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Vous avez sélectionné:
Fury of the Strings
Partitions à imprimer
7 partitions trouvées
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1
Fury of the Strings
Fury of the Strings
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Orchestre à Cordes
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INTERMÉDIAIRE
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Steven Shade
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Fury of the Strings
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Steve Shade
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1343394 Composed by Steven Shade. 21st Century,Classical,Contemporary,Contest,Festival,Instructional. 18 pages. Ste...
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String Orchestra - Level 3 - SKU: A0.1343394 Composed by Steven Shade. 21st Century,Classical,Contemporary,Contest,Festival,Instructional. 18 pages. Steve Shade #928920. Published by Steve Shade (A0.1343394). Fury of the Strings is a dynamic and intense composition for string orchestra that takes its listeners on a thrilling journey. The piece is characterized by its rapid tempo, vibrant energy, and a palpable sense of tension that permeates throughout. The relentless pace creates a sense of urgency, building anticipation and excitement. From frenetic and agitated sections that propel the music forward, to moments of dark and brooding intensity, Fury of the Strings weaves a dramatic tapestry that keeps the audience on the edge of their seats.The use of dynamics, articulation, and rhythmic precision contributes to the overall intensity of the piece. Fury of the Strings is a captivating composition that showcases the expressive capabilities of the string orchestra, delivering a high-energy and emotionally charged musical experience.This piece features lowered and high fingers in the violin and viola parts, as well as second and lowered first finger in the cello and bass part. Includes conductors score and parts (Violin I, Violin II, Viola, Cello, Bass.) All parts have been edited. Performance time of about 2 minutes.
$39.95 ≈
35.78€
RAGING FURIES - Goettinnen der Rache
RAGING FURIES - Goettinnen der Rache
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Rainer Fabich Orchestra
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Rainer Fabich
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RAGING FURIES - Goettinnen der
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Fajora Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classical,Contemporary,...
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Full Orchestra - Level 4 - SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classical,Contemporary,Film/TV. Score and Parts. 212 pages. Fajora Music #821876. Published by Fajora Music (A0.1225840). RAGING FURIES - Rasende FurienGoddesses of revenge - Göttinnenn der RageConcert Piece for big orchestra - Score and PartsThe image of the raging furies as a topos has permeated the world of thoughts and images of mankind for thousands of years and has inspired and fascinated countless artists.This idea is also based on an emotional background, a violent, uncontrolled emotional outburst, a rage (Latin: furor, in the sense of frenzy, passion and madness, French: rage). The resulting affect action is described as rage or fury, combined with a state of mind of uncontrolled excitement in the sense of being beside oneself or out of one's senses.The personification of these affects was in Greek and Roman mythology with the trio of vengeance goddesses, the Erinyens (Latin furia) called: Alekto (the incessant, the never resting), Megaira (German: Megäre, the envious anger) and Tisiphone (the Vengeance avenging the murder, represented with a dog's head and bat's wings), and another, that of Nemesis (the reconciling justice). Already in antiquity they were depicted in sculptures, embossed on coins or immortalized as images on amphorae.They appear in all eras of fine arts, sometimes in female, male or androgynous form, e.g. as avenging angels, or as hybrid beings between humans and animals. Pictures by Albrecht Dürer, Hieronymus Bosch, Tizian, Peter Paul Rubens, William Hamilton, Johann Heinrich Fuessli, Franz von Stuck, Alfred Kubin, Salvador Dali, Francis Bacon, Yongbo Zhao and many others are proof of this.They found their way into the literature of Virgil (Aeneis), Dante (Divine Comedy) or John Milton (Paradise Lost). Goethe lets them appear in Faust II, Schiller (Die Kraniche des Ibykus) and many others refer to them directly or in a modified form, such as Kurt Tucholsky (Gripsholm Palace), Alfred Döblin (Berlin Alexanderplatz), Max Frisch (Homo Faber) or Jean-Paul Sartre (The Flies).In opera, they become an important element in highly dramatic scenes, especially on themes with a mythological or historical background, often also related to the underworld, as in Monteverdi (Il Ritorno d`Ulisse in Patria), Lully (Armide), Gluck (Orpheus and Euridice) or Purcell (Dido and Aeneas). Haendel dedicates an aria to them in Rinaldo, the Furie Terribili. Mozart also uses it in The Magic Flute, in his aria Der Hölle Rache by the Queen of the Night.Furies appear up to the present in various forms, in comics, fantasy novels, computer games, or kung fu films of the 70s (Furies on the yellow river). They are even popular as plastic children's toys, mostly in particularly frightening and creepy presentations (Matchbox/Fighting Furies or Warhammer/Erinnye). This remarkable history and reception inspired Rainer Fabich to create this new orchestral work from his MYThS series. PEGASUS - Ride on Wings, ULYSSES - Prélude to an Odyssey and THE AMONZS - Myth and Projection have already been released. As the title suggests, this is frantically wild music (Allegro molto vivace) that seems to run away, like an action film with fast motives and runs of strings and woodwinds, combined with strong accents of brass and massive percussion Set. Alternations of straight and asymmetrical beats illustrate erratic sequences of movement, as are typical of scenes with the highest intensity, especially in films (e.g. a chase). In the jazzy middle section, the furies calm down a little, before they pick up speed again in a bombastic third section and increase to the point of ecstasy.
