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I Like Halloween
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Vous avez sélectionné:
I Like Halloween
Partitions à imprimer
41 partitions trouvées
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1
26
I Like Halloween
I Like Halloween
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Piano, Voix et Guitare
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DÉBUTANT
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Halloween
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Jose R
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I Like Halloween
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Jose R. Gonzalez
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.918812 Composed by Jose R. Gonzalez. Children,Contemporary,Halloween,Instructional. Score. 1 pages. Jose R....
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Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.918812 Composed by Jose R. Gonzalez. Children,Contemporary,Halloween,Instructional. Score. 1 pages. Jose R. Gonzalez #45909. Published by Jose R. Gonzalez (A0.918812). I Like Halloween is an easy to play and sing Halloween song. With a catchy chorus and colorful lyrics it quickly became a favorite of our Elementary School kids.It appears on our Jose Gonzalez and Banda Criolla Caribbean Fiesta for kids CD.
$4.99 ≈
4.49€
Halloween Toccatina
Halloween Toccatina
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Piano Facile
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FACILE
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Halloween
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Scott Camp
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Halloween Toccatina
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Scott Camp
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.553074 Composed by Scott Camp. Halloween,Instructional,Standards. Score. 2 pages. Scott Camp #3239017. Published by Scott...
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Easy Piano - Level 2 - SKU: A0.553074 Composed by Scott Camp. Halloween,Instructional,Standards. Score. 2 pages. Scott Camp #3239017. Published by Scott Camp (A0.553074). 2nd and 3rd year piano students get to have fun with Halloween music, and prepare to play classical repertoire. This piece introduces techniques used by Dmitri Kabelevsky in his well-known Toccatina. Kabelevsky's Toccatina exploits 1st inversion triads, and this piece creates the perfect opportunity to introduce the concept of triads and triad inversions. As a teacher, I propose that successful performance of triad inversions is likely the difference between students who will succeed and those who won't. These individual songs are also available in collections:Best Halloween Piano Collection for First Year StudentsBest Halloween Piano Collection for Second (and 3rd) Year StudentsBest Halloween Piano Collection COMPLETE for First, Second (and 3rd) Year Students Traditional piano pedagogy allows the possibility of playing the correct notes, but with incorrect fingering. The best piano teachers have never allowed this, but in many cases, so much time is wasted discussing and fixing these problems that all enthusiasm and momentum is lost for the student. What's needed is a new symbol that communicates clearly and immediately to the student what is being demanded by the music: not just notes, but also fingering. Elementary students who grow with the V system of hand positions move more quickly through their repertoire, because they don't waste as much time fixing problems, or worse, arguing with their teachers about why an awkward fingering is not allowed, even when they have correctly figured out the correct notes. .
$1.99 ≈
1.79€
There Came a Wind like a Bugle
There Came a Wind like a Bugle
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Chorale 2 parties
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FACILE
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Gerda Blok-Wilson
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There Came a Wind like a Bugle
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CanSing
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SheetMusicPlus
Choral Choir,Choral (SA) - Level 2 - SKU: A0.1395757 By Gerda Blok-Wilson. By Gerda Blok-Wilson. 21st Century,Classical,Contest,Festival,Halloween,Instr...
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Choral Choir,Choral (SA) - Level 2 - SKU: A0.1395757 By Gerda Blok-Wilson. By Gerda Blok-Wilson. 21st Century,Classical,Contest,Festival,Halloween,Instructional. 16 pages. CanSing #979129. Published by CanSing (A0.1395757). Gerda Blok-Wilson’s new composition of Emily Dickinson’s “There Came a Wind Like a Bugle†is a lively setting for SA voices with piano accompaniment. It portrays the arrival of a powerful wind and tells of its effects on the surroundings and impending disaster it brings. The piece has an ominous, almost supernatural sense that is driving to the end.Although the choral or duet piece would work at any time of year, it could set the tone for a Halloween concert, adding an eerie atmosphere and sense of mystery.Beautiful demo recording by ROCKY MOUNTAIN CHAMBER CHOIR - https://www.rockymountainchamberchoir.com/ Visit: www.gerdablokwilson.ca for a comprehensive selection of UPPER, LOWER and MIXED VOICE RepertoirGreat festival selection!YouTube: https://youtu.be/7elBk2jDogkSuggested themes: Nature’s powerFear of the unknownImpermanence and changeResilienceThe Inevitability of Fate. #ChoralMusic #EmilyDickinson #ChoralComposer #ChoirLife #PoetryInMusic #ChoralMagic #ChoralCanada #UpperVoices #Piano #FestivalSelection #GerdaBlok #rmccvc Social Media informationYoutube: Cansing ChoralInstagram: gerdachoralcomposerFaceBook: Gerda Blok-WilsonTwitter: @BlokWilsonThreads: gerdachoralcomposer Email: gerda.blokwilson@gmail.com for information about individual practice files. Also, I’d love to hear a video performance of your choir. Please send. Gerda Blok-Wilson, a Canadian composer, conductor, and educator, is a fervent advocate for the transformative power of choral singing and its remarkable ability to inspire people with diverse abilities. Her motto reflects that belief: If you can talk, you can sing! Since 2018, Gerda has dedicated herself to compiling and editing her compositions for publication. Her portfolio ranges from musicals and choral works tailored to nurture budding choirs to advanced choral repertoire that has garnered acclaim through live performances and recordings. Gerda is artist in residence at St. Patrick’s Regional High School in Vancouver and serves as the artistic director for the Vancouver Cansing Community Choir, which she founded in 2010. She is a frequent guest rehearsal conductor, helping local choirs polish their performances. Gerda's educational background includes a Bachelor of Music, a Kodály Teaching certificate, and a Master of Education with a focus on Kodály pedagogy.
