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Jump Out of Bed!
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Vous avez sélectionné:
Jump Out of Bed!
Partitions à imprimer
10 partitions trouvées
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1
Jump Out of Bed!
Jump Out of Bed!
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Chorale Unison
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FACILE
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Nancy Gifford and Piotr Ilyitc
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Jump Out of Bed!
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Galaxy Music Corporation - Digital
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SheetMusicPlus
Unison or 2-part treble voices and piano, with optional Slide Whistle - Easy - SKU: MQ.1.3645-E Composed by Nancy Gifford and Piotr Ilyitch Tchaikovsky....
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Unison or 2-part treble voices and piano, with optional Slide Whistle - Easy - SKU: MQ.1.3645-E Composed by Nancy Gifford and Piotr Ilyitch Tchaikovsky. Secular, Christmas-Secular/Holiday. 8 pages. Galaxy Music Corporation - Digital #1.3645-E. Published by Galaxy Music Corporation - Digital (MQ.1.3645-E). English.Trepak from Nutcracker capturing the excitement of Christmas morning! .
$2.25 ≈
2.02€
The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
3.59€
Prelude in G minor "Military" of Rachmaninoff for piano solo
Prelude in G minor "Military" of Rachmaninoff for piano solo
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Sergei Rachmaninoff
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Michael Bomier
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Prelude in G minor "Milit
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.862662 Composed by Sergei Rachmaninoff. Arranged by Michael Bomier. 20th Century,Concert,Romantic Period,Standards. Score...
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Piano Solo - Level 4 - SKU: A0.862662 Composed by Sergei Rachmaninoff. Arranged by Michael Bomier. 20th Century,Concert,Romantic Period,Standards. Score. 6 pages. Michael Butkus-Bomier #3619809. Published by Michael Butkus-Bomier (A0.862662). the Prelude in G minor, the Military did indeed inspire the Russian troops against the Nazi invasion. there is classic film footage of a young Emil Gilels playing the piece on a flatbed truck on an active airfield, with planes buzzing 'round. WOW! Well, our aim is not to shoot'em down, but to make music, so here is our revision of this classic two-handed unison work. In the original, the right and left are both jumping constantly, making the same music, but having to leave and leap on each 1/8-note. Our setting keeps all the melody, and all the chords intact, whilst re-distributing the same pitches to one or the other hand, not both. Some inversions have been changed to triads, or to the same inversion in both hands. Also, the LH arpeggiated accompaniment in the middle section has precisely 1/2 the notes of the original, while preserving the harmony being expressed. So, hear it on the MP3 and see how good an impression this resetting makes. The inner 2nd melody of the middle section is still outlined with parentheses, so as not to be missed. MBB.
$2.99 ≈
2.69€
Jumpin', Jumpin'
Jumpin', Jumpin'
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Chorale SSAA
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Pop musique
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Destiny's Child
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Jumpin', Jumpin'
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Celine Mireille Durney
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SheetMusicPlus
By Destiny's Child. Arranged by Celine Durney. Score. 13 pages. Published by Celine Mireille Durney...
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By Destiny's Child. Arranged by Celine Durney. Score. 13 pages. Published by Celine Mireille Durney
From "The Writing's On The Wall" (1999) by Destiny's Child
Any treble-voice a cappella groups looking for a FUN, UPBEAT THROWBACK?!
YAAAAAS QUEEN - HERE YOU GO!
~Starts off with slow, alluring introduction & then amps up into original song's hip-hop groove; Melody of the song switches bounces amongst all 4 parts throughout; features a fun solo in the last half of the piece
~Can be well-executed with OR without vocal percussion because of the various rhythmic textures embedded in each part; notes for vocal percussion are included in score & should be based off of original song
Ranges:
S1 - D4-D5
S2 - A3-A4
A1 - E3-F4
A2 - D3-F4.
$3.99 ≈
3.59€
This Dying Soul
This Dying Soul
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Batterie
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AVANCÉ
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Dream Theater
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Carlos Sanchez
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This Dying Soul
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Carlos Sanchez
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SheetMusicPlus
Drum Set,Drums - Level 5 - SKU: A0.1227181 By Dream Theater. By John Petrucci, Myung, Portnoy, and Rudess. Arranged by Carlos Sanchez. Instructional,Roc...
