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It Starts At Home With You
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Vous avez sélectionné:
It Starts At Home With You
Partitions à imprimer
16 partitions trouvées
<
1
It Starts At Home With You
It Starts At Home With You
#
Piano, Voix et Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Andrew McDonald
#
Andrew McDonald
#
It Starts At Home With You
#
Andrew Mc Donald
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1383148 By Andrew McDonald. By Andrew McDonald. Arranged by Andrew McDonald. Christian,Country,Pop. Score. ...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1383148 By Andrew McDonald. By Andrew McDonald. Arranged by Andrew McDonald. Christian,Country,Pop. Score. 7 pages. Andrew Mc Donald (Macka Records) #967576. Published by Andrew Mc Donald (Macka Records) (A0.1383148). It Starts At Home With You is a song about praying. We don't have to go up to the mountain or go to thestreet corner or church to pray. God prefers we go into our room close the door behind us and get on ourknees. God will listen and knows our requests before we ask. It simply starts at Home with you. This is a score for piano and vocals.
$4.99 ≈
¥36.23
Ragtime It Is - Concert Piece for Violoncello and Piano
Ragtime It Is - Concert Piece for Violoncello and Piano
#
Violoncelle, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Augustin Lehfuss
#
Ragtime It Is - Concert Piece
#
Gustfuss Records
#
SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Piano - Level 4 - SKU: A0.876891 Composed by Augustin Lehfuss. Contemporary,Jazz,Ragtime,World. Score and part...
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Instrumental Duet Cello,Instrumental Duet,Piano - Level 4 - SKU: A0.876891 Composed by Augustin Lehfuss. Contemporary,Jazz,Ragtime,World. Score and parts. 36 pages. Gustfuss Records #5298717. Published by Gustfuss Records (A0.876891). Ragtime It Is - Concert Piece for Violoncello and PianoThis Concert Piece is a composition for Violoncello and Piano in a style somewhere in between jazz and classical music. It is based on a ragtime like feel, and reharmonized on the basis of jazzy funtional harmonics. After a short Intro it starts with the ragtime theme, which is further on varied in many ways before it comes to a cantabile part, focussed on a cello melody. The piano accompanies in the style of a jazz ballad. The cantabile ends with a written solo cadenza for the cello, which leads back to the ragtime theme..The piece requires at least advanced, if not professional players The MP3 audio sample displayes only the essential part of the composition, the whole piece can be heard and seen on the youtube video The downloadable PDF file contains complete score and both piano and cello parts.Duration: 06:30 minVery suitable as a da capo tune for a classical concertplease also visit the composers homepagewww.lehfuss.com
$14.95 ≈
¥108.55
Homeless Spirit Suite
Homeless Spirit Suite
#
Piano seul
#
AVANCÉ
#
New Age
#
Ann Ruane
#
Homeless Spirit Suite
#
Ann Ruane-Lux Eterna Healing
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1308094 Composed by Ann Ruane. New Age. Score. 20 pages. Ann Ruane-Lux Eterna Healing #897365. Published by Ann Ruane-Lux...
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Piano Solo - Level 5 - SKU: A0.1308094 Composed by Ann Ruane. New Age. Score. 20 pages. Ann Ruane-Lux Eterna Healing #897365. Published by Ann Ruane-Lux Eterna Healing (A0.1308094). Homeless Spirit Suite is a suite of 3 pieces for advanced piano.I. Wandering Alone: This piece starts with a cry of exhausted desperation. The refrain reflects an unhurried presence with what is. The verses each contain a repeated note in the inner voice of the right hand, sometimes meshing with the melody and sometimes creating dissonance. Those notes represent the inner nudge, quietly wanting to be acknowledged. In the bridge, things seemingly turn upside down, only to return to the exhausted desperation. II. Through the Tempest: There is a fiery nature to this movement; an unapologetic expression of chaos, anger, fear, and heated conversation--between the hands in the music, but maybe between you and…? Creator? Yourself? Life? Lean into the unrelenting nature of this movement and let it cleanse you. III. Finding a New Path: Although somewhat melancholy, the refrain depicts a different state of calm following the storm. There is still inner restlessness heard in the verses and a hint of hope in the bridge. Things become clearer and less cluttered by the time the piece closes.Audio samples of the suite at annruane.hearnow.com/homeless-spirit-suite.
