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Vous avez sélectionné:
Jazz, The Language of Music for Trombone
Partitions à imprimer
23 partitions trouvées
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1
The Easter Bonnet Bop for Trombone Duet
The Easter Bonnet Bop for Trombone Duet
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2 Trombones (duo)
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INTERMÉDIAIRE
#
David McKeown
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The Easter Bonnet Bop for Trom
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David McKeown
#
SheetMusicPlus
Trombone Duet Trombone - Level 3 - SKU: A0.591396 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score. 3 pages. David McKeown #6293681. Publis...
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Trombone Duet Trombone - Level 3 - SKU: A0.591396 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score. 3 pages. David McKeown #6293681. Published by David McKeown (A0.591396). The Easter Bonnet Bop is a fun and original duet written by David McKeown for two Trombones. The Easter Bonnet Bop is one in a series of ten Easter-themed duets each written in a different American dance style. The origins of the word Bop lie in the scat language of the ‘40s; Bop quickly became associated with the fast Bebop jazz of the period as musicians vocalised the offbeat rhythms of their angular melodies. Later in the ‘50s when Rockabilly and Rock’n’Roll first appeared, Bop was used to describe both the dance moves and the dance venues themselves. The Easter Bonnet Bop is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo and syncopated rhythms and accidentals. With a playing-time of around one and a half minutes, The Easter Bonnet Bop is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99 ≈
2.80€
Dimensión [trombone octet]
Dimensión [trombone octet]
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Ensemble de Trombones
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Juan María Solare
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Dimensión [trombone octet]
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Juan Maria Solare
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SheetMusicPlus
Trombone, trombone octet - Advanced Intermediate - Composed by Juan María Solare. Contemporary Classical, Neo-Classical, Latin Jazz, Repertoi...
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Trombone, trombone octet - Advanced Intermediate - Composed by Juan María Solare. Contemporary Classical, Neo-Classical, Latin Jazz, Repertoire, Latin. Score, Set of Parts. 32 pages. Published by Juan Maria Solare
Dimensión is a tango that wascomposed based on two simple piano pieces destined to young pianists: the firsttheme is "Langostango" andthe second one "Continuando".When joining to build up "Dimensión",additional elements came into the game, such as an important secondary melodyand a few transitions.
Dimensión is therefore a clearexample of a successful composition: a couple of good ideas and a lot of workto achieve that nobody notices how much work lies behind it.
About the title, it obeys to my (slightly excessive) concerntowards finding names that can be understood in any language of the places Iusually am related to (i.e. in Spanish, English and German). In the case of "dimensión"it is a transparent word, understandingas such the words that are practically identical in any language while keepingtheir meaning (there exist words that are quite similar in different languages,but mean different things, in Linguistics these are called false friends.) Among my titles one finds several of such transparent words.
In September 2002 I began to conductthe Orquesta No Típica at theUniversity of Bremen, Germany, a chamber group of variable instrumentationdevoted to tango music. Dimensión wasthe first piece that I composed especially for this group, in January /February 2003. The original version of Dimensiónis therefore for Sextet: flute, clarinet, violin, guitar, bass,piano.
Sincethat first version (performed several times in Germany and Argentina) I wrote along dozen of arrangements for different instrumental groups.
Dimensión for trombone octet: https://www.youtube.com/watch?v=Q8Uq4_PSlPI
$10.00 ≈
9.36€
Jazz, The Language of Music - for Trombone
Jazz, The Language of Music - for Trombone
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Trombone
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Methodes Etudes
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Methodes
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Tony Benade
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Jazz, The Language of Music -
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Tony Benade
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SheetMusicPlus
Composed by Tony Benade. Jazz, Method, Etudes and Exercises. 192 pages. Published by Tony Benade (S0.348313). - - Jazz,Method,Etudes and Exercises - Tony Benad...