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Drum Set,Drums - Level 5 - SKU: A0.1227181 By Dream Theater. By John Petrucci, Myung, Portnoy, and Rudess. Arranged by Carlos Sanchez. Instructional,Rock. Score. 13 pages. Carlos Sanchez #823187. Published by Carlos Sanchez (A0.1227181). Drumset transcription of This Dying Soul(album version) by Dream Theater; originally performed by Mike Portnoy; transcribed/arranged by Carlos Sanchez. Sanchez is a professional percussionist with nearly 30 years of experience transcribing and/or arranging music for marching bands, drumlines, and cover bands. Sanchez prides himself on the accuracy of his transcriptions and you should be able to easily play along with the original album version of this song. Be sure to look for other publications by Carlos Sanchez. Have fun and enjoy!Performance Notes: Mike Portnoy video recorded his studio sessions for most of Dream Theater Albums. He doesn't record every second of his sessions, so some of the video will not match some of the audio of the final recording. Check out the YouTube link below to see his set up, and to get an idea what the different drum & cymbal notations are. Jump to 0:07:51 to start right in the beginning of this trackDrumset Transcriptions:Amber - 311Beautiful Disaster - 311Breakout - Foo FightersCochise - AudioslaveCome Out and Play - The OffspringCrazy Bitch - BuckcherryGo With The Flow - Queens Of The Stone AgeI Hate Everything About You - Three Days GraceInside Our Home - 311Inside The Fire - DisturbedJudith - A Perfect CircleJudith(Easy Version) - A Perfect CircleJust A Girl - No DoubtLive Wire - Motley CrueMonkey Wrench - Foo FightersOn A Roll - 311Panama - Van HalenPerfect Mistake - 311Places That The Mind Goes - 311Pretty Fly(For A White Guy) - The OffspringRun - Foo FightersSelf Esteem - The OffspringSex Type Thing - Stone Temple PilotsShow Me How To Live - AudioslaveSquare Hammer - GhostThis Dying Soul - Dream TheaterTribute - Tenacious DUnchained - Van HalenBass Transcriptions:This Dying Soul - Dream TheaterVacant - Dream TheaterMarching Band Arrangements:Come Out and Play - The OffspringFull Band Transcriptions:Vacant - Dream Theater
$9.99 ≈
8.98€
Running Through My Mind I. Wondering II. Serene III. Groovin'
Running Through My Mind I. Wondering II. Serene III. Groovin'
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Zack Richards
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Running Through My Mind I. Won
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Zack Richards
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.894376 Composed by Zack Richards. 20th Century,Concert,Contemporary. Score and part...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.894376 Composed by Zack Richards. 20th Century,Concert,Contemporary. Score and parts. 56 pages. Zack Richards #2115149. Published by Zack Richards (A0.894376). This String Quartet was written during my Graduate work in Composition. The idea of the piece was derived while I laid in my bed simply thinking about nothing specific one night. The opening melodic and rhythmic ideas just jumped into my mind. After writing them down, the first movement flowed naturally out and I finished it within a few hours late that night. I wrote the third movement in a similar state of mind. I began to think about how my mind general worked when trying to create music. As I was wondering the music just started to appear in my mind. Then my mind started groovin' as the music came flowing out. The second movement came much later. I had much more difficulty trying to come up with ideas for that one. In order to write it, I had to put myself into a serene state of mind with no distractions whatsoever. Again the music flowed from my mind and in one night I finished the second movement. To this day, I find that these three states of mind are where I am best able to create music.
$22.99 ≈
20.68€
Rock a Little, Baby
Rock a Little, Baby
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Craig Cassils
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Rock a Little, Baby
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Craig Cassils
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SheetMusicPlus
Vocal Solo,Voice - Level 2 - SKU: A0.912356 Composed by Craig Cassils. Children,Jazz. 6 pages. Craig Cassils #18651. Published by Craig Cassils (A0.9123...