$6.50 ≈
¥47.19
Mysterious Moment for alto flute and string trio
Mysterious Moment for alto flute and string trio
#
Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE
#
Contemporain
#
David Warin Solomons
#
Mysterious Moment for alto flu
#
David Warin Solomons
#
SheetMusicPlus
String Ensemble,String Trio - Level 3 - SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Wari...
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String Ensemble,String Trio - Level 3 - SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00 ≈
¥58.09
Mysterious Moment for oboe and string trio
Mysterious Moment for oboe and string trio
#
Contemporain
#
David Warin Solomons
#
Mysterious Moment for oboe and
#
David Warin Solomons
#
SheetMusicPlus
Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages....
(+)
Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #90581. Published by David Warin Solomons (A0.576733). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00 ≈
¥58.09
Moon Chasers
Moon Chasers
#
Ensemble de cuivres
#
DÉBUTANT
#
Contemporain
#
David Healy-Richards
#
Moon Chasers
#
David Healy-Richards
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SheetMusicPlus
Brass Ensemble - Level 1 - SKU: A0.1015626 Composed by David Healy-Richards. 20th Century,Contemporary. Score and parts. 42 pages. David Healy-Richards ...
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Brass Ensemble - Level 1 - SKU: A0.1015626 Composed by David Healy-Richards. 20th Century,Contemporary. Score and parts. 42 pages. David Healy-Richards #4805037. Published by David Healy-Richards (A0.1015626). Moon Chasers is my third musical work and is dedicated to my Girlfriend who I met in the International Brass Band Summer School in Swansea in 2016. This piece of music is aimed at capturing the feeling of a young couple savouring the moment as they experience it. Not worrying about the future or the past just the here and now. I tried to capture this feeling with suspensions and utilising the different sections of the band. The intro represents the end of a manic day, driving home until A. Where the duet kicks in A melody and a counter-melody representing two young lovers. It starts as a minimalist quartet before the scoring becomes a lot thicker allowing more colours to come out. We hear echoes of the next section which starts at (D) with a rhythm that feels like its slightly behind the beat. It's a simple harmonic line but as it feels behind the beat this achieves a kind of euphoric feel to the music. This is then decorated by the twinkling stars that we here popping up every now and again which are represented by the Glockenspiel.
$19.99 ≈
¥145.14
Eternal Bridge For Oboe Harp And Strings
Eternal Bridge For Oboe Harp And Strings
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Luis Anjos Teixeira
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Eternal Bridge For Oboe Harp A
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Luis Anjos Teixeira
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and part...
