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Vous avez sélectionné:
John Hinton
Partitions à imprimer
7 partitions trouvées
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Come, Follow Me!
Come, Follow Me!
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Orchestre à Cordes
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INTERMÉDIAIRE
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John Hinton
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Andrew R
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Come, Follow Me!
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GuarrineMusic
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.785992 Composed by John Hinton. Arranged by Andrew R. Guarrine. Baroque,Renaissance. Score and parts. 12 pages. Gua...
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String Orchestra - Level 3 - SKU: A0.785992 Composed by John Hinton. Arranged by Andrew R. Guarrine. Baroque,Renaissance. Score and parts. 12 pages. GuarrineMusic #5791263. Published by GuarrineMusic (A0.785992). Come, Follow Me! (John Hinton)This adaptation of a madrigal is to be performed lightly and not too fast. Uses hooked-bows, slurs and plenty of imitation. The first section is a solo violin with the cello coming in later. Only uses forte and piano dynamic markings. A great piece for solo and ensemble or as a lighter piece for your orchestra at that spring performance. (Quartet -with optional Cb.) Key of D 2/2 time Grade 2+ because of style and technique.
$12.95 ≈
11.57€
I Think of Home. Ballad
I Think of Home. Ballad
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Chorale SATB
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T
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I Think of Home. Ballad
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.3919 Composed by T. H. Hinton. Homesickness, Families, Comfort. Lester S. Levy Collection. 4 pages. Pub...
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Piano and voice (solo and SATB chorus) - SKU: LV.3919 Composed by T. H. Hinton. Homesickness, Families, Comfort. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3919). I Think of Home. Ballad. Written & Composed by T.H. Hinton. Published 1863 by Oliver Ditson & Co., 277 Washington St. in Boston. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Homesickness, Families, Comfort. First line reads I think of Home, as all alone, I watch the setting sun.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.35€
Birdie's First Chirp. Galop For Little Fingers
Birdie's First Chirp. Galop For Little Fingers
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Piano seul
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T
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T
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Birdie's First Chirp. Galop Fo
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - SKU: LV.444 Composed by T. H. Hinton. Birdcages. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (L...
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Piano - SKU: LV.444 Composed by T. H. Hinton. Birdcages. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.444). Birdie's First Chirp. Galop For Little Fingers. By T.H. Hinton. Published 1864 by Wm. A. Pond & Co., 547 Braodway in New York. Composition of da capo with piano instrumentation. Subject headings for this piece include Birdcages. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.35€
Souvenir D'Auburndale
Souvenir D'Auburndale
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Piano seul
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T
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T
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Souvenir D'Auburndale
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - SKU: LV.16411 Composed by T. H. Hinton. Schools. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (L...
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Piano - SKU: LV.16411 Composed by T. H. Hinton. Schools. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.16411). Souvenir D'Auburndale. Composed By T.H. Hinton. Published 1856 by N. Richardson, 282 Washington St. in Boston. Composition of through-composed with piano instrumentation. Subject headings for this piece include Schools. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.35€
(1) Oh I'd be a Soger Boy. Marching Song and Chorus. With (2) "Rosa Lee"
(1) Oh I'd be a Soger Boy. Marching Song and Chorus. With (2) "Rosa Lee"
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Piano, Voix
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T
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(1) Oh I'd be a Soger Boy. Mar
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.22282 Composed by T. H. Hinton. Portraits, Military uniforms, Military camps, Civil War--Union, Patriotism. Lester S. Levy Col...
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Piano and voice - SKU: LV.22282 Composed by T. H. Hinton. Portraits, Military uniforms, Military camps, Civil War--Union, Patriotism. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.22282). (1) Oh I'd be a Soger Boy. Marching Song and Chorus. With (2) Rosa Lee [quick-step]. T.H. Hinton. Published [n.d.] by in n.p. Composition of (1) strophic with chorus; (2) sectional with piano and voice instrumentation. Subject headings for this piece include Portraits, Military uniforms, Military camps, Civil War--Union, Patriotism. First line reads Oh; I'd be a soger boy, to march in the loyal ranks.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.35€
The Liberty Bell-March for Brass Quintet
The Liberty Bell-March for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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John Philip Sousa
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Jari A
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The Liberty Bell-March for Bra
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JV MUSIC
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SheetMusicPlus
Composed by John Philip Sousa (1854-1932). Arranged by Jari A. Villanueva. Romantic Period, Fourth of July, Patriotic, Americana. Score, Set of Parts. 29 pages....
