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Vous avez sélectionné:
I Get Ideas
Partitions à imprimer
111 partitions trouvées
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101
I Get A Kick Out Of You
I Get A Kick Out Of You
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Contemporain
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Cole Porter
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H
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I Get A Kick Out Of You
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H.P. Gyldfeldt
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SheetMusicPlus
String Ensemble Cello,Double Bass,Viola,Violin - Level 5 - SKU: A0.1253494 Composed by Cole Porter. Arranged by H.P. Gyldfeldt. 20th Century. 8 pages. H...
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String Ensemble Cello,Double Bass,Viola,Violin - Level 5 - SKU: A0.1253494 Composed by Cole Porter. Arranged by H.P. Gyldfeldt. 20th Century. 8 pages. H.P. Gyldfeldt #847183. Published by H.P. Gyldfeldt (A0.1253494). A classical American piece of music, special arrangement for Tenor Saxophone and String Orchestra. The string parts are highly professional - can also be played by String Quartet + bass. I have used my own compositorial ideas and mainly the standard chords. - I composed this arrangement for advanced professional musicians and it is going to be performed at a special concert for Chamber Orchestra and Tenor Saxophone as soloist in a cross-over repertoire. It is definitely enjoyabel for the musicians and there is good space in the piece for the Soloist's improvisation. Â - Alternatively a part is also available for Alto Saxophone.
$200.00 ≈
186.06€
I Get Ideas
I Get Ideas
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Piano grosses notes
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DÉBUTANT
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Tony Martin
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I Get Ideas
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Hal Leonard - Digital
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SheetMusicPlus
Electronic Keyboard,Organ,Piano and Keyboard - SKU: HX.1046799 By Tony Martin. This edition: scorch. E-Z Play Today. Jazz,Latin,Standards. Score. 3 page...
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Electronic Keyboard,Organ,Piano and Keyboard - SKU: HX.1046799 By Tony Martin. This edition: scorch. E-Z Play Today. Jazz,Latin,Standards. Score. 3 pages. Hal Leonard - Digital #356170. Published by Hal Leonard - Digital (HX.1046799). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99 ≈
2.78€
Lest We Forget for Bb Clar., Violin and Piano
Lest We Forget for Bb Clar., Violin and Piano
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Violon, Clarinette, Piano (trio)
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sy Brandon
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Lest We Forget for Bb Clar., V
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Sy Brandon
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SheetMusicPlus
Small Ensemble Clarinet,Piano,Violin - Level 4 - SKU: A0.755024 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 66 pages. Sy Brandon...
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Small Ensemble Clarinet,Piano,Violin - Level 4 - SKU: A0.755024 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 66 pages. Sy Brandon #3244207. Published by Sy Brandon (A0.755024). Lest We Forget, written for the Zodiac Trio, was inspired by the approach of Memorial Day 2006 but has evolved into a composition with a more encompassing vision. The work was originally conceived to depict the horrors of war and to pay tribute to those who served and gave their lives so that freedom can endure. The conception expanded to include the horrors of natural disasters, the destruction of lives and property, and ability of humans to endure and rebound from the depths of despair. In essence, the piece is about the fragility of human life and the triumph of the spirit. The composition is in three movements. I. Fury - Strong rhythmic and contrapuntal lines depict outbursts of anger or the power of nature. The quieter sections represented a seething that builds to the violent outbursts. II. Devastation - This movement is filled with musical representations of screams, anger, laments, and hopelessness as one faces the aftermath of destruction. Long melodic lines in minor are interspersed with short motifs throughout the movement. III. Triumph of the Spirit - The movement begins quietly and slowly as if wandering among the desolation. Two thematic ideas appear during the slow section, one a prayer-like melody in the violin and the other an imitative development of the prayer idea that later representing taking initiative. These ideas transition into a faster tempo where a new theme is introduced that represents determination. The three thematic ideas alternate and development as the movement builds to a climax showing the power of the human spirit to survive catastrophe. This piece is recorded by The Zodiac Trio on their CD The Zodiac Trio.
