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Guthrie: Sonata for French Horn
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Vous avez sélectionné:
Guthrie: Sonata for French Horn
Partitions à imprimer
54 partitions trouvées
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Beethoven: Adagio from Sonata Pathetique for French Horn & Piano
Beethoven: Adagio from Sonata Pathetique for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.549653 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Perio...
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French Horn,Piano - Level 3 - SKU: A0.549653 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516943. Published by jmsgu3 (A0.549653). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$24.95 ≈
22.99€
Guthrie: Sonata for French Horn & Piano
Guthrie: Sonata for French Horn & Piano
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2 Cors (duo)
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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James M
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Guthrie: Sonata for French Hor
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jmsgu3
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SheetMusicPlus
Horn,Instrumental Duet - Level 4 - SKU: A0.547929 Composed by James M. Guthrie. 20th Century,Contemporary. 47 pages. Jmsgu3 #3080489. Published by jmsgu...
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Horn,Instrumental Duet - Level 4 - SKU: A0.547929 Composed by James M. Guthrie. 20th Century,Contemporary. 47 pages. Jmsgu3 #3080489. Published by jmsgu3 (A0.547929). Sonata for French Horn & Pianoin Three Movements:I: ModeratoII: Lento sostentutoIII: RondoDuration: 20:15Score in C: 38 pagesHorn Part in F included
$32.95 ≈
30.36€
Handel: Sonata No. 1 for French Horn Duo
Handel: Sonata No. 1 for French Horn Duo
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2 Cors (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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George Frideric Handel
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James M
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Handel: Sonata No. 1 for Frenc
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jmsgu3
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SheetMusicPlus
French Horn Duet Horn - Level 4 - SKU: A0.552422 Composed by George Frideric Handel. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Sc...
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French Horn Duet Horn - Level 4 - SKU: A0.552422 Composed by George Frideric Handel. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score. 25 pages. Jmsgu3 #6345017. Published by jmsgu3 (A0.552422). Sonata No. 1, K. 555I. LarghettoII. AllegroIII. AndanteIV. AllegroHandel's sonatas hold significant importance in the history of music, particularly in the Baroque era. George Frideric Handel, a prominent composer of the late Baroque period, was renowned for his vocal compositions but also made substantial contributions to instrumental music. His sonatas, including those for violin, oboe, flute, recorder, and other instruments, showcase his form mastery and ability to blend melodic ideas. Handel's sonatas are considered an integral part of the Baroque instrumental repertoire, demonstrating his exceptional skill in composing for various instruments and contributing to the development of instrumental music during his time. The sonatas reflect the stylistic characteristics of the Baroque period and are valued for their musical richness and expressive qualities. Therefore, Handel's sonatas are regarded as significant works that have left a lasting impact on the history of music.
$27.95 ≈
25.76€
Telemann: Four Sonatas for French Horn & Piano
Telemann: Four Sonatas for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE
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Georg Philipp Telemann
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James Guthrie, ASCAP
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Telemann: Four Sonatas for Fre
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.551678 Composed by Georg Philipp Telemann. Arranged by James Guthrie, ASCAP. Baroque,Concert,Instructional,Standar...
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French Horn,Piano - Level 3 - SKU: A0.551678 Composed by Georg Philipp Telemann. Arranged by James Guthrie, ASCAP. Baroque,Concert,Instructional,Standards. Score and part. 130 pages. Jmsgu3 #5330423. Published by jmsgu3 (A0.551678). I. Sonata in G Major. Duration: 6:45, Score: 19 pages. In four movements:1. Cantabile 2. Allegro 3. Affettuoso 4. AllegroII. Sonata in C Minor. Duration: 11:47, Score: 22 pages. 209 measures. In five movements: 1. Allegro 2. Adagio 3. Allegro assai 4. Ondeggiando, ma non adagio 5. AllegroIII. Sonata in F Major. Score: 8 pages, Duration: 5:40. In three movements:1. Vivace 2. Largo 3. AllegroIV. Sonata in Bb Major. Score: 17 pages, duration: ca. 9:30. In five movements:1. Largo 2. Allegro 3. Allegretto 4. Vivace 5. Allegro.
