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--INSTRUMENTS--
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In The Navy
Non classifié
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--INSTRUMENTS--
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In The Navy
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The Home Coming March (1908) - Concert Band Score and Parts PDF
The Home Coming March (1908) - Concert Band Score and Parts PDF
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Orchestre d'harmonie
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INTERMÉDIAIRE
#
Contemporain
#
E
#
Brendan Elliget MAGA 537
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The Home Coming March
#
BJE Music
#
SheetMusicPlus
Concert Band - Level 3 - SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. ...
(+)
Concert Band - Level 3 - SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. BJE Music #3567783. Published by BJE Music (A0.750785). The Home Coming March (1908) - Concert Band Score and Parts PDF Music by: ET Paull Of course, eventually, all the soldiers and sailors had to eventually come home from all the battles and Paull had that eventuality well covered also. The artwork on the front cover (of unknown origin) is one that is full of imagery that covers all aspects of the services, Army and Navy and is full of patriotic and familial ideals. The border lists all of the US States and the corner pictures depict aspects of homecoming. The main image is a parade of victory. Let's let Paull explain it all to us as he did on the inside cover. Why This Piece Of Music Was Named The Home Coming March Explanatory When the author had about completed the music of the present march, it occurred to him that it might be well to have suggestions made from a number of people, recommending a good name for same, for after all there is considerable in a name. He, therefore, had a special advertisement placed in several of the leading music Journals throughout the country, offering a prize of $10.00 in gold to anyone suggesting a name that would be accepted. Over three thousand names were sent in from all parts of the country, even from far away New Zealand and Australia, in which countries the author's marches are universal favorites. Included in the letters received was one from Mr. W. C. Bates, Secretary of the Sheffield Advertising Agency of New York and Chicago, in which he suggested the name The Home Coming March. After due consideration, this name was accepted, and the prize was awarded and paid to Mr. Bates, who stated that he was prompted to recommend this name on account of having been present during the impressive celebration of Old Home Week in Boston, Mass., last year. Probably no one idea is so universally dominant in the mind of the Human Race as that of home, or matters pertaining to home. The author believes that the name selected is one that will appeal to everyone; as the many pleasant associations with the words Home Coming are almost without limit. The title page of this march is without any exception the handsomest seen on a piece of music. The main body of the title pace represents a street scene, with buildings decorated and shows a handsome royal Arch of Welcome in the foreground, gaily decorated with flags, emblems, and bunting. A band is shown passing under the arch, leading a procession of the Home Guard, and thousands of people waving handkerchiefs, banners, flags, etc. Four smaller scenes also appear on the page, one representing the Home Coming of the soldier from war; another scene shows the Home Coming of the sailor boys embarking from their battleships; another scene represents the Home Coming reunion of the family and loved ones; the fourth scene represents the Home Coming of the father from work, where a little tot has been watching and waiting, and runs to meet him. The whole design of the title page is then surrounded by a border of differently designed medallions, on which appears the names of all the States of the Union, making without a doubt, the most unique and attractive title page ever conceived for a piece of music. One thing Paull mastered early in his career was the art of overstatement! Musically, this march is beginning to show the repetitiveness of many of Paull's works, especially evident as time passed. Once Paull found the formula (a fabulous cover and a playable, rousing march) that sold music, he stuck with it and was quite successful as a result.This arrangement is for Full Concert Band with the original optional piano part ( Not on the score). There are parts for Trombones 1 and 2 in TC and BC as well as parts of Euphonium in TC and BC. The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration =.
$30.00 ≈
26.87€
Brisbane Ladies (Augathella Station)
Brisbane Ladies (Augathella Station)
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Chorale TTBB
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DÉBUTANT
#
Traditional
#
Sandra Milliken
#
Brisbane Ladies
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Sandra Milliken
#
SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.774723 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 13 pages. Sandra Milliken #3863...