$14.99 ≈
13.95€
Get Ready
Get Ready
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Chorale 3 parties
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INTERMÉDIAIRE
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Rare Earth
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Shelley Gray
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Get Ready
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Shelley Gray
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SheetMusicPlus
Choral Choir (SSA) - Level 3 - SKU: A0.828167 By Rare Earth. By Smokey Robinson. Arranged by Shelley Gray. A Cappella. Octavo. 7 pages. Shelley Gray #46...
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Choral Choir (SSA) - Level 3 - SKU: A0.828167 By Rare Earth. By Smokey Robinson. Arranged by Shelley Gray. A Cappella. Octavo. 7 pages. Shelley Gray #4639213. Published by Shelley Gray (A0.828167). An arrangement for female a cappella quartet/chorus. A classic motown number by the fantastic Smokey Robinson and this arrangement will certainly have your chorus tapping their toes. I've split the melody across the lead and baritone parts and given the bass some 'vocal' percussion ideas to support the funky riff.For further information, be-spoke alterations and teach tracks please contact me at shelleygray40@gmail.com.
$2.25 ≈
2.09€
I Sing the Mighty Power of God -- intermediate piano solo
I Sing the Mighty Power of God -- intermediate piano solo
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Piano seul
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FACILE
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Ashley Qurollo
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I Sing the Mighty Power of God
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Ashley Qurollo Music
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.948861 Arranged by Ashley Qurollo. Concert,Graduation,Holiday,Patriotic,Sacred. Score. 4 pages. Ashley Qurollo Music #633...
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Piano Solo - Level 2 - SKU: A0.948861 Arranged by Ashley Qurollo. Concert,Graduation,Holiday,Patriotic,Sacred. Score. 4 pages. Ashley Qurollo Music #6332115. Published by Ashley Qurollo Music (A0.948861). This energetic arrangement of I Sing the Mighty Power of God is perfect for the intermediate pianist or the advanced church pianist needing something quick to learn. This piece serves well for church offertories, preludes, nursing homes, or just personal enjoyment!Visit https://ashleyqurollo.com/ for ideas and inspiration for the church musician.
$1.99 ≈
1.85€
Lord, I Lift Your Name On High
Lord, I Lift Your Name On High
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Piano, Voix
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INTERMÉDIAIRE
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Contemporain
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Rick Founds
Arran
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Rick Founds
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Susan Staples Bell
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Lord, I Lift Your Name On High
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Susan Staples Mast Bell
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.749551 Composed by Rick Founds. Arranged by Susan Staples Bell. Contemporary. Score. 9 pages. Susan Staples Mast B...
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Piano,Vocal,Voice - Level 3 - SKU: A0.749551 Composed by Rick Founds. Arranged by Susan Staples Bell. Contemporary. Score. 9 pages. Susan Staples Mast Bell #6351495. Published by Susan Staples Mast Bell (A0.749551). Lord, I Lift Your Name on HighPiano Solo for IntermediateBy Rick FoundsArrangement by Susan Staples Bell, ASCAPLord, I Lift Your Name on High is an iconic song in the Praise Music genre. This arrangement is specifically written to be accessible and instructive for the Intermediate Piano Student or the traditional Church Pianist who is asked to transition to a more Contemporary style of playing. Careful thought was given to hand position changes, interval reaches, and easier syncopated rhythms.Included in this Series: -You Gotta Know the Score! an introduction to the elements of Praise Music and concepts included in this arrangement. -a Lead Sheet. The original melody and chord symbols. -It’s All About the Chords. What are the chords used in this arrangement and how can you use them to create your own version? Also, ideas for improvisation in the Right Hand for fills and vamps. -Put it All Together. Here is the arrangement, specially crafted for you! Time length. (03:00). Piano Solo for Worship or Recital. Intermediate level. Like what you hear? Check out other compositions by Susan Staples Bell available on Sheet Music Plus.Also, selected pieces are now available on JW Pepper for a print option and SuperScore for Ipad. Susan Bell Youtube:https://www.youtube.com/channel/UCGLKCgMtPyUB7ba7lsmoycg
$6.99 ≈
6.50€
I'll Walk You Through the Rain
I'll Walk You Through the Rain
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Chorale 2 parties
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Amy F Bernon
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I'll Walk You Through the Rain
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Chorus - SKU: AX.00-PO-0003614 I'll Walk You Through the Rain - 2-Part. Composed by Amy F Bernon. Secular Choral. 11 pages. Alfred Music - Digita...