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Composed by Tony Benade. Jazz, Method, Etudes and Exercises. 192 pages. Published by Tony Benade (S0.348313). - - Jazz,Method,Etudes and Exercises - Tony Benade
$45.00 ≈
42.11€
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Jazz
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Silvano A
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Introduction, Theme and Variat
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Soundnotation
#
SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95 ≈
13.05€
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Jazz
#
Silvano A
#
Introduction, Theme and Variat
#
Soundnotation
#
SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95 ≈
13.05€
The Easter Bonnet Bop for Trumpet and Trombone Duet
The Easter Bonnet Bop for Trumpet and Trombone Duet
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Trompette, Trombone (duo)
#
INTERMÉDIAIRE
#
David McKeown
#
The Easter Bonnet Bop for Trum
#
David McKeown
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.591401 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score and parts....
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.591401 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score and parts. 3 pages. David McKeown #6293693. Published by David McKeown (A0.591401). The Easter Bonnet Bop is a fun and original duet written by David McKeown for one Trumpet and one Trombone. The Easter Bonnet Bop is one in a series of ten Easter-themed duets each written in a different American dance style. The origins of the word Bop lie in the scat language of the ‘40s; Bop quickly became associated with the fast Bebop jazz of the period as musicians vocalised the offbeat rhythms of their angular melodies. Later in the ‘50s when Rockabilly and Rock’n’Roll first appeared, Bop was used to describe both the dance moves and the dance venues themselves. The Easter Bonnet Bop is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo and syncopated rhythms and accidentals. With a playing-time of around one and a half minutes, The Easter Bonnet Bop is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99 ≈
2.80€
Love, Trombone Duet
Love, Trombone Duet
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2 Trombones (duo)
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INTERMÉDIAIRE
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David McKeown
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Love, Trombone Duet
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David McKeown
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SheetMusicPlus
Trombone Duet Trombone - Level 3 - SKU: A0.590607 Composed by David McKeown. Broadway,Holiday,Love,Musical/Show,Wedding. Score. 4 pages. David McKeown #...
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Trombone Duet Trombone - Level 3 - SKU: A0.590607 Composed by David McKeown. Broadway,Holiday,Love,Musical/Show,Wedding. Score. 4 pages. David McKeown #6216887. Published by David McKeown (A0.590607). Love is a beautiful original composition by David McKeown, arranged as a duet for two Trombones, and is one of series of pieces celebrating Love in different languages around the world.This duet is inspired by the songs from the great American Songbook. Musical theatre on Broadway reached its heyday in the ‘30s and ‘40s with composers such as George Gershwin and Cole Porter writing regular new shows. This period coincided with the jazz and swing era; as well as countless instrumental interpretations, singers such as Frank Sinatra and Ella Fitzgerald brought these songs to new audiences outside the theatre. They remain popular today, providing a soundtrack for every romantic occasion, and Love aims to capture the melody, form and spirit of these timeless songs.Love is written for players at an intermediate standard and upwards. Expressive throughout, after the rubato preamble, the song is a classic 32 bar AABA structure. Love has a performance time of around three minutes and a half minutes. Click the link above to listen to a full YouTube performance the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
3.73€
Love, Trumpet and Trombone Duet
Love, Trumpet and Trombone Duet
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Trompette, Trombone (duo)
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INTERMÉDIAIRE
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David McKeown
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Love, Trumpet and Trombone Due
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.590612 Composed by David McKeown. Broadway,Holiday,Love,Musical/Show,Wedding. S...