$49.95 ≈
46.03€
Loeillet: Sonata No. 1 for French Horn Duo
Loeillet: Sonata No. 1 for French Horn Duo
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2 Cors (duo)
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INTERMÉDIAIRE
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Jean-Baptiste Loeillet
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James M
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Loeillet: Sonata No. 1 for Fre
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jmsgu3
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SheetMusicPlus
French Horn Duet Horn - Level 3 - SKU: A0.1316234 Composed by Jean-Baptiste Loeillet. Arranged by James M. Guthrie. Chamber,Classical,Contest,Festival,T...
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French Horn Duet Horn - Level 3 - SKU: A0.1316234 Composed by Jean-Baptiste Loeillet. Arranged by James M. Guthrie. Chamber,Classical,Contest,Festival,Traditional,Wedding. Score. 8 pages. Jmsgu3 #904982. Published by jmsgu3 (A0.1316234). Sonata No. 1 for French Horn DuoJean Baptiste Loeillet was a Flemish baroque composer and performer on the recorder, flute, oboe, and harpsichord. He is known for his compositions, including the 12 Sonatas, Op. 5, which includes Sonata No. 6 for Flute Duo. The piece is important because it is a well-known and frequently performed work in the flute repertoire, showcasing Loeillet's skill as a composer and his contributions to baroque music. Loeillet spent most of his life in France serving the archbishop of Lyon, Paul-François de Neufville de Villeroy.
$24.95 ≈
22.99€
Vivaldi: Sonata No. 6 for French Horn & Piano
Vivaldi: Sonata No. 6 for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 6 for Fren
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.550539 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score...
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French Horn,Piano - Level 3 - SKU: A0.550539 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 23 pages. Jmsgu3 #4727309. Published by jmsgu3 (A0.550539). Sonata da Chiesa No. 6 in Bb Major for French Horn & Piano by Antonio Vivaldi in Four movements. Duration: ca. 12:10. Score: 16 pages. Horn in F.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95 ≈
30.36€
Vivaldi: Sonata No. 4 for French Horn & Piano
Vivaldi: Sonata No. 4 for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 4 for Fren
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.550488 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score...
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French Horn,Piano - Level 3 - SKU: A0.550488 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4642121. Published by jmsgu3 (A0.550488). Sonata da Chiesa No. 4 in Bb Major for French Horn & Piano by Antonio Vivaldi in Four movements. Duration: ca. 14:41. Score: 15 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95 ≈
30.36€
Vivaldi: Sonata No. 1 for French Horn & Piano
Vivaldi: Sonata No. 1 for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 1 for Fren
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.550413 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. Score and part....
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French Horn,Piano - Level 3 - SKU: A0.550413 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. Score and part. 33 pages. Jmsgu3 #4630017. Published by jmsgu3 (A0.550413). Sonata da Chiesa in Bb for French Horn & Piano by Antonio Vivaldi in Four movements. Duration: ca. 11:45. Score: 14 pages. 205 measures.Antonio Vivaldi (1678-1741) was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95 ≈
30.36€
Loeillet: Six Sonatas Op. 5 No. 2 Complete for French Horn Duo
Loeillet: Six Sonatas Op. 5 No. 2 Complete for French Horn Duo
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2 Cors (duo)
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FACILE
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Jean Baptiste Loeillet of Ghen
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James M
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Loeillet: Six Sonatas Op. 5 No
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jmsgu3
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SheetMusicPlus
French Horn Duet Horn - Level 2 - SKU: A0.612821 Composed by Jean Baptiste Loeillet of Ghent (1688 – 1720). Arranged by James M. Guthrie. Baroque...