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Chorus - SKU: AX.00-PO-0003614 I'll Walk You Through the Rain - 2-Part. Composed by Amy F Bernon. Secular Choral. 11 pages. Alfred Music - Digital Sheet Music #00-PO-0003614. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0003614). UPC: 038081510965.A testament to the bond of friendship, Amy Bernon's tender message is conveyed beautifully through a limited-range melody, designed especially for developing choirs. Near the end, independent vocal parts weave melodic ideas together, tapering to a gentle close.Concert/Contest.
$1.90 ≈
1.77€
I Get Ideas by Tony Martin - Piano/Vocal/Guitar
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Piano, Voix et Guitare
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Tony Martin
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I Get Ideas
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Musicnotes
Performed by: Tony Martin: I Get Ideas Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics)...
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Performed by: Tony Martin: I Get Ideas Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 3 pages -- Latin Jazz~~Latin~~Standards~~Traditional Pop~~Vocal Pop
$5.50 ≈
5.12€
I Get Ideas (Adios Muchachos) by Julio Cesar Sanders - for Accordion with Vocal/Chords
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Accordéon, Voix
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Julio Cesar Sanders
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I Get Ideas (Adios Muchachos)
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Musicnotes
Performed by: Toni Martin: I Get Ideas Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics)...
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Performed by: Toni Martin: I Get Ideas Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Instrument/Vocal/Chords, instruments: Accordion;Voice; 3 pages -- Latin Jazz~~Latin~~Standards~~Traditional Pop~~Tango
$5.50 ≈
5.12€
Piano Trio No. 1 "Poets and Prophets" (piano score - pno, vln, cel)
Piano Trio No. 1 "Poets and Prophets" (piano score - pno, vln, cel)
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets a
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Conno...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Connor Musik International #6206157. Published by Mark O'Connor Musik International (A0.861898). Piano Trio No. 1 Poets and Prophets (piano score – piano, vln, cel) MO160APiano Score (parts available)Music by Mark O’Connor51 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160A
$22.50 ≈
20.93€
Piano Trio No. 1 "Poets and Prophets" (violin part - pno, vln, cel)
Piano Trio No. 1 "Poets and Prophets" (violin part - pno, vln, cel)
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets a
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Conno...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Connor Musik International #6206159. Published by Mark O'Connor Musik International (A0.861899). Piano Trio No. 1 Poets and Prophets (violin part – piano, vln, cel) MO160BViolin Part (score and parts available)Music by Mark O’Connor20 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160.
$15.00 ≈
13.95€
Piano Trio No. 1 "Poets and Prophets" (cello part - pno, vln, cel)
Piano Trio No. 1 "Poets and Prophets" (cello part - pno, vln, cel)
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets a
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pages. Mark O'Conno...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pages. Mark O'Connor Musik International #6206161. Published by Mark O'Connor Musik International (A0.861901). Piano Trio No. 1 Poets and Prophets (cello part – piano, vln, cel) MO160CCello Part (score and parts available)Music by Mark O’Connor18 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number.
