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Vous avez sélectionné:
Jazz Scales for Bass
Partitions à imprimer
107 partitions trouvées
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101
Three Fun Scales for Bassoon and Piano
Three Fun Scales for Bassoon and Piano
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Basson, Piano (duo)
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FACILE
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David F Golightly
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Three Fun Scales for Bassoon a
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Modrana Music Publishers Ltd
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SheetMusicPlus
Bassoon,Piano - Level 2 - SKU: A0.966307 Composed by David F Golightly. Contemporary,Jazz. Score and part. 21 pages. Modrana Music Publishers Ltd #30528...
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Bassoon,Piano - Level 2 - SKU: A0.966307 Composed by David F Golightly. Contemporary,Jazz. Score and part. 21 pages. Modrana Music Publishers Ltd #3052879. Published by Modrana Music Publishers Ltd (A0.966307). Three fun scale pieces for Bassoon and piano. Desperate to get your student to practice scales then these pieces are just for you. Jazz rhythms make the scales interesting and enjoyable. Scales F, G and B flat, majors. These are delightful short pieces designed to make scale practice fun. Very popular pieces that are also musical and very well received in performance. Students simply do not realise they are practicing scales.
$8.00 ≈
7.37€
Scale Studies for Bass
Scale Studies for Bass
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Basse electrique
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Jazz
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Dino M Monoxelos
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Scale Studies for Bass
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Electric bass guitar - Beginning-Intermediate - SKU: M0.20610EB Major Scales and Arpeggios. Composed by Dino M Monoxelos. Jazz. All styles. E-boo...
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Electric bass guitar - Beginning-Intermediate - SKU: M0.20610EB Major Scales and Arpeggios. Composed by Dino M Monoxelos. Jazz. All styles. E-book. Mel Bay Publications - Digital Sheet Music #20610EB. Published by Mel Bay Publications - Digital Sheet Music (M0.20610EB). ISBN 9781609745202. 8.75x11.75 inches.This is the first of a series of books from Dino Monoxelos. He developed this book after years of teaching the importance of learning arpeggios and scales in all twelve keys to his students. This of course is only one facet of being a great bass player but, knowing your scales and arpeggios is one of the keys to developing new and creative bass lines. Whether you are a student of jazz, or a full on heavy metal monster, this book will help you to learn some of the arpeggios and scales that are important elements in writing great bass lines and great bass solos. This book will take you through, step by step, how to learn, and then practice your major scales and arpeggios in one octave, two octaves and how to connect them up and down your fingerboard.
$12.99 ≈
11.96€
RACONTEUR (The Storyteller) - Bass & Drum Set
RACONTEUR (The Storyteller) - Bass & Drum Set
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Ensemble Jazz
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INTERMÉDIAIRE
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Christopher Burnett
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RACONTEUR
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BurnettPublishing.COM
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.954004 Composed by Christopher Burnett. Jazz,Rock,Standards. Score and parts. 3 pages. BurnettPublishing...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.954004 Composed by Christopher Burnett. Jazz,Rock,Standards. Score and parts. 3 pages. BurnettPublishing.COM #3457557. Published by BurnettPublishing.COM (A0.954004). RACONTEUR (The Storyteller)A unique jazz-rock ballad for concerts and contests. Includes flute, flugelhorn and tuba players. Suitable for programming by both student and professional ensembles.RACONTEUR (The Storyteller) is a modern jazz-rock ballad composition written and arranged for a modified large jazz ensemble instrumentation. Parts for C Flute and Tuba are scored to add those unique timbres to the ensemble sound.Rather than feature a single instrument, the melody is purposely distributed throughout the ensemble. However, the musical focal point of the piece is intended to be the featured improvisation solo space provided for Bb Tenor Saxophone 1. Since each improvisation is original and unique, the music should retain a newness with each performance. A theory sheet is also provided for less experienced improvisers to enhance soloist creativity within the intended harmonic context.Scored for groups performing at the medium level (grade 2.5 - 3.0), the unique chord progression provides the soloist with myriad possibilities from which to construct improvisational melodies. Improvisation is a key element of jazz music. Thus, this improvised solo will also inherently impact the level and quality of the entire sound of each ensemble performance.Brass ranges are purposely kept very reasonable. Piano part includes through-composed material along with written chord voicings. Bass & Drum Set Guide share the same part in an effort to encourage the two players to interact rhythmically to enhance the jazz-rock groove feel of the piece. Rhythm section parts are annotated with chord symbols. Mockup available.ABOUT THE COMPOSERChristopher Burnett (b. 1955) is a critically acclaimed alto saxophonist, educator, leader, and composer who began his professional career with military jazz bands going pro directly upon graduating