$49.95 ≈
44.73€
Somebody Told Me
Somebody Told Me
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Rock
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The Killers
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Claudio Mascaro
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Somebody Told Me
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Claudio Mascaro
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1268999 By The Killers. By Brandon Flowers, Dave Keuning, Mark Stoermer, and Ronnie...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1268999 By The Killers. By Brandon Flowers, Dave Keuning, Mark Stoermer, and Ronnie Vannucci. Arranged by Claudio Mascaro. Pop,Rock. 19 pages. Claudio Mascaro #861533. Published by Claudio Mascaro (A0.1268999). Calling all music rebels and string quartets with a taste for rock 'n' roll! Prepare to set the stage ablaze with the electrifying String Quartet Score of Somebody Told Me by The Killers - a fiery rendition that'll have audiences banging their heads and cheering for an encore!Rock 'n' Roll Showstopper:Unleash the rebellious spirit of rock 'n' roll with Somebody Told Me. This explosive arrangement packs the punch, power, and raw energy that define this iconic rock anthem. Your quartet will transform the stage into a musical powerhouse, leaving jaws dropped and hearts pounding.Strings Infused with Rock Fury:This sheet music captures the essence of The Killers' rock masterpiece while showcasing the exquisite harmony of classical strings. From the fierce violins to the soulful viola, the thundering cello to the heart-pounding basslines, your quartet will breathe new life into this chart-topping hit.Empower Every Musician:Let each member of your quartet shine as they embrace the spirit of rock 'n' roll. The expertly crafted notation ensures that players of all skill levels can embrace the adrenaline rush, channeling their inner rockstar and captivating audiences with a jaw-dropping performance.Unforgettable Rock Fusion:Witness the magic as classical strings intertwine with rock 'n' roll fury. Somebody Told Me sets the stage for an unforgettable experience, blurring the lines between genres and creating a performance that will be etched in memory.From Chamber to Rock Arena:Â This edgy quartet score is a versatile powerhouse. Whether you're performing at an intimate chamber concert or rocking out on a grand stage, Somebody Told Me will elevate your quartet's reputation and leave a trail of mesmerized fans in its wake.Your Ticket to Rock 'n' Roll Fame:Take a leap into the rock 'n' roll limelight with Somebody Told Me. This electrifying quartet score is your ticket to musical stardom, setting the standard for jaw-dropping performances that'll leave your audience begging for more.Ready to Rock the Quartet World?Don't miss the chance to add this epic rock arrangement to your quartet's repertoire. Embrace the fusion of rock 'n' roll and classical strings, and let Somebody Told Me be the showstopper that takes your quartet to new heights!Grab your String Quartet Score now and let the rebellious spirit of rock 'n' roll roar through your quartet's strings! Get ready to rock the stage with The Killers' electrifying hit!
$12.99 ≈
11.63€
String Quartet No.2
String Quartet No.2
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Frederick Paul Naftel
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String Quartet No.2
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Frederick Naftel
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.987079 Composed by Frederick Paul Naftel. Contemporary. Score and parts. 41 pages. Frederick Naftel #6...