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French Horn Duet Horn - Level 2 - SKU: A0.612821 Composed by Jean Baptiste Loeillet of Ghent (1688 – 1720). Arranged by James M. Guthrie. Baroque,Contest,Festival,Standards,Traditional,Wedding. Score. 59 pages. Jmsgu3 #222017. Published by jmsgu3 (A0.612821). John Baptist Loeillet, a Flemish Baroque composer, wrote six sonatas for flute and basso continuo in his Op. 5 No. 2. This work is widely considered to be some of his most significant compositions, and they are still performed today.The sonatas are divided into three movements each, with two slow movements and one faster one. The flute part is very demanding, as Loeillet often wrote in the high register, and the accompanying basso continuo part provides a solid foundation for the piece. The music has an emotional intensity that was characteristic of the Baroque era, and it features various ornamentations, like trills and mordents. The influence of Corelli can be heard in the contrapuntal textures, and the melodic lines are often based on the scales and modes of the period.Loeillet's Op. 5 No. 2 is a beautiful and captivating work, and its timelessness is a testament to its quality. It has been transcribed and adapted for other instruments, and it remains a popular choice for many classical musicians.Contents:Sonata No. 1 Duration: 9:45 Score: 8 pages 1. Vivace 2. Affetuoso e Poco Vivace 3. Allegro 4. Largo 5. AllegroSonata No. 2 Duration: 16:00, Score: 12 pages 1. La¬rgo 2. Allegro 3. Largo 4. Vivace 5. Vivace 6. Largo 7. GigaSonata No. 3 Duration: 19:20, Score: 14 pages 1. Vivace 2. Largo 3. Gavotto – Allegro 4. Sarabanda 5. Allegro 6. Largo 7. Menuet 8. Giga - AllegroSonata No. 4 Duration: 11:08, Score: 10 pages 1. Vivace 2. Gavott 3. Largo 4. Allegro 5. Sarabanda - Largo 6. AllegroSonata No. 5 Duration: 7:49, Score: 7 pages 1. Largo 2. Allegro 3. Largo 4. GavottSonata No. 6 Duration: 9:42, Score: 8 pages 1. Andante 2. Adagio 3. Allegro 1 4. Allegro 2.
$74.95 ≈
69.07€
Vivaldi: Sonata No. 2 for French Horn & Piano
Vivaldi: Sonata No. 2 for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 2 for Fren
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.550440 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score...
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French Horn,Piano - Level 3 - SKU: A0.550440 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 18 pages. Jmsgu3 #4634193. Published by jmsgu3 (A0.550440). Sonata No. 2 by Antonio Vivaldi - a four-movement Sonata da Chiesa. Duration: ca. 12:00, Score: 12 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95 ≈
30.36€
Sammartini: Sonata Op. 1 No. 2 for French Horn Duo
Sammartini: Sonata Op. 1 No. 2 for French Horn Duo
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2 Cors (duo)
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FACILE
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Giuseppe Sammartini
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James M
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Sammartini: Sonata Op. 1 No. 2
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jmsgu3
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SheetMusicPlus
French Horn Duet Horn - Level 2 - SKU: A0.1082241 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Baroque,Classical,Contest,F...
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French Horn Duet Horn - Level 2 - SKU: A0.1082241 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Baroque,Classical,Contest,Festival,Standards,Wedding. Score. 12 pages. Jmsgu3 #686386. Published by jmsgu3 (A0.1082241). Sammartini Op. 1 No. 2 Sonata. Score: 6 pages. Duration: 8:13 I. Andante II. Allegro III. Minuet/GraziosoGiuseppe Sammartini was an Italian composer, oboist, and organist who lived during the Baroque era. He is credited with helping to establish the form of the modern concerto grosso, which would become an important part of the development of classical chamber music. Sammartini wrote many solo and chamber pieces, including sonatas, trios, and concertos. His style is considered to be very graceful and expressive, and his works often contain virtuosic passages.Sammartini's influence on the history of classical chamber music is significant. His compositions demonstrate the shift from the Baroque to the Classical style, and his works served as a bridge between the two periods. His chamber music was often praised by his contemporaries, and he was one of the first composers to use a modern concerto grosso form. Sammartini's influence is also evident in the works of later composers such as Mozart, Haydn, and Beethoven. His legacy can be seen in the music of many contemporary classical chamber music ensembles.
$27.95 ≈
25.76€
Sammartini: Sonata Op. 1 No. 1 for French Horn Duo
Sammartini: Sonata Op. 1 No. 1 for French Horn Duo
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2 Cors (duo)
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FACILE
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Giuseppe Sammartini
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James M
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Sammartini: Sonata Op. 1 No. 1
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jmsgu3
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SheetMusicPlus
French Horn Duet Horn - Level 2 - SKU: A0.1083795 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Baroque,Classical,Contest,F...
