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Gene De Paul
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Vous avez sélectionné:
Gene De Paul
Partitions à imprimer
182 partitions trouvées
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176
Paul Agricola Genin - Carnaval de Venice ( Full Score and parts )
Paul Agricola Genin - Carnaval de Venice ( Full Score and parts )
#
Orchestre de chambre
#
Contemporain
#
Paul Agricole Genin
#
James Strauss
#
Paul Agricola Genin - Carnaval
#
James Strauss
#
SheetMusicPlus
Chamber Orchestra - SKU: A0.1035211 Composed by Paul Agricole Genin. Arranged by James Strauss. Contemporary. Score and parts. 47 pages. James Strauss #...
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Chamber Orchestra - SKU: A0.1035211 Composed by Paul Agricole Genin. Arranged by James Strauss. Contemporary. Score and parts. 47 pages. James Strauss #3505383. Published by James Strauss (A0.1035211). Paul Agricole Génin (Avignon, 14 February 1832 - Paris 22 December 1903) was a French flautist and composer for flute. He was a student of Louis Dorus and became first flute at the Théâtre-Italien (Comédie-Italienne) and later at Concerts Cologne both in Paris, he composed 60 pieces for flute , and his famous Carvanal de Venice op.14 its dedicated to his friend Eugene Damaré. Here for flute and string orchestra.
$50.00 ≈
46.52€
I'll Remember April
I'll Remember April
#
Ligne De Mélodie, (Paroles) et Accords
#
Jazz
#
Woody Herman & His Orchestra
#
Mark W
#
I'll Remember April
#
Mark Wayne Music, LLC
#
SheetMusicPlus
C Instrument - SKU: A0.1080299 By Woody Herman & His Orchestra. By Don Raye, Gene De Paul, and Pat Johnston. Arranged by Mark W. Huxhold. Jazz,Standards...
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C Instrument - SKU: A0.1080299 By Woody Herman & His Orchestra. By Don Raye, Gene De Paul, and Pat Johnston. Arranged by Mark W. Huxhold. Jazz,Standards. Lead Sheet / Fake Book. 4 pages. Mark Wayne Music, LLC #684516. Published by Mark Wayne Music, LLC (A0.1080299). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC is ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only 4 measure phrase per line - melody written in simple rhythms (the player is left to swing it) Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A, ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys are included with each title, each key having its own page.
$4.99 ≈
4.64€
Get On Board, Little Children
Get On Board, Little Children
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Ligne De Mélodie, (Paroles) et Accords
#
Enfant
#
Don Raye and Gene De Paul
#
Get On Board, Little Children
#
Hal Leonard Europe
#
SheetMusicPlus
SKU: HX.354140 By Don Raye and Gene De Paul. This edition: scorch. Children. Lead Sheet / Fake Book. 2 pages. Hal Leonard Europe #16867. Published by Ha...
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SKU: HX.354140 By Don Raye and Gene De Paul. This edition: scorch. Children. Lead Sheet / Fake Book. 2 pages. Hal Leonard Europe #16867. Published by Hal Leonard Europe (HX.354140).
$3.99 ≈
3.71€
Messe de Minuit H 9
Messe de Minuit H 9
#
Chorale SATB
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Marc-Antoine Charpentier
#
Messe de Minuit H 9
#
Ernst Eulenburg & Co. GmbH - Digital
#
SheetMusicPlus
Solos: SSATB - choir: SATB - 2./2rec.0.0.0. - 0.0.0.0. - 2vl.2va.vc - bc(org) mixed choir (SATB) with soloists (SSATB), 2 flutes, strings and basso continuo - i...
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Solos: SSATB - choir: SATB - 2./2rec.0.0.0. - 0.0.0.0. - 2vl.2va.vc - bc(org) mixed choir (SATB) with soloists (SSATB), 2 flutes, strings and basso continuo - intermediate - SKU: S9.Q4694 Composed by Marc-Antoine Charpentier. This edition: study score. Choral music - Ernst Eulenburg - Score. Eulenburg Miniature Scores. Downloadable, Study score. Duration 20 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q4694. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q4694). Of the 11 surviving settings of the Mass by Charpentier, the present work, the Messe de minuit, is without doubt one of the most popular. Although Charpentier's Parisian career is quite well documented, little is known about the genesis and first performance of the Messe de minuit. It is likely, however, that it was commissioned by the Jesuits of the church of Saint-Louis (today, Saint-Paul-Saint-Louis) for whom Charpentier had been working as maître de musique since 1687. The Messe de minuit belongs to the tradition of the parody-mass for which Charpentier adapted 10 noëls - whose titles are given in the autograph MS - to the text of the ordinary and the resulting music is fresh, charming and jubilant.Von den 11 erhaltenen Sätzen der Messe von Charpentier ist die Messe de minuit zweifellos eine der populärsten. Die Messe gehört in die Tradition der Parodiemesse, für die Charpentier 10 noëls zum Text der normalen Weihnachtslieder eingerichtet hat. Das Ergebnis ist eine frische, bezaubernde und jubelnde Musik.