high school at 18 years old. Over the course of a forty plus year career, Mr. Burnett has performed professionally around the world, recorded noteworthy albums as a leader, taught at the college-level and co-founded a significant independent recording label, Artists Recording Collective. A writer-affiliate and composer since 1984, Mr. Burnett has over 60 registered works in his Broadcast Music, Inc. (BMI) catalog. He is also the 1995 Parade of American Music 5-Star Award of Merit Winner of the National Federation of Music Clubs as a Composer. Current publications include Major Tetrachords for Band – Mastering Scales – Part 1 (Sheet Music Plus/Hal Leonard), Harmonic Minor Scale and Jazz – Applying jazz theory to the ii-V-i progression in any minor key (Sheet Music Plus/Hal Leonard) and Villages, BMI Work #25869956 – Jazz Ensemble Score and Parts Bundle (Sheet Music Plus/Hal Leonard). See: BurnettPublishing.com
$3.99 ≈
3.67€
"Rejoice Greatly, o my Soul" for Bassoon Quintet
"Rejoice Greatly, o my Soul" for Bassoon Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Louis Bourgeois
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Cristiano Vecchi
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"Rejoice Greatly, o my So
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Cristiano Vecchi
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.963334 Composed by Louis Bourgeois. Arranged by Cristiano Vecchi. Contemporary,Instructional,Jazz...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.963334 Composed by Louis Bourgeois. Arranged by Cristiano Vecchi. Contemporary,Instructional,Jazz,Sacred,Standards. 9 pages. Cristiano Vecchi #4792663. Published by Cristiano Vecchi (A0.963334). A completely brand new remake of this famous Choral, several times arranged by J.S.Bach.The musical language uses jazz chords and scales, but also takes the lesson from the Neo-Classical music (Stravinsky, Hindemith, Honegger, Milhaud). SCORE and PARTS for four Bassoons & Contrabassoon (the 1st Bassoon can be substitued by an English Horn, part included).Also available for Double Reed Quintet, Brass Quintet, Flute Quintet, Woodwind Quintet, Saxophone Quintet, Clarinet Quintet.
$3.99 ≈
3.67€
Exercises for Developing Jazz Improvisation Vol II Bass Clef Version
Exercises for Developing Jazz Improvisation Vol II Bass Clef Version
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Bass Clef Instruments
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INTERMÉDIAIRE
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Methodes
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Mat Sibley
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Exercises for Developing Jazz
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Mat Sibley
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SheetMusicPlus
Composed by Mat Sibley. Jazz, Method, Etudes and Exercises, General Instructional, Technique Training. Individual Part, Lead Sheet, Sheet Music Single...
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Composed by Mat Sibley. Jazz, Method, Etudes and Exercises, General Instructional, Technique Training. Individual Part, Lead Sheet, Sheet Music Single, Solo Part. 18 pages. Published by Mat Sibley
Exercises for Developing Jazz Improvisation Volume II
This method book covers a further 2 techniques to help the developing jazz player expand their jazz skills. These can also be purchased individually:
Examining Diminished Scales
This section looks at Whole/Half and Half/Whole step diminished scales. It includes ascending/descending broken chord exercises plus scale patterns for both Whole/Half and Half/Whole step diminished scales. There are also 2 written sample solos with audio demonstration and backing tracks to accompany the exercises.
Triad Pairs and Hexatonic Scales
This section focuses on 4 common triad pairs and their related hexatonic scales - 2 major triads a whole step apart, 2 major triads a tritone apart, major/augmented triads a whole step apart and 2 minor triads a whole step apart. There are exercises and patterns for each triad pair/hexatonic scale plus suggested chord applications for each. There are also 2 written sample solos with audio demonstration and backing tracks to accompany the practice exercises and sample solos.
Although originally created for sax students, all books have now been adapted for C, Bb, Eb and Bass Clef instruments.
$14.99 ≈
13.80€
Exercises for Developing Jazz Improvisation Bass Clef Version
Exercises for Developing Jazz Improvisation Bass Clef Version
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Bass Clef Instruments
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INTERMÉDIAIRE
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Jazz
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Mat Sibley
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Exercises for Developing Jazz
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Mat Sibley
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SheetMusicPlus
Composed by Mat Sibley. Jazz, Swing. Individual Part. 14 pages. Published by Mat Sibley...
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Composed by Mat Sibley. Jazz, Swing. Individual Part. 14 pages. Published by Mat Sibley
Exercises for Developing Jazz Improvisation
This method book covers some improvisation techniques to help the developing jazz player expand their jazz skills. It can be broken down into 3 sections:
Introducing Bebop Scales
This section introduces you to the 3 main bebop scales relating to major, minor and dominant 7th chords. It relates each scale to chord tones, moves melodic shapes through each scale type as well as giving you a few sample ?licks? to get started. There are also 2 written sample solos using these techniques with audio demonstration and backing tracks to accompany the practice exercises and sample solos.