$2.25 ≈
2.02€
Pumpkin Spiced: Grande Variation on Tchaikovsky's Arabian Dance (Halloween/Thanksgiving Piano Solo)
Pumpkin Spiced: Grande Variation on Tchaikovsky's Arabian Dance (Halloween/Thanksgiving Piano Solo)
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Piano seul
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FACILE
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Classique
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Peter Ilyich Tchaikovsky
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Amanda Dills
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Pumpkin Spiced: Grande Variati
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Amanda Dills
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.829769 Composed by Peter Ilyich Tchaikovsky. Arranged by Amanda Dills. Christmas,Hanukkah,Holiday,Standards. Score. 2 pag...
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Easy Piano - Level 2 - SKU: A0.829769 Composed by Peter Ilyich Tchaikovsky. Arranged by Amanda Dills. Christmas,Hanukkah,Holiday,Standards. Score. 2 pages. Amanda Dills #6077563. Published by Amanda Dills (A0.829769). It's that time of year again: Pumpkin Spiced Nutcracker Season! ;)This beginning/intermediate piano solo is perfect for virtually any holiday season recital, from Halloween to Christmas! (Or, if you're a coffee lover like me, it's perfect for any season at all!)Inspired by the Arabian (Coffee) Dance from Tchaikovsky's Nutcracker, this charming piano solo has been adapted with a 4/4 time signature and modern feel, while still keeping the ostinato and harmonies of the original work.**View more of my Halloween-themed Arrangements on Sheet Music Plus! Â (Just copy and paste the item number into the Search Box)**Beginning Piano7 Sinister Songs for Easy Piano [Collection] (S0.426087)Easy Piano Solos:- ADDAMS FAMILY THEME (H0.422913-4800)- All Around the Halloween Pyre (S0.423083)- Black Bat, Black Bat (S0.423067)- Oh, I Come From Sleepy Hollow (S0.423009)- Oh, When the Ghouls (S0.426079)- Over the Graveyard and Through the Wood (S0.423055)- RADIOACTIVE (H0.194611-227204)- Spooky (Baby) Shark (S0.885725)- The Spooky, Scary Spider (S0.422885)- Trick or Treat (S0.422997)Intermediate Piano- Tenth Piano Suite [Dr. Who - themed Piano Solos] (S0.26571)Choral:- Facebook Fugue/What Scares You [SAB] (S0.200665)*********************
$1.99 ≈
1.79€
I Knew You Were Trouble
I Knew You Were Trouble
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Flûte traversière
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DÉBUTANT
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Taylor Swift
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Saa composition
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I Knew You Were Trouble
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Saa Compositions
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SheetMusicPlus
Flute Solo,Soprano Flute - Level 1 - SKU: A0.1419149 By Taylor Swift. By Max Martin, Shellback, and Taylor Swift. Arranged by Saa composition. 21st Cent...
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Flute Solo,Soprano Flute - Level 1 - SKU: A0.1419149 By Taylor Swift. By Max Martin, Shellback, and Taylor Swift. Arranged by Saa composition. 21st Century,Country,Halloween,Wedding. Individual part. 2 pages. Saa Compositions #1000579. Published by Saa Compositions (A0.1419149). I Knew You Were Trouble is a Taylor Swift song, here arranged for lute. For so, I took the liberty to optimize some repetitions and change the key to G major. I hope you like it. You can find me at Instagram: @saacompositions and email: samuel.araujo14998@gmail.com.
$4.99 ≈
4.49€
I Put A Spell On You
I Put A Spell On You
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Creedence Clearwater Revival
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George B Chave
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I Put A Spell On You
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BrassMagicMusic.com
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1284976 By Creedence Clearwater Revival. By Jay Hawkins. Arranged by George B Chave. Blues,...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1284976 By Creedence Clearwater Revival. By Jay Hawkins. Arranged by George B Chave. Blues,Comedy,Halloween,Pop,Rock. 15 pages. BrassMagicMusic.com #876102. Published by BrassMagicMusic.com (A0.1284976). The Brass Quintet version of Jay Hawkins' I Put A Spell On You can either be a trumpet feature (with plunger mute and growl) or a vocal feature --- if your trumpeter feels like singing, or you have a friend who wants to sing. This arrangement also features brief solos for horn and trumpet 2. Notated solos are provided, but players are encouraged to improvize their own solos based on the provided blues scales. This is an all around fun piece that can be put together quickly and is not too challenging (depending on how technical you want the solos to be).
$12.99 ≈
11.68€
Over The Garden Wall
Over The Garden Wall
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Brandon Michael Armstrong, Jos
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Samantha Hogan
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Over The Garden Wall
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Coffee Seal Music
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SheetMusicPlus
Brass Quintet Bass Trombone,Horn,Trumpet,Tuba - Level 3 - SKU: A0.1288411 Composed by Brandon Michael Armstrong, Josh Ross Kaufman, Justin Isaac Rubenst...
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Brass Quintet Bass Trombone,Horn,Trumpet,Tuba - Level 3 - SKU: A0.1288411 Composed by Brandon Michael Armstrong, Josh Ross Kaufman, Justin Isaac Rubenstein, and Patrick Nolen Mchale. Arranged by Samantha Hogan. Children,Contemporary,Film/TV,Halloween,Singer/Songwriter. 10 pages. Coffee Seal Music #879401. Published by Coffee Seal Music (A0.1288411). For Brass Quintet;2 TrumpetsFrench HornTromboneTuba ( or Bass Trombone)1:30Difficulty: Intermediate to advancedWhy: The Tuba part, in the beginning, is a bit on the high side, but..YOU GET THE MELODY for the first half of the song! If you can, I recommend keeping it in the octave that I wrote it in. However, I likely won't be there to hear it if you decide to take it down the octave, so be my guest if that is your preference :)In the second, happier-sounding section, I gave everyone a snippet of the melody. This arrangement is of the Main theme of the beloved cult cartoon classic that comes out every Fall.SCORE AND PARTS ARE INCLUDED!