$25.99 ≈
24.18€
Messe de Minuit
Messe de Minuit
#
Musique Sacrée
#
Marc-Antoine Charpentier
#
Messe de Minuit
#
Ernst Eulenburg & Co. GmbH - Digital
#
SheetMusicPlus
Flute (rec) I - intermediate - SKU: S9.Q10619 Weihnachtsmesse (liturgisch). Composed by Marc-Antoine Charpentier. This edition: separate part. Eu...
(+)
Flute (rec) I - intermediate - SKU: S9.Q10619 Weihnachtsmesse (liturgisch). Composed by Marc-Antoine Charpentier. This edition: separate part. Eulenburg Orchestral Series. Downloadable, Individual part. Duration 20 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q10619. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q10619). Latin.Of the 11 surviving settings of the Mass by Charpentier, the present work, the Messe de minuit, is without doubt one of the most popular. Although Charpentier's Parisian career is quite well documented, little is known about the genesis and first performance of the Messe de minuit. It is likely, however, that it was commissioned by the Jesuits of the church of Saint-Louis (today, Saint-Paul-Saint-Louis) for whom Charpentier had been working as maître de musique since 1687. The Messe de minuit belongs to the tradition of the parody-mass for which Charpentier adapted 10 noëls - whose titles are given in the autograph MS - to the text of the ordinary and the resulting music is fresh, charming and jubilant.
$6.99 ≈
6.50€
Messe de Minuit
Messe de Minuit
#
Violoncelle (partie séparée)
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Marc-Antoine Charpentier
#
Messe de Minuit
#
Ernst Eulenburg & Co. GmbH - Digital
#
SheetMusicPlus
Cello - intermediate - SKU: S9.Q6105 Weihnachtsmesse (liturgisch). Composed by Marc-Antoine Charpentier. This edition: separate part. Eulenburg O...
(+)
Cello - intermediate - SKU: S9.Q6105 Weihnachtsmesse (liturgisch). Composed by Marc-Antoine Charpentier. This edition: separate part. Eulenburg Orchestral Series. Downloadable, Individual part. Duration 20 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q6105. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q6105). Latin.Of the 11 surviving settings of the Mass by Charpentier, the present work, the Messe de minuit, is without doubt one of the most popular. Although Charpentier's Parisian career is quite well documented, little is known about the genesis and first performance of the Messe de minuit. It is likely, however, that it was commissioned by the Jesuits of the church of Saint-Louis (today, Saint-Paul-Saint-Louis) for whom Charpentier had been working as maître de musique since 1687. The Messe de minuit belongs to the tradition of the parody-mass for which Charpentier adapted 10 noëls - whose titles are given in the autograph MS - to the text of the ordinary and the resulting music is fresh, charming and jubilant.
$6.99 ≈
6.50€
Messe de Minuit
Messe de Minuit
#
Musique Sacrée
#
Marc-Antoine Charpentier
#
Messe de Minuit
#
Ernst Eulenburg & Co. GmbH - Digital
#
SheetMusicPlus
Basso continuo - intermediate - SKU: S9.Q6106 Weihnachtsmesse (liturgisch). Composed by Marc-Antoine Charpentier. This edition: separate part. Eu...
(+)
Basso continuo - intermediate - SKU: S9.Q6106 Weihnachtsmesse (liturgisch). Composed by Marc-Antoine Charpentier. This edition: separate part. Eulenburg Orchestral Series. Downloadable, Individual part. Duration 20 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q6106. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q6106). Latin.Of the 11 surviving settings of the Mass by Charpentier, the present work, the Messe de minuit, is without doubt one of the most popular. Although Charpentier's Parisian career is quite well documented, little is known about the genesis and first performance of the Messe de minuit. It is likely, however, that it was commissioned by the Jesuits of the church of Saint-Louis (today, Saint-Paul-Saint-Louis) for whom Charpentier had been working as maître de musique since 1687. The Messe de minuit belongs to the tradition of the parody-mass for which Charpentier adapted 10 noëls - whose titles are given in the autograph MS - to the text of the ordinary and the resulting music is fresh, charming and jubilant.
$6.99 ≈
6.50€
Messe de Minuit
Messe de Minuit
#
Violon (partie séparée)
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Marc-Antoine Charpentier
#
Messe de Minuit
#
Ernst Eulenburg & Co. GmbH - Digital
#
SheetMusicPlus
Violin II - intermediate - SKU: S9.Q6103 Weihnachtsmesse (liturgisch). Composed by Marc-Antoine Charpentier. This edition: separate part. Eulenbu...