Pentatonic Scales
This section explores 5 pentatonic scale types - major, b6, b3, minor and b4. There are 4 basic patterns which are then adapted for each scale type along with a list of suggested scale/chord applications. There are also 2 written sample solos using these techniques with audio demonstration and backing tracks to accompany the practice exercises and sample solos. .
Approach Notes and Enclosure
This section covers 2 note, 3 note and 4 note approach notes and enclosures. Each note grouping is written in all 12 keys ready to practice around the circle of 5ths. There are also 2 written sample solos using these techniques with audio demonstration and backing tracks to accompany the practice exercises and sample solos.
Although originally created for sax students, the book has now been adapted for all instruments and is available for C, Bb, Eb and Bass Clef instruments.
$14.99 ≈
13.80€
Popular Culture For Jazz Ensemble. from the Michael BB Quartet CD "Popular Culture"
Popular Culture For Jazz Ensemble. from the Michael BB Quartet CD "Popular Culture"
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Michael Bomier
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Popular Culture For Jazz Ensem
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Michael Butkus-Bomier
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.862526 Composed by Michael Bomier. Contemporary,Jazz,Standards. Score and parts. 58 pages. Michael Butku...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.862526 Composed by Michael Bomier. Contemporary,Jazz,Standards. Score and parts. 58 pages. Michael Butkus-Bomier #2032953. Published by Michael Butkus-Bomier (A0.862526). Popular Culture is a most interesting tune. The melody is all in 4ths, over some altered and minor chords. Each of the scales required for the improvisers is a melodic minor-derived scale, giving the whole piece an air of both openness, with the wide melodic intervals, and also a darker color, with those chords and scales in play. There are SampleSolos for the piano and 4th trumpet. Changes are included for an additional trombone solo, if desired, no sample provided. The main statement segues directly into a mixed soli that alternates tutti and mixed soli sections. Then, it's on to the blowing choruses, each with the background. No soloists will be required to play in the background, so everyone stays fresh. The melody returns, in a layered and stretto sort of way, with the final theme's second half returning to the altered voicings that are so characteristic the piece. Approx running time is one minute per chorus. Audio clip is just the piano solo, with backgrounds, so as to be able to hear those backgrounds clearly. Ranges are conservative, high and low. Rhythm section Uni-Part for bass, optional guitar, and even piano and drums if you wish, for simplicity's sake. All parts are two pages, rhythm section are three. MBB.
$20.00 ≈
18.42€
Donut Etudes vol. 3: Don’t Step in the Holes! – Bassoon Quartet
Donut Etudes vol. 3: Don’t Step in the Holes! – Bassoon Quartet
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Basson
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Bassoon Solo - Level 3 - SKU: A0.784331 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288651. Published by Slide Rid...
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Bassoon Solo - Level 3 - SKU: A0.784331 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288651. Published by Slide Ride (A0.784331). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00 ≈
4.60€
Blues for Dr. E.
Blues for Dr. E.
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Blues
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Lynn L
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Blues for Dr. E.
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Lynn L. Petersen
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1076628 Composed by Lynn L. Petersen. Blues,Jazz. Score and parts. 46 pages. Lynn L. Petersen #680757. P...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1076628 Composed by Lynn L. Petersen. Blues,Jazz. Score and parts. 46 pages. Lynn L. Petersen #680757. Published by Lynn L. Petersen (A0.1076628). This original little big band chart is a 12-bar blues with easy swing feel. It is scored for alto sax, tenor sax, baritone sax, two B-flat trumpets, trombone, guitar, piano, bass, and drums. Three alternate horn parts and separate sheets with scales for soloing are included. Piano part includes chord symbols and optional voicings. Bass part includes chord symbols and optional written walking bass part. Saxophones play the tune twice, with brass riffs added the second time. A section for open solos is included, followed by a brief six-horn soli passage and call and response between three-horn groupings.
$35.99 ≈
33.14€
Soloing for All Bass-Clef Instruments
Soloing for All Bass-Clef Instruments
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Basse electrique
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INTERMÉDIAIRE
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Jazz
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Earl Gately
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Soloing for All Bass-Clef Inst
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Electric bass guitar - Intermediate - SKU: M0.21074BCDEB A Look Inside Scales. Composed by Earl Gately. Adult Contemporary. Jazz. E-book and onli...