$15.00 ≈
13.95€
Poker Face
Poker Face
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Piano, Voix
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INTERMÉDIAIRE
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Pop musique
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Lady Gaga
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Jason Howard
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Poker Face
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Jason Howard
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.918797 By Lady Gaga. By RedOne and Stefani Germanotta. Arranged by Jason Howard. Pop. Score. 6 pages. Jason Howard...
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Piano,Vocal,Voice - Level 3 - SKU: A0.918797 By Lady Gaga. By RedOne and Stefani Germanotta. Arranged by Jason Howard. Pop. Score. 6 pages. Jason Howard #5301707. Published by Jason Howard (A0.918797). This arrangement of Poker Face came to me suddenly while I was sitting at my piano. I was bored and looking through a collection of pop songs, when I accidentally created the opening lick of this piece. It got me thinking, What would happen if this piece had a little bit of a jazz flair? So I sat there, whirled some ideas around in my head, and this arrangement was the outcome. This arrangement is a piano/vocal solo with some optional back up vocals written as well. I hope you guys enjoy it, and leave a comment!I hope that you enjoy my arrangement! If you do (or even if you don't), please leave a comment and let me know! As a current full time band director who would love to be able to do this full time one day, any and all critiques are appreciated, and I'm particularly interested in formatting suggestions! If you would rather email me than leave a comment, shoot me an email at jhowardarranging@gmail.com!A little about me:My name is Jason Howard, and at the time of this publication, I'm going into my 5th year as a band director at the middle and high school levels. I have quite a bit of experience with arranging of various types of vocal and instrumental ensembles and combos. Most are for personal use, but as I get time, I hope to publish more and more for public consumption! Primarily, I focus on popular music, and I one day hope to bring important and influential classical musics to audiences and younger students everywhere!
$4.99 ≈
4.64€
St. Matthew Blue (Swing Version)
St. Matthew Blue (Swing Version)
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Jazz combo
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INTERMÉDIAIRE/AVANCÉ
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Mike Strand, ASCAP <
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Mike Strand
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St. Matthew Blue
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Michael M. Strand
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SheetMusicPlus
Jazz Combo - Level 4 - SKU: A0.970755 Composed by Mike Strand. Concert,Jazz. Score and parts. 3 pages. Michael M. Strand #5739279. Published by Michael ...
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Jazz Combo - Level 4 - SKU: A0.970755 Composed by Mike Strand. Concert,Jazz. Score and parts. 3 pages. Michael M. Strand #5739279. Published by Michael M. Strand (A0.970755). By Mike Strand, ASCAP This is a swing tune lead sheet with lyrics, chord symbols and guitar fret boards, for a jazz ensemble with two voices, or for one voice and a singing instrument, or for two singing instruments. It serves as a good foundation for a variety of arrangements, contra facts, and improvisations. The audio sample is a medium swing accompaniment from iReal Pro, combined with my tunes from Finale PrintMusic. You hear two melodies with the accompaniment -- a treble electric guitar, and a simulated baritone voice (without the words). A rock version of St. Matthew Blue is also for sale on this web site. St. Matthew Blue portrays an unhappy person coping with the COVID 19 pandemic, which started early in the year 2020. It’s not a blues tune, however, so the word blue is in the title without the s. St. Matthew Blue contains unusual harmonies inspired by J. S. Bach’s opening chorus to the St. Matthew Passion. This tune doesn't match the profundity and appeal of Bach's chorus, but the two 16-bar themes of St. Matthew Blue contain some of my favorite harmonic ideas from Bach’s work. This gives a depth to this piece that sets it apart from other swing tunes. Here are the lyrics to St. Matthew Blue:An evil little bug has got me down.I want to drink a mug of beer in town. But now I get supplies brought to my door From many tries to find an online store. Self-pity brings to mind St. Matthew’s tale, How Jesus saved our kind from fiery hell. That my soul is safe may well be true, But I still chafe at fighting this damn flu.
