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Vous avez sélectionné:
June Foster
Partitions à imprimer
13 partitions trouvées
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1
Jenny June. Popular Ballad
Jenny June. Popular Ballad
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Stephen Foster
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Jenny June. Popular Ballad
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.19745 Composed by Stephen Foster. Courtship & love. Lester S. Levy Collection. 4 pages. Published by Jo...
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Piano and voice (solo and SATB chorus) - SKU: LV.19745 Composed by Stephen Foster. Courtship & love. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.19745). Jenny June. Popular Ballad. Words by Geo. Cooper. Music by Stephen C. Foster. Published 1863 by Firth, Son & Co., 563 Broadway in New York. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Courtship & love. First line reads Did you see dear Jenny June When the meadows were in tune.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.60€
Hope that Lasts
Hope that Lasts
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Chorale 3 parties
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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June Foster, Ben Tibbetts
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Hope that Lasts
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June Foster
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SheetMusicPlus
Choral Choir (SAB) - Level 4 - SKU: A0.1029966 Composed by June Foster, Ben Tibbetts. Christian,Sacred. Octavo. 13 pages. June Foster #5996641. Publishe...
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Choral Choir (SAB) - Level 4 - SKU: A0.1029966 Composed by June Foster, Ben Tibbetts. Christian,Sacred. Octavo. 13 pages. June Foster #5996641. Published by June Foster (A0.1029966). Hope that Lasts is written for SAB choir with a trio and is appropriate for church services throughout the year, especially services with a theme of hope and encouragement. The message of this song is hope. The verses are intended to represent God's words to us, in which He encourages and guides us along our paths. The voicing-three individuals singing in unison-is meant to represent the three parts of the Trinity: Father, Son, and Holy Spirit.vs. 1 I have a plan just for you,I have prepared you something new.I will protect, I will provide, I’ll always be there by your side.vs 3. Watch me and see what I do, I will take care of you. Now I want you to understand, The hopeful future I have planned.The chorus intentionally switches between singular and plural, demonstrating the importance of both an individual and a corporate relationship with God. After the last verse, the chorus changes to demonstrate that we are strengthened and assured by what He tells us. Suggested Scripture passages: Isaiah 43:18-19, Philippians 3:13-14, I Thessalonians 1:2, Jeremiah 29:11, and Colossians 3:2.Chorus: Will you make a way for me, Lead me along this path? Will you show me where to go, And give me hope that lasts? Will you make a way for us, Lead us along this path? Will you show us where to go, And give us hope that lasts?Also available congregational version item number SO.895371
$2.25 ≈
2.11€
Grown-Up Christmas List
Grown-Up Christmas List
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Amy Grant
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June Berg, MMA
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Grown-Up Christmas List
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June Berg
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SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.874732 By Amy Grant. By David Babyface Foster and Linda Thompson-Jenner. Arranged by June Berg, MMA. A Cappella,...
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Choral Choir (SSAA) - Level 4 - SKU: A0.874732 By Amy Grant. By David Babyface Foster and Linda Thompson-Jenner. Arranged by June Berg, MMA. A Cappella,Contemporary. Octavo. 5 pages. June Berg #4745409. Published by June Berg (A0.874732). This arrangement is voiced for women's voices, A Cappella. The parts are Tenor, Lead, Baritone and Bass ( or SSAA). It is arranged in the barbershop style; i.e. Melody is in the second voice.
$12.99 ≈
12.15€
Grown-Up Christmas List
Grown-Up Christmas List
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Amy Grant
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June Berg, MMA
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i
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Grown-Up Christmas List
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June Berg
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SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.874733 By Amy Grant. By David Babyface Foster and Linda Thompson-Jenner. Arranged by June Berg, MMA. A Cappella,...
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Choral Choir (SSAA) - Level 4 - SKU: A0.874733 By Amy Grant. By David Babyface Foster and Linda Thompson-Jenner. Arranged by June Berg, MMA. A Cappella,Contemporary. Octavo. 5 pages. June Berg #4767213. Published by June Berg (A0.874733). This arrangement is in the barbershop style; i.e. the melody is in the lead voice. There is a short bass solo towards the end. The ranges for tenor and lead are appropriate for II Soprano and II Alto, respectively, even though they are indicated tenor, lead.. The Baritone and Bass parts are sung one octave higher than written. It is to be sung A Cappella.