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.590612 Composed by David McKeown. Broadway,Holiday,Love,Musical/Show,Wedding. Score and parts. 4 pages. David McKeown #6216897. Published by David McKeown (A0.590612). Love is a beautiful original composition by David McKeown, arranged as a duet for one Trumpet and one Trombone, and is one of series of pieces celebrating Love in different languages around the world.This duet is inspired by the songs from the great American Songbook. Musical theatre on Broadway reached its heyday in the ‘30s and ‘40s with composers such as George Gershwin and Cole Porter writing regular new shows. This period coincided with the jazz and swing era; as well as countless instrumental interpretations, singers such as Frank Sinatra and Ella Fitzgerald brought these songs to new audiences outside the theatre. They remain popular today, providing a soundtrack for every romantic occasion, and Love aims to capture the melody, form and spirit of these timeless songs.Love is written for players at an intermediate standard and upwards. Expressive throughout, after the rubato preamble, the song is a classic 32 bar AABA structure. Love has a performance time of around three minutes and a half minutes. Click the link above to listen to a full YouTube performance the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
3.73€
Common Chord Changes of Jazz Standards for Trombone
Common Chord Changes of Jazz Standards for Trombone
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Trombone
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INTERMÉDIAIRE/AVANCÉ
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Tony Benade
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Common Chord Changes of Jazz S
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Tony Benade
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SheetMusicPlus
Trombone Solo - Level 4 - SKU: A0.809098 Composed by Tony Benade. Instructional,Jazz. Individual part. 56 pages. Tony Benade #3480703. Published by Tony...
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Trombone Solo - Level 4 - SKU: A0.809098 Composed by Tony Benade. Instructional,Jazz. Individual part. 56 pages. Tony Benade #3480703. Published by Tony Benade (A0.809098). The Common Chord Progressions of Jazz Standards is part two of the study, Jazz, The Language of Music. Once a student has mastered their basic mechanics of the scales, chords and chord functions, it becomes important to become familiar with the normal chord progressions that are used in many of the jazz standards. There are many chord patterns that are repeated over and over again. Being able to recognize them quickly in any key becomes a very valuable tool.
$24.95 ≈
23.35€
Developing Jazz Phrases for Trombone
Developing Jazz Phrases for Trombone
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Trombone
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INTERMÉDIAIRE/AVANCÉ
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Tony Benade
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Developing Jazz Phrases for Tr
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Tony Benade
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SheetMusicPlus
Trombone Solo - Level 4 - SKU: A0.809102 Composed by Tony Benade. Instructional,Jazz. Individual part. 71 pages. Tony Benade #3480715. Published by Tony...
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Trombone Solo - Level 4 - SKU: A0.809102 Composed by Tony Benade. Instructional,Jazz. Individual part. 71 pages. Tony Benade #3480715. Published by Tony Benade (A0.809102). Creating Jazz Phrases is the third part of the study, Jazz, The Language of Music. It illustrates how one can develop their own phrases in jazz. Most student musicians have been taught to transcribe recordings of their favorite players.This is a very good way to start but eventually one must learn to create their own licks so as not to become repetitive and imitative in their performance. Creating your own phrases can become very rewarding and will be the key to developing your own style of improvisation.
$24.95 ≈
23.35€
Self-Reflection
Self-Reflection
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2 Trombones (duo)
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FACILE
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Marcos Fernandez-Barrero
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Self-Reflection
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Marcos Fernandez-Barrero
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SheetMusicPlus
Trombone Duet Trombone - Level 2 - SKU: A0.1287890 Composed by Marcos Fernandez-Barrero. 21st Century,Chamber,Classical,Contemporary,Film/TV. Score. 12 ...
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Trombone Duet Trombone - Level 2 - SKU: A0.1287890 Composed by Marcos Fernandez-Barrero. 21st Century,Chamber,Classical,Contemporary,Film/TV. Score. 12 pages. Marcos Fernandez-Barrero #878977. Published by Marcos Fernandez-Barrero (A0.1287890). Written for the pupils of the chamber music course at the Conservatoire of Barcelona (Conservatori Municipal de Música de Barcelona). The work evokes the several steps experienced in the process of self-reflecting, where one looks inward and examines his own emotional responses and behaviours to a given input, idea, decision, thought, etc.The scoring challenges both performers to interact to each other and negotiate the musical material; sometimes by passing the main thematic ideas on to each other, other times by build it together and other times to influence and alter each other. All of it so both sound sources melt into one single musical discourse which evolves and transforms every so often, as if mimicking the multiple decisions and thoughts one can take during a self-reflecting process.The motivation behind the composition of this work lies in the need to offer a repertoire with the demands and challenges present in the repertoire used in exam boards and conservatories but with a modern use of harmony and melody such as the one we can hear on television or in the cinema. So the harmonic language, the form, the compositional techniques and the use of rhythm, melody and articulation in this work presents a blend a current style present in American film music, television, musicals, Jazz or minimalism (with influences from composers such as Ludovico Einaudi, Yann Tiersen, John Williams, Michael Nyman, or Hans Zimmer) with the type of writing, thematic treatment, piano technique and musical form found in the classical chamber music repertoire. Approximate duration: 3 mins.Written in Barcelona on April 2023.