$13.99 ≈
12.58€
Whimsical Witches' Waltz: A Composition for Small or Beginner Harp
Whimsical Witches' Waltz: A Composition for Small or Beginner Harp
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Harpe
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FACILE
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Rachael Acheson
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Whimsical Witches' Waltz: A Co
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TheHarpLibrarian
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SheetMusicPlus
Lever Harp - Level 2 - SKU: A0.1380924 Composed by Rachael Acheson. Classical,Film/TV,Halloween,Medieval,Spiritual. Score. 3 pages. TheHarpLibrarian #96...
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Lever Harp - Level 2 - SKU: A0.1380924 Composed by Rachael Acheson. Classical,Film/TV,Halloween,Medieval,Spiritual. Score. 3 pages. TheHarpLibrarian #965699. Published by TheHarpLibrarian (A0.1380924). This is my first original composition for small solo harp. I like to think it gives spooky filmscore / Wednesday Addams vibes, with a neoclassical air, while still remaining very accessible to a less-experienced musician with a small, simple, or budget instrument.It is in the key of A minor (i.e. no sharps or flats) with no lever changes. It should also already fit the range of most common small harp models, including Harpsicle harps (even if your model has no levers!), Roosebeck Pakistani harps (it goes no lower than the F below middle C), Harp-E harps (it goes no higher than your high E), Dusty Strings Ravenna, Musicmakers Sonnet Lap Harp, and others. It can also, obviously, be played on any and all larger harp models.Played at full-speed, some of the turn-arounds in the right-hand, as well as the octave jump in the middle, can prove tricky (as you can see from my own playing in the video!). But played under tempo and more expressively, it could be accessible even to beginner/early-intermediate harpists, so long as you are learning to replace fingers and change directions.Please note that the preview cuts off after the first half-page of score. When you download your purchase, you will recieve a pdf that contains both the preview and the full score.Also note: If the preview shows a 4/4 timing, this is a software rendering error. I have already uploaded a new pdf with the correct preview, in 3/4 waltz time. But know, in the meantime, that the actual, full score itself is, and has always been, rendered correctly in 3/4 timing.
$5.99 ≈
5.39€
October Waltz
October Waltz
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Piano seul
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INTERMÉDIAIRE
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Chelsea Hillerich
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Chelsea Hillerich
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October Waltz
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Chelsea Hillerich
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1307635 By Chelsea Hillerich. By Chelsea Hillerich. Arranged by Chelsea Hillerich. Classical,Contest,Festival,Halloween,H...
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Piano Solo - Level 3 - SKU: A0.1307635 By Chelsea Hillerich. By Chelsea Hillerich. Arranged by Chelsea Hillerich. Classical,Contest,Festival,Halloween,Holiday,Romantic Period. Score. 4 pages. Chelsea Hillerich #896896. Published by Chelsea Hillerich (A0.1307635). Doesn’t it seem like the month of October has two distinct personalities?Of course, I love the dark and spooky side that Halloween brings. But here in Upstate New York, the fall foliage also makes October one of the most beautiful and colorful months of the year! In this classical-style waltz, I tried to capture both of October’s unique personalities. The piece begins and ends with an A-section that is dark and playful, with a hint of Halloween mischief. The contrasting B-section highlights October’s beauty with a nostalgic and lyrical theme.Intermediate players will enjoy how satisfying this piece feels in the fingers! The quick tempo makes this waltz exciting for both performers and audiences alike.
$3.99 ≈
3.59€
Night Shadows
Night Shadows
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Piano Facile
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FACILE
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Scott Camp
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Night Shadows
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Scott Camp
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.553075 Composed by Scott Camp. Concert,Halloween,Instructional,Standards. Score. 4 pages. Scott Camp #3240643. Published ...
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Easy Piano - Level 2 - SKU: A0.553075 Composed by Scott Camp. Concert,Halloween,Instructional,Standards. Score. 4 pages. Scott Camp #3240643. Published by Scott Camp (A0.553075). Evocative piano solo for Early Intermediate (2nd, 3rd year piano).One of my favorite moments as a piano teacher was discovering Night Train by Chris Goldston in that great collection of Alfred's called Contest Winners, in this case Vol. 2. I'll never forget turning to the second page of this moody A minor piece and finding the Bb Lydian, D minor, and E Phrygian passages. That piece is magic, and most of my students would confirm that. The A minor return has a sublime little twist, which was one of the inspirations for indicating hand positions larger than just 5 steps by means of a V. And, of course the final chord is probably the first time the student has ever heard, much less played, the sound of stacked 4ths (because they're probably not yet listening to Coltrane and McCoy Tyner). VV's (two v's) indicates two skipped keys between fingers 1 and 2--just how to play that chord correctly.So.... if you like that piece, then I hope you'll like Night Shadows, which will give you and your students more opportunity to explore and enjoy those great harmonies.These individual songs are also available in collections:Best Halloween Piano Collection for First Year StudentsBest Halloween Piano Collection for Second (and 3rd) Year StudentsBest Halloween Piano Collection COMPLETE for First, Second (and 3rd) Year Students
$1.99 ≈
1.79€
Creepy, Crawly
Creepy, Crawly
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Piano seul
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DÉBUTANT
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Jonathan Maywood
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Creepy, Crawly
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Jonathan Maywood
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SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.1008024 Composed by Jonathan Maywood. Halloween,Instructional,Standards. Score. 1 pages. Jonathan Maywood #4409923. Publi...