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Electric bass guitar - Intermediate - SKU: M0.21074BCDEB A Look Inside Scales. Composed by Earl Gately. Adult Contemporary. Jazz. E-book and online audio. Mel Bay Publications - Digital Sheet Music #21074BCDEB. Published by Mel Bay Publications - Digital Sheet Music (M0.21074BCDEB). ISBN 9781610653107. 8.75x11.75 inches.Although there are many fine scale books on the market, none of them really go INSIDE scales to explore the various intervals, harmonized scales in triads and diatonic 7ths, neighbor tones to achieve some chromaticism and how to employ multiple uses of the scales (modes) by superimposing them over the given chords to expand and color them. A variety of chord progressions, taken from various forms, are used in the Ideas for Soloing, with complete analysis. The book covers the Harmonized scales of the Major, Ascending melodic Minor and the Harmonic Minor. Also covered are the Symmetrical scales: the Half-Step/Whole-Step Diminished scale, Whole Step Half Diminished scale, Whole Tone and the Chromatic scales, plus the Major, Minor, Altered major and Blues Minor Pentatonics and the Harmonic Major III scale. Includes access to online audio.
$19.99 ≈
18.41€
Jazz Scales for Bass
Jazz Scales for Bass
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Basse electrique
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INTERMÉDIAIRE
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Jazz
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Methodes
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Corey Christiansen
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Jazz Scales for Bass
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Mel Bay Publications, Inc
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SheetMusicPlus
By Corey Christiansen. For Electric Bass Guitar. Jazz. 80 pages. Published by Mel Bay Publications, Inc ...
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By Corey Christiansen. For Electric Bass Guitar. Jazz. 80 pages. Published by Mel Bay Publications, Inc
$17.99 ≈
16.57€
TomLettle
TomLettle
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Basse electrique
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INTERMÉDIAIRE
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Jazz
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Tracy DeanMcCallum
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Tracy DeanMcCallum
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TomLettle
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Tracy Dean McCallum
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SheetMusicPlus
Bass Guitar TAB - Level 3 - SKU: A0.1475418 By Tracy DeanMcCallum. By Tracy DeanMcCallum. Arranged by Tracy DeanMcCallum. Jazz. Score. 1 pages. Tracy De...
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Bass Guitar TAB - Level 3 - SKU: A0.1475418 By Tracy DeanMcCallum. By Tracy DeanMcCallum. Arranged by Tracy DeanMcCallum. Jazz. Score. 1 pages. Tracy Dean McCallum #1052968. Published by Tracy Dean McCallum (A0.1475418). https://tracymccallum.comTom Little: A Jazzy Bass Groove Tom Little is a funky bass guitar piece built on a foundation of swinging jazz chords. It evokes a laid-back yet sophisticated feel, perfect for setting the pocket in a jazz combo or adding a touch of cool to a solo performance. The Groove: Tempo: Medium swing (around 100-120 BPM) Feel: Relaxed and laid-back, with a steady pulse in the eighth notes. Articulation: Mostly legato (smoothly connected notes) with accents on the downbeat and upbeat for a driving feel. The Chords: Tom Little utilizes a classic jazz chord progression that cycles through ii-V-I movement in a minor key. This creates a sense of anticipation and resolution, characteristic of jazz harmony. The Bassline: The bassline weaves between the root notes of the chords, outlining the harmony while adding rhythmic interest through syncopation and walking bass lines. Ghost notes can be incorporated for a subtle, percussive effect. Tom Little's Solo: (Optional) Tom Little can be expanded into a full piece with a bass solo section. Here, the bassist explores the chord changes with melodic improvisation, showcasing their knowledge of jazz scales and techniques like double stops and chromaticism. Overall Vibe: Tom Little is a versatile piece that can be enjoyed by both bassists and jazz enthusiasts. It's a great way to practice essential jazz techniques on the bass while creating a cool and catchy groove.
$5.55 ≈
5.11€
Exercises for Developing Jazz Improvisation Vol II C Version
Exercises for Developing Jazz Improvisation Vol II C Version
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Formation musicale - Solfège
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INTERMÉDIAIRE
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Mat Sibley
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Exercises for Developing Jazz
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Mat Sibley
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SheetMusicPlus
Composed by Mat Sibley. Jazz, Method, Etudes and Exercises, General Instructional, Technique Training. Individual Part, Lead Sheet, Sheet Music Single...
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Composed by Mat Sibley. Jazz, Method, Etudes and Exercises, General Instructional, Technique Training. Individual Part, Lead Sheet, Sheet Music Single, Solo Part. 18 pages. Published by Mat Sibley
Exercises for Developing Jazz Improvisation Volume II
This method book covers a further 2 techniques to help the developing jazz player expand their jazz skills. These can also be purchased individually:
Examining Diminished Scales
This section looks at Whole/Half and Half/Whole step diminished scales. It includes ascending/descending broken chord exercises plus scale patterns for both Whole/Half and Half/Whole step diminished scales. There are also 2 written sample solos with audio demonstration and backing tracks to accompany the exercises.