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Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and parts. 36 pages. Luis Anjos Teixeira #3492515. Published by Luis Anjos Teixeira (A0.889419). For the 2018 Chamber Music Contest Entry Eternal Bridge was made to be performed by a group of six soloists playing the following instruments: Oboe, Harp, Violin, Viola, Cello, Double Bass. It is not a difficult piece once learned. It is really a great fun for the players and very easy listening too, It covers a very wide range of audience demands. There is a groove feeling on it that makes it very pleasant to most all people. Because of its plasticity the piece allows many interpretations, therefore I did not made much use of interpretation symbols in order to leave to the performers the freedom of doing their own. Bowing and fingering are left totally virgin at the hands of the schools or the creativity of the performing Artists. P.S. - The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. Love Forever.„The litle story of the - „Eternal BridgeEternal Bridge came out of a dream. Imagine a little railway station, a train that comes and stops, and your friends go inside. As you step on the little stairs to go inside, the doors close letting you out, and the train starts rolling. It speeds up very fast and enough so you can`t jump out of the little stairs back to the ground, you are holding now to the iron bars around the doors of the train, you see your friends and the people inside but they can`t see you, they can`t hear you, and you notice that the train is now on a bridge so high, that you can`t see the earth any more. Wind is blowing around me and I feel this cosmic cold and everything starts to twist around in a gigantic spiral. I still feel the Gravity but it goes in all directions at the same time pushing me violently and I feared to fail the grip on the iron bars and fall down, in an imaginary endless abyss. Little by little the speed of the events slows down progressively until everything freezes. Now, The other side of the bridge does not exist at all, neither the beginning or up or down. The train disappeared in a glimpse and I noticed that I was not falling down, just hanging there out in hyperspace, Free from Gravity. I lost the fear of falling in the abyss, it felt kind a good, because the only thing that I could see was light, pure beautiful bright white light, I was floating in light, I realised I could stay there forever, but then I felt lonely and wanted to come back home. When I finally woke up, I wrote this words in Portuguese and made a song out of it. the words go like:Ponte eterna abismo sem fundo - Vento ciclónico medo profundo - Comboio gelado lentidão d`aço - Espiral eterna suspensa no espaço - Maos agarram a vida duas barras d` aço - Corpo sacudido em espasmos de medo - Alucinação divina acordar de um sonho Eternal Bridge endless Abyss - Cyclonic wind deep Fear - Frozen Train slowness of steel - Eternal spiral suspended in space - Hands cling to life on two bars of steel - Body shaken into spasms of fear - Divine hallucination waking up from a dream
$25.00 ≈
¥181.52
Waterloo
Waterloo
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ABBA
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Rob Bushnell
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the BBC agreed to stage it
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Waterloo
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RBMusic
#
SheetMusicPlus
Instrumental Duet Instrumental Duet - Level 3 - SKU: A0.752412 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Rob Bushnell. ...
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Instrumental Duet Instrumental Duet - Level 3 - SKU: A0.752412 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Rob Bushnell. Contemporary,Contest,Festival,Pop. Score and parts. 2 pages. RBMusic #5795689. Published by RBMusic (A0.752412). On 6 April 1974, the 1974 Eurovision Song Contest took place in Brighton, UK. It should have been held in Luxembourg but, after having won in both 1972 and 1973, they declined to stage the contest in 1974 on the grounds of the expense to host it for a second consecutive year; the BBC agreed to stage it. Drawn 8th, the conductor for the Swedish, Sven-Olof Walldoff, comes on stage dressed as Napoleon. The music starts, and less than 3 minutes later, history was made. This was the year that ABBA won with Waterloo and the victory began their path to worldwide fame. Waterloo is the first single from ABBA's second album, Waterloo, and is the first to be credited to the group performing under the name ABBA. It became a No.1 hit in several countries, including the UK, and went on to sell nearly six million copies, making it one of the best-selling singles in history. At the 50th anniversary celebration of the Eurovision Song Contest in 2005, it was chosen as the best song in the competition's history. It has been recorded in English, Swedish, French, German and Finnish – it was the first winning entry to Eurovision in a language other than that of their home country (with rules concerning language having been relaxed in 1973). Waterloo was released on 1 June 2018 as the second single from the Mamma Mia! Here We Go Again soundtrack, performed by Hugh Skinner and Lily James. Arranged to mark the 65th edition of the Eurovision Song Contest, due to be held in Rotterdam, Netherlands, on 16 May 2020, but cancelled due to the 2019/2020 Coronavirus Pandemic. It is designed for two treble-clef instruments (part 1 in Bb and part 2 in F). This version is in C major (concert pitch) – part 1 has a written range from B3 to D5 and part 2 has a written range from B3 to D5. (For other parts/versions, see my other Waterloo titles.) A recording of the original song can be found here onYouTube: https://www.youtube.com/watch?v=Sj_9CiNkkn4. Other searchable terms: Agnetha Fältskog, Björn Ulvaeus, Benny Andersson, Anni-Frid Lyngstad, Sweden, United Kingdom, England, Ring Ring, Melodifestivalen, Janne Schaffer, Rutger Gunnarsson, Ola Brunkert, Claude-Michel Schönberg, Les Misérables, London, Battle of Waterloo, 1815, Hasta Mañana, Wizzard, Cher, The Martian, Matt Damon
$4.99 ≈
¥36.23
Brass Quintet - Three Pastoral Sketches
Brass Quintet - Three Pastoral Sketches
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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AVANCÉ
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Contemporain
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Mike Lyons
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Brass Quintet - Three Pastoral
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Servic...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00 ≈
¥203.30
Waterloo
Waterloo
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ABBA
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Rob Bushnell
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the BBC agreed to stage it
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Waterloo
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RBMusic
#
SheetMusicPlus
Instrumental Duet Instrumental Duet - Level 3 - SKU: A0.752408 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Rob Bushnell. ...