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Piano Solo - Level 1 - SKU: A0.1008024 Composed by Jonathan Maywood. Halloween,Instructional,Standards. Score. 1 pages. Jonathan Maywood #4409923. Published by Jonathan Maywood (A0.1008024). I wrote this piece for a young student I am teaching currently. He likes dark and creepy Halloween music, and I was inspired to write something very simple (he is only 5 years old), and this is what I came up with. Its all unison, left and right hand follow each other, making it easy for memorization. Enjoy!
$1.99 ≈
1.79€
Chord Progression Generator for Guitar
Chord Progression Generator for Guitar
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Brian Streckfus
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Chord Progression Generator fo
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Brian Streckfus
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SheetMusicPlus
Acoustic Guitar,Electric Guitar - Level 1 - SKU: A0.1488812 Composed by Brian Streckfus. Instructional,Singer/Songwriter. Educational Exercises. 12 page...
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Acoustic Guitar,Electric Guitar - Level 1 - SKU: A0.1488812 Composed by Brian Streckfus. Instructional,Singer/Songwriter. Educational Exercises. 12 pages. Brian Streckfus #1065662. Published by Brian Streckfus (A0.1488812). Pages: 12Keys: 1. C Major2. A minor3. A Harmonic minor4. A minor (Jazz 7ths)5. A minor (Extreme Jazz extensions)6. The seven modesThis collection of PDFs is something I am very proud of and I believe it has been my most well recieved PDF upload on the internet. Finding chord charts that simply list chords are a dime a dozen, and can be found anywhere. It is much rarer for a chord sheet to try to explain what order they go in and even rarer still to find it for guitar. It's difficult because it is an art, and of course there really is no wrong answers in composing (especially on Halloween I always joke). I personally haven't seen anything else quite like this on the internet.Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. The aim is to memorize them so that you can understand them in all 12 keys. These chord progressions are of course a great composition aid. Tips:1. I find sheets like this to be excellent practice to play by ear. If the music is relaxing I play blue chords, if it is intense I play red chords. Once you get into the groove, and you know no one is changing key, it's as simple as that.2. When playing by ear, even if you get the exact chord wrong but you still get the correct color, it will still sound like you harmonizing the song correctly!!! See chords categorized by purpose rather than name will elegantly simplify how music actually works.3. The reason why we study the roman numerals is to be able to think about all of music in a single keyless key to allow for optimum clarity.4. One issue that needs to be fixed: what to do about the 11 other keys? One easy and quick fix is to use a guitar capo (or downtune) to get to all the other keys. I can't imagine giving out 56 pages of chord progressions to each of my students, it's way too much. Instead, I teach strategies on how these work in all 12 keys. 5. Order = Blue, Yellow, Red, Blue for stereotypical chord progressions that truely progress. These is such a thing called a chord succession where it is not the previous order. Again, try not to see music in terms of right and wrong. Everything expresses an emotion. For example, if there is a song devoid of red chords, it will result in more peaceful music. Lots of red would be great for metal music, etc...Social Media:https://allmylinks.com/brianstreckfushttps://www.facebook.com/profile.php?id=100078682133421https://www.patreon.com/brianstreckfushttps://www.brianstreckfus.comhttps://www.facebook.com/classicalguitar2015/https://twitter.com/BrianStreckfushttps://www.instagram.com/brianstreckfus/https://www.youtube.com/user/woodenboxengineerhttps://www.facebook.com/Doppelganger-106026062029620/https://www.linkedin.com/in/brian-streckfus-9b334a92/https://steemit.com/@boxengineerhttps://d.tube/#!/c/brian0streckfus0guitarhttps://www.sheetmusicdirect.com/en-US/Search.aspx?query=Brian%2BStreckfushttps://www.sheetmusicplus.com/publishers/brian-streckfus-sheet-music/3027331https://belairmusicstudios.com/product/brian-streckfus/https://soundcloud.com/streckfusclassicalguitar.
$4.99 ≈
4.49€
Nevermore
Nevermore
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Saxophone
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INTERMÉDIAIRE/AVANCÉ
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Craig Wadley
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Nevermore
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Wadley Publications
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SheetMusicPlus
Instrumental Solo,Saxophone - Level 4 - SKU: A0.983172 Composed by Craig Wadley. 21st Century,Contemporary,Contest,Festival,Halloween. Individual part. ...
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Instrumental Solo,Saxophone - Level 4 - SKU: A0.983172 Composed by Craig Wadley. 21st Century,Contemporary,Contest,Festival,Halloween. Individual part. 18 pages. Wadley Publications #4638491. Published by Wadley Publications (A0.983172). Nevermore for Unaccompanied Saxophone by Craig Wadley. As this is an unaccompanied piece, ANY saxophone is acceptable. While most soloists will undoubtedly opt to use alto or soprano, the composer welcomes renditions of this piece on any of the larger saxes as well. This piece was inspired by Nevermore: An Evening With Edgar Allen Poe, a single act play featuring Jeffrey Combs. My good friend, Dr. Brent Bristow of Arkansas State University, Beebe, convinced me to go see the play when it was presented there in March of 2018. That performance by the legendary Mr. Combs inspired this piece. Why unaccompanied saxophone? Brent Bristow and I have been close friends since high school, and since he is the one who convinced me to see this show, and given that he plays classical saxophone (yes, that IS a thing!), I figured saxophone would kill two birds with one reed… or something like that. The show itself is a one-man performance, so that’s why this piece is unaccompanied. I toyed with the notion of including some text from the show. Eventually, I decided to go with The Raven, which is featured prominently in Combs’ monologue. But I didn’t want to RELY on The Raven, so I wrote the piece in such a way that it can be performed with OR without the narrator. I took a bit of inspiration from Bach’s cello music and brought in some more modern elements such as shifting meters and limited use of slap-tongue and multiphonics to keep things interesting. No altissimo is used.This work would make for excellent solo repertoire at the collegiate level, while still being potentially accessible to advanced high school players. If the narrator is used, this work would also be great as part of a Halloween/horror variety show!You may note that the mp3 demo preview uses a cello sound (placing the transposition in the range of the baritone sax, though again, any saxophone is acceptable). A cello sound is used because samples of saxophone sounds generally leave much to be desired, and they are most commonly based on jazz tone qualities which would be completely inappropriate for this piece.