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Violin II - intermediate - SKU: S9.Q6103 Weihnachtsmesse (liturgisch). Composed by Marc-Antoine Charpentier. This edition: separate part. Eulenburg Orchestral Series. Downloadable, Individual part. Duration 20 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q6103. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q6103). Latin.Of the 11 surviving settings of the Mass by Charpentier, the present work, the Messe de minuit, is without doubt one of the most popular. Although Charpentier's Parisian career is quite well documented, little is known about the genesis and first performance of the Messe de minuit. It is likely, however, that it was commissioned by the Jesuits of the church of Saint-Louis (today, Saint-Paul-Saint-Louis) for whom Charpentier had been working as maître de musique since 1687. The Messe de minuit belongs to the tradition of the parody-mass for which Charpentier adapted 10 noëls - whose titles are given in the autograph MS - to the text of the ordinary and the resulting music is fresh, charming and jubilant.
$6.99 ≈
6.50€
Messe de Minuit
Messe de Minuit
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Alto (partie séparée)
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INTERMÉDIAIRE
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Musique Sacrée
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Marc-Antoine Charpentier
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Messe de Minuit
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Viola I - intermediate - SKU: S9.Q6104 Weihnachtsmesse (liturgisch). Composed by Marc-Antoine Charpentier. This edition: separate part. Eulenburg...
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Viola I - intermediate - SKU: S9.Q6104 Weihnachtsmesse (liturgisch). Composed by Marc-Antoine Charpentier. This edition: separate part. Eulenburg Orchestral Series. Downloadable, Individual part. Duration 20 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q6104. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q6104). Latin.Of the 11 surviving settings of the Mass by Charpentier, the present work, the Messe de minuit, is without doubt one of the most popular. Although Charpentier's Parisian career is quite well documented, little is known about the genesis and first performance of the Messe de minuit. It is likely, however, that it was commissioned by the Jesuits of the church of Saint-Louis (today, Saint-Paul-Saint-Louis) for whom Charpentier had been working as maître de musique since 1687. The Messe de minuit belongs to the tradition of the parody-mass for which Charpentier adapted 10 noëls - whose titles are given in the autograph MS - to the text of the ordinary and the resulting music is fresh, charming and jubilant.
$6.99 ≈
6.50€
Messe de Minuit
Messe de Minuit
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Musique Sacrée
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Marc-Antoine Charpentier
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Messe de Minuit
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Flute (rec) II - intermediate - SKU: S9.Q10620 Weihnachtsmesse (liturgisch). Composed by Marc-Antoine Charpentier. This edition: separate part. E...
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Flute (rec) II - intermediate - SKU: S9.Q10620 Weihnachtsmesse (liturgisch). Composed by Marc-Antoine Charpentier. This edition: separate part. Eulenburg Orchestral Series. Downloadable, Individual part. Duration 20 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q10620. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q10620). Latin.Of the 11 surviving settings of the Mass by Charpentier, the present work, the Messe de minuit, is without doubt one of the most popular. Although Charpentier's Parisian career is quite well documented, little is known about the genesis and first performance of the Messe de minuit. It is likely, however, that it was commissioned by the Jesuits of the church of Saint-Louis (today, Saint-Paul-Saint-Louis) for whom Charpentier had been working as maître de musique since 1687. The Messe de minuit belongs to the tradition of the parody-mass for which Charpentier adapted 10 noëls - whose titles are given in the autograph MS - to the text of the ordinary and the resulting music is fresh, charming and jubilant.
$6.99 ≈
6.50€
Messe de Minuit
Messe de Minuit
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Musique Sacrée
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Marc-Antoine Charpentier
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Messe de Minuit
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Solos: SSATB - choir: SATB - 2./2rec.0.0.0. - 0.0.0.0. - 2vl.2va.vc - bc(org) Viola II - intermediate - SKU: S9.Q10618 Weihnachtsmesse (liturgisch)
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Solos: SSATB - choir: SATB - 2./2rec.0.0.0. - 0.0.0.0. - 2vl.2va.vc - bc(org) Viola II - intermediate - SKU: S9.Q10618 Weihnachtsmesse (liturgisch). Composed by Marc-Antoine Charpentier. This edition: separate part. Eulenburg Orchestral Series. Downloadable, Individual part. Duration 20 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q10618. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q10618). Of the 11 surviving settings of the Mass by Charpentier, the present work, the Messe de minuit, is without doubt one of the most popular. Although Charpentier's Parisian career is quite well documented, little is known about the genesis and first performance of the Messe de minuit. It is likely, however, that it was commissioned by the Jesuits of the church of Saint-Louis (today, Saint-Paul-Saint-Louis) for whom Charpentier had been working as maître de musique since 1687. The Messe de minuit belongs to the tradition of the parody-mass for which Charpentier adapted 10 noëls - whose titles are given in the autograph MS - to the text of the ordinary and the resulting music is fresh, charming and jubilant.
$6.99 ≈
6.50€
Messe de Minuit H 9
Messe de Minuit H 9
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Marc-Antoine Charpentier
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Messe de Minuit H 9
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Schott Music - Digital
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SheetMusicPlus
Solos: SSATB - choir: SATB - 2./2rec.0.0.0. - 0.0.0.0. - 2vl.2va.vc - bc(org) mixed choir (SATB) with soloists (SSATB), 2 flutes, strings and basso continuo - i...