(+)
Choral Choir (TTBB) - Level 1 - SKU: A0.774723 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 13 pages. Sandra Milliken #3863765. Published by Sandra Milliken (A0.774723). Brisbane Ladies, sometimes known as Augathella Station, is an Australian folk song based on an English naval song titled Spanish Ladies. The song probably dates from the time of the War of the First Coalition (1793-96) when the Royal Navy carried supplies to Spain in support of that country’s resistance to revolutionary France. It then probably gained further popularity during the later Peninsular War when British soldiers were transported to Spain to assist rebels fighting against the French occupation by the forces of Napoleon.Spanish Ladies is a tale of British naval personnel sailing north from Spain and along the English Channel to their home port. Due to its popularity, several variants of Spanish Ladies later appeared in various parts of the world. American whalers sang a version called Yankee Whalermen. In Newfoundland it appeared as We’ll Rant and We’ll Roar. Special lyrics were written to the tune for the Bluenose, a famous Canadian sailing ship plying out of Nova Scotia. In Australia, around 1880, another set of lyrics appeared, written by Saul Mendelsohn who was a storekeeper in the small Queensland town of Nanango. Brisbane Ladies tells about the drovers who bring the herds of cattle overland from western Queensland to the markets in Brisbane. There the drovers spend most of their money and time with the ladies before setting out for home in search of the next herd of cattle for market. The places mentioned in Brisbane Ladies are mostly small towns along the stock route that stretched some 750 kilometres north-west of Brisbane towards the small town of Augathella, on the banks of the Warrego River. Augathella, at that time, marked the convergence of three major bullock tracks from Morven, Tambo and Charleville.
$2.20 ≈
1.97€
Brisbane Ladies (Augathella Station)
Brisbane Ladies (Augathella Station)
#
Chorale SATB
#
DÉBUTANT
#
Traditional
#
Sandra Milliken
#
Brisbane Ladies
#
Sandra Milliken
#
SheetMusicPlus
Choral Choir (SATB) - Level 1 - SKU: A0.774722 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 16 pages. Sandra Milliken #3863...
(+)
Choral Choir (SATB) - Level 1 - SKU: A0.774722 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 16 pages. Sandra Milliken #3863763. Published by Sandra Milliken (A0.774722). Brisbane Ladies, sometimes known as Augathella Station, is an Australian folk song based on an English naval song titled Spanish Ladies. The song probably dates from the time of the War of the First Coalition (1793-96) when the Royal Navy carried supplies to Spain in support of that country’s resistance to revolutionary France. It then probably gained further popularity during the later Peninsular War when British soldiers were transported to Spain to assist rebels fighting against the French occupation by the forces of Napoleon. Spanish Ladies is a tale of British naval personnel sailing north from Spain and along the English Channel to their home port.Due to its popularity, several variants of Spanish Ladies later appeared in various parts of the world. American whalers sang a version called Yankee Whalermen. In Newfoundland it appeared as We’ll Rant and We’ll Roar. Special lyrics were written to the tune for the Bluenose, a famous Canadian sailing ship plying out of Nova Scotia. In Australia, around 1880, another set of lyrics appeared, written by Saul Mendelsohn who was a storekeeper in the small Queensland town of Nanango. Brisbane Ladies tells about the drovers who bring the herds of cattle overland from western Queensland to the markets in Brisbane. There the drovers spend most of their money and time with the ladies before setting out for home in search of the next herd of cattle for market. The places mentioned in Brisbane Ladies are mostly small towns along the stock route that stretched some 750 kilometres north-west of Brisbane towards the small town of Augathella, on the banks of the Warrego River. Augathella, at that time, marked the convergence of three major bullock tracks from Morven, Tambo and Charleville.
$2.20 ≈
1.97€
The Power of the One
The Power of the One
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Cloches
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INTERMÉDIAIRE
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Musique Sacrée
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Foundery Collection, John Bacc
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G
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The Power of the One
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Gary Ray Adkison
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SheetMusicPlus
Handbell - Level 3 - SKU: A0.953714 Composed by Foundery Collection, John Bacchus Dykes, Traditional English Melody, and and William A. Ogden. Arranged ...