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French Horn Duet Horn - Level 2 - SKU: A0.1083795 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Baroque,Classical,Contest,Festival,Standards,Wedding. Score. 18 pages. Jmsgu3 #687997. Published by jmsgu3 (A0.1083795). Sammartini Op. 1 No. 1 Sonata. Score: 10 pages. Duration: 8:43 I. Andante II. Allegro III. AllegroGiuseppe Sammartini was an Italian composer, oboist, and organist who lived during the Baroque era. He is credited with helping to establish the form of the modern concerto grosso, which would become an important part of the development of classical chamber music. Sammartini wrote many solo and chamber pieces, including sonatas, trios, and concertos. His style is considered to be very graceful and expressive, and his works often contain virtuosic passages.Sammartini's influence on the history of classical chamber music is significant. His compositions demonstrate the shift from the Baroque to the Classical style, and his works served as a bridge between the two periods. His chamber music was often praised by his contemporaries, and he was one of the first composers to use a modern concerto grosso form. Sammartini's influence is also evident in the works of later composers such as Mozart, Haydn, and Beethoven. His legacy can be seen in the music of many contemporary classical chamber music ensembles.
$27.95 ≈
25.76€
CPE BACH: Sonata in E Minor WQ124 for French Horn & Piano
CPE BACH: Sonata in E Minor WQ124 for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Carl Philipp Emanuel Bach
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James Guthrie, ASCAP
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CPE BACH: Sonata in E Minor WQ
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 4 - SKU: A0.551523 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by James Guthrie, ASCAP. Classical,Instructiona...
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French Horn,Piano - Level 4 - SKU: A0.551523 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by James Guthrie, ASCAP. Classical,Instructional,Standards,Wedding. Score and part. 22 pages. Jmsgu3 #5308693. Published by jmsgu3 (A0.551523). Sonata Wq. 124 - 1. Adagio 2. Allegro 3. Menuett & 2 VariationsCarl Philipp Emanuel Bach (1714-1788) was an influential composer who worked during a transition between the Baroque and Classical styles of music. His approach, empfindsamer Stil or sensitive style, applied the principles of rhetoric and drama to musical structures. The duets composed by C.P.E. Bach are significant because they showcase his unique style and are considered some of his most important works. They are known for their unpredictability and expressive qualities, which were a departure from his father's style, Johann Sebastian Bach.The historical context of C.P.E. Bach's Wq 124 Sonatas lies in the mid-18th century during the transition between the Baroque and Classical periods. This period was characterized by significant changes in musical style, with composers exploring new forms and expressive techniques. As a prominent figure of this era, C.P.E. Bach played a crucial role in shaping the emerging Classical style, and his keyboard sonatas, including the Wq 124 Sonatas, reflect the expressive and innovative characteristics of this transitional period. The Wq 124 Sonatas are a testament to Bach's unique musical language. Their historical significance lies in their contribution to the development of keyboard music during this pivotal period in music history.
$24.95 ≈
22.99€
Beethoven: Sonata Op. 49 No. 2 for Woodwind Quintet
Beethoven: Sonata Op. 49 No. 2 for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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Beethoven: Sonata Op. 49 No. 2
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.549868 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,S...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.549868 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Standards,Wedding,World. 56 pages. Jmsgu3 #3559227. Published by jmsgu3 (A0.549868). Beethoven Sonata Op. 49 No. 2 arranged for woodwind quintet.Instrumentation: 1 flute, 1 oboe, 1 clarinet in Bb, 1 French horn, 1 bassoon.Duration: ca: 10:15 Score: 30 pages, 242 measures. In two movements. A great recital piece to demonstrate nuances of the woodwind quintet. Sonata Op. 49 No. 2 Arranged from Beethoven’s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com
$49.95 ≈
46.03€
Handel: Six Sonatas Complete for French Horn Duo
Handel: Six Sonatas Complete for French Horn Duo
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2 Cors (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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George Frideric Handel
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James M
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Handel: Six Sonatas Complete f
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jmsgu3
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SheetMusicPlus
French Horn Duet Horn - Level 4 - SKU: A0.552489 Composed by George Frideric Handel. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Sc...