Triad Pairs and Hexatonic Scales
This section focuses on 4 common triad pairs and their related hexatonic scales - 2 major triads a whole step apart, 2 major triads a tritone apart, major/augmented triads a whole step apart and 2 minor triads a whole step apart. There are exercises and patterns for each triad pair/hexatonic scale plus suggested chord applications for each. There are also 2 written sample solos with audio demonstration and backing tracks to accompany the practice exercises and sample solos.
Although originally created for sax students, all books have now been adapted for C, Bb, Eb and Bass Clef instruments.
$14.99 ≈
13.80€
Purpurea (Lydian Version) - Backing Track (Slow Ballad Jazz)
Purpurea (Lydian Version) - Backing Track (Slow Ballad Jazz)
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE
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Ramon Fernandes
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Purpurea
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Ramon Fernandes
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.1026387 Composed by Ramon Fernandes. Instructional,Jazz,Standards. 3 pages. Ramon Fernandes #6093...
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Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.1026387 Composed by Ramon Fernandes. Instructional,Jazz,Standards. 3 pages. Ramon Fernandes #6093535. Published by Ramon Fernandes (A0.1026387). Purpúrea is a portuguese word for a similar color to purple.I choice this name and color, because when i wrote and when i listened this backing track i felt that color in my mind.This is a simple Slow Jazz Ballad play along for you pratice your improvise at a determine progression. At the score i suggest some scales that you can use on that part whit that chord etc.You can by another version of this in: https://smppress.sheetmusicplus.com/p/manage-products/893775So, I hope you enjoy it and have a good pratice!
$1.99 ≈
1.83€
"Rejoice Greatly, o my Soul" for Wind Quintet
"Rejoice Greatly, o my Soul" for Wind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Louis Bourgeois
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Cristiano Vecchi
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"Rejoice Greatly, o my So
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Cristiano Vecchi
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.963304 Composed by Louis Bourgeois. Arranged by Cristiano Vecchi. Contemporary,Instructional,Jazz...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.963304 Composed by Louis Bourgeois. Arranged by Cristiano Vecchi. Contemporary,Instructional,Jazz,Sacred,Standards. 8 pages. Cristiano Vecchi #4737551. Published by Cristiano Vecchi (A0.963304). A completely brand new remake of this famous Choral, several times arranged by J.S.Bach.The musical language uses jazz chords and scales, but also takes the lesson from the Neo-Classical music (Stravinsky, Hindemith, Honegger, Milhaud). SCORE and PARTS.Also available for Brass Quintet.
$2.99 ≈
2.75€
8 Note Modified Minor Scale For Bass Players
8 Note Modified Minor Scale For Bass Players
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Shane McDonald
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Shane McDonald
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8 Note Modified Minor Scale Fo
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Electrafuzz
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SheetMusicPlus
Bass Voice - SKU: A0.1329201 By Shane McDonald. By Shane McDonald. Arranged by Shane McDonald. Instructional. Educational Method. 32 pages. Electrafuzz ...
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Bass Voice - SKU: A0.1329201 By Shane McDonald. By Shane McDonald. Arranged by Shane McDonald. Instructional. Educational Method. 32 pages. Electrafuzz #917135. Published by Electrafuzz (A0.1329201). THE ONE SCALE THAT COVERS IT ALL - CALLING ALL BASS PLAYERS SWIMMING IN A POOL OF SCALESWhat if I told you that there is an 8 note scale that covers most of the common chord types you will come across including Major, Minor, Dominant 7, Half Diminished and beyond - for you to incorporate into your grooves, fills and improvising. This scale idea with chromatics is designed for the bass guitar neck to fit comfortably and fluently, and to move into any position up and down the neck with ease, and without the need for crazy stretching and fingering.What I have here is an 8 note minor scale that you can incorporate into your playing. It has chromaticism and musicality and will add interest to your playing beyond just diatonic scales, pentatonics and blues scales. I started looking into this scale so as to create more interesting ideas for soloing over funk, R&B or pop tunes - but I also found I could use it in jazz too.
$9.99 ≈
9.20€
Nineteen Skeletal Duets for Trombones
Nineteen Skeletal Duets for Trombones
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2 Trombones (duo)
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FACILE
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Jazz
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Gregory Fritze
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Nineteen Skeletal Duets for Tr
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Musica Nova USA
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SheetMusicPlus
Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Individual Part, Score. 44 pages. Published ...