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Solos: SSATB - choir: SATB - 2./2rec.0.0.0. - 0.0.0.0. - 2vl.2va.vc - bc(org) mixed choir (SATB) with soloists (SSATB), 2 flutes, strings and basso continuo - intermediate - SKU: S9.Q22960 Composed by Marc-Antoine Charpentier. This edition: vocal/piano score. Downloadable, Piano reduction. Duration 20 minutes. Schott Music - Digital #Q22960. Published by Schott Music - Digital (S9.Q22960). Latin.Of the 11 surviving settings of the Mass by Charpentier, the present work, the Messe de minuit, is without doubt one of the most popular. Although Charpentier's Parisian career is quite well documented, little is known about the genesis and first performance of the Messe de minuit. It is likely, however, that it was commissioned by the Jesuits of the church of Saint-Louis (today, Saint-Paul-Saint-Louis) for whom Charpentier had been working as maître de musique since 1687. The Messe de minuit belongs to the tradition of the parody-mass for which Charpentier adapted 10 noëls - whose titles are given in the autograph MS - to the text of the ordinary and the resulting music is fresh, charming and jubilant.
$15.99 ≈
14.88€
Messe de Minuit
Messe de Minuit
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Violon (partie séparée)
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INTERMÉDIAIRE
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Musique Sacrée
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Marc-Antoine Charpentier
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Messe de Minuit
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Solos: SSATB - choir: SATB - 2./2rec.0.0.0. - 0.0.0.0. - 2vl.2va.vc - bc(org) Violin I - intermediate - SKU: S9.Q6102 Weihnachtsmesse (liturgisch)
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Solos: SSATB - choir: SATB - 2./2rec.0.0.0. - 0.0.0.0. - 2vl.2va.vc - bc(org) Violin I - intermediate - SKU: S9.Q6102 Weihnachtsmesse (liturgisch). Composed by Marc-Antoine Charpentier. This edition: separate part. Eulenburg Orchestral Series. Downloadable, Individual part. Duration 20 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q6102. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q6102). Of the 11 surviving settings of the Mass by Charpentier, the present work, the Messe de minuit, is without doubt one of the most popular. Although Charpentier's Parisian career is quite well documented, little is known about the genesis and first performance of the Messe de minuit. It is likely, however, that it was commissioned by the Jesuits of the church of Saint-Louis (today, Saint-Paul-Saint-Louis) for whom Charpentier had been working as maître de musique since 1687. The Messe de minuit belongs to the tradition of the parody-mass for which Charpentier adapted 10 noëls - whose titles are given in the autograph MS - to the text of the ordinary and the resulting music is fresh, charming and jubilant.
$6.99 ≈
6.50€
Jacques Leguerney: Sept Poèmes de François Maynard for medium voice and piano
Jacques Leguerney: Sept Poèmes de François Maynard for medium voice and piano
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Voix moyenne, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jacques Leguerney
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Jacques Leguerney: Sept Poème
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Musik Fabrik Music Publishing
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SheetMusicPlus
Medium-Low Voice,Vocal Solo - Level 4 - SKU: A0.534413 Composed by Jacques Leguerney. 20th Century,Concert,Standards. 38 pages. Musik Fabrik Music Publi...
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Medium-Low Voice,Vocal Solo - Level 4 - SKU: A0.534413 Composed by Jacques Leguerney. 20th Century,Concert,Standards. 38 pages. Musik Fabrik Music Publishing #3478897. Published by Musik Fabrik Music Publishing (A0.534413). 1. Plaintes d'Orphée2. Ã?pigramme à un mauvais payeur3. à Chloris4. D'une maigre dame5. Dans le fôret6. Secret Amour 7. Complients à une duègnehttps://www.youtube.com/watch?v=Uo7KQ89pzz4Gérard Souzay, French baritone, said of Jacques Leguerneyâ??s music: â??How does one describe this music which is, at the same time, classic and modern? It is pure, but colorfully nuanced; it speaks to the heart as well as the mind: at times calm; at times witty; wise, yet sensual. The music of Jacques Leguerney is un jardin à la française, both elegant and stylish.