(+)
Handbell - Level 3 - SKU: A0.953714 Composed by Foundery Collection, John Bacchus Dykes, Traditional English Melody, and and William A. Ogden. Arranged by G. R. Adkison. Christian,Sacred. Score. 6 pages. Gary Ray Adkison #7477. Published by Gary Ray Adkison (A0.953714). The Power of the One is a 67 measure, 4-5 octave medley of Christian hymns whose unifying theme is the Power of the (One) God. This medley is comprised of I Sing the Mighty Power of God, Praise the Lord Who Reigns Above, Eternal Father, Strong to Save (The Navy Hymn) and He Is Able to Deliver Thee. The first two of these hymns are upbeat, and include some melody doubling into the highest octave. Those two and the last hymn make use of occasional descant lines. He Is Able to Deliver Thee is very lively, and utilizes both an occasional descant line, and (fairly fast) bass runs. In between Praise the Lord Who Reigns Above and He Is Able to Deliver Thee, you have the slower, and much more reverential Eternal Father, Strong to Save (also known as The Navy Hymn), which uses handchimes, although bells can be substituted for the chimes. This selection helps add a contrast in style, tempo and volume to the other three. At the end, there is a tag consisting of the last part of Praise the Lord Who Reigns Above at a slower tempo, and at a triple forte dynamic level, for a grandioso ending. The fast bass runs contribute to my thinking that this arrangement is probably a 3+ difficulty level.
$2.50 ≈
2.24€
Suite in Sea
Suite in Sea
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Alto, Piano
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INTERMÉDIAIRE
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Kara Williams
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Kara Williams
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Suite in Sea
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Kara Williams
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1462840 Composed by Kara Williams. Arranged by Kara Williams. Chamber,Classical,Comedy,Contemporary,Contest,Festival. Sc...
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Piano,Viola - Level 3 - SKU: A0.1462840 Composed by Kara Williams. Arranged by Kara Williams. Chamber,Classical,Comedy,Contemporary,Contest,Festival. Score and part. 24 pages. Kara Williams #1041594. Published by Kara Williams (A0.1462840). Originally written for clarinet and piano, Suite in Sea is a fun and quirky work composed by Kara Williams (drawing on her own time at sea in the Navy) that has been re-orchestrated for Viola and Piano by the composer.A suite of four short programmatic movements, we first follow a young sailor as they stagger around the deck on their first voyage - finally succumbing to the corkscrew motion of the ocean in Sea Sick Shanty; then enjoying a moment of peace and beauty as the ship sails through an Archipelago teaming with marine life; in Brew Time March, the young sailor excitedly hears the bugle call to have a break from work (brew time), grab a coffee and sit on the bow to watch the waves and lost in thoughts, they unexpectedly hears the sound of work recommencing, and scurry back, making it just in the nick of time, waiting eagerly for next the next call for Brew Time - and the preparation, spectacle, pride, and excitement of Sailing into Harbour concludes this suite suitable for an intermediate to more advanced player looking for something entertaining and a little bit different.To hear a midi version of the complete suite please visit:karawilliamsmusic.com.
$20.00 ≈
17.91€
In the Navy
In the Navy
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Piano, Voix
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Richard Howard
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Richard Howard
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In the Navy
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.23950 Composed by Richard Howard. Portraits, Seamen, Warships, National Emblems, World War I, Patriotism. Lester S. Levy Colle...
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Piano and voice - SKU: LV.23950 Composed by Richard Howard. Portraits, Seamen, Warships, National Emblems, World War I, Patriotism. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.23950). In the Navy. By Richard Howard. Published 1918 by Jack Mendelsohn Music Co. in Boston. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Seamen, Warships, National Emblems, World War I, Patriotism. First line reads They've called us to the colors a pal of mine and me.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.36€
Korsakov: Flight of the Bumblebee for Soprano Sax & Piano
Korsakov: Flight of the Bumblebee for Soprano Sax & Piano
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Saxophone Soprano et Piano
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AVANCÉ
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 5 - SKU: A0.549256 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,R...
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Piano,Soprano Saxophone - Level 5 - SKU: A0.549256 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473699. Published by jmsgu3 (A0.549256). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 9 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but stunning recital encore! Korsakov: Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95 ≈
29.51€
Korsakov: Flight of the Bumblebee for Viola & Piano
Korsakov: Flight of the Bumblebee for Viola & Piano
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Alto, Piano
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AVANCÉ
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 5 - SKU: A0.549240 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Peri...
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Piano,Viola - Level 5 - SKU: A0.549240 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 17 pages. Jmsgu3 #3473581. Published by jmsgu3 (A0.549240). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 11 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but great recital encore! Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95 ≈
29.51€
Korsakov: Flight of the Bumblebee for Alto Sax & Piano
Korsakov: Flight of the Bumblebee for Alto Sax & Piano
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Saxophone Alto et Piano
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AVANCÉ
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 5 - SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Roma...