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Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Individual Part, Score. 44 pages. Published by Musica Nova USA
Nineteen Skeletal Duets for Trombones is a set of duets of easy to moderately difficult specifically for teachers and students in private lessons. The first 15 duets are arranged from Fifteen Safari Duets for Tubas which was composed in 1989 for playing with my tuba students at Berklee College of Music. They are at different levels of difficulty and in various styles so that we always had duets to play no matter what was the ability of the student. The additional four duets were added in 2020 for trombones for this set. The title of each duet is also a name for a bone in the human body, hence the name Skeletal Duets. There is something in each duet for students to learn: the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. Nineteen Skeletal Duets for Euphoniums are the same duets but in treble clef. Twenty-two Skeletal Duets for Hornsuses the first 19 of the trombone set with three additional duets added. Some of the trombone and horn duets are in the same key so they can be played together.
1. Cranium
This duet presents the cantabile ?singing? style as studied for playing the trombone. I find that this duet helps the student much like the melodies of Borgodni (Rochet) etudes.
2. Stirrup
This duet provides an opportunity to read basic rhythms and articulations. I find that the more advanced students can read in a faster tempo while the less skilled students work best in the slower tempos ? a common choice for all of the duets.
3. Humerus
This waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase.
4. Vertebra
This is in a ?rock? style with syncopated rhythms with cantabile melodies. Articulations are especially important in this duet.
5. Axis
Legato scales and syncopated rhythms are the features of this duet. This is a good exercise for legato playing on trombone, especially when the legato tongue is needed versus when the trombonist does not need to tongue when moving across partials.
6. Tibia
This duet alternates in rock style and swing. Articulations and manipulation of ?swing? rhythms are important.
7. Clavicle
The key of A for this duet provides variation for the students.
8. Fibula nd
This duet uses the easiest of rhythms and range, especially for the 2
9. Scapula
This duet is non-metric and uses graphic notation. This was a favorite duet of my students as many had never experienced this notation before.
10. Atlas ndThis is an Invention in the Bach style. This is probably the best duet to play when the 2 part is played by bass trombone.
(student) part.
11. Radius
This duet is in a ?Medium Swing? jazz style. Each part has a chance to play a little bit of a ?walking? bass line. Articulations and manipulation of ?swing? rhythms are important in this duet.
12. Femur
This duet works on double time and half time tempo changes.
13. Patella
This is another duet that includes graphic notation. In this duet ?Free rapid legato lines? are used.
14. Anvil
This gallop displays different types of articulation.
15. Hammer
This duet is in the style of a fanfare.
16. Rib
This duet is a melody, ?Magallon Blues?, that I originally composed when I taught at a summer music camp in Magallon, Spain. In that camp each of the students would practice playing a jazz solo. This duet also has jazz chord changes so you can add piano or guitar. The use of drums is also an added option.
17. Sacrum
This duet is a short arrangement of Mozart?s ?Eine Kleine Nachtmusic?.
18. Ulna
This duet is a short arrangement of the traditional Irish folk song ?Londonderry Air?, more commonly known as ?Danny Boy?.
19. Ilium
This duet is a short arrangement of the Beethoven?s song ?Ode to Joy? which represents the triumph of universal brotherhood against war and desperation.
Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Tuba Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally including First Prize in the 1991 TUBA Etude Contest for Twenty Characteristic Etudes for Tuba, an award from The American Prize for his Petite Suite for Brass Quintet and others. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.
His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00 ≈
18.42€
Exercises for Developing Jazz Improvisation Vol II Eb Version
Exercises for Developing Jazz Improvisation Vol II Eb Version
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Instruments en Mib
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INTERMÉDIAIRE
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Jazz
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Mat Sibley
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Exercises for Developing Jazz
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Mat Sibley
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SheetMusicPlus
Composed by Mat Sibley. Jazz, Method, Etudes and Exercises, General Instructional, Technique Training. Individual Part, Lead Sheet, Sheet Music Single...
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Composed by Mat Sibley. Jazz, Method, Etudes and Exercises, General Instructional, Technique Training. Individual Part, Lead Sheet, Sheet Music Single, Solo Part. 18 pages. Published by Mat Sibley
Exercises for Developing Jazz Improvisation Volume II
This method book covers a further 2 techniques to help the developing jazz player expand their jazz skills. These can also be purchased individually:
Examining Diminished Scales
This section looks at Whole/Half and Half/Whole step diminished scales. It includes ascending/descending broken chord exercises plus scale patterns for both Whole/Half and Half/Whole step diminished scales. There are also 2 written sample solos with audio demonstration and backing tracks to accompany the exercises.
Triad Pairs and Hexatonic Scales
This section focuses on 4 common triad pairs and their related hexatonic scales - 2 major triads a whole step apart, 2 major triads a tritone apart, major/augmented triads a whole step apart and 2 minor triads a whole step apart. There are exercises and patterns for each triad pair/hexatonic scale plus suggested chord applications for each. There are also 2 written sample solos with audio demonstration and backing tracks to accompany the practice exercises and sample solos.