$5.95 ≈
5.57€
"Rejoice Greatly, o my Soul" for Brass Quintet
"Rejoice Greatly, o my Soul" for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Louis Bourgeois
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Cristiano Vecchi
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"Rejoice Greatly, o my So
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Cristiano Vecchi
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.963303 Composed by Louis Bourgeois. Arranged by Cristiano Vecchi. Contemporary,Instructional,Jazz,Sacred,Standards. S...
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Brass Ensemble - Level 3 - SKU: A0.963303 Composed by Louis Bourgeois. Arranged by Cristiano Vecchi. Contemporary,Instructional,Jazz,Sacred,Standards. Score and parts. 8 pages. Cristiano Vecchi #4737029. Published by Cristiano Vecchi (A0.963303). A completely brand new remake of this famous Choral, several times arranged by J.S.Bach.The musical language uses jazz chords and scales, but also takes the lesson from the Neo-Classical music (Stravinsky, Hindemith, Honegger, Milhaud).
$3.99 ≈
3.73€
Summertime Solos & Famous Jazz Songs - Treble Clef Concert Pitch with Piano Accompaniment
Summertime Solos & Famous Jazz Songs - Treble Clef Concert Pitch with Piano Accompaniment
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Accompagnement Piano
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INTERMÉDIAIRE
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Various, Public Domain
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Adam Hutchins
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Summertime Solos & Famous
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Adam Hutchins Ltd
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SheetMusicPlus
Large Ensemble Flute,Guitar,Marimba,Multi-Percussion,Recorder,Trombone,Vibraphone,Viola,Violin,Xylophone - Level 3 - SKU: A0.942496 Composed by Various,...
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Large Ensemble Flute,Guitar,Marimba,Multi-Percussion,Recorder,Trombone,Vibraphone,Viola,Violin,Xylophone - Level 3 - SKU: A0.942496 Composed by Various, Public Domain. Arranged by Adam Hutchins. 20th Century,Blues,Jazz,World. Score and parts. 51 pages. Adam Hutchins Ltd #6168601. Published by Adam Hutchins Ltd (A0.942496). Step into the language of these jazz classics with some great solos over the chords and some well known themes. Expand your musical vocabulary and enjoy being able to solo. Why not have a go at developing your own ideas too?Suitable for intermediate to advanced players.Summertime (solo)It Had To Be You (theme & solo)Avalon (theme & solo)When The Saints Go Marching In (theme & solo)Fly Me To The Moon (solo)Blues For Big Al (theme & solo)Billy Bailey Won’t You Please Come Home (theme & solo)Tea For Two (theme & Solo)
$9.99 ≈
9.35€
Summertime Solos & Famous Jazz Songs - Bb Treble Clef with piano accompaniment
Summertime Solos & Famous Jazz Songs - Bb Treble Clef with piano accompaniment
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Accompagnement Piano
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INTERMÉDIAIRE/AVANCÉ
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Adam Hutchins Ltd
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Summertime Solos & Famous
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Adam Hutchins Ltd
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SheetMusicPlus
Small Ensemble Baritone Saxophone,Euphonium,Tenor Saxophone,Trombone,Trumpet - Level 4 - SKU: A0.942493 Arranged by Adam Hutchins Ltd. 20th Century,Blue...