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Alto Saxophone,Piano - Level 5 - SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473685. Published by jmsgu3 (A0.549254). Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Of course, Korsakov intended to portray a bumblebee's chaotic flying pattern musically. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears occasionally in popular culture. The piece appears notably in the opera at the close of Act III, Tableau 1. This is when the magic Swan-Bird changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive. Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions- Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite- are essential monuments of the standard music repertoire. Also comparatively very important are his suites and excerpts from his 15 operas. Korsakov used Russian folklore and fairy tales, such as Scheherazade, in his music. Nationalistic Style Like fellow outspoken composer Balakirev, Korsakov believed in creating a nationalistic, Russia-centric style of classical music. The new style was called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic, and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education. He mastered Western methods, incorporating them with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which heightened his orchestration capabilities. Legacy In due time, Korsakov contributed a significant number of Russian nationalist works. He also prepared, occasionally, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers as a music educator. Therefore, music historians consider Korsakov the foremost engineer of what the public considers the Russian composition style. He served as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95 ≈
29.51€
Eternal Father, Strong to Save (The United States Navy Hymn)
Eternal Father, Strong to Save (The United States Navy Hymn)
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Chorale SATB
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FACILE
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Music by John B
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James F
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Eternal Father, Strong to Save
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Military Bible Association
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1465877 Composed by Music by John B. Dykes and Words by William Whiting and Mary Hamilton. Arranged ...
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Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1465877 Composed by Music by John B. Dykes and Words by William Whiting and Mary Hamilton. Arranged by James F. Linzey. Chamber,Classical,Patriotic,Religious,Sacred. 4 pages. Military Bible Association #1044474. Published by Military Bible Association (A0.1465877). History of the United States Navy and the Navy HymnOn August 26, 1775, the General Assembly of Rhode Island passed a resolution to create the Continental Fleet, to be funded by the Continental Congress in Philadelphia. But on October 3, 1775, Congress rejected it. On October 13, 1775, the Continental Congress changed courses and established the Continental Navy. This was the birth of the United States Navy. The Continental Navy obtained and armed two civilian vessels, the Andrew Doria and the Cabot. The first United States Navy ship was the USS Alfred, which was commissioned by Captain Dudley Saltonstall on December 3, 1775. John Adams served as the first Chairman of the Naval Committee, but in 1776 the Continental Congress appointed Commodore Esek Hopkins to be the Navy’s first Commander. After the Revolutionary War, the government abolished the Continental Navy. But 11 years later, Congress passed the Naval Act of 1794, which created the United States Navy. The Navy was involved in the Revolutionary War (1775 – 1776), the War of 1812 (1812 – 1815), the Civil World (1861 – 1865), the Mexican-American War (1846 – 1848), the Spanish-American War (1898), World War I (1914 – 1918), World War II (1939 – 1945), the Korean conflict, the Vietnam conflict (1964 – 1975), the war on terrorism through various military operations around the world (1987 – 2021) ), Operation Earnest Will (1987 – 1988), Operation Praying Mantis in the Persian Gulf (1988), Operation Urgent Fury at the invasion of Grenada (1983), Operation Desert Shield (1990 – 1991) and Operation Desert Storm (1991) which comprised the Gulf War, Operation Deliberate Force which was the invasion of Bosnia and Herzegovina (1995), Operation Allied Force which was the attack on Yugoslavia (1999), Operation Desert Fox which was the bombing of Iraq (1998), Operation Southern Watch which was the aerial patrolling of Iraq (1992 – 2003), Operation Enduring Freedom at the invasion of Afghanistan (2001 – 2021), and Operation Iraqi Freedom at the invasion of Iraq (2003 – 2011). The Navy emerged from World War II as the most powerful Navy in the world.In 1860, William Whiting of Winchester, England, wrote a poem titled “Eternal Father, Strong to Save” for one of his students, who was preparing to sail for the United States. The poem alludes to Psalm 107 and is a prayer for God’s protection from seafaring danger. In 1861, Rev. John Bacchus Dykes, an Anglican clergyman, composed the tune “Melita,” in 88 88 88 iambic meter, to accompany the hymn. “Melita” is the archaic name of Malta, which is an ancient seafaring nation. It was the site of the shipwreck that involved the Apostle Paul, as described in the Acts of the Apostles, chapters 27–28. In 1814, Malta became the Crown Colony of the United Kingdom, but in 1964 it gained independence and joined the British Commonwealth. The hymn has long been used by Navy and civilian chaplains during chapel services at sea, in navy and civilian maritime contexts. The Royal Navy, navies of the British Commonwealth, and the United States Navy adopted the hymn in the late 19th century as “The Navy Hymn.” Many verses have been written to Melita. James F. Linzey selected the four verses by Whiting (verses 1-3) and Hamilton (verse 4), which are the verses traditionally used in the Armed Forces Hymnal. James Linzey is the General Editor of the New Tyndale Version (NTV) Bible translation.
