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Vous avez sélectionné:
Julian Bream
Partitions à imprimer
10 partitions trouvées
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1
Five Bagatelles
Five Bagatelles
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Guitare
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Contemporain
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William Walton
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Five Bagatelles
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Oxford University Press Digital
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SheetMusicPlus
Composed by William Walton (1902-1983). Edited by Julian Bream. Score. 17 pages. Oxford University Press Digital #9780193549944. Published by Oxford U...
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Composed by William Walton (1902-1983). Edited by Julian Bream. Score. 17 pages. Oxford University Press Digital #9780193549944. Published by Oxford University Press Digital
ISBN 9780193549944.
Five Bagatelles were written for Julian Bream and dedicated to Malcolm Arnold 'with admiration and affection for his 50th birthday'. They were given their first performance in Bath on 27th May 1972.
$22.99
Pluck for guitar
Pluck for guitar
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Guitare
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AVANCÉ
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Contemporain
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Robert M
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Pluck for guitar
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Robert M. Greenberg
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.987853 Composed by Robert M. Greenberg. 20th Century. Individual part. 21 pages. Robert M. Greenberg #115407. Published ...
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Solo Guitar - Level 5 - SKU: A0.987853 Composed by Robert M. Greenberg. 20th Century. Individual part. 21 pages. Robert M. Greenberg #115407. Published by Robert M. Greenberg (A0.987853). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 21 minutes Year of composition: 1996 Program Note: I. Toccata/Hands of Steel II. Strum/Serenade III. O Tanenbaum (Toccata reprise) IV. Two-Part Contention V. John Doe VI. True Pluck A number of years ago, the great English guitarist Julian Bream told David Tanenbaum - the dedicatee of tonight's premiere - not to premiere a guitar work unless he knew for a fact it was the composer's second guitar work. Sage advice. The guitar is an instrument that gives up its secrets to a non-guitar playing composer only reluctantly. Indeed, the timbral, digital and chordal subtleties of this most subtle and intimate instrument are truly understood by the guitarist only. Pity the outlander who composes for the guitar for the first time! With this last thought in mind I had, until last fall, managed to avoid writing a guitar piece. However, even the most abject compositional coward will relent when a musician like David Tanenbaum asks for a piece and offers his assistance and critical judgement in its composition. So it was with PLUCK, composed between November of 1995 and January of 1996. Bream's advice notwithstanding, PLUCK is my first guitar piece. Tanenbaum is brave. The title, PLUCK, thus refers to both the action of plucking strings as well as pluck - bravery, grit, true grit. PLUCK is written in six interrelated movements. The first movement, Toccata/Hands of Steel introduces much of the essential pitch and harmonic material of the piece, as well as Flamenco-style rasgueado strumming which, try as I might, I could not resist using. Movement two, Strum/Serenade, explains itself in its title. Movement three, O Tanenbaum (a designation for which David has forgiven me) reprises the Toccata and describes, well, a sort of musical tree (David has forgiven me for this, too). Two-Part Contention is a combatative, argumentative movement that pits the treble strings of the guitar against the bass. Movement 5, John Doe is a lyric and mysterious moment of rest before the manic finale. Movement 6, True Pluck, is a fast, furious and virtuosic finale. PLUCK is dedicated, with greatest respect and affection, to my friend David Tanenbaum. May he only want to play my second guitar piece.
$16.00
Spanish Guitar Study
Spanish Guitar Study
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Keith Terrett
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Keith Terrett
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Spanish Guitar Study
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Keith Terrett
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1444500 By Keith Terrett. By Isaac Manuel Francisco Albéniz y Pascual. Arranged by Keith Terrett. 19th Century,Classica...