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Small Ensemble Baritone Saxophone,Euphonium,Tenor Saxophone,Trombone,Trumpet - Level 4 - SKU: A0.942493 Arranged by Adam Hutchins Ltd. 20th Century,Blues,Jazz,World. Score and parts. 49 pages. Adam Hutchins Ltd #6168605. Published by Adam Hutchins Ltd (A0.942493). Step into the language of these jazz classics with some great solos over the chords and some well known themes. Expand your musical vocabulary and enjoy being able to solo. Why not have a go at developing your own ideas too?Suitable for intermediate to advanced players.Summertime (solo)It Had To Be You (theme & solo)Avalon (theme & solo)When The Saints Go Marching In (theme & solo)Fly Me To The Moon (solo)Blues For Big Al (theme & solo)Billy Bailey Won’t You Please Come Home (theme & solo)Tea For Two (theme & Solo)
$12.99 ≈
12.16€
Dixieland delights - 10 jazz etudes - Bb instruments
Dixieland delights - 10 jazz etudes - Bb instruments
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Instruments en Sib
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INTERMÉDIAIRE
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Jazz
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Methodes Etudes
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Darren Lloyd
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Dixieland delights - 10 jazz e
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Darren Lloyd
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SheetMusicPlus
Composed by Darren Lloyd. Instructional, Jazz. Score and parts. 22 pages. Darren Lloyd #5373145. Published by Darren Lloyd...
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Composed by Darren Lloyd. Instructional, Jazz. Score and parts. 22 pages. Darren Lloyd #5373145. Published by Darren Lloyd
Dixieland delights features 10 popular numbers from this fantastic period of music. The etudes include - Ain't misbehaving, All of me, Big Butter & Egg man, I can't give you anything but love, Just a closer walk with thee, Stardust, Struttin' with some babecue, The Sehik of Araby, When the Saints go marching in & When you're smiling! All the etudes have 2 choruses except Stardust, which has 1, When the Saints and Just a closer walk with thee have 4. Although the etudes are written over the chord changes of Dixieland classics, the etude itself is written to challenge intermediate players, using a good variety of jazz language. This book would suit Bb Trumpet, Clarinet, Treble clef Trombone, Soprano sax & Tenor sax (may need to transpose small sections into a more comforstble playeying range). Check out www.jazzetudes.net.
$9.99 ≈
9.35€
New Blue Shoes
New Blue Shoes
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Ensemble Jazz
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FACILE
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Brad Esbensen
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Brad Esbensen
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New Blue Shoes
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Brad Esbensen Music Services
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 2 - SKU: A0.774330 Composed by Brad Esbensen. Arranged by Brad Esbensen. Blues,Jazz. Score and Parts. 78 pages. Brad...
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Jazz Ensemble Jazz Ensemble - Level 2 - SKU: A0.774330 Composed by Brad Esbensen. Arranged by Brad Esbensen. Blues,Jazz. Score and Parts. 78 pages. Brad Esbensen Music Services #3366933. Published by Brad Esbensen Music Services (A0.774330). NEW BLUE SHOES is an original composition for big band and featured as a set piece for the 2003 Australian Academy Festival of Music C Grade Jazz Ensemble division. This arrangement will work equally with a reduced ensemble, as indicated on title page of the score. The arrangement begins with a unison statement of the head from the trumpet section with the sax section taking it up later in the arrangement. Rhythm section parts are fully notated to assist younger players. There is solo space for any trumpet, trombone, and sax with changes and written solos included on every part in the appropriate section of the arrangement. Use this space to feature soloists in the group and encourage all to try their hand at improvising. Encourage students to listen to the great jazz players to help them learn the language of jazz and develop their own ideas. Sheets containing suggested guitar chord shapes chart are also included. www.bemus.com
$60.00 ≈
56.15€
Dark Eyes (Les Yeux Noirs)
Dark Eyes (Les Yeux Noirs)
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Traditional
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Dan Jones www
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A
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Dark Eyes
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DanJonesGuitarist
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SheetMusicPlus
Large Ensemble Alto Saxophone,Bass Guitar,Cello,Clarinet,Double Bass,Flute,Hand Percussion,Piano,Tenor Saxophone,Trumpet,Ukulele,Violin - Level 1 - SKU: A0....