$1.99 ≈
1.78€
The Navy Hymn-for Concert Band
The Navy Hymn-for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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John Dykes
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Dan Cutchen
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The Navy Hymn-for Concert Band
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Dan Cutchen Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1091973 Composed by John Dykes (1823–1876). Arranged by Dan Cutchen. Patriotic,Sacred,Traditional. Score and par...
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Concert Band - Level 3 - SKU: A0.1091973 Composed by John Dykes (1823–1876). Arranged by Dan Cutchen. Patriotic,Sacred,Traditional. Score and parts. 44 pages. Dan Cutchen Music #696104. Published by Dan Cutchen Music (A0.1091973). This arrangement of the hymn, Eternal Father, Strong to Save (The Navy Hymn) utilizes a theme and variation treatment. It is somber, strong, and at times, serene and peaceful. This arrangement is of medium difficulty. The spotlight is on the low brass. There is also an arrangement of this piece for solo tuba and piano. Eternal Father, Strong to Save is a British hymn traditionally associated with seafarers, particularly in the maritime armed services. It was popularised by the Royal Navy and the United States Navy in the late 19th century, and variations of it were soon adopted by many branches of the armed services in the United Kingdom and the United States, including the United States Coast Guard and the United States Marine Corps. Owing to its nautical theme, this hymn has been played or sung at a number of funerals for those who have served in or been associated with the US Navy. Most notably, it was sung at the funerals of multiple US presidents, including Roosevelt, Richard Nixon, George H. W. Bush, and John F. Kennedy.
$40.00 ≈
35.82€
Eternal Father, Strong to Save (The Navy Hymn)
Eternal Father, Strong to Save (The Navy Hymn)
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Reverend John Bacchus Dykes
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Scott S
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Eternal Father, Strong to Save
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Scott S. Stewart
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 3 - SKU: A0.1407705 Composed by Reverend John Bacchus Dykes. Arranged by Scott S. Stewart. 19th Century,A...
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Choral Choir,Choral,SATB Chorus divisi - Level 3 - SKU: A0.1407705 Composed by Reverend John Bacchus Dykes. Arranged by Scott S. Stewart. 19th Century,A Cappella,Christian,Praise & Worship,Sacred. 6 pages. Scott S. Stewart #990321. Published by Scott S. Stewart (A0.1407705). “Eternal Father, Strong to Saveâ€, (The Navy Hymn) penned by Anglican Churchman and poet William Whiting in 1860, was inspired by Psalm 107, which describes the power and dangers of the sea.  The tune, Melita, was composed by clergyman John Bacchus Dykes in 1861. Poet and musician came together to give to us the hymn we know today, “Eternal Father, Strong to Saveâ€.  This hymn, popularized by the Royal Navy and the United States Navy in the 19th century, has since been adopted by other armed services for official use.  Today it stands as one of the most famous hymns in Christendom.  This arrangement is scored for 4-part SATB ensemble (with minor divisi) to be performed a cappella.  It uses only the text of Whiting’s original poem.  Performance time: 3.30+-.
$2.99 ≈
2.68€
Serving for Thee (The United States Marine Corps Hymn)
Serving for Thee (The United States Marine Corps Hymn)
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Chorale SATB
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DÉBUTANT
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the 1970s, the Marines were se
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James F
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Serving for Thee
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Military Bible Association
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 1 - SKU: A0.1465866 Composed by James F. Linzey and Lowell Mason. 21st Century,Chamber,Patriotic,Religious,Sacre...
