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Vous avez sélectionné:
Full, with no cuts.
Partitions à imprimer
45 partitions trouvées
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1
26
Without You
Without You
#
Film/TV
#
David Guetta
#
Without You
#
Josue Marin
#
SheetMusicPlus
Small Ensemble Alto Saxophone,Drums,Flute,Guitar,Piano,Voice - SKU: A0.920183 By David Guetta. By David Guetta, Frederic Riesterer, Giorgio Tuinfort, Pi...
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Small Ensemble Alto Saxophone,Drums,Flute,Guitar,Piano,Voice - SKU: A0.920183 By David Guetta. By David Guetta, Frederic Riesterer, Giorgio Tuinfort, Pierre David Guetta, Richard Preston Jr Butler, Rico Love, Ryon Jermaine Lovett, Taio Cruz, and Usher Raymond. Arranged by Adam Anders, Josue Marin, and Tim Davis. Film/TV. Score and parts. 22 pages. Josue Marin #5297269. Published by Josue Marin (A0.920183). This is a full transcription based on a Original Arrangement by Adam Anders and Tim Davis. Without You by David Guetta feat. Usher is featured in Yes/No, the tenth episode of Season Three. It is sung by Rachel. This song reached Number 1 on the iTunes US charts.During a conversation at Breadstix between Kurt, Finn and Rachel discussing their futures after graduation, Rachel sings the song to Finn because he is confused and frustrated about his future. The scene then cuts to the choir room where Rachel sings it in Glee Club, it also cuts to a part when Rachel is singing directly to Finn alone. At the end of the performance, they both share a passionate kiss in front of the Glee Club and some New Directions members give off awkward and disgusted faces.
$4.99 ≈
4.47€
The Longest Time
The Longest Time
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
#
INTERMÉDIAIRE
#
Rock
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Billy Joel
#
Robert Fisco
#
The Longest Time
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Robert Fisco
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.803394 By Billy Joel. By Billy Joel. Arranged by Robert Fisco. Pop,Rock. Score and parts. 17 pa...
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.803394 By Billy Joel. By Billy Joel. Arranged by Robert Fisco. Pop,Rock. Score and parts. 17 pages. Robert Fisco #3532947. Published by Robert Fisco (A0.803394). Brass Quartet arrangement of The Longest Time by Billy Joel. Brass quartets typically consist of two trumpets and two trombones or two trumpets, a french horn, and trombone. This arrangement will work for either setting, and comes with both a trombone and horn part for the third voice. This arrangement is the song in full, with no cuts, making it perfect for gigs where people might sing along such as at bars, parties, or more. I also have an arrangement of the same song with several cuts, like typical brass quintet arrangements of popular music, for a more traditional setting. This crowd-pleaser is a fun addition to any program. Approximate length: 3 minutes and 20 seconds.
$15.00 ≈
13.43€
The Longest Time
The Longest Time
#
Ensemble de cuivres
#
INTERMÉDIAIRE
#
Rock
#
Billy Joel
#
Robert Fisco
#
The Longest Time
#
Robert Fisco
#
SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.803391 By Billy Joel. By Billy Joel. Arranged by Robert Fisco. Pop,Rock. Score and parts. 20 pages. Robert Fisco #353...
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Brass Ensemble - Level 3 - SKU: A0.803391 By Billy Joel. By Billy Joel. Arranged by Robert Fisco. Pop,Rock. Score and parts. 20 pages. Robert Fisco #3531893. Published by Robert Fisco (A0.803391). Brass Quintet arrangement of The Longest Time by Billy Joel. This arrangement is the song in full, with no cuts, making it perfect for gigs where people might sing along such as at bars, parties, or more. I also have an arrangement of the same song with several cuts, like typical brass quintet arrangements of popular music, for a more traditional setting. This crowd-pleaser is a fun addition to any program. The tuba part is best performed on a smaller tuba, and the part is also very accessible for brass quintets that use a bass trombone as the bottom voice. Approximate length: 3 minutes and 20 seconds.
$15.00 ≈
13.43€
The Glory of the Lord
The Glory of the Lord
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Chorale SSAA
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AVANCÉ
#
Classique
#
George Frideric Handel
#
Gretchen Monson
#
Full, with no cuts.
#
The Glory of the Lord
#
Gretchen Monson
#
SheetMusicPlus
Choral Choir (SSAA) - Level 5 - SKU: A0.972704 Composed by George Frideric Handel. Arranged by Gretchen Monson. Christian,Christmas,Classical,Sacred. Oc...