Although originally created for sax students, all books have now been adapted for C, Bb, Eb and Bass Clef instruments.
$14.99 ≈
13.80€
Exercises for Developing Jazz Improvisation Vol II Bb Version
Exercises for Developing Jazz Improvisation Vol II Bb Version
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Instruments en Sib
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INTERMÉDIAIRE
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Jazz
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Mat Sibley
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Exercises for Developing Jazz
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Mat Sibley
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SheetMusicPlus
Composed by Mat Sibley. Jazz, Method, Etudes and Exercises, General Instructional, Technique Training. Individual Part, Lead Sheet, Sheet Music Single, Sol...
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Composed by Mat Sibley. Jazz, Method, Etudes and Exercises, General Instructional, Technique Training. Individual Part, Lead Sheet, Sheet Music Single, Solo Part. 18 pages. Published by Mat Sibley
Exercises for Developing Jazz Improvisation Volume II
This method book covers a further 2 techniques to help the developing jazz player expand their jazz skills. These can also be purchased individually:
Examining Diminished Scales
This section looks at Whole/Half and Half/Whole step diminished scales. It includes ascending/descending broken chord exercises plus scale patterns for both Whole/Half and Half/Whole step diminished scales. There are also 2 written sample solos with audio demonstration and backing tracks to accompany the exercises.
Triad Pairs and Hexatonic Scales
This section focuses on 4 common triad pairs and their related hexatonic scales - 2 major triads a whole step apart, 2 major triads a tritone apart, major/augmented triads a whole step apart and 2 minor triads a whole step apart. There are exercises and patterns for each triad pair/hexatonic scale plus suggested chord applications for each. There are also 2 written sample solos with audio demonstration and backing tracks to accompany the practice exercises and sample solos.
Although originally created for sax students, all books have now been adapted for C, Bb, Eb and Bass Clef instruments.
$14.99 ≈
13.80€
COMPLETE Mixed Abilities Classroom Ensemble Pack AND Christmas Pack! Mega value bundle of the whole TWO series of music for classrooms and school ensembles
COMPLETE Mixed Abilities Classroom Ensemble Pack AND Christmas Pack! Mega value bundle of the whole TWO series of music for classrooms and school ensembles
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Ensemble d'École
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FACILE
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Enfant
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Welsh trad
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COMPLETE Mixed Abilities Class
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Austin Ralphson
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SheetMusicPlus
Composed by Welsh trad., French Trad, L Mason, F. Gruber, J. Pierpont. Arranged by Austin Ralphson. Blues, Funk Jazz, Classroom, General Instructional...
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Composed by Welsh trad., French Trad, L Mason, F. Gruber, J. Pierpont. Arranged by Austin Ralphson. Blues, Funk Jazz, Classroom, General Instructional, Christmas. Score, Set of Parts. 973 pages. Published by Austin Ralphson
This pack contains over 900 pages of music for mixed ability ensembles. There are 4 original pieces and 5 Christmas pieces, as follows:
The Mixed Abilities School Ensemble Series
Children (and adults) who learn a musical instrument will always progress at different rates.Students also develop some of the many skills involved in instrumental playing faster than other skills.
The Mixed Abilities School Ensemble Series has the flexibility to allow pupils of different standards to play together in one ensemble (up to five parts). It also encourages students to develop improvisation skills by providing soloing opportunities within all parts, with suggested pitches for improvising.
Each piece has five different parts which are split into four ability levels as follows:
A ? Range of about 5 notes, easy rhythms. B ? Range of about 1 octave, basic rhythms. C ? Range of about a 12th, some more difficult rhythms. D ? Range of about 2 octaves, some rhythmic complexity.
This enables the teacher to select parts which are suitable for the standard of individual players in the group. As a general rule, the pieces have been composed as follows:
Part 1 ? melody / countermelody (alternates with Part 2)
Part 2 ? melody / countermelody (alternates with Part 1)
Part 3 ? accompaniment (synchronises with Part 4)
Part 4 ?accompaniment (synchronises with Part 3)
Part 5 ? bass line (independent)
Each part also comes in a wide array of transpositions, clefs and pitches. Hence, almost any combination of instruments can play together in an ensemble of mixed abilities,including:
Flutes, clarinets, saxophones, mixed woodwind, trumpets, mixed brass (including brass band), violins, strings, keyboards/pianos, tuned percussion.
An ensemble using any combination of instruments (as is often found within schools) will work effectively as well.