â? Jacques Leguerney was born in Le Havre on 19 November 1906. His uncle bought his first piano and encouraged him to study and write music. He wrote chamber works, and took a few semesters of harmony with Nadia Boulanger, who arranged for a performance of his Epitaphe guerrière and Clair de lune in a concert organized by the Société musical indépendante at the Salle Pleyel. However, he decided not to continue his studies. He felt that his gift was natural and spontaneous, and that anyone who understood music should not have to do exercises to learn to compose. In 1928, Jane Bathori took an interest in Leguerney, including two songs during her tour in Argentina, and the following year at the Salle Erard in Paris. In 1932, when his father died, Leguerney took over the family business and stopped composing until the outbreak of World War II. The period extending from the German occupation of France to the end of the 1940s constitutes one of the important periods of Leguerneyâ??s musical life. He began his extended song cycle, Poèmes de la Pléiade, and wrote many songs upon poems of Paul-Jean Toulet. He also continued to compose chamber music, including the Sonatine pour violon et piano, the â??Fantasie pour pianoâ? and the Quatuor à cordes en Ré. An important year for Leguerney was 1943. He met musical colleagues who would become his major interpreters. These included Gérard Souzay as well as his half-sister, soprano Geneviève Touraine; pianist Jacqueline Robin (Bonneau), Pierre Bernac, and Francis Poulenc. Robin (Bonneau) particularly influenced Leguerneyâ??s style. His piano accompaniments were created specifically for her virtuosic and sensitive style of pianism. Bernac observed that Leguerney wrote melodies de pianiste. In 1946, Leguerney created a ballet on the mythological story of Endymion. The premiere was at the Opéra de Paris on 27 July 1949, with choreography by Serge Lifar. The Opéra de Paris immediately commissioned a second work, which was La Vénus noire, based upon a short story by Prosper Mérimée. This ballet was never produced, due to disagreements with the choreographer. Leguerney became discouraged and this situation was to lead to the end of his interest in composing. However, the years 1950-1954 brought Leguerney widespread recognition as he created his beautiful mélodie cycles including La Nuit, La Solitude (for piano as well as an orchestration), Le Paysage, and Le Carnaval, as well as the cantata Psaume LXII de David. Gérard Souzay requested many new works for his recitals and premiered La Nuit, Le Carnaval and
$19.95 ≈
18.56€
Paul Wehage - L'Aube Spirituelle
Paul Wehage - L'Aube Spirituelle
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Contemporain
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Paul Wehage
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Paul Wehage - L'Aube Spirituel
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Cello,Flute,Viola,Violin - Level 5 - SKU: A0.532769 Composed by Paul Wehage. Contemporary. Score and parts. 75 pages. Musik Fabrik Music ...
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Small Ensemble Cello,Flute,Viola,Violin - Level 5 - SKU: A0.532769 Composed by Paul Wehage. Contemporary. Score and parts. 75 pages. Musik Fabrik Music Publishing #6131. Published by Musik Fabrik Music Publishing (A0.532769). This quartet for flute and string trio was commissioned by and dedicated to the Hélios Ensemble of Paris. Freely inspired by the poem of the same name by Charles Baudelaire, this quartet in three movements is derived essentially from the slow motif which begins the works, which generates most of the musical material which follows. The style is more linear than harmonic. The four-part invention which opens the work is followed by the second section (played without interruption) which is a kind of long suspended melody. The third movement is a quick scherzo with a final evocation of the opening motif before a brief coda. L’AUBE SPIRITUELLE (Les Fleurs du Mal) Quand chez les débauchés l’aube blanche et vermeille Entre en société de l’Idéal rongeur, Par l’opération d’un mystère vengeur Dans la brute assoupie un Ange se réveille. Des Cieux Spirituels l’inaccessible azur, Pour l’homme terrassé qui rêve encore et souffre, S’ouvre et s’enfonce avec l’attirance du gouffre. Ainsi, chère Déesse, Être lucide et pur, Sur les débris fumeux des stupides orgies Ton souvenir plus clair, plus rose, plus charmant, À mes yeux agrandis voltige incessamment. Le soleil a noirci la flamme des bougies ; Ainsi, toujours vainqueur, ton fantôme est pareil, Âme resplendissante, à l’immortel Soleil !
$25.95 ≈
24.14€
Thérèse Brenet: Poème de Jade, seven mélodies on Chinese Poems for baritone, flute solo and orchestr
Thérèse Brenet: Poème de Jade, seven mélodies on Chinese Poems for baritone, flute solo and orchestr
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Therese Brenet
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Thérèse Brenet:
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Flute,Medium Voice,Piano - Level 4 - SKU: A0.532835 Composed by Therese Brenet. 20th Century,Concert,Contemporary,Standards. Score and pa...