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Instrumental Duet Instrumental Duet - Level 3 - SKU: A0.752408 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Rob Bushnell. Broadway,Contemporary,Contest,Festival,Musical/Show,Pop. Score and parts. 2 pages. RBMusic #5795229. Published by RBMusic (A0.752408). On 6 April 1974, the 1974 Eurovision Song Contest took place in Brighton, UK. It should have been held in Luxembourg but, after having won in both 1972 and 1973, they declined to stage the contest in 1974 on the grounds of the expense to host it for a second consecutive year; the BBC agreed to stage it. Drawn 8th, the conductor for the Swedish, Sven-Olof Walldoff, comes on stage dressed as Napoleon. The music starts, and less than 3 minutes later, history was made. This was the year that ABBA won with Waterloo and the victory began their path to worldwide fame. Waterloo is the first single from ABBA's second album, Waterloo, and is the first to be credited to the group performing under the name ABBA. It became a No.1 hit in several countries, including the UK, and went on to sell nearly six million copies, making it one of the best-selling singles in history. At the 50th anniversary celebration of the Eurovision Song Contest in 2005, it was chosen as the best song in the competition's history. It has been recorded in English, Swedish, French, German and Finnish – it was the first winning entry to Eurovision in a language other than that of their home country (with rules concerning language having been relaxed in 1973). Waterloo was released on 1 June 2018 as the second single from the Mamma Mia! Here We Go Again soundtrack, performed by Hugh Skinner and Lily James. Arranged to mark the 65th edition of the Eurovision Song Contest, due to be held in Rotterdam, Netherlands, on 16 May 2020, but cancelled due to the 2019/2020 Coronavirus Pandemic. It is designed for two treble-clef instruments (part 1 in Bb and part 2 in Eb). This version is in C major (concert pitch) – part 1 has a written range from B3 to D5 and part 2 has a written range from C#4 to E5. (For other parts/versions, see my other Waterloo titles.) A recording of the original song can be found here on YouTube: https://www.youtube.com/watch?v=Sj_9CiNkkn4. Other searchable terms: Agnetha Fältskog, Björn Ulvaeus, Benny Andersson, Anni-Frid Lyngstad, Sweden, United Kingdom, England, Ring Ring, Melodifestivalen, Janne Schaffer, Rutger Gunnarsson, Ola Brunkert, Claude-Michel Schönberg, Les Misérables, London, Battle of Waterloo, 1815, Hasta Mañana, Wizzard, Cher, The Martian, Matt Damon
$4.99 ≈
¥36.23
Waterloo
Waterloo
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ABBA
#
Rob Bushnell
#
the BBC agreed to stage it
#
Waterloo
#
RBMusic
#
SheetMusicPlus
Euphonium,Instrumental Duet,Trombone/Baritone B.C. - Level 3 - SKU: A0.752410 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by...