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Choral Choir,Choral,SATB Chorus - Level 1 - SKU: A0.1465866 Composed by James F. Linzey and Lowell Mason. 21st Century,Chamber,Patriotic,Religious,Sacred. 4 pages. Military Bible Association #1044463. Published by Military Bible Association (A0.1465866). The History of the United States Marine Corps and the Marine Corps HymnOn November 10, 1775, the Second Continental Congress passed a resolution to establish the Continental Marines. is marked the formation of the United States Marine Corps. The Marine Corps was provided two battalions with a fleet. But the Treaty of Paris in April 1783 ended the Marine Corps along with the Revolutionary War. It was later permanently re-established on July 11, 1798. Since then the United States Marine Corps has been involved in the War of 1812, defending Washington in Bladensburg, Maryland, fighting for Andrew Jackson against the British in New Orleans, and fighting in the Mexican War (1846-1848) in which US Marines fought all the way to the Halls of Montezuma, Mexico City. The Marines served in the Civil War (1861-1865), the Spanish-American War (1898), the Philippine Insurrection (1899-1902), the Boxer Rebellion in China (1900), and World War I. The Marines were later involved in World War II, the Korean conflict beginning in 1950, and the Vietnam conflict, beginning in 1965. By the 1970s, the Marines were securing NATO, and later were involved in Operation Desert Shield and Operation Desert Storm (1990s), Somalia (1992), Operation Enduring Freedom (2001), the Global War on Terrorism and Operation Iraqi Freedom (2002), and in various conflicts since then. Since the inception of the Marine Corps in 1775,about 70,000 Marines have been killed in action. James Linzey served as a chaplain for the Marines in training at Fort Lee, Virginia, and as a contract chaplain at the Airman-Marine Memorial Chapel at MCAS Miramar from 2016-2019. While at Miramar, he gave leadership seminars to the Marines on the Battle of Midway. He is one of ten children of World War II hero, the late Navy Captain Stanford E. Linzey, Jr., CHC, USN (Ret.), who survived the sinking of the USS Yorktown (CV-5) in the Battle of Midway as a sailor, and later served with the Marines in Okinawa as a chaplain. Since the Marine Corps is part of the Department of the Navy, it has used the Navy hymn in chapel services. What is called “The Marine’s Hymn” cannot be sung in chapel services, because it is not a song of praise. As a fighting march, its author called it a hymn in name only. So, in commemoration of the United States Marine Corps, hymn writer James F. Linzey wrote the United States Marine Corps Hymn, “Serving for Thee.” He set it to the tune of Bethany, which was written by Lowell Mason in 1841. James Linzey is the General Editor of the New Tyndale Version (NTV) Bible translation.
$1.99 ≈
1.78€
The Star-Spangled Banner (Duet for alto saxophone and euphonium)
The Star-Spangled Banner (Duet for alto saxophone and euphonium)
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Saxophone et Guitare
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INTERMÉDIAIRE
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John Stafford Smith
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Alexander L Burden (b
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The Star-Spangled Banner
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Alexander Burden
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SheetMusicPlus
Instrumental Duet Alto Saxophone,Guitar,Instrumental Duet - Level 3 - SKU: A0.899869 Composed by John Stafford Smith (1750-1836), Francis Scott Key (177...