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String Quartet String Quartet - Level 5 - SKU: A0.987079 Composed by Frederick Paul Naftel. Contemporary. Score and parts. 41 pages. Frederick Naftel #6255501. Published by Frederick Naftel (A0.987079). My 2nd String Quartet was composed during the current Coronavirus pandemic and its style is definitely affected by this period. I would describe the music as a strong statement of mind. In complete contrast to my relatively straightforward 1st Quartet, which is in 4 movements, the present work is in one uninterrupted movement, divided into five parts, with an epilogue. The intervals of the major 7th and minor 2nd are a strong feature of the music, which contrasts intensely static passages, which are nevertheless uneasily tranquil, with furious and violent sections, often marked triple forte in certain passages. The opening Lento flows serenely but mysteriously as if awaiting some kind of resolution, using motifs rather than fully-fledged themes(of which there are very few). The viola makes an urgent and violent protest, later to be imitated by cello, as if to disrupt the serenity, until the second section bursts in with barely-controlled energy and fury. This Allegro feroce is strongly accented and relentless in its forward momentum, the tension manintained almost throughout until the music suddenly quietens down, pizzicato passages leading to the next section. The Adagio Sostenuto initially resembles plainsong, all four instruments in unison(muted) playing a smooth line which rises and falls, the dynamics remaining pp and senza vibrato. The line breaks into harmony based on the interval of a perfect 5th, eventually leading to a passage reminiscent of the very opening of the work. A brief crescendo leads to another quiet unison passage which becomes more fragmented and unsettled, first and second violins announcing an aggressive idea which becomes the initial impetus for the fourth section. This Presto Furioso is even more violently energetic than the second section and at one point, alternates between 3/8 and 4/8, making the music sound even more unsettled. This is music with a strong sense of purpose as well as absolute fury. After a very short scalic passage, the final section begins Grave and pp with a sustained unison C, growing in power with exaggerated vibrato to a series of crunching discords and a wildly disconcerting episode featuring swirling upper strings and impassioned cello solo. The music dies away to the Epilogue. The concluding part of the work calls for a recorded cello playing a pizzicato pedal, over which violins and viola play a series of overlapping (tonal) triads, giving the music a slightly warmer but still mysterious sound. The recorded cello’s pedal notes slow down until a final powerful discord from the 4 instruments dies away, leaving the sighing motif of the very opening of the work to have the last word. This note may be reprinted in programmes with the following details: (c) 2020 Frederick Naftel
$19.99 ≈
17.90€
Fire Dance for Violin and Orchestra
Fire Dance for Violin and Orchestra
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Orchestre
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AVANCÉ
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Richard E Brown
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Fire Dance for Violin and Orch
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Dacker Music
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1485976 Composed by Richard E Brown. Classical,Contemporary. 138 pages. Dacker Music #1063031. Published by Dacker Mu...
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Full Orchestra - Level 5 - SKU: A0.1485976 Composed by Richard E Brown. Classical,Contemporary. 138 pages. Dacker Music #1063031. Published by Dacker Music (A0.1485976). Fire Dance has 3 sections, following an A-B-A or simple ternary form: 1. Furious 2. Contemplative 3. Tempo IThe title of this composition might encourage the listener to conjure up visions of a primitive tribal fire ritual, or possibly an entertaining dance performance with fiery hoops and batons. Both are valid reactions and neither of these interpretations would expect a specific program in the music. But an environmental theme can be discerned in the composition by interpreting the opening section as depicting a “furious” wildfire, while the quiet middle section “contemplates” the scene of devastation left behind in the fire’s wake with idyllic memories of what it was like before the fire. The final section would recall the fire’s fury and serve as a warning for the future if something isn't done to combat wildfire-causing climate change.Fire Dance is scored for solo violin, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 2 trombones, tuba, bells, timpani, 2 percussion, piano, and strings. Duration 5:00.
$65.00 ≈
58.21€
Tutte dormono sulla collina
Tutte dormono sulla collina
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Violon et Piano
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Gospel Spirituel
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Jazz
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Monica Bergo
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it  
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Tutte dormono sulla collina
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Monica Bergo
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SheetMusicPlus
Small Ensemble,Strings Cello,Organ,Pan Pipe,Piano,Violin - SKU: A0.976835 Composed by Monica Bergo. Spiritual. Score and parts. 35 pages. Monica Bergo #...
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Small Ensemble,Strings Cello,Organ,Pan Pipe,Piano,Violin - SKU: A0.976835 Composed by Monica Bergo. Spiritual. Score and parts. 35 pages. Monica Bergo #3235427. Published by Monica Bergo (A0.976835). 2017 Holiday Contest EntryALL SLEEPING ON THE HILL While it flowing words and pictures All are sleeping on the hill They are so many, so beautiful and pale They are waiting on the hill Princesses looking frail That pose themselves unnecessary questions They are died and now are free but they wonder why If I Had been more yielding, if I had been a little 'more docile He is always so unstable, maybe it was my fault If I Had known take him, and learned not to respond If I always said yes, I would be alive and still there They are women of all nationalities And girls who never bloom While the seasons and the years pass Their face is ageless And they are mothers, daughters or lovers Prostitutes, holy or wives No heaven or hell They are waiting for you Tonight the sky is brighter They will be shining Shooting stars now that you do not have a sky Tell me where you flee Do you feel guilty But you're not you that you have sinned Hide the signs And the secret inside you Everybody knows but it is more comfortable silence As long as you lie to yourself I had a dream, a nightmare, but I was awake On the hill expecting me Princess, sleeps in the trash Your Prince control no longer has And a tear remains motionless Witness of this' atrocities You Follow the avenue of pain and tears And walking on the hill and reach the motionless companions Waiting for you on the hill unites them by horrible fate Different stories with the same ending And as avenging goddesses expect The man who defiled And it is a black angels army their choir is high is unstoppable resonates loud, an echo that is relentless haunt your sleep and a thousand ways to beat you know; Hide the world what you really are the last image behind those eyes the blind fury inside you while in the sky it appears lightning I launch myself on the hill I put a flower and remain motionless And and I fall asleep here , on the hill ......... .. Monica Bergo
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