$3.00 ≈
2.79€
St. Matthew Blue (Rock Version)
St. Matthew Blue (Rock Version)
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Voix duo
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INTERMÉDIAIRE
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Mike Strand, ASCAP <
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Mike Strand
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St. Matthew Blue
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Michael M. Strand
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SheetMusicPlus
Voice Duet Voice - Level 3 - SKU: A0.970756 Composed by Mike Strand. Concert,Pop,Rock. 3 pages. Michael M. Strand #5741591. Published by Michael M. Stra...
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Voice Duet Voice - Level 3 - SKU: A0.970756 Composed by Mike Strand. Concert,Pop,Rock. 3 pages. Michael M. Strand #5741591. Published by Michael M. Strand (A0.970756). By Mike Strand, ASCAP This is a pop rock lead sheet with lyrics, chord symbols and guitar fret boards, for a rock ensemble with two voices, or for one voice and a singing instrument, or for two singing instruments. It serves as a good foundation for a variety of arrangements, depending on your group’s particular setup. The audio sample is a pop rock accompaniment from iReal Pro, combined with my tunes from Finale PrintMusic. You hear two melodies with the accompaniment -- a treble electric guitar, and a simulated baritone voice (without the words). A swing version of St. Matthew Blue is also for sale on this web site. St. Matthew Blue portrays an unhappy person coping with the COVID 19 pandemic, which started early in the year 2020. It’s not a blues tune, however, so the word blue is in the title without the s. St. Matthew Blue contains unusual harmonies inspired by J. S. Bach’s opening chorus to the St. Matthew Passion. My rock tune doesn't match the profundity and appeal of Bach's chorus, but the two 16-bar themes of St. Matthew Blue contain some of my favorite harmonic ideas from Bach’s work. This gives a depth to this piece that sets it apart from other rock tunes. Here are my lyrics to St. Matthew Blue: An evil little bug has got me down. I want to drink a mug of beer in town. But now I get supplies brought to my door From many tries to find an online store. Self-pity brings to mind St. Matthew’s tale, How Jesus saved our kind from fiery hell. That my soul is safe may well be true, But I still chafe at fighting this damn flu.
$3.00 ≈
2.79€
A Night With The Aristocrats
A Night With The Aristocrats
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Apostolos Paraskevas
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A Night With The Aristocrats
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Silver Sickle Publications
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SheetMusicPlus
Large Ensemble Cello,Clarinet,Double Bass,Guitar,Soprano Saxophone,Viola,Violin - Level 5 - SKU: A0.942105 Composed by Apostolos Paraskevas. 20th Centur...
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Large Ensemble Cello,Clarinet,Double Bass,Guitar,Soprano Saxophone,Viola,Violin - Level 5 - SKU: A0.942105 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Score and parts. 122 pages. Silver Sickle Publications #6332819. Published by Silver Sickle Publications (A0.942105). A Night with The Aristocrats (a concertante work of plucking, blowing and bowing)Versions for Clarinet/SopranoSax/Violin with Guitar and Strings The guitar part came inspirational first to me as one of my 24 Studies that I wrote few years ago. For a while though I wondered if a melodic part should be added to this part and form eventually a duo. A request from my dear colleague Corey Whitehead, for a duo plus strings led me to orchestrate it in this version.The work starts with a meditative introduction before the main part unfolds a dance idea between the two instruments and the string orchestra, almost humoresque which hands over a pensive thought in the soprano sax/clarinet/solo violin that repeats itself almost as an unanswered question. Could please anyone answers? The Strings do play an important part in terms of balance and the one of an extra third corresponding force.My composition language is sometimes folklorist around my Greek heritage, sometimes around tonal centers, and sometimes simple within a few key notes, evolves around programmatic ideas that I get from every day living. Apostolos Paraskevas
$45.00 ≈
41.86€
My Shepherd Will Supply My Need
My Shepherd Will Supply My Need
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Piano seul
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INTERMÉDIAIRE
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Musique Sacrée
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Gospel Spirituel
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Southern Harmony
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Paul Thurmond
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My Shepherd Will Supply My Nee
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Paul Thurmond
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.828225 Composed by Southern Harmony. Arranged by Paul Thurmond. Christian,Gospel,Jazz,Sacred. Score. 3 pages. Paul Thurmo...