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Small Ensemble Flute,Medium Voice,Piano - Level 4 - SKU: A0.532835 Composed by Therese Brenet. 20th Century,Concert,Contemporary,Standards. Score and parts. 39 pages. Musik Fabrik Music Publishing #45421. Published by Musik Fabrik Music Publishing (A0.532835). Thérèse Brenet was attracted to the Chinese poems in La Flûte de Jade by Franz Toussaint. She chose seven of these poems in a contrasting style and assembled them into a single work, striving to create an unusual orchestration which reflects this delicate, fantastic and sensual qualities of these poems. Her orchestration uses a small group of strings which are re-enforced by a harpsichord, a vibraphone, a harp and percussion, often superimposed, which serve to underline the delicate character of the poems. IN addition, she uses all styles of vocal production, from whispered passages to spoken words or screams, and from singing normally to sprechgesang. The work finishes serenely with a long melody in flute upon which the baritone repeats the last phrases of the poem in a long perdendosi. The voice and the flute slowly die away without there being a definite ending to the work, which allow the listener to imagine that the work continues, as in a waking dream. One could imagine hearing the echo of the words whispered by the baritone and the arien and luminous sounds of the flute which has lulled us as a soloist throughout the seven poems of the cycle. The orchestration is for 4 percussion, harp, harpsichord, piano and strings (44221). The piece generally lasts approximately fourteen minutes. The composer has intentionally broken with tradition by using instrumental notation for the vovcal part. This notations gives, in her view, a greater ease of reading when the voice exchanges with the flute. This version for flute, voice and piano is identical, as much as is possible, with the orchestral version, excpet for short segments in the 5th and 7th poems. These differences only affect the flute and piano parts and do not affect the vocal part. The Baritone may therefore use this score for performances with orchestra. The Flutist should use the part included in the orchestral parts for performances with orchestra. This work was first performed at the Villa Medicis during Thérèse Brenet time spend there during her Prix de Rome voyage. It was recorded in 2014 with Kurt Ollmann Baritone, Christel Rayneau, flute and the National Polish Radio Orchestra under the direction of Paul Wehage. The orchestral materials are on rental from the publisher.
$22.05 ≈
20.51€
Thérèse Brenet: Poème de Jade, seven mélodies on Chinese Poems for baritone, flute solo and orchestr
Thérèse Brenet: Poème de Jade, seven mélodies on Chinese Poems for baritone, flute solo and orchestr
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Orchestre à Cordes
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Contemporain
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Therese Brenet
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Thérèse Brenet:
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Orchestra - SKU: A0.532834 Composed by Therese Brenet. 20th Century,Contemporary. Score and parts. 39 pages. Musik Fabrik Music Publishing #45419...
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String Orchestra - SKU: A0.532834 Composed by Therese Brenet. 20th Century,Contemporary. Score and parts. 39 pages. Musik Fabrik Music Publishing #45419. Published by Musik Fabrik Music Publishing (A0.532834). Thérèse Brenet was attracted to the Chinese poems in La Flûte de Jade by Franz Toussaint. She chose seven of these poems in a contrasting style and assembled them into a single work, striving to create an unusual orchestration which reflects this delicate, fantastic and sensual qualities of these poems. Her orchestration uses a small group of strings which are re-enforced by a harpsichord, a vibraphone, a harp and percussion, often superimposed, which serve to underline the delicate character of the poems. IN addition, she uses all styles of vocal production, from whispered passages to spoken words or screams, and from singing normally to sprechgesang. The work finishes serenely with a long melody in flute upon which the baritone repeats the last phrases of the poem in a long perdendosi. The voice and the flute slowly die away without there being a definite ending to the work, which allow the listener to imagine that the work continues, as in a waking dream. One could imagine hearing the echo of the words whispered by the baritone and the arien and luminous sounds of the flute which has lulled us as a soloist throughout the seven poems of the cycle. The orchestration is for 4 percussion, harp, harpsichord, piano and strings (44221). The piece generally lasts approximately fourteen minutes. The composer has intentionally broken with tradition by using instrumental notation for the vovcal part. This notations gives, in her view, a greater ease of reading when the voice exchanges with the flute. This version for flute, voice and piano is identical, as much as is possible, with the orchestral version, excpet for short segments in the 5th and 7th poems. These differences only affect the flute and piano parts and do not affect the vocal part. The Baritone may therefore use this score for performances with orchestra. The Flutist should use the part included in the orchestral parts for performances with orchestra. This work was first performed at the Villa Medicis during Thérèse Brenet time spend there during her Prix de Rome voyage. It was recorded in 2014 with Kurt Ollmann Baritone, Christel Rayneau, flute and the National Polish Radio Orchestra under the direction of Paul Wehage. The orchestral materials are on rental from the publisher.
$25.95 ≈
24.14€
Fantaisie sur de motifs de l’opéra Guillaume Tell de Rossini
Fantaisie sur de motifs de l’opéra Guillaume Tell de Rossini
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Flûte traversière et Piano
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Classique
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Eugene Walckiers
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Fantaisie sur de motifs de l&r
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Schott Music - Digital
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SheetMusicPlus
Flute and piano - intermediate to advanced - SKU: S9.Q53377 Op. 34. Composed by Eugene Walckiers. Edited by Edmund Wachter and Elisabeth Weinzier...
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Flute and piano - intermediate to advanced - SKU: S9.Q53377 Op. 34. Composed by Eugene Walckiers. Edited by Edmund Wachter and Elisabeth Weinzierl. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. Op. 34. 27 pages. Schott Music - Digital #Q53377. Published by Schott Music - Digital (S9.Q53377). English • German.As a pupil of Antonin Reicha at the Paris Conservatoire Eugène Walckiers, originally from the French part of Flanders, joined the ranks of illustrious French composers such as Hector Berlioz, Charles Gounod and César Franck. He studied the flute with Jean-Louis Tulou and was one of the few celebrated flute virtuosos of the time whose reputation has survived to this day, thanks to their compositions for and including the flute. He himself played regularly in a legendary quartet with the best flautists of his day: Jean Firmin Brossa, Johannes Donjon and Paul Taffanel. This Fantaisie sur des Motifs de l’Opera “Guillaume Tell†was published in the year following the first performance of the opera both by Schott in Mainz and, with insignificant discrepancies, by Troupenas in Paris (Plate number 374), the original publisher of Rossini’s last four operas. Plate no. 3289 / published in 1830.