$17.99 ≈
16.18€
Le streghe
Le streghe
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Piano seul
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Monica Bergo
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I find again
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Le streghe
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Monica Bergo
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SheetMusicPlus
Piano Solo - SKU: A0.976872 Composed by Monica Bergo. Children,Contemporary,Halloween. Score. 8 pages. Monica Bergo #3240587. Published by Monica Bergo ...
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Piano Solo - SKU: A0.976872 Composed by Monica Bergo. Children,Contemporary,Halloween. Score. 8 pages. Monica Bergo #3240587. Published by Monica Bergo (A0.976872). 2017 Holiday Contest Entry♫ *'¯` * • .¸¸. ♫ ♫ Witches *'¯` * • .¸¸. ♫ It seemed a day so, like many others, I wake up and commitments already there are pressing who asks, who call, they have all need leave me alone want my dream Today, I'm sorry, but is not the day from these chains I feel disconnected and run happy in the thick of the wood I reach my nest my hidden place I never afraid in the woods at night With they I find again the right atmosphere and there, around the fire there is my family the only, the true that resembles me the most And in my reflection are barefoot and shabby but just so , I feel myself and while we wait something to happen dolls in hand we look for a prey if in the Middle Ages they had burned us stronger and bad now we are back Between 1000 potions between powders and concoctions we here manufacture the strange mixtures And dance around the fire Of us, cares little to you we are ugly, we are ungainly we are dirty and unkempt and turned, turned around, there is a place in the world where it does not matter the look and appearance. And while we intone the chants to the moon a strange mantra to bring good luck I feel observed because there hidden he's , he followed me in the thick of wood I stop petrified and now I'm afraid because he knows nothing of my dark half and I see the contempt I can see it in his face and I have a heavy heart tears soaked-.... What I could say I would tell him do not go while time seems to stop a moment seems eternal.... But who cares half woman half witch If really you're interested maybe you love me the same.... and I look at you go away in my eyes nostalgy and a tear goes I think of what will not be strange actress consumed identity lost I try wherever my part always change my fate. And watch you disappear something inside me dies I would like an elixir of love it gives you back &n.
$3.99 ≈
3.59€
Metamorphous Nocturne
Metamorphous Nocturne
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Piano seul
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INTERMÉDIAIRE
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Marlowe Haws
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Marlowe Haws
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Metamorphous Nocturne
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Marlowe Music Productions
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1321517 By Marlowe Haws. By Marlowe Haws. Arranged by Marlowe Haws. 21st Century,Classical,Contemporary,Halloween,New Age...
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Piano Solo - Level 3 - SKU: A0.1321517 By Marlowe Haws. By Marlowe Haws. Arranged by Marlowe Haws. 21st Century,Classical,Contemporary,Halloween,New Age. Score. 3 pages. Marlowe Music Productions #909979. Published by Marlowe Music Productions (A0.1321517). This is another of my earliest works that I have since polished up. This was the first song I ever wrote that I considered to be brilliant and really gave me the confidence and motivation to continue on my path to being an origianl composer. I've gotten tired of this talentless era that we live in where it's all about using technology to remaster and auto-tune and just cover the same old songs... This was my attempt to make something that is formless, no template for rehashing, but something truly original. I have tried to carry that spirit with my subsequent songs. I'd like to give you my art for free, but sadly this world wants me to be a slave to my employer and I'm not making enough money, so here I am trying to sell my music. I feel like the spirit of art aught to be a spirit of creation and giving. Modern art has perverted this spirit to one of copying and marketing... I hope you enjoy this, I put a lot of effort and heart into it.
$9.99 ≈
8.98€
Descent into Delirium
Descent into Delirium
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Gavin Koh
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Descent into Delirium
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Gavin Koh
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.874512 Composed by Gavin Koh. Concert,Contemporary,Halloween,Standards. Score. 10 pages. Gavin Koh #5957609. Published by...
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Piano Solo - Level 4 - SKU: A0.874512 Composed by Gavin Koh. Concert,Contemporary,Halloween,Standards. Score. 10 pages. Gavin Koh #5957609. Published by Gavin Koh (A0.874512). There's a lot to celebrate on Halloween night, like dressing in scary costumes, telling tales of witches and ghosts, carving pumpkins into creepy jack-o'-lanterns. According to old wives' stories, however, you could descend into delirium on Halloween night, especially when you get too wrapped up in your cosplay! I sincerely hope you will enjoy listening to this. Follow the composer at https://www.facebook.com/gavinkoh1970
$3.99 ≈
3.59€
A Sunny Day in Hell (cello and guitar)
A Sunny Day in Hell (cello and guitar)
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Violoncelle , Guitare (duo)
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Apostolos Paraskevas
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A Sunny Day in Hell
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Silver Sickle Publications
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SheetMusicPlus
Instrumental Duet Cello,Guitar,Instrumental Duet - SKU: A0.942094 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Halloween,World. Score and...