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Instrumental Duet Alto Saxophone,Guitar,Instrumental Duet - Level 3 - SKU: A0.899869 Composed by John Stafford Smith (1750-1836), Francis Scott Key (1779-1843). Arranged by Alexander L Burden (b.1989). Graduation,Holiday,Patriotic. Score and parts. 4 pages. Alexander Burden #3573183. Published by Alexander Burden (A0.899869). 2018 Instrumental Arranging Contest EntryGenre: National Anthem, PatrioticLength: 1:20Instrumentation: Alto Saxophone and EuphoniumThe Star-Spangled Banner is the national anthem of the United States. The lyrics come from Defence of Fort M'Henry, a poem written on September 14, 1814, by the then 35-year-old lawyer and amateur poet Francis Scott Key after witnessing the bombardment of Fort McHenry by British ships of the Royal Navy in Baltimore Harbor during the Battle of Baltimore in the War of 1812. Key was inspired by the large U.S. flag, with 15 stars and 15 stripes, known as the Star-Spangled Banner, flying triumphantly above the fort during the U.S. victory.The poem was set to the tune of a popular British song written by John Stafford Smith and renamed The Star-Spangled Banner. With a range of 19 semitones, it is known for being very difficult to sing. Although the poem has four stanzas, only the first is commonly sung today.This fun and accessible arrangement is perfect for sporting events, school and corporate functions, parades, private events and any other occasion that calls for use of the Star-Spangled Banner!The Arranger:Email: alburden9012@eagle.fgcu.eduAlexander Burden is a Florida born, professional musician and music educator residing in Southwest Florida. There, he is the music teacher at Westside Elementary in Clewiston. Concurrent with his duties at Westside, he also teaches private and group instrumental music lessons and preforms regularly with various professional ensembles throughout Southwest Florida. Burden holds a Bachelor of Music Education degree with an instrumental concentration from the Bower School of Music at Florida Gulf Coast University in Fort Myers, Florida. There he studied under world renowned saxophonist Mario Bernardo. He also holds an Associate of Arts degree with a Music Education and Saxophone Performance concentration from Eastern Florida State College where he was a student of James Bishop. During his time at the Bower School of music, he served as principle saxophonist in the FGCU Wind Orchestra, lead alto in the Jazz Band Flight: Jazz at FGCU, and played soprano saxophone in the Bower Saxophone Quartet. Alexander was selected to play tenor saxophone in the 2017 National Intercollegiate Band as well as principle alto saxophone in the 2017 Florida All-State Intercollegiate Band and tenor saxophone in the 2016 Florida All-State Intercollegiate Band. In November of 2015, Alexander participated in a critically acclaimed performance at Carnegie Hall in New York City with the FGCU Wind Orchestra.
$5.99 ≈
5.36€
In The Navy
In The Navy
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Orchestre d'harmonie
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FACILE
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The Village People
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Adrian Horvath
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In The Navy
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Horváth Adrián
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1440405 By The Village People. By Henri Belolo, Jacques Morali, and Victor Willis. Arranged by Adrian Horvath. Patrioti...
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Concert Band - Level 2 - SKU: A0.1440405 By The Village People. By Henri Belolo, Jacques Morali, and Victor Willis. Arranged by Adrian Horvath. Patriotic,Pop,Rock. 42 pages. Horváth Adrián #1020371. Published by Horváth Adrián (A0.1440405). Visit my website: https://www.hadrian.huInstrumentation: Full Score (A4 Portrait), Parts (A4 Portrait): Flute, Oboe, Bassoon, Clarinet in Bb 1., 2., 3., Bass Clarinet in Bb, Alto Saxophone 1., 2., Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1., 2., 3., Horn in F 1., 2., 3., Horn in Eb 1., 2., 3., Euphonium in Bb (T.C.), Euphonium in C (B.C.), Trombone 1., 2., 3., Trombone in Bb 1., 2., 3., Tuba, Bass in Eb (T.C.), Bass in Bb (T.C.), Bass Guitar, Drum Set, Xylophone/Tambourine/Handclap.
$49.99 ≈
44.77€
The Navy Will Bring Them Back
The Navy Will Bring Them Back
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Piano, Voix
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Ira Schuster
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The Navy Will Bring Them Back
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.23691 Composed by Ira Schuster. Portraits, Patriotism, World War I. Lester S. Levy Collection. 3 pages. Published by Johns Hop...
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Piano and voice - SKU: LV.23691 Composed by Ira Schuster. Portraits, Patriotism, World War I. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.23691). The Navy Will Bring Them Back. Words by Howard Johnson. Music by Ira Schuster. Published 1918 by Leo Feist, Inc. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Patriotism, World War I. First line reads Over There we hear of heroes who've been fighting for you and me.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.36€
In The Navy
In The Navy
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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FACILE
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Pop musique
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The Village People
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Bill Willis
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In The Navy
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Bill Willis
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1033412 By The Village People. By Henri Belolo, Jacques Morali, and Victor Willis. Arrange...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1033412 By The Village People. By Henri Belolo, Jacques Morali, and Victor Willis. Arranged by Bill Willis. Pop. Score and parts. 29 pages. Bill Willis #638770. Published by Bill Willis (A0.1033412). Brass Quintet version of this great 70s song by the Village People Instrument options: Trumpet/Cornet x 2, Eb Horn/Horn in F, Trombone (Bass or Treble Clef),Tuba/Eb/Bb Bass plus percussion (optional).