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Vocal Solo,Voice - Level 2 - SKU: A0.912356 Composed by Craig Cassils. Children,Jazz. 6 pages. Craig Cassils #18651. Published by Craig Cassils (A0.912356). Rock a Little, Baby – for any solo voice with piano, also suitable and fun for a unison children’s choir. This happy little swing tune has been recorded by two well-known children’s entertainers – Nancy Cassidy (USA) and Fed Penner (Canada). Now here it is in print. The song describes a toddler visiting Aunt Priscilla and the thrill of rocking in her rocking chair, jumping on her chesterfield, going for a ride in her old Ford car, and finally trying out her big feather bed, where sleep finally comes. Was it all a ploy by Aunt Priscilla to get the youngster to fall asleep? Was she trying anything and everything to make sleep happen? Is this happy little swing tune a lullaby in disguise? 4.99 - SINGLE SHEET MUSIC.
$4.99 ≈
4.49€
Intermezzo (from Six Pieces for Piano, Op. 118)
Intermezzo (from Six Pieces for Piano, Op. 118)
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Johannes Brahms
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F
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there are several of those
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Intermezzo
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808687 Composed by Johannes Brahms (1833-1897). Arranged by F. Leslie Smith. Holiday,Romantic Period,Wedding. Score a...
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Brass Ensemble - Level 3 - SKU: A0.808687 Composed by Johannes Brahms (1833-1897). Arranged by F. Leslie Smith. Holiday,Romantic Period,Wedding. Score and parts. 28 pages. Sweetwater Brass Press #3872461. Published by Sweetwater Brass Press (A0.808687).   Brahms completed Six Pieces for Piano in 1893, just four years before his death. It was the second from last work he would write for solo piano, an introspective composition that he dedicated to Clara Schumann. To four of the six pieces he attached the label Intermezzo. Although the term originally defined a composition that was inserted between two other pieces-say, the movements of a suite or the acts of an opera-Brahms wrote them as independent works. And of these, the most popular is this, the Intermezzo in A major, andante teneramente. As described on the website Favorite Classic Composers, It's a sweetly melancholy piece, with a strong tinge of melancholy.  Except for a few items, this arrangement is not technically difficult. For the most part, Trumpet 1 plays the melody. Some of the notes are relatively high, the highest being C6 (high D for B-flat trumpet); there are several of those. Trumpet 2 has one brief A5 (high B). Trombone carries the heavy load; it has lots of oodle-oodles in the form of up-and-down eighth notes and triplet figures plus one F2. In the tuba part the range of notes is E1 to F3 and it contains a number of octave jumps. This is a beautiful piece, but it does require that each musician listen to the other four while playing.  This arrangement was completed in 2018, and performance time runs about 4 minutes, 55 seconds. The arranger, Les Smith, would be very interested in your comments; contact him at lessmith@ufl.edu or leave a review on the SheetMusicPlus website. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$4.95 ≈
4.45€
Fishing the Sky
Fishing the Sky
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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New Age
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Contemporain
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Kurt Bestor
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acoustic guitar
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Fishing the Sky
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Black Diamond Performance
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.880729 Composed by Kurt Bestor. 20th Century,Contemporary,New Age. Score. 7 pages. Black Diamond Performance #5360029. Pu...
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Piano Solo - Level 4 - SKU: A0.880729 Composed by Kurt Bestor. 20th Century,Contemporary,New Age. Score. 7 pages. Black Diamond Performance #5360029. Published by Black Diamond Performance (A0.880729). This song is inspired by Henry David Thoreau's essays about the idyllic Walden Pond where he lived. Emmy-award-winning composer Kurt Bestor envisioned the solitude of morning where the still glassy lake is only occasionally rippled by fish jumping after an unsuspecting mosquito. The title is derived from Thoreau's words as he described being so lost in his thoughts as he looked into sky's reflection in the lake that he felt as if he was fishing the sky.The song was originally orchestrated for small orchestra, woodwinds, piano, & acoustic guitar. Bestor himself has transcribed the song for piano to capture the essence of his original version. (The song is found on the album Sketches.)www.kurtbestor.com
$5.99 ≈
5.39€
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Jump Out of Bed!