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Piano Solo - Level 3 - SKU: A0.828225 Composed by Southern Harmony. Arranged by Paul Thurmond. Christian,Gospel,Jazz,Sacred. Score. 3 pages. Paul Thurmond #4968921. Published by Paul Thurmond (A0.828225). Tune: RESIGNATIONUse: Prelude, Offertory, PostludeA couple of years ago I read an interview with director Ridley Scott about his first commercially successful film, Alien. It’s a terrific science fiction/horror movie set on a large spaceship, with a predatory creature who is hunting down the human crew one by one. In the interview, Scott talked about the fact that there were scenes he wanted to film and effects he wanted to use, but his small budget prevented him from doing so. Instead, he was forced to make do with limited time and materials. Alien became a hit, and Scott went on to direct blockbusters like Gladiator and Hannibal.What stuck with me was what Scott said about creativity. It is his opinion that the budgetary constraints under which he operated when making Alien forced him to explore ideas and methods he wouldn’t have otherwise considered. Even though he would later make movies with ten times the budget, he’s extremely proud of what he and his team did with far more limited resources.When I started writing My Shepherd Will Supply My Need, I decided to give myself a big constraint: I would only be allowed to use the white keys of the piano. This is very different for me; I usually throw in some juicy harmonies. It was an interesting process, and I have to say that I agree with Ridley Scott: limits spark creativity. I’m going to look for other ways to apply this principle.I did go over budget slightly, and used one black key. Every flock has its black sheep, right?
$4.99 ≈
4.64€
9.28.85
9.28.85
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Trombone
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AVANCÉ
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Drake Mabry
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9.28.85
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Drake Mabry
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SheetMusicPlus
Trombone Solo - Level 5 - SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published ...
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Trombone Solo - Level 5 - SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published by Drake Mabry (A0.799352). 9.28.85 was written in 1985 and the date refers to the date of completion, September 28, 1985. Excerpts of this piece are included in Benny Sluchin’s book on contemporary trombone excerpts. This work includes my invention of the idea of playing lip multiphonics. Here's the story. During the Spring of 1985, I participated in the l'atelier de recherche instrumental department for acoustic instrument exploration at IRCAM working with Pierre-Yves Artaud (flute), Daniel Kientzy (saxophone) and Benny Sluchin (trombone). Most of the research was based on looking at new ways to produce sound with acoustic instruments and the department was open to performers and composers. A few months after the IRCAM workshops Benny Sluchin and I decided to work on a piece for him. We worked together to explore various contemporary techniques which I might select for the piece. After a while I narrowed down my choices to a movement with air, one with lip multiphonics, and one using the spatial characteristics of the bell, singing, and sending sound out the back by an alternate F tube. Benny is great to work with as he’s a wonderful musician, anything is possible, he’s open to trying out new ideas and he’s a great human being. The perfect combination for a composer. First, about the lip multiphonics in the second movement. During one of our work sessions we looked at singing and playing multiphonics but I wanted something different. So I asked Benny what would happen if he placed his embouchure between two partials of the overtone series. The result was amazing!! A number of partials sounded at the same time and the textural colors were varied and beautiful. The only problem with this was the window for placing the embouchure was very narrow. Slightly too high or slightly too low would result in a terribly out