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French Horn Duet Horn - Level 4 - SKU: A0.552489 Composed by George Frideric Handel. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score. 156 pages. Jmsgu3 #6362555. Published by jmsgu3 (A0.552489). G. F. Handel: Six Sonatas Complete (K. 555)Sonata No. II. LarghettoII. AllegroIII. AndanteIV. AllegroDuration: 9', Score: 13 pagesSonata No. III. AffettuosoII. AllegroIII. DolceIV. VivaceDuration: 8:20' Score: 16 pagesSonata No. IIII. AndanteII. PrestoIII. GraziosoIV. AllegroDuration: 8:50' Score: 15 pagesSonata No. IVI. AdagioII. AllegroIII. AmorosoIV. VivaceDuration: 9:15 Score: 14 PagesSonata No. VI. LargoII. AllegroIII. SoaveIV. AllegroScore: 13 Pages, Duration: 11:12Sonata No. VII. AdagioII. AllegroIII. AndanteIV. VivaceDuration: 9:30 Score: 13 pages
$59.95 ≈
55.24€
Telemann: Six Sonatas Op. 2 Complete for French Horn Duo
Telemann: Six Sonatas Op. 2 Complete for French Horn Duo
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2 Cors (duo)
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INTERMÉDIAIRE
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Georg Philipp Telemann 1681-17
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James M
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Telemann: Six Sonatas Op. 2 Co
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jmsgu3
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SheetMusicPlus
French Horn Duet Horn - Level 3 - SKU: A0.552395 Composed by Georg Philipp Telemann 1681-1767. Arranged by James M. Guthrie. Baroque,Concert,Instruction...
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French Horn Duet Horn - Level 3 - SKU: A0.552395 Composed by Georg Philipp Telemann 1681-1767. Arranged by James M. Guthrie. Baroque,Concert,Instructional,Standards,Wedding. Score. 163 pages. Jmsgu3 #6341731. Published by jmsgu3 (A0.552395). Telemann: Sonata Op. 2 No. 1I. SoaveII. AllegroIII. AndanteIV. AllegroDuration: 9:00 Score: 14 pages Telemann: Sonata Op. 2 No. 2I. LargoII. AllegroIII. AffettuosoIV. Vivace Telemann: Sonata Op. 2 No. 3I. DolceII. AllegroIII. LargoIV. VivaceDuration: 7:45 Score: 11 pages Telemann: Sonata Op. 2 No. 4I. LargoII. VivaceIII. GratiosoIV. AllegroDuration: 11:15 Score: 15 pages Telemann: Sonata Op. 2 No. 5I. SicilianoII. VivaceIII. AndanteIV. AllegroDuration: 9:45 Score: 16 pages Telemann: Sonata Op. 2 No. 6I. AffetuosoII. PrestoIII. SoaveIV. SpirituosoDuration: 9:15 Score: 18 pages
$49.95 ≈
46.03€
Stamitz: Duet Op. 27 No. 2 for French Horn Duo
Stamitz: Duet Op. 27 No. 2 for French Horn Duo
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2 Cors (duo)
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INTERMÉDIAIRE
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Carl Stamitz
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James M
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Stamitz: Duet Op. 27 No. 2 for
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jmsgu3
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SheetMusicPlus
French Horn Duet Horn - Level 3 - SKU: A0.552253 Composed by Carl Stamitz. Arranged by James M. Guthrie. Classical,Instructional,Standards,Wedding. Scor...
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French Horn Duet Horn - Level 3 - SKU: A0.552253 Composed by Carl Stamitz. Arranged by James M. Guthrie. Classical,Instructional,Standards,Wedding. Score. 14 pages. Jmsgu3 #6306433. Published by jmsgu3 (A0.552253). I. Andante II. Menuetto III. Allegro The significance of Stamitz Duets Op. 27 lies in their contribution to the duet repertoire for two violins (or two flutes). Composed by Carl Stamitz, a prominent figure of this era, the duets were published in 1780. These duets are well-regarded for their musicality and are popular choices for duet performances and educational purposes. They are available in sheet music and have been performed in concerts and recordings, reflecting their enduring appeal and importance in the classical music domain. The duets are known for their melodic and expressive qualities, making them valuable for developing ensemble playing and musical interpretation skills. They are also appreciated for their historical significance in the context of classical music composition and the repertoire for violin or flute duets. Carl Stamitz, born in 1745 and passing away in 1801, was a significant figure in music history, particularly in the classical period. He was one of the most prolific Mannheim orchestral composers, known for writing numerous symphonies, concertos for various instruments, and other instrumental works. Stamitz's influence on the evolution of the Classical sonata form by introducing contrasting themes within a single movement is also noteworthy. He was a prominent representative of the second generation of the Mannheim School, and his contributions to the duet repertoire for two violins or two flutes are highly regarded for their musicality and historical significance. Despite not being as widely recognized as some of his contemporaries, his work has left a lasting impact on the classical music domain.Carl Stamitz significantly contributed to the Mannheim School of Music as the most prominent representative of its second generation. He was the eldest son of Johann Stamitz, a violinist and composer considered the Mannheim School's founder. Carl Stamitz's contribution to the school included his role as a prolific orchestral composer, writing numerous symphonies, concertos for various instruments, and other instrumental works. His work, along with other members of the Mannheim School, helped solidify the Classical symphony and its dynamic contrasts, impacting the evolution of the classical music period. Carl Stamitz's choice of the viola as his favorite instrument and his compositions for the viola also contributed to the school's legacy.