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Euphonium,Instrumental Duet,Trombone/Baritone B.C. - Level 3 - SKU: A0.752410 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Rob Bushnell. Contemporary,Contest,Festival,Film/TV,Pop. 2 pages. RBMusic #5777009. Published by RBMusic (A0.752410). On 6 April 1974, the 1974 Eurovision Song Contest took place in Brighton, UK. It should have been held in Luxembourg but, after having won in both 1972 and 1973, they declined to stage the contest in 1974 on the grounds of the expense to host it for a second consecutive year; the BBC agreed to stage it. Drawn 8th, the conductor for the Swedish, Sven-Olof Walldoff, comes on stage dressed as Napoleon. The music starts, and less than 3 minutes later, history was made. This was the year that ABBA won with Waterloo and the victory began their path to worldwide fame. Waterloo is the first single from ABBA's second album, Waterloo, and is the first to be credited to the group performing under the name ABBA. It became a No.1 hit in several countries, including the UK, and went on to sell nearly six million copies, making it one of the best-selling singles in history. At the 50th anniversary celebration of the Eurovision Song Contest in 2005, it was chosen as the best song in the competition's history. It has been recorded in English, Swedish, French, German and Finnish – it was the first winning entry to Eurovision in a language other than that of their home country (with rules concerning language having been relaxed in 1973). Waterloo was released on 1 June 2018 as the second single from the Mamma Mia! Here We Go Again soundtrack, performed by Hugh Skinner and Lily James. Arranged to mark the 65th edition of the Eurovision Song Contest, due to be held in Rotterdam, Netherlands, on 16 May 2020, but cancelled due to the 2019/2020 Coronavirus Pandemic. It is designed for two bass-clef instruments in concert pitch. This version is in C major – part 1 has a range from A2 to C4 and part 2 has a range from E2 to G3. (For other parts/versions, see my other Waterloo titles.) A recording of the original song can be found here on YouTube: https://www.youtube.com/watch?v=Sj_9CiNkkn4. Other searchable terms: Agnetha Fältskog, Björn Ulvaeus, Benny Andersson, Anni-Frid Lyngstad, Sweden, United Kingdom, England, Ring Ring, Melodifestivalen, Janne Schaffer, Rutger Gunnarsson, Ola Brunkert, Claude-Michel Schönberg, Les Misérables, London, Battle of Waterloo, 1815, Hasta Mañana, Wizzard, Cher, The Martian, Matt Damon
$4.99 ≈
¥36.23
Waterloo
Waterloo
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ABBA
#
Rob Bushnell
#
the BBC agreed to stage it
#
Waterloo
#
RBMusic
#
SheetMusicPlus
Instrumental Duet Instrumental Duet - Level 3 - SKU: A0.752407 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Rob Bushnell. ...
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Instrumental Duet Instrumental Duet - Level 3 - SKU: A0.752407 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Rob Bushnell. Contemporary,Contest,Festival,Film/TV,Pop. Score and parts. 2 pages. RBMusic #5776995. Published by RBMusic (A0.752407). On 6 April 1974, the 1974 Eurovision Song Contest took place in Brighton, UK. It should have been held in Luxembourg but, after having won in both 1972 and 1973, they declined to stage the contest in 1974 on the grounds of the expense to host it for a second consecutive year; the BBC agreed to stage it. Drawn 8th, the conductor for the Swedish, Sven-Olof Walldoff, comes on stage dressed as Napoleon. The music starts, and less than 3 minutes later, history was made. This was the year that ABBA won with Waterloo and the victory began their path to worldwide fame. Waterloo is the first single from ABBA's second album, Waterloo, and is the first to be credited to the group performing under the name ABBA. It became a No.1 hit in several countries, including the UK, and went on to sell nearly six million copies, making it one of the best-selling singles in history. At the 50th anniversary celebration of the Eurovision Song Contest in 2005, it was chosen as the best song in the competition's history. It has been recorded in English, Swedish, French, German and Finnish – it was the first winning entry to Eurovision in a language other than that of their home country (with rules concerning language having been relaxed in 1973). Waterloo was released on 1 June 2018 as the second single from the Mamma Mia! Here We Go Again soundtrack, performed by Hugh Skinner and Lily James. Arranged to mark the 65th edition of the Eurovision Song Contest, due to be held in Rotterdam, Netherlands, on 16 May 2020, but cancelled due to the 2019/2020 Coronavirus Pandemic. It is designed for two treble-clef instruments in the same key. This version is in F major (written pitch) – part 1 has a written range from D4 to F5 and part 2 has a written range from A3 to C5. (For other parts/versions, see my other Waterloo titles.) A recording of the original song can be found here on YouTube: https://www.youtube.com/watch?v=Sj_9CiNkkn4. Other searchable terms: Agnetha Fältskog, Björn Ulvaeus, Benny Andersson, Anni-Frid Lyngstad, Sweden, United Kingdom, England, Ring Ring, Melodifestivalen, Janne Schaffer, Rutger Gunnarsson, Ola Brunkert, Claude-Michel Schönberg, Les Misérables, London, Battle of Waterloo, 1815, Hasta Mañana, Wizzard, Cher, The Martian, Matt Damon
$4.99 ≈
¥36.23
Waterloo
Waterloo
#
ABBA
#
Rob Bushnell
#
the BBC agreed to stage it
#
Waterloo
#
RBMusic
#
SheetMusicPlus
Instrumental Duet Instrumental Duet - Level 3 - SKU: A0.752409 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Rob Bushnell. ...