of tune and uncentered partial. Reminded me of what a sick cow might sound like. This difficulty was less pronounced between partials of a fifth but became more difficult when the partials were closer together. Fourths were okay but major and minor third partials were extremely difficult and risky. We decided what the heck and I wrote the second movement knowing the risks. But when the embouchure is well placed it produces such a beautiful sound. Benny mentioned that the idea had a pedagogical side benefit. He said from being able to focus on placing the embouchure in such a limited ‘window’ it made placing the embouchure for normal note much easier. My invention has been used by other composers since including Xenakis in 1986 and an Icelandic composer a couple of years later. The alternate movement come about after Benny had played the piece for a couple of years. He’s able to get these multiphonics but realized that maybe there would not be many other players able to do so. To avoid the problem that this movement might scare players away from the piece we decided that it would be good to have an alternate movement which would use the same ideas but in a less stressful way for the performer. I thought this was a good idea and wrote, what for me, is a more meditative piece based on the same material. I also imagined that it could be played by itself if the player wished. There is a misprint in the score at the end of the first line where there appears a multiphonic based on placing the embouchure between an Eb and an A natural. The A should be an Ab. The first movement explores the subtleties of various vowel and consonant formations in the mouth while playing. Since the trombone is such a perfect amplifier these small details can be heard. For instance the difference between ‘ts’ and ‘tsh’ comes off well. I think of this movement as a vocal conversation or discourse which becomes highly animated at the end. The dynamics play an important role in providing additional colors. The player should really ‘speak’ without speaking for this movement to work. The third movement is my circus piece. I know it is complicated to.
$7.99 ≈
7.43€
Pulse
Pulse
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Michelle Kraak
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Pulse
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Michelle Kraak
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SheetMusicPlus
Bongos,Cello,Electric Guitar,Marimba,Piano,Violin - Level 3 - SKU: A0.1012604 Composed by Michelle Kraak. Contemporary,Rock,Standards. 38 pages. Michell...
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Bongos,Cello,Electric Guitar,Marimba,Piano,Violin - Level 3 - SKU: A0.1012604 Composed by Michelle Kraak. Contemporary,Rock,Standards. 38 pages. Michelle Kraak #6102883. Published by Michelle Kraak (A0.1012604). Pulse is an energetic piece with a fun underlaying beat. The instrumentation includes marimba, bongo, amplified guitar, piano, violin and cello. I would recommend using amplification to get the best balance of sound. This piece has a few motivic ideas presented gradually. As the piece moves forward and grows in intensity, some of these ideas merge creating more drama. I would recommend it for students, as it would be a nice concert piece. The unique instrumentation can also help ensembles with non-standard instruments. 4 minutes 50 secondsashevilletrumpet.comhttps://www.facebook.com/kraakmichellehttps://www.instagram.com/kraakmichelle/https://www.linkedin.com/in/michelle-kraak-71b0258a/
$31.95 ≈
29.72€
Santa Claus Is Comin' To Town
Santa Claus Is Comin' To Town
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Piano seul
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INTERMÉDIAIRE
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Michael Buble
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Thomas Gunther
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Santa Claus Is Comin' To Town
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Thomas Gunther Music Productions
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1323881 By Michael Buble. By Haven Gillespie and John Frederick Coots. Arranged by Thomas Gunther. Blues,Christmas,Jazz. ...