$32.95 ≈
30.36€
Gabrieli: Canzon in Echo a 12 Ch. 192 for Triple Brass Choir
Gabrieli: Canzon in Echo a 12 Ch. 192 for Triple Brass Choir
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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INTERMÉDIAIRE
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Giovanni Gabrieli
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James M
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Gabrieli: Canzon in Echo a 12
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jmsgu3
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.1226321 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Ear...
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.1226321 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 48 pages. Jmsgu3 #822323. Published by jmsgu3 (A0.1226321). Minimum instrumentation: 3 Brass Quartets - 6 trumpets in C (or cornets) 3 French Horns in F, and 3 trombones. InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
44.19€
Gabrieli: Canzona in Echo Ch. 180 for Double Brass Choir
Gabrieli: Canzona in Echo Ch. 180 for Double Brass Choir
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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INTERMÉDIAIRE
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Giovanni Gabrieli
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James M
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Gabrieli: Canzona in Echo Ch.
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jmsgu3
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.1226488 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Ear...
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.1226488 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #822490. Published by jmsgu3 (A0.1226488). Minimum instrumentation: 4 Trumpets (or Cornets), 4 French Horns, 2 Tenor Trombones, and 2 Bass Trombones.InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
44.19€
Loeillet: Sonata No 1 for French Horn Duo
Loeillet: Sonata No 1 for French Horn Duo
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2 Cors (duo)
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FACILE
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Jean-Baptiste Loeillet
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James M
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Loeillet: Sonata No 1 for Fren
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jmsgu3
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SheetMusicPlus
French Horn Duet Horn - Level 2 - SKU: A0.540218 Composed by Jean-Baptiste Loeillet. Arranged by James M. Guthrie. Baroque,Contest,Festival,Standards,Tr...
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French Horn Duet Horn - Level 2 - SKU: A0.540218 Composed by Jean-Baptiste Loeillet. Arranged by James M. Guthrie. Baroque,Contest,Festival,Standards,Traditional. Score. 8 pages. Jmsgu3 #150358. Published by jmsgu3 (A0.540218). Jean Baptiste Loeillet: Sonata No 1 for French Horn Duo Duration: 9:45 Score: 8 pages 1. Vivace 2. Affetuoso e Poco Vivace 3. Allegro 4. Largo 5. Allegro.
$24.95 ≈
22.99€
Loeillet: Sonata No. 3 for French Horn Duo
Loeillet: Sonata No. 3 for French Horn Duo
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2 Cors (duo)
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FACILE
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Jean Baptiste Loeillet of Ghen
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James M
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Loeillet: Sonata No. 3 for Fre
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jmsgu3
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SheetMusicPlus
French Horn Duet Horn - Level 2 - SKU: A0.555495 Composed by Jean Baptiste Loeillet of Ghent (1688 – 1720). Arranged by James M. Guthrie. Baroque...
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French Horn Duet Horn - Level 2 - SKU: A0.555495 Composed by Jean Baptiste Loeillet of Ghent (1688 – 1720). Arranged by James M. Guthrie. Baroque,Contest,Festival,Standards,Traditional,Wedding. Score. 14 pages. Jmsgu3 #165115. Published by jmsgu3 (A0.555495). Jean Baptiste Loeillet: Sonata No. 3 for French Horn Duo Duration: 19:20, Score: 14 pages 1. Vivace 2. Largo 3. Gavotto – Allegro 4. Sarabanda 5. Allegro 6. Largo 7. Menuet 8. Giga - Allegro.