Example: A quintet might be selected as follows:
1A (violin), 2C(trumpet), 3B (clarinet), 4B (tenor sax), 5D (trombone)
The melody in 1A would be very simple but would contrast nicely when passed to the more difficult 2C. Parts 3B and 4B will have quite a simple accompaniment between them, whilst the bass line on 5D will be more complex and rhythmically interesting. Parts can obviously be doubled up as well beyond five players.
Please note that the teacher of the ensemble should be careful to pick parts which are well-suited to the players? abilities.
This pack includes all four pieces in the series (volumes 1 and 2) as follows:
BANANA BLUES is a 12-bar Blues piece
CRAZY LATIN! has additional parts for Latin percussion commonly found in the classroom
IT'S TIME FOR REGGAE! is a reggae piece
FEEL THE FUNK brings funky, James Brown-esque rhythms into the classroom.
Please listen to the mp3 file, which is an electronic example of a typical classroom setup.
Score and all parts are included here in a variety of pitches, clefs and transpositions. It is the complete package with over 680 pages of music, representing a massive saving on individual purchase prices.
5 Christmas pieces:
Each piece is arranged into 13 different parts which cater for the large majority of musicians within school. These include:
* a variety of difficulties in C, B flat, E flat, higher octave for flutes and alto clef for violas
* easy and standard bass parts in treble and bass clefs, and also in B flat and E flat for saxophones or brass band players
* very easy violin and viola parts on open strings only
* easy and standard piano parts
* ukulele part in tab, chord patterns and chord letters
* guitar part in tab, chord patterns and chord letters
* general chord plan in chord letters
Teachers / band leaders can select the parts which are most appropriate for their students. The music is intended to be repeated a number of times, with different parts coming in and out for each repeat to create variety.
Printing and Copying
The purchaser may print or copy all pages of this resource as required in order to facilitate a performance, but must not distribute to others.
** Also check out my Scales and Arpeggios Pack - excellent methods for learning scales and arpeggios at all levels (copy and paste into new tab) https://tinyurl.com/y8wl3qnq **
$34.99 ≈
32.22€
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Clarinet Quartet
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Bass Clarinet Solo - Level 3 - SKU: A0.784329 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288649. Published by Sli...
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Bass Clarinet Solo - Level 3 - SKU: A0.784329 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288649. Published by Slide Ride (A0.784329). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00 ≈
4.60€
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Quartet
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Quartet
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Small Ensemble Double Bass - Level 3 - SKU: A0.784342 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288689. Publishe...
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Small Ensemble Double Bass - Level 3 - SKU: A0.784342 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288689. Published by Slide Ride (A0.784342). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00 ≈
4.60€
Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet (4 Bass Tubas)
Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet (4 Bass Tubas)
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Tuba
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Tuba Solo - Level 3 - SKU: A0.784337 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288667. Published by Slide Ride (...
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Tuba Solo - Level 3 - SKU: A0.784337 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288667. Published by Slide Ride (A0.784337). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00 ≈
4.60€
Exercises for Developing Jazz Improvisation Eb Version
Exercises for Developing Jazz Improvisation Eb Version
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Instruments en Mib
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INTERMÉDIAIRE
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Jazz
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Mat Sibley
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Exercises for Developing Jazz
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Mat Sibley
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SheetMusicPlus
Composed by Mat Sibley. Jazz, Swing. 14 pages. Published by Mat Sibley
Composed by Mat Sibley. Jazz, Swing. 14 pages. Published by Mat Sibley
Exercises for Developing Jazz Improvisation
This method book covers some improvisation techniques to help the developing jazz player expand their jazz skills. It can be broken down into 3 sections:
Introducing Bebop Scales
This section introduces you to the 3 main bebop scales relating to major, minor and dominant 7th chords. It relates each scale to chord tones, moves melodic shapes through each scale type as well as giving you a few sample ?licks? to get started. There are also 2 written sample solos using these techniques with audio demonstration and backing tracks to accompany the practice exercises and sample solos.
Pentatonic Scales
This section explores 5 pentatonic scale types - major, b6, b3, minor and b4. There are 4 basic patterns which are then adapted for each scale type along with a list of suggested scale/chord applications. There are also 2 written sample solos using these techniques with audio demonstration and backing tracks to accompany the practice exercises and sample solos. .
Approach Notes and Enclosure
This section covers 2 note, 3 note and 4 note approach notes and enclosures. Each note grouping is written in all 12 keys ready to practice around the circle of 5ths. There are also 2 written sample solos using these techniques with audio demonstration and backing tracks to accompany the practice exercises and sample solos.
Although originally created for sax students, the book has now been adapted for all instruments and is available for C, Bb, Eb and Bass Clef instruments.
$14.99 ≈
13.80€
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Jazz Scales for Bass