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Composed by John Philip Sousa (1854-1932). Arranged by Jari A. Villanueva. Romantic Period, Fourth of July, Patriotic, Americana. Score, Set of Parts. 29 pages. Published by JV MUSIC (S0.308429). - Score,Set of Parts - Romantic Period,Fourth of July,Patriotic,Americana - JV MUSIC
The Liberty Bell March for Brass Quintet by John Philip Sousa Arranged by Jari Villanueva Score 2 Trumpets in Bb Horn in F (Eb Alto Horn) Trombone (Baritone TC) Tuba Drums (optional) Substitute parts provided It may be associated with Monty Python's Flying Circus but "The Liberty Bell" was written for Sousa's unfinished operetta The Devil's Deputy in 1893. Financing for the show fell through and shortly afterwards, Sousa and his band manager George Hinton attended the Columbian Exposition in Chicago. As they watched the spectacle "America", in which a backdrop depicting the Liberty Bell was lowered, Hinton suggested "The Liberty Bell" as the title of Sousa's recently completed march. Coincidentally, Sousa received a letter from his wife, saying their son had marched in a parade in honor of the Liberty Bell which had been on a nation-wide tour. Sousa agreed. He sold "The Liberty Bell" to the John Church Company for publication, and it was an immediate success. The origin of the tune comes from the time Sousa heard Marcella Lindh, one of his soprano soloists, whistling a tune of her own creation. Sousa couldn?t get the melody out of his head and asked his soprano if he might use it in a march. She agreed, but didn?t know that her tune had been used until several years later when she happened to hear a European band perform the march.
$12.99 ≈
11.60€
Gregory Sullivan Isaacs: Henry Faust for tenor and piano
Gregory Sullivan Isaacs: Henry Faust for tenor and piano
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Voix Tenor, Piano
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AVANCÉ
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Contemporain
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Henry
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Musik Fabrik Music Publishing
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SheetMusicPlus
Tenor Voice,Vocal Solo - Level 5 - SKU: A0.534399 Composed by Gregory Sullivan Isaacs. 20th Century,Opera,Romantic Period,Standards. 126 pages. Musik Fa...
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Tenor Voice,Vocal Solo - Level 5 - SKU: A0.534399 Composed by Gregory Sullivan Isaacs. 20th Century,Opera,Romantic Period,Standards. 126 pages. Musik Fabrik Music Publishing #3424583. Published by Musik Fabrik Music Publishing (A0.534399). Described as a « tour de force« during the operaâ??s initial run of performances â??Henry Faustâ? by Gregory Sullivan Isaacs is a three-act, one character opera based on Goëtheâ??s play as translated by Anna Swanwich (1859) with a libretto by the composer. It was premièred at the Circle Theatre in Chicago on April 11, 1993 with the Composer as Faust and Kevin Hinton, pianistâ??Henry Faustâ? started out as a thought about the â??essenceâ? of opera. Isaacs thought that one singer, one piano, and a black box theater were all that was really needed to achieve â??opera-nessâ?. Goetheâ??s play, â??Faust,â? immediately came to mind. The tale of the professor who makes a deal with the devil for infinite knowledge and the restoration of youth, only to betray himself by lust, seemed perfect. The three-act opera is for tenor and piano and in a Goethe-era English translation by Anna Swanwick. She was the leading translator of Goethe of her day and one of the first advocates for womenâ??s rights. Every word Faust sings is a line from the play.The opera is set in a miserable single-occupancy hotel room furnished with an iron cot, a beat-up dresser and a tattered arm chair. Faust, disheveled and in his pajamas, lives out the drama. The ensuing events, the feverish creations of an addled brain, are all real to Faust. He sees and interacts with the other two characters â?? the devil and Gretchen â?? and flies to hell to dance at the Witches Sabbath. Both the tenor and piano parts are equally demanding and require artists of the first order. The tenor part covers a great range â?? both vocally and dramatically. The piano part requires a virtuoso and musically expresses all of the imaginary characters.SOME SELECTED HENRY FAUST REVIEWS â??You can add Henry Faust to that short list of successful single-singer operas (Schoenbergâ??s Ewartung and Poulencâ??s La Voix Humaine) ... it proved to be a moving experience. Isaacsâ?? music, cast in traditional forms, such as fugue, passacaglia, rondo and variation, is always accessible... often strikingly beautiful, as in the Ländler that closes act two.â? THE DETROIT FREE PRESS (John Guinn) - Detroitâ??Written in what Isaacs calls â??refreshed tonality,â?? this lush, supplely intense music serves the drama well ... from the despairing agitato of Faust's opening agonies to the lyrical frenzy of his first glimpse of Gretchen to a hushed declaration of love as tender as we could wish... Isaacs' tour de force certainly has a future.â? THE CHICAGO READER (Larry Bommer) - Chicagoâ??...the first (full evening) operatic monodrama ever promises to give Goethe's thrice-told tale a fresh contemporary slantâ?¦ a theater piece that uses opera as its language... a prototype of a new kind of small theater piece, eminently practical at a time of reduced opera company budgets... (Isaacs) brings solid professional credits ... an experienced conductor as well as composer/performer.â? THE CHICAGO TRIBUNE (John von Rhein) â?? Chicago
$65.95 ≈
58.92€
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