$4.99 ≈
4.64€
Chanson De Matin (Flexible Instrumentation)
Chanson De Matin (Flexible Instrumentation)
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Orchestre d'harmonie
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FACILE
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Edward Elgar and Paul Barker M
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Paul Barker
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Chanson De Matin
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Paul Barker Music
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.725155 By Edward Elgar and Paul Barker Music. By Edward Elgar. Arranged by Paul Barker. 20th Century,Contemporary,Conte...
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Concert Band - Level 2 - SKU: A0.725155 By Edward Elgar and Paul Barker Music. By Edward Elgar. Arranged by Paul Barker. 20th Century,Contemporary,Contest,Festival,Instructional,Pop. Score and parts. 38 pages. Paul Barker Music #3667553. Published by Paul Barker Music (A0.725155). Elgar’s Chanson De Matin is another superb arrangement in a smooth pop-ballad style for Flexi-Band, Orchestras and Bands of all sizes. Strong melodic lines using Elgar’s famous string themes together with modern harmony supported by a robust rhythm section make this suitable for any combination of players. Backing track featuring Rhythm Section also available from www.paulbarkermusic.com The Flexi-Band Classical Pop Series allows conductors to mix and match orchestration to meet available resources. Piano, Drum Kit/Set, Rhythm Guitar and Bass Guitar provide strong harmonic and rhythmical support for common combinations of C, Bb, Eb, F, Treble/Viola/Bass Clef instruments including Lead Guitar and Nuvo instruments. ​Duration: 2:10 Level: Early Intermediate - Intermediate (UK Grades 3+ and USA Grade 2+) Occasion: General Concert - Band Repertoire - Ensemble Examinations Orchestration: Flexi-Band (Mix & Match Orchestration)
$29.95 ≈
27.86€
Ali Ben Sou Alle: Fantaisie sur Don Giovanni de Mozart for alto saxophone and piano
Ali Ben Sou Alle: Fantaisie sur Don Giovanni de Mozart for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Ali Ben Sou Alle, Wolfgang Ama
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Paul Wehage
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Ali Ben Sou Alle: Fantaisie su
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.533347 Composed by Ali Ben Sou Alle, Wolfgang Amadeus Mozart. Arranged by Paul Wehage. Concert,Opera,Romantic P...
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Alto Saxophone,Piano - Level 3 - SKU: A0.533347 Composed by Ali Ben Sou Alle, Wolfgang Amadeus Mozart. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 22 pages. Musik Fabrik Music Publishing #2348197. Published by Musik Fabrik Music Publishing (A0.533347). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him. Soualle not only performed on the clarinet, saxophone and piano, but also frequently sang during his concerts. He also wrote songs while he was in London. His opera fantasies are usually written for the Alto saxophone and are generally in the form of an introductory aria with cadenza, a theme with one or more variations and then a final waltz movement in rondo form with a final brillant variation. This specific work opens with motives from the Opera‘s overture, leading to Donna Anna’s 1st act aria Or sai, chi l'onore. The duet Là ci darem la mano is the subject of two variations followed by a brief interlude using Zerlina’s aria Batti, batti, o bel Masetto and then the final section is the duo Andiam’ Andiam ‘ Mio Bene between Don Giovanni and Zerlina which ends the Act I duet. The work ends with a brillant coda
$11.95 ≈
11.12€
Potstock Souvenir de Sarasate Op 15 for Violin and String Orchestra
Potstock Souvenir de Sarasate Op 15 for Violin and String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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William Potstock
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Paul Wood
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Potstock Souvenir de Sarasate
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MyMusicScores.com
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1336392 Composed by William Potstock. Arranged by Paul Wood. Romantic Period. 21 pages. MyMusicScores.com #922192. ...
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String Orchestra - Level 4 - SKU: A0.1336392 Composed by William Potstock. Arranged by Paul Wood. Romantic Period. 21 pages. MyMusicScores.com #922192. Published by MyMusicScores.com (A0.1336392). The PDF file contains the score and all parts.William Herman Potstock, known as Wilhelm Hermann, (1872–1908) left an indelible mark as a German-American composer and musician. His masterpiece, Souvenir De Sarasate, remains a celebrated virtuoso piece, intricately weaving left-hand pizzicato and double stops.Born in Northern Germany, Potstock migrated to the U.S. in 1881 with his family, settling in Chicago where he carved a niche as a self-employed music teacher and performer. In 1895, he wed Martha Bock, raising two musically gifted children, Stella and Eugene. His daughter, like her father, showcased remarkable musical prowess.Potstock’s legacy endures through his enduring compositions, notably the evocative Souvenir de Sarasate: Fantasia Espagnole für Violine und Klavier in D-Dur, Op. 15.He is an arrangement for violin and string orchestra.