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Solo Guitar - Level 3 - SKU: A0.1444500 By Keith Terrett. By Isaac Manuel Francisco Albéniz y Pascual. Arranged by Keith Terrett. 19th Century,Classical,Contest,Festival,Instructional,Multicultural,World. Individual part. 3 pages. Keith Terrett #1024393. Published by Keith Terrett (A0.1444500). Isaac Manuel Francisco Albéniz y Pascual (Spanish pronunciation: [iˈsak alˈβeniθ]; 29 May 1860 – 18 May 1909) was a Spanish virtuoso pianist, composer, and conductor. He is one of the foremost composers of the Post-Romantic era who also had a significant influence on his contemporaries and younger composers. He is best known for his piano works based on Spanish folk music idioms. Isaac Albéniz was close to the Generation of '98.Transcriptions of many of his pieces, such as Asturias (Leyenda), Granada, Sevilla, Cadiz, Córdoba, Cataluña, Mallorca, and Tango in D, are important pieces for classical guitar, though he never composed for the guitar. Some of Albéniz's personal papers are held in the Library of Catalonia.As one of the leading composers of his era, Albéniz's influences on both contemporary composers and on the future of Spanish music are profound. As a result of his extended stay in France and the friendship he formed with numerous composers there, his composition technique and harmonic language influenced aspiring younger composers such as Claude Debussy and Maurice Ravel. His activities as conductor, performer and composer significantly raised the profile of Spanish music abroad and encouraged Spanish music and musicians in his own country.Albéniz's works have become an important part of the repertoire of the classical guitar, many of which have been transcribed by Francisco Tárrega, Miguel Llobet and others. Asturias (Leyenda) in particular is heard most often on the guitar, as are Granada, Sevilla, Cadiz, Cataluña, Córdoba, Mallorca, and Tango in D. Gordon Crosskey and Cuban-born guitarist Manuel Barrueco have both made solo guitar arrangements of all the eight-movements in Suite española. Selections from Iberia have rarely been attempted on solo guitar but have been very effectively performed by guitar ensembles, such as the performance by John Williams and Julian Bream of Iberia's opening Evocation. The Doors incorporated Asturias into their song Spanish Caravan; also, Iron Maiden's To Tame a Land uses the introduction of the piece for the song bridge. More recently, a guitar version of Granada functions as something of a love theme in Woody Allen's 2008 film Vicky Cristina Barcelona.The theme from Asturias was incorporated or adapted in several soundtracks including the 2008 horror film Mirrors, composed by Javier Navarrete, and the Netflix TV show Godless, composed by Carlos Rafael Rivera.In 1997 the Fundación Isaac Albéniz was founded to promote Spanish music and musicians and to act as a research centre for Albéniz and Spanish music in general.A street in Quito, Ecuador, is named after him.
$1.99
Berceuse from the Dolly Suite for String Orchestra
Berceuse from the Dolly Suite for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE
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Keith Terrett
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Keith Terrett
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Berceuse from the Dolly Suite
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Keith Terrett
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1431353 By Keith Terrett. By Gabriel Faure. Arranged by Keith Terrett. 20th Century,Children,Classical,Contest,Fest...
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String Orchestra - Level 3 - SKU: A0.1431353 By Keith Terrett. By Gabriel Faure. Arranged by Keith Terrett. 20th Century,Children,Classical,Contest,Festival,Romantic Period. 12 pages. Keith Terrett #1011823. Published by Keith Terrett (A0.1431353). The Dolly Suite, Op. 56, is a collection of pieces for piano duet by Gabriel Fauré. It consists of six short pieces written or revised between 1893 and 1896, to mark the birthdays and other events in the life of the daughter of the composer's mistress, Emma Bardac.An orchestral version of the suite was scored in 1906 by Henri Rabaud, and has, like the original piano duet version, been the subject of many recordings. The best-known section of the suite, the Berceuse, has been arranged for several combinations of instruments. In the United Kingdom it became famous as the play-out tune to the BBC radio programme Listen with Mother.The suite consists of six short pieces, each with its own title: Berceuse, Mi-a-ou, Le jardin de Dolly, Kitty-valse, Tendresse, and Le pas espagnol. The complete suite takes about fifteen minutes to perform.The Berceuse was the closing theme for the long-running BBC Light Programme (and later Home Service) radio programme for small children Listen with Mother (1950–1982). It is performed in the film Bicentennial Man by Andrew and Little Miss. Although it was written as a piano duet, there have been numerous arrangements of the Berceuse for other instruments and ensembles. Examples include versions for piano and glockenspiel by Evelyn Glennie and for two guitars recorded by Julian Bream and John Williams.
$8.00
Suite Populaire Bresilienne No. 1
Suite Populaire Bresilienne No. 1
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Julian Bream
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Bruno Virgilio
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Suite Populaire Bresilienne No
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Bruno Virgilio
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1015248 By Julian Bream. By Heitor Villa Lobos. Arranged by Bruno Virgilio. Contemporary. Score. 2 pages. Bruno Virgilio ...
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Piano Solo - Level 3 - SKU: A0.1015248 By Julian Bream. By Heitor Villa Lobos. Arranged by Bruno Virgilio. Contemporary. Score. 2 pages. Bruno Virgilio #4755831. Published by Bruno Virgilio (A0.1015248).
$4.99
Drei Fragmente nach Hölderlin / Drei Tentos
Drei Fragmente nach Hölderlin / Drei Tentos
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Voix, Guitare
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AVANCÉ
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Contemporain
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Hans Werner Henze
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Julian Bream
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Drei Fragmente nach Hölderlin
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Schott Music - Digital
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SheetMusicPlus
Guitar solo (\"Tentos\") and for Vocal and Guitar (\"Fragmente\") - difficult - Aus der \"Kammermusik 1958\". Composed by ...