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Piano Solo - Level 3 - SKU: A0.1323881 By Michael Buble. By Haven Gillespie and John Frederick Coots. Arranged by Thomas Gunther. Blues,Christmas,Jazz. Score. 5 pages. Thomas Gunther Music Productions #912057. Published by Thomas Gunther Music Productions (A0.1323881). Solo Piano Arrangement By Thomas GuntherSanta Claus Is Coming To Town is another one of my favorite Christmas songs. For some reason I love playing it in a bluesy style, with some jazz voicings. The bridge is more in stride piano style.About The ArrangementThe arrangement includes different stylistic elements found in more traditional popular piano music. It definitely has a bluesy vibe, but also shows elements of jazz and stride piano.When it comes to the form I extended it by adding an intro that comes back in-between sections in form of an interlude. There is also an outro. About The Sheet MusicThe sheet music is basically a transcription of my recording. It contains jazz chord symbols and plentiful of articulations as well as some dynamic markings. My Arranging WorkflowI have different approaches for creating solo piano arrangements of songs. The one I took here is as follows. First I come up with different ideas, try them out, and after a while settle on those I like best. Once I practiced and internalized those ideas I press record and hope for the best. Before the final version is done, I record myself many times over. This gives me the opportunity to improve upon each version until I have one that I feel comfortable with.Recommendations For Learning The SongI recommend that you first listen to my performance while reading along in the sheet music. This way you get a better understanding about the phrasing and the rhythmic feel.You may want to spend a little time just vamping a few bars to get into the groove. When that feels good move on to different sections.The bridge is different in feel because it is based on stride piano rather than blues. Stride piano features big jumps in the left hand and big intervals between the outer notes (up to a 10th). Should you have difficulty in playing those big intervals (smaller hands will make this hard) you may roll the notes and use the sustain pedal.Is This Arrangement For You?This solo piano arrangement is for every pianist who would like to try playing Santa Claus Is Comin' To Town in a more bluesy-jazzy style. Dependent on what your specialty is musically speaking, you made benefit from it in different ways. Here are some examples.Classical PianistsIf you are a classical pianist who rarely listens to jazz and blues music, this arrangement might be a great way to dip your feed into more contemporary genres and styles like blues and jazz. This said, it might be quite challenging. Not from a technical point of view, but from a musical point of view. For example, swung eighth notes and accents and phrasing in blues and jazz are somewhat contrary to classical music. It's gonna be a great learning experience for sure!Jazz PianistsShould you be a jazz musician or blues musician, you may not necessarily want to play the arrangement as written note for note. Instead, you might just fall in love with some of my ideas and create your own arrangement based on those.This goes especially for the solo section. You can play my solo or use it as inspiration for your own solo. Of course experiences blues and jazz musicians will prefer to make up their own solo.I truly hope you have fun playing this arrangement! Yes.
$5.99 ≈
5.57€
I Get Ideas
I Get Ideas
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Accordéon
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Jazz
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Dorcas Cochran
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Gary Meisner
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I Get Ideas
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Dorcas Cochran. Arranged by Gary Meisner. Standards. 3 pages. Published by Hal Leonard - Digital Sheet Music (HX.302376). - - Standards - Hal Leonard - Digi...
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By Dorcas Cochran. Arranged by Gary Meisner. Standards. 3 pages. Published by Hal Leonard - Digital Sheet Music (HX.302376). - - Standards - Hal Leonard - Digital Sheet Music
$4.99 ≈
4.64€
I Get Ideas
I Get Ideas
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Ligne De Mélodie, (Paroles) et Accords
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Jazz
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Standards. FKBK. 1 pages. Published by Hal Leonard - Digital Sheet Music (HX.392365). - FKBK - Standards - Hal Leonard - Digital Sheet Music...
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Standards. FKBK. 1 pages. Published by Hal Leonard - Digital Sheet Music (HX.392365). - FKBK - Standards - Hal Leonard - Digital Sheet Music
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Julio Cesar Sanders: I Get Ideas - accordion
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Accordéon
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INTERMÉDIAIRE
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Jazz
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Julio Cesar Sanders
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Virtualsheetmusic
Instantly printable sheet music by Julio Cesar Sanders for accordion of MEDIUM skill level. / standards
Instantly printable sheet music by Julio Cesar Sanders for accordion of MEDIUM skill level. / standards
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5.55€
Julio C. Sanders: I Get Ideas for voice, piano and guitar
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Latin/Musique du monde
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Virtualsheetmusic
Instantly printable sheet music by Tony Martin for voice, piano or guitar of MEDIUM skill level. / latin,love,standards
Instantly printable sheet music by Tony Martin for voice, piano or guitar of MEDIUM skill level. / latin,love,standards
$5.97 ≈
5.55€
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