$19.99 ≈
18.60€
Ysaye Caprice d'apres l'Etude en forme de Valse for Violin and String Orchestra
Ysaye Caprice d'apres l'Etude en forme de Valse for Violin and String Orchestra
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Orchestre à Cordes
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AVANCÉ
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Eugene Ysaye
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Paul Wood
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Ysaye Caprice d'apres l'Etude
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MyMusicScores.com
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.736809 Composed by Eugene Ysaye. Arranged by Paul Wood. 20th Century,Romantic Period. Score and parts. 82 pages. My...
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String Orchestra - Level 5 - SKU: A0.736809 Composed by Eugene Ysaye. Arranged by Paul Wood. 20th Century,Romantic Period. Score and parts. 82 pages. MyMusicScores.com #6417731. Published by MyMusicScores.com (A0.736809). Saint-Saens composed his Etude en forme de valse Op. 52 No. 6 in 1877. Ysaye did his transcription around 1900. This transcription turns Saint-Saints incredible virtuosic piano piece into an equally difficult virtuosic violin piece! Here is an arrangement for violin and string orchestra.
$24.99 ≈
23.25€
Teach Me Tonight
Teach Me Tonight
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Piano, Voix
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INTERMÉDIAIRE
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Contemporain
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Gene De Paul
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Dave Gingras, John E
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Teach Me Tonight
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DAVID LEE GINGRAS
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.794035 Composed by Gene De Paul. Arranged by Dave Gingras, John E. Dosher. Contemporary. Score. 4 pages. DAVID LEE...
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Piano,Vocal,Voice - Level 3 - SKU: A0.794035 Composed by Gene De Paul. Arranged by Dave Gingras, John E. Dosher. Contemporary. Score. 4 pages. DAVID LEE GINGRAS #5033773. Published by DAVID LEE GINGRAS (A0.794035). Teach Me Tonight is a popular song that has become a jazz standard. The music was written by Gene DePaul with words by Sammy Cahn. It was released in 1953 and has been recorded by many, many artists such as Sara Vaughn, Nancy Wilson, Dinah Washington, Frank Sinatra and others too numerous to mention. This contemporary arrangemeny by myself and co-arranger John E. Dosher is fun to play and experiment with and makes use of a root-based chord-blocking technique that we have used in a number fo our arrangements. We hope you like it!
$4.99 ≈
4.64€
Star Eyes
Star Eyes
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Piano, Voix
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INTERMÉDIAIRE
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Jazz
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Charlie Parker
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Dave Gingras, John E
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Star Eyes
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DAVID LEE GINGRAS
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.794034 By Charlie Parker. By Gene De Paul. Arranged by Dave Gingras, John E. Dosher. Jazz. Score. 3 pages. DAVID L...
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Piano,Vocal,Voice - Level 3 - SKU: A0.794034 By Charlie Parker. By Gene De Paul. Arranged by Dave Gingras, John E. Dosher. Jazz. Score. 3 pages. DAVID LEE GINGRAS #5032213. Published by DAVID LEE GINGRAS (A0.794034). Star Eyes is a song from the 1943 film I Dood It, written by Gene de Paul and Don Raye.Charlie Parker recorded Star Eyes in 1951 for Verve Records. Owing to Parker's influence, the song has become a popular vehicle for jazz musicians and is considered a jazz standard. This contemporary arrangement makes use of a root-based chord-blocking technique that John and I have used in many of our arrangements. It's not too difficult for the intermediate-level player and it's fun to play. John and I hope you like it!
$4.99 ≈
4.64€
First Baseball Game
First Baseball Game
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Chorale 3 parties
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FACILE
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Don Raye and Gene De Paul
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Laurie Carter-Elliott
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First Baseball Game
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Laurie Carter-Elliott Lucky Life Publishing
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SheetMusicPlus
Choral Choir (SAB) - Level 2 - SKU: A0.1279975 Composed by Don Raye and Gene De Paul. Arranged by Laurie Carter-Elliott. Christian,Comedy,Jazz,Praise & ...
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Choral Choir (SAB) - Level 2 - SKU: A0.1279975 Composed by Don Raye and Gene De Paul. Arranged by Laurie Carter-Elliott. Christian,Comedy,Jazz,Praise & Worship. Octavo. 8 pages. Laurie Carter-Elliott Lucky Life Publishing #871381. Published by Laurie Carter-Elliott Lucky Life Publishing (A0.1279975). The First Baseball Game: In the big inning - A jazz tune that starts off with a slower introduction and then goes into a swinging style, with verses taken from the bible and turned into many puns such as: Rebecca went to the well with the pitcher, Goliath was struck out by David, the prodigal son made a great home run, Jonah whaled and went down swingin', and many more! Written in 1948 by Gene De Paul and Don Raye.
$1.99 ≈
1.85€
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