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Instrumental Duet Cello,Guitar,Instrumental Duet - SKU: A0.942094 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Halloween,World. Score and parts. 29 pages. Silver Sickle Publications #6092705. Published by Silver Sickle Publications (A0.942094). A Sunny Day in Hell - for Guitar and Cello A small introduction from the guitar opens the work which brings the introductory material as a feeling of a sluggish and almost joyful day, an opening with a dark feeling. Almost like a sunny day in hell, I could say. This opening material gives its turn to a fast-fierce agitated section in where the guitar mostly plays 16th triplets and the cello introduces an exotic dance-like tune. A limping dance, I must add given the title’s influence. Almost like a small party in hell. The following slow section brings up a sad melancholic mood where both instruments share new material with an evocation of a past happy life. The work ends with the main fast material in a variation form. It was my intention to compose a friendly work for performers and audiences.First twist:Performers: prepare audience for an upcoming performance twist/surprise which will not come (at least not during performance). If or when members of the audience later ask about it, performers should assure them that the twist is still an upcoming great event. Have them re-live the performance as they wonder for years to come...If members of the audience should coerce or threaten you by force, you may reveal the twist: In the unfortunate event that you may later end up in hell, this performance guarantees that you will have at least one Sunny Day in HellOptional Second twist:Performers, could as an extra touch, wear fangs (teeth of a vampire or devil) and after performance could reveal them by either biting the lip or casually smiling or yawning at the audience. No audience preparation is needed for this twist. Although wearing Fangs during the performance, could be a nuisance to some performers, they could give to the work a special extra bite. As a variation, fangs could be wore after the end of the performance. Apostolos Paraskevas, Boston 2008
$14.99 ≈
13.48€
The Recipe 3 altos and gt. (Double, double toil and trouble from Shakespeare's three witches) (mp3)
The Recipe 3 altos and gt. (Double, double toil and trouble from Shakespeare's three witches) (mp3)
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Contemporain
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David Warin Solomons
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The Recipe 3 altos and gt.
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David Warin Solomons
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SheetMusicPlus
Alto Voice,Guitar - Level 4 - SKU: A0.1350418 By David Warin Solomons. By David Warin Solomons. Contemporary. Full Performance. Duration 175. David Wari...
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Alto Voice,Guitar - Level 4 - SKU: A0.1350418 By David Warin Solomons. By David Warin Solomons. Contemporary. Full Performance. Duration 175. David Warin Solomons #935215. Published by David Warin Solomons (A0.1350418). Three witch-like altos performing Shakespeare's chant of the three witches (from Macbeth), with a quasi-ostinato guitar accompaniment. The sound sample is a performance by the composer - multitracking.It is suitable for a Shakespeare performance or, more generally, for a Halloween concert. Thrice the brinded cat hath mew'd  Thrice and once the hedgepig whin'd  Harper cries: 'Tis time, 'tis time.  Round about the cauldron go;  In the poison'd entrails throw.  Toad, that under cold stone  Days and nights hast thirty one  Swelter'd venom sleeping got,  Boil thou first i' the charmed pot.  Double, double toil and trouble;  Fire burn and cauldron bubble.  Fillet of a fenny snake,  In the cauldron boil and bake;  Eye of newt, and toe of frog,  Wool of bat, and tongue of dog,  Adder's fork, and blind-worm's sting,  Lizard's leg, and howlet's wing,  For a charm of powerful trouble,  Like a hellbroth boil and bubble.  Double, double toil and trouble;  Fire burn and cauldron bubble.  Scale of dragon, tooth of wolf,  Witch's mummy, maw and gulf  Of the ravin'd saltsea shark,  Root of hemlock digg'd i' the dark  Liver of blasphemer too,  Gall of goat, and slips of yew  Sliver'd in the moon's eclipse,  Nose of Turk, and Tartar's lips,  Finger of birth-strangled babe  Ditch-deliver'd by a drab,  Make the gruel thick and slab:  Add thereto a tiger's chaudron,  For the ingredients of our cauldron.  Double, double toil and trouble;  Fire burn and cauldron bubble.  Cool it with a baboon's blood,  Then the charm is firm and good.
$5.50 ≈
4.95€
La nemesi
La nemesi
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now your fire is spent
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Monica Bergo
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La nemesi
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Monica Bergo
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SheetMusicPlus
Small Ensemble Pan Pipe,Piano,Trumpet,Tubular Bells,Viola,Violin - Level 3 - SKU: A0.976861 Composed by Monica Bergo. Contemporary,Halloween. Score and ...