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Instrumental Duet Instrumental Duet - Level 3 - SKU: A0.752409 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Rob Bushnell. Contemporary,Contest,Festival,Film/TV,Pop. Score and parts. 2 pages. RBMusic #5777017. Published by RBMusic (A0.752409). On 6 April 1974, the 1974 Eurovision Song Contest took place in Brighton, UK. It should have been held in Luxembourg but, after having won in both 1972 and 1973, they declined to stage the contest in 1974 on the grounds of the expense to host it for a second consecutive year; the BBC agreed to stage it. Drawn 8th, the conductor for the Swedish, Sven-Olof Walldoff, comes on stage dressed as Napoleon. The music starts, and less than 3 minutes later, history was made. This was the year that ABBA won with Waterloo and the victory began their path to worldwide fame. Waterloo is the first single from ABBA's second album, Waterloo, and is the first to be credited to the group performing under the name ABBA. It became a No.1 hit in several countries, including the UK, and went on to sell nearly six million copies, making it one of the best-selling singles in history. At the 50th anniversary celebration of the Eurovision Song Contest in 2005, it was chosen as the best song in the competition's history. It has been recorded in English, Swedish, French, German and Finnish – it was the first winning entry to Eurovision in a language other than that of their home country (with rules concerning language having been relaxed in 1973). Waterloo was released on 1 June 2018 as the second single from the Mamma Mia! Here We Go Again soundtrack, performed by Hugh Skinner and Lily James. Arranged to mark the 65th edition of the Eurovision Song Contest, due to be held in Rotterdam, Netherlands, on 16 May 2020, but cancelled due to the 2019/2020 Coronavirus Pandemic. It is designed for two bass-clef instruments in concert pitch. This version is in Eb major – part 1 has a range from C3 to Eb4 and part 2 has a range from G2 to Bb3. (For other parts/versions, see my other Waterloo titles.) A recording of the original song can be found here on YouTube: https://www.youtube.com/watch?v=Sj_9CiNkkn4.  Other searchable terms: Agnetha Fältskog, Björn Ulvaeus, Benny Andersson, Anni-Frid Lyngstad, Sweden, United Kingdom, England, Ring Ring, Melodifestivalen, Janne Schaffer, Rutger Gunnarsson, Ola Brunkert, Claude-Michel Schönberg, Les Misérables, London, Battle of Waterloo, 1815, Hasta Mañana, Wizzard, Cher, The Martian, Matt Damon
$4.99 ≈
¥36.23
Liltin Doon the Glen
Liltin Doon the Glen
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Graham Hamilton
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Liltin Doon the Glen
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Hambone Music
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.1440695 By Graham Hamilton. By Graham Hamilton. Celtic,Classical,Contest,Festival,Film/TV,Irish,Traditional. Brass Band. 38 pages. Hambone Music #1020663. Published by Hambone Music (A0.1440695). Aimed for intermediat brass bands, this piece starts with a gentle lilt (dance) which gather intensity until reaching a symphonic mazurka style dance in the middle.The second of my 'Peebles Beltane Festival Suite' is 'Liltin doon the glen' inspired from the line in the Festival Song. It's around the turn of the 20th century and the young lassies from the many farms and villages from the glens surrounding Peebles, leave their homes to come and enjoy the festival - 'To gather on the village green and hail the festal day' 'Lassies blooming fresh and fair cam liltin’ doon the glen' - they pause for breath now and again and as they join their friends along the way, the dance intensifies into a mazurka style. At 2:10 the fanfares herald the many compliments they get from 'Huntsman gallant and sheperds grey, doughtyand blythsome men' they encounter along the way. It culminates with all the lassies getherin' at the Mercat Cross. Festal Song Lyrics - https://tracscotland.org/wp-content/u... https://www.peeblesbeltanefestival.co...