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Large Ensemble Alto Saxophone,Bass Guitar,Cello,Clarinet,Double Bass,Flute,Hand Percussion,Piano,Tenor Saxophone,Trumpet,Ukulele,Violin - Level 1 - SKU: A0.851210 Composed by Traditional (Russia). Arranged by Dan Jones www.danjonesguitarist.com. Folk,Instructional,World. Score and parts. 20 pages. DanJonesGuitarist #6688129. Published by DanJonesGuitarist (A0.851210). Dark Eyes (Les Yeux Noirs) Arranged for Easy Classroom Ensemble by Dan JonesYour download includes a full score and all parts in notes and, for guitar/ukulele and bass, chords and TAB. There is some debate as to whether the tune to Dark Eyes (Les Yeux Noirs) is a traditional melody, or a Russian cabaret song. Whichever the case, it is a tune which has captured the imagination of musicians for many years. It was made famous in the 20th Century by the great Belgian jazz guitarist Django Reinhardt. Several sets of lyrics have also been added to the tune, in many languages. The instrumentation is:(1) The melody for C instruments (such as flute)(2) An easy part for C instruments(3) The same melody for B flat instruments(4) The same easy part for B flat instruments(5) The same melody for E flat instruments(6) A similar easy part for E flat instruments(7) A single-line percussion part(8) A piano part which could be played by a pupil (approximately ABRSM Grade 3) or teacher(9) A ukulele part with chords, the melody and TAB(10) A guitar part with chords, the melody and TAB(11) A bass part in notes and TAB. This part could also be played by a cello, bassoon, trombone or any low-range instrument(12) The melody written in a higher octave for more-advanced players (approx. ABRSM Grade 3-4).In the absence of some of the above, the arrangement is still effective due to the doubling of the melody and all inner parts. The bass part can also be omitted as the piano plays appropriate root notes, and the guitar plays chords. There is complete flexibility according to the resources at your disposal.A YouTube video with a demonstration video and audio track will be available at www.danjonesguitarist.com and on YouTube. The link will be published at sheetmusicplus.com soon.I hope that you find this arrangement useful. If you have suggestions for other pieces and melodies, please do contact me at www.danjonesguitarist.com.
$9.95 ≈
9.31€
It Don't Mean A Thing (If It Ain't Got That Swing)
It Don't Mean A Thing (If It Ain't Got That Swing)
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Ensemble Jazz
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INTERMÉDIAIRE
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Jazz
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Duke Ellington
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Joseph Hasper
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It Don't Mean A Thing
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Joseph Hasper
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.734676 By Duke Ellington. By Duke Ellington and Irving Mills. Arranged by Joseph Hasper. Jazz. Score and...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.734676 By Duke Ellington. By Duke Ellington and Irving Mills. Arranged by Joseph Hasper. Jazz. Score and parts. 34 pages. Joseph Hasper #2059795. Published by Joseph Hasper (A0.734676). Jazz combo arrangement for Trumpet, Alto Sax, Trombone and Rhythm Section (Guitar, Piano, Bass, and Drums). Comes with alternate or substitute parts so that you can use another Trumpet (or Clarinet) in place of Alto Sax, or Tenor Sax in place of Trombone. Includes a full score and all parts. It Don't Mean a Thing (If It Ain't Got That Swing) is a 1931 Duke Ellington composition now accepted as a jazz standard. The music was written and arranged by Ellington in August 1931 during intermissions at Chicago's Lincoln Tavern and was first recorded by Ellington and his orchestra on February 2, 1932. The song became famous, Ellington wrote, as the expression of a sentiment which prevailed among jazz musicians at the time. Probably the first song to use the phrase swing in the title, it introduced the term into everyday language and presaged the swing era by three years. The Ellington band played the song continually over the years and recorded it numerous times, most often with trumpeter Ray Nance as vocalist.