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Small Ensemble Pan Pipe,Piano,Trumpet,Tubular Bells,Viola,Violin - Level 3 - SKU: A0.976861 Composed by Monica Bergo. Contemporary,Halloween. Score and parts. 43 pages. Monica Bergo #3238977. Published by Monica Bergo (A0.976861). 2017 Holiday Contest EntryNEMESIS I enter the room of my consciousness That incredible disorder I rummage through the drawers Where I keep sufferings And the ineradicable memories Dust that knows of regret Spider webs cover my time, I recompose pieces of life But I'm here for you Fleeting shadow And my face reflects, Inside you My nemesis, my alter ego You reflect me and then Are a dark ghost The imperfect and the unsaid I will let you be what you are, My soul, black and rending. If you destroy my image It does not matter Finally that door remains open And opening the border between dream and reality I stumble among people at my funeral Who cry, who laugh, It is my Carnival I look at them from above, a spectral profile Rush down into the void that I have inside Nobody hugs me, I touch the silence, Slow-motion of a movie without more viewers, Close the curtain of the world outside and ... and ... The snow falls , how cold it is For this actress without identity I escape from the frost of my uncertainties But there is no refuge save me from she Who is heat, but to hurt Is my animal instinct I'm alone in this storm But certainly I do not regret Your mood swings, your sterile love Even without, I will survive My nemesis now dominates Be careful! If she comes for you She destroys you, crushes you, is cruel and savage, And then she will laugh in your face And sitting here on the bank of my river I'm waiting for you to pass this way Naked and without arrogance I'll never get enough This dance that gives me joy And in the darkness I move safe and stealthy (what are you?) I'm not afraid of anything and I feel wicked (you are lost now) Souls dancing to the beat of their sins (you like us) In this limbo I disown my past days (and so will you be...) Wind and storm I'm not just this, The rumble of thunder I don't understand any longer which side I’m on And it goes against the wind and sharpens my torment I'm hungry for the Sun Nemesis cannot dominate me My nemesis is here, Is stronger than ever And I know that she is reaching for me And it’s she who does not know Ever to stop halfway, Is Lady of Vice and Deception She seizes me , she exhausts me because She does not accept the peace that I have inside She has no balance, Makes me waver, And frustrates what I have achieved Tell me that you'll disappear As a dream in the morning light And will be, within me, A memory clouded by time I leave the room of my consciousness To make order is impossible Strange this drawer, not only sufferings But something relentless Nemesis, it is no longer your time By now your fire is spent And I will be born again to enchantment By words and music Food for the soul ... Monica Bergo
$3.99 ≈
3.59€
One Lonely Pumpkin
One Lonely Pumpkin
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Piano Facile
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FACILE
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Michael Huseman
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One Lonely Pumpkin
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Michael Huseman
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.1490672 Composed by Michael Huseman. Children,Halloween. Score. 2 pages. Michael Huseman #1067477. Published by Michael H...
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Easy Piano - Level 2 - SKU: A0.1490672 Composed by Michael Huseman. Children,Halloween. Score. 2 pages. Michael Huseman #1067477. Published by Michael Huseman (A0.1490672). This Halloween song tells the story of a lonely little pumpkin who is waiting in the field, hoping to be chosen since it feels that it will be the best Jack-o'-lantern that could ever be. I have many students and as they improve, they often ask for advanced arrangements of songs they loved when just beginning. This version teaches them about passing their fingers under, just like in scales...but a bit more fun!
$4.99 ≈
4.49€
The Mansion - for Guitar and Orchestra - reduction
The Mansion - for Guitar and Orchestra - reduction
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Piano, Guitare (duo)
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AVANCÉ
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Britt Andrew Burns
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The Mansion - for Guitar and O
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Indie Classical Publications
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.971794 Composed by Britt Andrew Burns. Contemporary,Halloween. Individual part. 25 pages. Indie Classical Publications #...
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Solo Guitar - Level 5 - SKU: A0.971794 Composed by Britt Andrew Burns. Contemporary,Halloween. Individual part. 25 pages. Indie Classical Publications #41347. Published by Indie Classical Publications (A0.971794). THE MANSION was composed in 2011. The inspiration for the work came from a reoccurring dream (or nightmare) I would have about being lost in a large, haunted mansion. The mansion would be abandoned, yet would be full of unexpected noises and surprises around every corner. Because of this, the music is intended to sound a little haunting, yet adventurous at the same time, because both of these emotions were strong in the dreams. I no longer have this reoccurring dream, and I have never come to understand why I used to have this dream. I have been a student of the guitar for over 18 years, and I wanted to write a concerto-like work for the nylon string guitar and orchestra. Because an orchestra can be overpowering to the acoustic guitar, I have suggested that the guitarist use an acoustic guitar amplifier. The volume can be adjusted to the performers discretion, but the guitar needs to always be heard. Although the work is also technically challenging, I tried to write something that would still be accessible for the audience. Almost all of the thematic material comes from a simple 5-note motive that can be heard at the beginning of the piece in the piano and guitar. This work does not follow a specific form, although many of the sections do repeat. Originally for guitar and orchestra, this arrangement is for guitar and piano.Difficulty: grade 5Duration: 7:45
$12.00 ≈
10.79€
Valse - Scherzo op.34 for flute and piano
Valse - Scherzo op.34 for flute and piano
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Flûte traversière et Piano
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Piotr Tchaikovski
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James Strauss
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Valse - Scherzo op.34 for flut
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James Strauss
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SheetMusicPlus
Flute,Piano - SKU: A0.1035219 Composed by Piotr Tchaikovski. Arranged by James Strauss. Halloween,Hanukkah,Romantic Period,World. Score and part. 16 pag...
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Flute,Piano - SKU: A0.1035219 Composed by Piotr Tchaikovski. Arranged by James Strauss. Halloween,Hanukkah,Romantic Period,World. Score and part. 16 pages. James Strauss #5297983. Published by James Strauss (A0.1035219). Writing to his brother Modest on 18/30 January 1877, Tchaikovsky mentioned that the violinist Iosif Kotek had ordered a piece from him for a forthcoming concert. Four days later Kotek wrote to Tchaikovsky: Thank you in advance for the waltz; it will surely be wonderful, as is everything that you compose... this shall be a piece to impress everybody. In another letter from mid/late February, we read: Incidentally, about the waltz. Why force yourself if you are tired? Of course, I would be delighted and infinitely glad if you were to write the waltz, especially since it is for me. I am still very glad that you have even started to think about this.In the period from March to August, we find no further references to work on the Valse. But, given that in March and April, Tchaikovsky wrote his Fourth Symphony, and that in May he was completely absorbed in composing the opera Yevgeny Onegin, it is likely that by this time the Valse had already been completed.It seems that the waltz was partly or wholly orchestrated by Kotek after Tchaikovsky completed the version for violin with piano. This is suggested by two letters from Kotek to Tchaikovsky: in October 1878, the violinist reported to Tchaikovsky on an unsuccessful performance of the piece: Could my instrumentation be the reason that the waltz did not please?, and early in 1879 he wrote: I think that I badly orchestrated the Waltz ... what extraordinarily empty sounds!. None of Tchaikovsky's letters refer to the orchestration of the piece.Here for the very first time in aversion for flute and piano - I tried to not transcribe the violin part, but re-write the solo part as it was made for flute.