$18.00 ≈
16.12€
Eternal Father, Strong to Save for Brass Quintet
Eternal Father, Strong to Save for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Gospel Spirituel
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John Bacchus Dykes
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Scott Pappal
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Eternal Father, Strong to Save
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.792711 Composed by John Bacchus Dykes. Arranged by Scott Pappal. Christian,Gospel,Praise & Worship,Sacred,Spiritual. ...
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Brass Ensemble - Level 4 - SKU: A0.792711 Composed by John Bacchus Dykes. Arranged by Scott Pappal. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 9 pages. Gordon Cherry #5953941. Published by Gordon Cherry (A0.792711). Eternal Father is a popular hymn sung by members of the U.S., British and French Navies and is often called The Navy Hymn. The work was written in 1860/61 by two English clergymen, Rev. John Bacchus Dykes and the lyrics by Rev. William Whiting with inspiration from the Old and New Testaments. The Navy Hymn is also known as Melita. This noble music was a favorite of President Theodore Roosevelt and Franklin D. Roosevelt and was performed at the funeral of John F. Kennedy. Scott Pappal has beautifully arranged this moving work for brass quintet. It can be performed by moderately advanced performers and would be a very nice addition to a service.
$17.50 ≈
15.67€
Eternal Father, Strong to Save (The Navy Hymn)
Eternal Father, Strong to Save (The Navy Hymn)
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Reverend John Bacchus Dykes
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Scott S
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Eternal Father, Strong to Save
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Scott S. Stewart
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SheetMusicPlus
Brass Quartet Horn,Trombone,Trumpet - Level 4 - SKU: A0.1357957 Composed by Reverend John Bacchus Dykes. Arranged by Scott S. Stewart. 19th Century,Chri...
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Brass Quartet Horn,Trombone,Trumpet - Level 4 - SKU: A0.1357957 Composed by Reverend John Bacchus Dykes. Arranged by Scott S. Stewart. 19th Century,Christian,Praise & Worship,Religious,Sacred. 16 pages. Scott S. Stewart #942465. Published by Scott S. Stewart (A0.1357957). “Eternal Father, Strong to Saveâ€, (The Navy Hymn) penned by Anglican Churchman and poet William Whiting in 1860, was inspired by Psalm 107, which describes the power and dangers of the sea.  The tune, Melita, was composed by clergyman John Bacchus Dykes in 1861.  This hymn, popularized by the Royal Navy and the United States Navy in the 19th century, has since been adopted by other armed services for official use.  Today it stands as one of the most famous hymns in Christendom.  This arrangement is scored for brass quartet (trumpets 1 & 2, French horn (or trombone), and trombone.  This song can be programmed on many a different concert – be it church, school auditorium, or concert hall.  Performance time: 4.10+-.
$25.00 ≈
22.39€
In The Navy
In The Navy
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The Village People
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Tim Olt
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In The Navy
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Olt Music
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1487232 By The Village People. By Henri Belolo, Jacques Morali, and Victor Willis. Arranged by Tim Olt. P...
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Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1487232 By The Village People. By Henri Belolo, Jacques Morali, and Victor Willis. Arranged by Tim Olt. Pop,Rock. 16 pages. Olt Music #1064204. Published by Olt Music (A0.1487232). Next to YMCA this is quite possibly the best know song of the Village People.
$15.00 ≈
13.43€
In The Navy
In The Navy
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Trompette
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INTERMÉDIAIRE/AVANCÉ
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The Village People
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David Lartey
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In The Navy
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David Lartey
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SheetMusicPlus
B-Flat Trumpet Solo - Level 4 - SKU: A0.1036881 By The Village People. By Henri Belolo, Jacques Morali, and Victor Willis. Arranged by David Lartey. Dis...
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B-Flat Trumpet Solo - Level 4 - SKU: A0.1036881 By The Village People. By Henri Belolo, Jacques Morali, and Victor Willis. Arranged by David Lartey. Disco. Individual part. 2 pages. David Lartey #641912. Published by David Lartey (A0.1036881).
$11.25 ≈
10.08€
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In The Navy