$12.99 ≈
12.16€
Desafinado
Desafinado
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Trombone
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Jazz
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Antonio Carlos Jobim and Newto
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Leo Silva
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Desafinado
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MP Sheet Music
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SheetMusicPlus
Trombone Solo - SKU: A0.494117 Composed by Antonio Carlos Jobim and Newton Mendonça. Arranged by Leo Silva. Jazz. Individual part. 3 pages. Published...
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Trombone Solo - SKU: A0.494117 Composed by Antonio Carlos Jobim and Newton Mendonça. Arranged by Leo Silva. Jazz. Individual part. 3 pages. Published by MP Sheet Music (A0.494117). Desafinado is a Bossa Nova song written by Antônio Carlos Jobim and Newton Mendonça recorded on November 10, 1958, at Estúdios Odeon, in Rio de Janeiro. It is considered one of the songs that best defines the genre. The song is a response to criticism at the time, which considered bossa nova as music for out-of-tune singers. It was later recorded by several artists, including Herb Alpert, Nara Leão, Ella Fitzgerald and Stan Getz who, in 1963, won the Grammy for Best Jazz Performance by a Soloist or Small Group for the song. Two English language adaptations of the song were made: Slightly Out of Tune by Jon Hendricks and Off Key by Gene Lees. The song appears on the Showtime series Dexter in its 8th season.
$5.10 ≈
4.77€
Vocalise no 2
Vocalise no 2
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Antonio d'Amato
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Vocalise no 2
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Forton Music - Digital
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SheetMusicPlus
Tbn. Pft - SKU: F2.FM426 Composed by Antonio d'Amato. A short atmospheric piece for trombone and piano. Score and part. 11 pages. Forton Music - Digital...
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Tbn. Pft - SKU: F2.FM426 Composed by Antonio d'Amato. A short atmospheric piece for trombone and piano. Score and part. 11 pages. Forton Music - Digital #FM426. Published by Forton Music - Digital (F2.FM426). ISBN 9790570483259.A warm and soft atmosphere pervades the piece. The tempo marking - Molto moderato, con liberta e sempre espressivo (very moderate, freely and expressively throughout) favours the effective partnering of soaring melodies of an improvised character in the solo part with the settled and unsettled rhythms and harmonic textures featured in the piano part. The style combines a classical language with the mood of jazz harmonies.
$7.95 ≈
7.44€
Desafinado
Desafinado
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Jazz
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Antonio Carlos Jobim and Newto
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Rubinho
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Desafinado
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Rubinho
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SheetMusicPlus
Small Ensemble B-Flat Clarinet,Double Bass,Flugelhorn,Flute,Piano Accompaniment,Tenor Trombone - SKU: A0.502935 Composed by Antonio Carlos Jobim and New...
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Small Ensemble B-Flat Clarinet,Double Bass,Flugelhorn,Flute,Piano Accompaniment,Tenor Trombone - SKU: A0.502935 Composed by Antonio Carlos Jobim and Newton Mendonça. Arranged by Rubinho. Jazz,Standards. Score and parts. 40 pages. Published by Rubinho (A0.502935). Desafinado is a bossa nova song composed by Antônio Carlos Jobim (Tom Jobim) and Newton Mendonça and recorded by João Gilberto on November 10, 1958, at Estúdios Odeon , in Rio de Janeiro . The song would be released in February 1959 as a single by the EMI-Odeon record label and included on their debut album, Chega de Saudade , released in the second week of March of that year. It is considered one of the seminal songs in the musical style and one that best defines the genre. The song is a response to criticism at the time, which considered bossa nova as music for out-of-tune singers. The song was later recorded by several artists, including Antônio Carlos Jobim , Herb Alpert , Nara Leão , Ella Fitzgerald and Stan Getz who, in 1963, won the Grammy for Best Jazz Performance by a Soloist or Small Group for the song. Two English-language adaptations of the song were performed: Slightly Out of Tune by Jon Hendricks and Off Key by Gene Lees. This arrangment is for 01 Flute, 01 Bb Clarinet, 01 Flugelhorn, 01 Trombone, Accompaniment Chords and Acoustic Bass.
$14.00 ≈
13.10€
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Jazz, The Language of Music for Trombone