$11.99 ≈
10.78€
This Woman's Work
This Woman's Work
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Maxwell
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This Woman's Work
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as do Ray meflute studio production
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SheetMusicPlus
Choral Choir (Mixed) - Level 4 - SKU: A0.874263 By Maxwell. By Kate Bush. Arranged by a do Ray me flute studio production, Ray-Michael Kauffman. Conte...
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Choral Choir (Mixed) - Level 4 - SKU: A0.874263 By Maxwell. By Kate Bush. Arranged by a do Ray me flute studio production, Ray-Michael Kauffman. Contemporary. Octavo. 37 pages. As do Ray meflute studio production #6069725. Published by as do Ray meflute studio production (A0.874263). This Woman's Work by Kate Bush arranged for flute choir /ensemble.I started a new line of flute arrangements called Compositions that Care. With these arrangements, all the money sued to purchase these arrangements goes to special charity or cause . This specific arrangement is for Breast Cancer . This is something that 1 in 8 women will develop in their lifetime, and is special to me because I've had family members, friends and co-workers effected by this cancer. Generally speaking, for October, I would arrange so fun or scary Halloween song, however, October is Breast Cancer Awareness. I could not think of anything better to do than a beautiful arrangement , to raise money and awareness for Breast Cancer. This well written, beautiful song by Kate Bush would make a great addition to your music library, something very different and memorable not only for a general audience , but especially for an event celebrating Women , for a breast cancer survivor, for friends and family also effected by this cancer , or a movie or tv themed concert because this song was featured in the movie in She's having a Baby :, to tv shows like Alias and recently in The Hand Maids Tale . This is something very different , beautiful, and easy to derive emotional expression from, and for many this song as well as this cause will be very meaningful for many people.https://youtu.be/ZWbpjVLCyzI Please visit me on the web @ doRaymeflute.com
$15.99 ≈
14.38€
They're Coming
They're Coming
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Samuel ValentÃn
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They're Coming
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Pianiolist Music
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SheetMusicPlus
Cello,Double Bass,Drums,Piano,Synthesizer - SKU: A0.1071828 Composed by Samuel ValentÃn. Contemporary,Film/TV,Halloween,Video Game. Full Performance....
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Cello,Double Bass,Drums,Piano,Synthesizer - SKU: A0.1071828 Composed by Samuel ValentÃn. Contemporary,Film/TV,Halloween,Video Game. Full Performance. Duration 560. Pianiolist Music #5037623. Published by Pianiolist Music (A0.1071828). Horror movie type music that I had the inspiration to write one day, uploads have been slowed down a little because of this project but I think it was worthwhile. The inspiration I had comes from a lot of different places, the earthquakes in Puerto Rico, a lot of things in my personal life, etc., so I encourage you to find your own meaning behind this piece, because even if it is a project meant to sound like something from a movie it doesn't make it any less of a piece of music that we can put a reflection of ourselves into.
$8.00 ≈
7.19€
October 1974, Cohoes (Confrontation and Finale)
October 1974, Cohoes (Confrontation and Finale)
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Voix Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Brett L
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October 1974, Cohoes
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Sonata Grendel Publishing
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 4 - SKU: A0.837499 Composed by Brett L. Wery. Concert,Contemporary,Halloween. 13 pages. Sonata Grendel Publish...
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Baritone Horn TC,Vocal Solo,Voice - Level 4 - SKU: A0.837499 Composed by Brett L. Wery. Concert,Contemporary,Halloween. 13 pages. Sonata Grendel Publishing #5792331. Published by Sonata Grendel Publishing (A0.837499). Letters From Cohoes was originally conceived for Baritone, flute, harp and string Quartet. The first movement is set in Eva Tanguay’s voice and works well dramatically for mezzo-soprano. Eva Tanguay (1879-1947) was born in Canada and billed herself as the girl who made vaudeville famous. She was known for her suggestive songs and extravagant costumes. She has been likened to Madonna or Lady Gaga. Her one recording was I Don’t Care in 1922. Her parents moved to Holyoke, Massachusetts in the 1880’s and she began her career as a teenager at the Cohoes Music Hall. At the age of nineteen she made her debut in New York City. Tanguay was the highest paid woman of her day but was said to have lost more than two million dollars in the Wall Street crash of 1929. Tanguay had a reputation for outlandish behavior and was once fined $50 in Louisville, Kentucky for throwing a stagehand down a flight of stairs. She died, blind and nearly destitute, at the age of 68 in Hollywood. In 1953 Mitzi Gaynor portrayed Eva Tanguay in a fictionalized version of her life in the motion picture, The I Don’t Care Girl. Her ghost is said to still haunt Cohoes Music Hall in upstate New York. Letters from Cohoes is a highly fictionalized, musical portrayal of Eva Tanguay’s ghost. In its original form it was scored for flute (doubling on alto flute, contrabass flute and piccolo), harp, string quartet and solo baritone. It is in four movements, taking the form of letters. Letter 4. October 1974, Cohoes (duration – 4:56) Confrontation and Finale The stage manager finally confronts the ghost residing in the hall. Your innocence was stolen but your youth was yours to lose. The croaking raven doth bellow for revenge,And so I stand for sacrifice.
$9.99 ≈
8.98€
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