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Guitar solo (\"Tentos\") and for Vocal and Guitar (\"Fragmente\") - difficult - Aus der \"Kammermusik 1958\". Composed by Hans Werner Henze (1926-). Arranged by Julian Bream. This edition: score for voice and/or instruments. Score. Schott Music - Digital #Q17122. Published by Schott Music - Digital
$16.99
Guitarcosmos
Guitarcosmos
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Guitare
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Contemporain
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Reginald Smith Brindle
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Julian Bream
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Guitarcosmos
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Schott Music - Digital
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SheetMusicPlus
Progressiv Pieces. Composed by Reginald Smith Brindle (1947- 2003). Arranged by Julian Bream. This edition: Sheet music. Downloadable. Op. 3. Schott Mu...
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Progressiv Pieces. Composed by Reginald Smith Brindle (1947- 2003). Arranged by Julian Bream. This edition: Sheet music. Downloadable. Op. 3. Schott Music - Digital #Q3530. Published by Schott Music - Digital
$13.99
Guitarcosmos
Guitarcosmos
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Guitare
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Contemporain
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Reginald Smith Brindle
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Julian Bream
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Guitarcosmos
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Schott Music - Digital
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SheetMusicPlus
Progressive Piece. Composed by Reginald Smith Brindle (1947- 2003). Arranged by Julian Bream. Downloadable. Op. Vol. 2. Schott Music - Digital #Q556489...
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Progressive Piece. Composed by Reginald Smith Brindle (1947- 2003). Arranged by Julian Bream. Downloadable. Op. Vol. 2. Schott Music - Digital #Q556489. Published by Schott Music - Digital
$12.99
Royal Winter Music
Royal Winter Music
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Guitare
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AVANCÉ
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Contemporain
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Hans Werner Henze
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Royal Winter Music
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Schott Music - Digital
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SheetMusicPlus
Guitar - difficult - Digital Download First Sonata on Shakespearean Characters. Composed by Hans Werner Henze (1926-). This edition: Sheet music. Guita...
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Guitar - difficult - Digital Download First Sonata on Shakespearean Characters. Composed by Hans Werner Henze (1926-). This edition: Sheet music. Guitar Archive. Downloadable. Duration 25 minutes. Schott Music - Digital #Q4978. Published by Schott Music - Digital
My idea of developing music from Richard of Gloucester's monologue 'Now is the winter of our discontent', and of generating more music from that material, was conceived during the 1960s. Ten years later it took a more concrete form, when Julian Bream suggested to me that I should write a substanial new guitar work for him. More time went by, and only having finished 'We Come to the River' could I begin to realise our plan. Then began a collaboration with the instrumentalist that went through various phases, from which I gained a more profound knowledge of the technicalities and of the sound-world of the guitar. I would even go so far as to say that this collaboration gave me a new concept of how to write for an instrument with a rich tradition. The guitar is a 'knowing' or 'knowledgeable' instrument, with many limitations but also many unexplored spaces and depths within these limits. It possesses a richness of sound capable of embracing everything one might find in a gigantic contemporary orchestra. but one has to start from silence in order to notice this: one has to pause, and completely exclude noise.
The dramatis personae of this piece enter through the sound of the guitar as if it were curtain. Through masks, voices and gestures, they speak to us of great passion, of tenderness, sadness and comedy: strange events in people's lives. Into this, the whispering voices of spirits are mingled. The epilogue is spoken by Oberon, pacified and reconciled, as though Nature had been subjected to Man.
- Hans Werner Henze.
$19.99
Clair de Lune (Claude Debussy)
Clair de Lune (Claude Debussy)
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2 Guitares (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy
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Bisdre Santos
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Santos
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Clair de Lune
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Bisdré Santos
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SheetMusicPlus
Guitar Duo - Advanced Intermediate - Digital Download Composed by Claude Debussy (1862-1918). Arranged by Bisdre Santos. Impressionistic, Repertoire,...
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Guitar Duo - Advanced Intermediate - Digital Download Composed by Claude Debussy (1862-1918). Arranged by Bisdre Santos. Impressionistic, Repertoire, Classroom, Wedding, Recital. Individual Part, Lead Sheet, Set of Parts. 7 pages. Published by Bisdre Santos
Composed by Claude Debussy (1862-1918). Transcribed by Bisdré Santos from the recording of John Williams and Julian Bream. Impressionistic, Romantic, Post-Romantic, Repertoire, Classroom, Concert.
$5.00
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Julian Bream