$12.99 ≈
12.15€
The Last Time
The Last Time
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Instruments en Do
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INTERMÉDIAIRE/AVANCÉ
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Eric Benet
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Arby Richter
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The Last Time
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Arby Richter
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SheetMusicPlus
C Instrument - Level 4 - SKU: A0.1285099 By Eric Benet. By Amy Foster, David W Foster, and Eric Benet Jordan. Arranged by Arby Richter. Hip-Hop,Pop,R & ...
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C Instrument - Level 4 - SKU: A0.1285099 By Eric Benet. By Amy Foster, David W Foster, and Eric Benet Jordan. Arranged by Arby Richter. Hip-Hop,Pop,R & B,Singer/Songwriter,Standards,Wedding. Lead Sheet / Fake Book. 2 pages. Arby Richter #876206. Published by Arby Richter (A0.1285099). THE LAST TIME was written by Eric Benet, David W. Foster, and Amy Foster-Gillies. This song is part of Benet's studio album HURRICANE which was released in June 2005 by Friday Records. Since its release, The Last Time has always been a favorite for weddings, and is frequently used as a song for the Couple's First Dance. Here are a few lines of the song . . .The first time I fell in love was long agoI didn't know how to give my love at allThe next time I settled for what felt so closeBut without romance, you're never gonna fallAfter everything I've learnedNow it's finally my turnThis is the last time I'll fall in love.
$6.99 ≈
6.54€
Jenny June by Stephen C. Foster - Piano/Vocal, Singer Pro
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Piano, Voix
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Stephen C. Foster
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Jenny June
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Musicnotes
Stephen Foster - Jenny June Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement...
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Stephen Foster - Jenny June Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal;Singer Pro, instruments: Voice;Piano; 2 pages -- Traditional~~American Popular Song
$5.50 ≈
5.15€
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Claude Debussy: Sér&eac
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pag...
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Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95 ≈
15.86€
The Lemonade Day Song
The Lemonade Day Song
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Piano, Voix
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FACILE
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Richard D
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The Lemonade Day Song
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Richard Duane Cross
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.990525 Composed by Richard D. Cross and Robert Foster. Children,Instructional. Score. 2 pages. Richard Duane Cross...
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Piano,Vocal,Voice - Level 2 - SKU: A0.990525 Composed by Richard D. Cross and Robert Foster. Children,Instructional. Score. 2 pages. Richard Duane Cross #2022453. Published by Richard Duane Cross (A0.990525). This catchy and memorable song was created for national Lemonade Day that occurs in school districts around the country in May and June. Use this song as a jingle to help sell your lemonade and increase your profits!
$1.99 ≈
1.86€
Claude Debussy: Sérénade for violin and piano
Claude Debussy: Sérénade for violin and piano
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Claude Debussy: Sér&eac
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pages. Musik Fabri...
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Piano,Violin - Level 4 - SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pages. Musik Fabrik Music Publishing #4727479. Published by Musik Fabrik Music Publishing (A0.534583). Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and other completions include La Saulaie and the Nocturne and Poème for violin and orchestra as well as Debussy’s other Poe opera Le Diable dans le Beffroi.Préface en français : Au debut des années 1890, Debussy a composé le debut d’une pièce lyrique en Mi majeur pour violon et piano, peut-être pour accompagner la Nocturne pour violon que Debussy a destinée pour le violoniste belge Eugène Ysaÿe. Après la morte de Debussy en 1918, sa deuxième femme Emma avait l’habitude d’offrir ses pages d’esquisses aux intérpètes et compositeurs en souvenir de son regreté mari. Cette page d’esquisse a été offerte aux compositeur et pianiste cubain Joaquin Nin (1879-1949). Cette page a été mise en vente dans la catalogue de l’antiquaire britannique Lisa Cox en 2010 et malgré que cette esquisse est peut-être le début d‘une mélodie pour contralto et piano, l‘idée dynamique dans la douzième mesure suggère la violon, surtout qu‘elle commence sur la.
$12.95 ≈
12.12€
BE PRAISED MY LORD - SAB A CAPPELLA
BE PRAISED MY LORD - SAB A CAPPELLA
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Chorale 3 parties
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DÉBUTANT
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Teresa Cobarrubia Yoder, ASCAP
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BE PRAISED MY LORD - SAB A CAP
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Teresa Cobarrubia Yoder
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SheetMusicPlus
Choral Choir (SAB) - Level 1 - SKU: A0.832058 Composed by Teresa Cobarrubia Yoder, ASCAP. A Cappella. Octavo. 3 pages. Teresa Cobarrubia Yoder #3029369....