$24.95 ≈
22.99€
Loeillet: Sonata No. 4 for French Horn Duo
Loeillet: Sonata No. 4 for French Horn Duo
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2 Cors (duo)
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FACILE
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Jean Baptiste Loeillet of Ghen
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James M
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Loeillet: Sonata No. 4 for Fre
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jmsgu3
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SheetMusicPlus
French Horn Duet Horn - Level 2 - SKU: A0.557123 Composed by Jean Baptiste Loeillet of Ghent (1688 – 1720). Arranged by James M. Guthrie. Baroque...
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French Horn Duet Horn - Level 2 - SKU: A0.557123 Composed by Jean Baptiste Loeillet of Ghent (1688 – 1720). Arranged by James M. Guthrie. Baroque,Contest,Festival,Standards,Traditional,Wedding. Score. 10 pages. Jmsgu3 #166566. Published by jmsgu3 (A0.557123). Jean Baptiste Loeillet: Sonata No. 4 for French Horn Duo Duration: 11:08, Score: 10 pages 1. Vivace 2. Gavott 3. Largo 4. Allegro 5. Sarabanda - Largo 6. Allegro.
$24.95 ≈
22.99€
Loeillet: Sonata No. 2 for French Horn Duo
Loeillet: Sonata No. 2 for French Horn Duo
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2 Cors (duo)
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FACILE
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Jean Baptiste Loeillet of Ghen
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James M
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Loeillet: Sonata No. 2 for Fre
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jmsgu3
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SheetMusicPlus
French Horn Duet Horn - Level 2 - SKU: A0.612817 Composed by Jean Baptiste Loeillet of Ghent (1688 – 1720). Arranged by James M. Guthrie. Baroque...
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French Horn Duet Horn - Level 2 - SKU: A0.612817 Composed by Jean Baptiste Loeillet of Ghent (1688 – 1720). Arranged by James M. Guthrie. Baroque,Contest,Festival,Standards,Traditional,Wedding. Score. 12 pages. Jmsgu3 #222013. Published by jmsgu3 (A0.612817). Jean Baptiste Loeillet: Sonata No. 2 for French Horn Duo Duration: 16:00, Score: 12 pages 1. La¬rgo 2. Allegro 3. Largo 4. Vivace 5. Vivace 6. Largo 7. Giga.
$24.95 ≈
22.99€
Loeillet: Sonata No. 6 for French Horn Duo
Loeillet: Sonata No. 6 for French Horn Duo
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2 Cors (duo)
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FACILE
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Jean Baptiste Loeillet of Ghen
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James M
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Loeillet: Sonata No. 6 for Fre
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jmsgu3
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SheetMusicPlus
French Horn Duet Horn - Level 2 - SKU: A0.612820 Composed by Jean Baptiste Loeillet of Ghent (1688 – 1720). Arranged by James M. Guthrie. Baroque...
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French Horn Duet Horn - Level 2 - SKU: A0.612820 Composed by Jean Baptiste Loeillet of Ghent (1688 – 1720). Arranged by James M. Guthrie. Baroque,Contest,Festival,Standards,Traditional,Wedding. Score. 8 pages. Jmsgu3 #222016. Published by jmsgu3 (A0.612820). Jean Baptiste Loeillet: Sonata No. 6 for French Horn Duo Duration: 9:42, Score: 8 pages 1. Andante 2. Adagio 3. Allegro 1 4. Allegro 2.
$24.95 ≈
22.99€
BACH: Six Sonatas BWV 1030-1035 for French Horn & Piano
BACH: Six Sonatas BWV 1030-1035 for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James Guthrie, ASCAP
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BACH: Six Sonatas BWV 1030-103
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 4 - SKU: A0.551940 Composed by Johann Sebastian Bach. Arranged by James Guthrie, ASCAP. Baroque,Concert,Instructional,Standard...
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French Horn,Piano - Level 4 - SKU: A0.551940 Composed by Johann Sebastian Bach. Arranged by James Guthrie, ASCAP. Baroque,Concert,Instructional,Standards. Score and part. 247 pages. Jmsgu3 #5793223. Published by jmsgu3 (A0.551940). J. S. BACH: Sonata BWV 1030
$49.95 ≈
46.03€
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Guthrie: Sonata for French Horn 