$29.99 ≈
¥217.75
Sonata In G For Organ-First Movement
Sonata In G For Organ-First Movement
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Orgue
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AVANCÉ
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Thomas R
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Sonata In G For Organ-First Mo
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Thomas R. Schadl
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SheetMusicPlus
Organ - Level 5 - SKU: A0.912460 Composed by Thomas R. Schadl. Contemporary,Instructional,Romantic Period,Standards. Score. 8 pages. Thomas R. Schadl #5...
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Organ - Level 5 - SKU: A0.912460 Composed by Thomas R. Schadl. Contemporary,Instructional,Romantic Period,Standards. Score. 8 pages. Thomas R. Schadl #514841. Published by Thomas R. Schadl (A0.912460). Written in G Minor, the piece consists of changing meters and two themes. The first theme starts with the G minor scale that reaches to a perfect fifth above the tonic before descending to the home key. The second theme is related to the first one, but it begins with the perfect-fifth upward movement followed by its stepwise descent, and is written in a fugal manner. The latter half of the work is a toccata written in the style of the late 19th century and early 20th century French organ music; in that section, the pedal division states the main theme against the rapid 16th notes on the manuals in the key of G Major. Technical demands include a good sense of rhythm, a steady beat and a slight legato touch. This movement is suitable for recital and education uses; it may also be performed as a postlude in church services. I wish you the best in taking a look at this piece; so, enjoy it.
$7.99 ≈
¥58.01
Jingle Bells for Recorder
Jingle Bells for Recorder
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Noël
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James Pierpont
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Deborah Sutin Fitts
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Jingle Bells for Recorder
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Deborah Sutin Fitts
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SheetMusicPlus
Small Ensemble Flute,Orff Instrument,Soprano Recorder - Level 1 - SKU: A0.898946 Composed by James Pierpont. Arranged by Deborah Sutin Fitts. Children,C...
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Small Ensemble Flute,Orff Instrument,Soprano Recorder - Level 1 - SKU: A0.898946 Composed by James Pierpont. Arranged by Deborah Sutin Fitts. Children,Christmas,Instructional,Standards. Score and parts. 1 pages. Deborah Sutin Fitts #3690399. Published by Deborah Sutin Fitts (A0.898946). All kids want to play Jingle Bells and learning it should not add to the stress of the Holidays! I designed this for a thrid grade classroom that needed to learn it in two weeks. Even kids that only get classroom music once a week, can take this home and play for Mom and Dad. Make this the first song they really play by themselves!This reproducible one page version of the famous chorus by James Pierpont has large-note Alpha-Note printing, is in the key of G and starts on B. For recorders this means fingering with only one hand, it is also usable for school xylophone and Orff instruments, keyboards, flutes, (although a beginning flutist would have to go over the break for notes C and D). If you would like to contact me for a transposition to another instrument, I can be reached at Sunshinenotes@Gmail.com. I am entering this in the 2018 Holliday Arranging Contest because I believe that simplicity is sometimes exactly what is needed.
$2.25 ≈
¥16.34
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1
It Starts At Home With You