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Choral Choir (SAB) - Level 1 - SKU: A0.832058 Composed by Teresa Cobarrubia Yoder, ASCAP. A Cappella. Octavo. 3 pages. Teresa Cobarrubia Yoder #3029369. Published by Teresa Cobarrubia Yoder (A0.832058). An excellent piece for fostering the art of a cappella in three parts, Be Praised My Lord is written for the developing school/church choir. Be Praised My Lord by Teresa Cobarrubia Yoder is a prayerful and musical expression to Pope Francis’ encyclical on ecology, Laudato Si: On Care for our Common Home (June 18, 2015). The lyrics, derived from the encyclical’s title, are from St. Francis of Assisi’s 13 c. poem and prayer, Canticle of the Creatures/Sun - God is praised for all creation. Performance Notes: In addition, you may add an optional accompaniment with Orff instruments playing the tonic and fifth.***NOTE: If you require more than 13 copies, consider the institutional pricing $25 that gives you permission for unlimited copies for your choir. Look for BE PRAISED MY LORD - SAB A CAPPELLA (With permission for unlimited copies for your choir).To contact the composer: teresa.cobarrubia.yoder.music@gmail.com
$1.99 ≈
1.86€
BE PRAISED MY LORD - SAB A CAPPELLA (With permission for unlimited copies for your choir)
BE PRAISED MY LORD - SAB A CAPPELLA (With permission for unlimited copies for your choir)
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Chorale 3 parties
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DÉBUTANT
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Teresa Cobarrubia Yoder
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BE PRAISED MY LORD - SAB A CAP
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Teresa Cobarrubia Yoder
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SheetMusicPlus
Choral Choir (SAB) - Level 1 - SKU: A0.832054 Composed by Teresa Cobarrubia Yoder. A Cappella,Contemporary,Praise & Worship,Sacred,Standards. Octavo. 2 ...
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Choral Choir (SAB) - Level 1 - SKU: A0.832054 Composed by Teresa Cobarrubia Yoder. A Cappella,Contemporary,Praise & Worship,Sacred,Standards. Octavo. 2 pages. Teresa Cobarrubia Yoder #3008969. Published by Teresa Cobarrubia Yoder (A0.832054). An excellent piece for fostering the art of a cappella in three parts, Be Praised My Lord is written for the developing school/church choir. Be Praised My Lord by Teresa Cobarrubia Yoder is a prayerful and musical expression to Pope Francis’ encyclical on ecology, Laudato Si: On Care for our Common Home (June 18, 2015). The lyrics, derived from the encyclical’s title, are from St. Francis of Assisi’s 13 c. poem and prayer, Canticle of the Creatures/Sun - God is praised for all creation. Performance Notes: In addition, you may add an optional accompaniment with Orff instruments playing the tonic and fifth.***NOTE: The $19.99 list price reflects institutional pricing for your school or church with unlimited copies for your choir.To contact the composer: teresa.cobarrubia.yoder.music@gmail.com
$19.99 ≈
18.70€
Hard Times, Come Again No More
Hard Times, Come Again No More
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Stephen Foster
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Thomas Juneau
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Hard Times, Come Again No More
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Hal Leonard - Digital
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SheetMusicPlus
(Full Performance) - SKU: HX.408854 Composed by Stephen Foster. Arranged by Thomas Juneau. Concert. Choral. Duration 170. Published by Hal Leonard - Dig...
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(Full Performance) - SKU: HX.408854 Composed by Stephen Foster. Arranged by Thomas Juneau. Concert. Choral. Duration 170. Published by Hal Leonard - Digital (HX.408854).
$1.99 ≈
1.86€
Hard Times, Come Again No More
Hard Times, Come Again No More
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Stephen Foster
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Thomas Juneau
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Hard Times, Come Again No More
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Hal Leonard - Digital
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SheetMusicPlus
(Accompaniment Only) - SKU: HX.408855 Composed by Stephen Foster. Arranged by Thomas Juneau. Concert. Choral. Duration 170. Published by Hal Leonard - D...
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(Accompaniment Only) - SKU: HX.408855 Composed by Stephen Foster. Arranged by Thomas Juneau. Concert. Choral. Duration 170. Published by Hal Leonard - Digital (HX.408855).
$24.99 ≈
23.38€
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June Foster
