie Calello Orchestra, J.P. Torres and the Cuban All Stars, Tex Beneke and His Orchestra, the Manhattan Jazz Orchestra, Urbie Green, Bob Mintzer, Laura Fygi, Max Greger, Mario Pezzotta and His Orchestra, 101 Strings, Andrés Ramiro and His Orchestra, The Hiltonaires, Big Warsaw Band, Pep Poblet, Ray Anthony, Cheryl Bentyne, jazz trumpeter Bobby Hackett in 1965, The 12 Cellists of the Berlin Philharmonic, Joe Loss, Ted Heath, Lawrence Welk, Henry Mancini, James Last, Michael Maxwell and His Orchestra, John Blair, Ray Eberle, Enoch Light, Modern Folk Quartet, Buddy Emmons on steel guitar, The Rivieras, a 1950s Doo Wop group whose recording reached number 47 on the pop charts in 1959, Tuxedo Junction, Yasuko Agawa, George Melachrino, German bandleader Kurt Edelhagen, Ella Fitzgerald, Oscar Rabin, Henry Jerome and his Orchestra as a 45 single, Decca 25545, Kurt Elling, Syd Lawrence, The Ventures, Archie Bleyer, Mantovani, Bobby Vinton, who reached number 97 on the Billboard Hot 100 in 1976, and the rock band Chicago as a 1995 3 inch CD single in Japan and on the big band album Night & Day Big Band.
Jazz critic Gary Giddins wrote about the song?s impact and legacy; "Miller exuded little warmth on or off the bandstand, but once the band struck up its theme, audiences were done for: throats clutched, eyes softened. Can any other record match ?Moonlight Serenade? for its ability to induce a Pavlovian slobber in so many for so long?" (The New Yorker, May 24, 2004).
"Moonlight Serenade" released as V-Disc 39A, VP 75, Theme Song, by the U.S. War Department in November 1943. In November 1939, Miller had a 15-minute radio series on CBS called Moonlight Serenade that ran three times a week, Tuesdays, Wednesdays, and Thursdays at 10:00 PM Eastern Time (shifting to 7:15 PM in May 1942), until September 1942, sponsored by Chesterfield.
Wartime release:
The 1939 RCA Victor studio recording of "Moonlight Serenade" was released by the U.S. War Department as V-Disc 39A, VP 75, Theme Song, in November, 1943. The recording was also released on the Navy V-Disc No. 160A. A V-Disc test pressing of a recording of the song from November 17, 1945 by the AAF Band was made but the disc was not issued. A new recording by Glenn Miller with the American Band of the Allied Expeditionary Forces was broadcast to Germany in 1944 on the radio program The Wehrmacht Hour.
Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
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20 Counterparts from Book 1 Rochut Bordogni Duet Accompaniments for Trombones 1-20
20 Counterparts from Book 1 Rochut Bordogni Duet Accompaniments for Trombones 1-20
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Trombone
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INTERMÉDIAIRE
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Opera
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Classique
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Tom Ervin
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Marco Bordogni
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20 Counterparts from Book 1 Ro
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Gordon Cherry
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SheetMusicPlus
Trombone Solo - Level 3 - SKU: A0.811087 Composed by Tom Ervin. Arranged by Marco Bordogni. Classical,Instructional,Opera,Romantic Period. Individual pa...
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Trombone Solo - Level 3 - SKU: A0.811087 Composed by Tom Ervin. Arranged by Marco Bordogni. Classical,Instructional,Opera,Romantic Period. Individual part. 26 pages. Gordon Cherry #5009439. Published by Gordon Cherry (A0.811087). The Rochut editions of Bordogni’s vocalises have become the most widly used etudes in American trombone pedigogy. They are prized for their lyric beauty, and also for their development of endurance, upper range, legato technique, styling and more. Other bass clef instrumentalists use Rochut. These Twenty Counterparts may be practiced and played as etudes alone. They are similar in style to the Bordogni; some are harder and some are easier than the Bordogni originals. But the primary intent was for recreational duet playing and for the trombone studio. Duets are fun and more, contributing to sightreading, intonation, ensemble, style-matching, confidence, independence, etc. As with the piano accompaniments, the duet parts also enhance the original melodies. Read what these famous trombonists have to say about this new contribution to the trombone literature …indisputably one of the most invaluable additions to appear in a very long time. Understanding lyricism is much easier when hearing this second voice. Joseph Alessi, Principal Trombone, New York Philharmonic …fantastic and beautiful. What a great idea! They will give the student a wonderful sense of music-making. Henry Charles Smith, Arizona State University …absolutely ingenious….they capture the essential character of each piece and cleverly expand and enhance the original material. Can be ‘stand alone’ material in its own right. I have already used them successfully on trombone, euphonium, and tuba. Loren Marsteller, Los Angeles An enjoyable new way to play the old favorites. Perform them with friends; record one part and play the other; play them alone…a great idea. Ralph Sauer, Principal Trombone Los Angeles Philharmonic A great book and a great idea! Really valuable; I am using it in my teaching. Jay Friedman, Principal Trombone, Chicago Symphony Orchestra Excellent studies, challenging in all registers, rewarding to play. Ned Meredith, formerly San Francisco Symphony Orchestra A very insightful and fresh approach to the trombone’s most important collection of etudes…destined to become a standard in the trombone literature. An absolute must! Michael Davis, jazz recording artist, New York City The unexpected harmonic progressions are a delight. They work great for euphoniums and for trombone and tuba R. Winston Morris, Tennessee Technological University …similar to the Rochut yet contains challenging rhythmic independence and contrast, increasing the value of ensemble experience. As an aid to duet performance, the measure, staff and page format is arranged the same as Rochut’s Fischer edition. Glenn P. Smith, Professor Emeritus University of Michigan A fine addition to the lyrical literature Charles Vernon, Bass Trombone Chicago Symphony Orchestra They’re not only enjoyable to play, but add some ‘zip’, harmonically, melodically, and rhythmically, to the original melodies. Buddy Baker University of Northern Colorado Compositionally, very interesting, not just a duet in thirds…stylistically appropriate…a great way to begin a lesson. Vern Kagarice, University of North Texas An outstanding idea, very valuable Keith Brown, Indiana University I enjoy the book with my students and then also change parts Carsten Svanberg, Danish National Symphony Orchestra Bravo! They serve a great purpose, very musical and playable. Will become a part of the standard trombone repertoire in a very short time…already part of mine. Jiggs Whigham, Professor of Trombone and Jazz, Cologne Germany
$25.00 ≈
22.94€
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Keith Michael Davis