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Choral Choir (SSAA) - Level 5 - SKU: A0.972704 Composed by George Frideric Handel. Arranged by Gretchen Monson. Christian,Christmas,Classical,Sacred. Octavo. 18 pages. Gretchen Monson #3110339. Published by Gretchen Monson (A0.972704). From Handel's Messiah comes this arrangement of The Glory of the Lord for ladies' choir (SSAA) and piano. Full, with no cuts. Appropriate for church and school groups. Approximately 3' 30 long. Includes octavo format score and individual piano part (letter-paper format). Also available in letter-paper format. For custom harp, piano, choral, mixed ensemble, and orchestra arrangements by the same arranger, contact Gretchen Monson at thegnote7@gmail.com.
$2.50 ≈
2.24€
The Glory of the Lord
The Glory of the Lord
#
Chorale SSAA
#
AVANCÉ
#
Classique
#
George Frideric Handel
#
Gretchen Monson
#
Full, with no cuts.
#
The Glory of the Lord
#
Gretchen Monson
#
SheetMusicPlus
Choral Choir (SSAA) - Level 5 - SKU: A0.972703 Composed by George Frideric Handel. Arranged by Gretchen Monson. Christian,Christmas,Classical,Sacred. Oc...
(+)
Choral Choir (SSAA) - Level 5 - SKU: A0.972703 Composed by George Frideric Handel. Arranged by Gretchen Monson. Christian,Christmas,Classical,Sacred. Octavo. 15 pages. Gretchen Monson #3110337. Published by Gretchen Monson (A0.972703). From Handel's Messiah comes this arrangement of The Glory of the Lord for ladies' choir (SSAA) and piano. Full, with no cuts. Appropriate for church and school groups. Approximately 3' 30 long. Includes letter-paper format score and individual piano part. Also available in octavo format. For custom harp, piano, choral, mixed ensemble, and orchestra arrangements by the same arranger, contact Gretchen Monson at thegnote7@gmail.com.
$2.50 ≈
2.24€
Hallelujah Chorus
Hallelujah Chorus
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Chorale SSAA
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
George Frideric Handel
#
Gretchen Monson
#
Full, with no cuts.
#
Hallelujah Chorus
#
Gretchen Monson
#
SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.972701 Composed by George Frideric Handel. Arranged by Gretchen Monson. Christian,Christmas,Classical,Easter,Sac...
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Choral Choir (SSAA) - Level 4 - SKU: A0.972701 Composed by George Frideric Handel. Arranged by Gretchen Monson. Christian,Christmas,Classical,Easter,Sacred. Octavo. 19 pages. Gretchen Monson #3110309. Published by Gretchen Monson (A0.972701). Handel's famous Hallelujah Chorus from the Messiah arranged for ladies' choir (SSAA) and piano. Full, with no cuts. Appropriate for church and school groups. Approximately 4' 30 long. Includes letter-paper format score and individual piano part. Also available in octavo format. For custom harp, piano, choral, mixed ensemble, and orchestra arrangements by the same arranger, contact Gretchen Monson at thegnote7@gmail.com.
$2.50 ≈
2.24€
Leaves From The Vine
Leaves From The Vine
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Harpe
#
DÉBUTANT
#
Benjamin Wynn and Jeremy Zucke
#
Rachael Acheson
#
Leaves From The Vine
#
TheHarpLibrarian
#
SheetMusicPlus
Lever Harp - Level 1 - SKU: A0.1390699 Composed by Benjamin Wynn and Jeremy Zuckerman. Arranged by Rachael Acheson. 21st Century,Children,Film/TV,Multic...
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Lever Harp - Level 1 - SKU: A0.1390699 Composed by Benjamin Wynn and Jeremy Zuckerman. Arranged by Rachael Acheson. 21st Century,Children,Film/TV,Multicultural,Video Game,World. Score. 3 pages. TheHarpLibrarian #974251. Published by TheHarpLibrarian (A0.1390699). This is my simplified arrangement of Leaves from the Vine from the beloved animated series Avatar: the Last Airbender, as well as the more recent Netflix live-action adaptation by the same name. It is appropriate for beginner harpists working with an instrument as small as 24 strings, ranging from the F below middle C to the third F above Middle C (though the final verse of the song can be played an octave lower than written on smaller instruments). It is written in the key of B-flat Major with no accidentals or lever changes. As such, it could work on an instrument model without levers, so long as the instrument is tuned with Bs and Es flat. My own instrument is a Harpsicle Fullsicle Harp. But I believe it could also work, with few or no modifications, on a Harp-E, most/all of the Roosebeck Pakistani harp models, Dusty Strings Ravenna 26, or Musicmakers Sonnet 29. And, obviously, on any larger instrumentPlease note that this simplified version of the song for beginner harpists contains ONLY Leaves from the Vine and none of the medley themes in my more advanced version.I also, as mentioned, have a more complex arrangement of this piece, appropriate for intermediate harpists, published seperately. That more complex version is NOT included in the purchase of this document and will need to be purchased from its own link.Please note that the preview cuts off after the first half-page of score. When you download your purchase, you will recieve a pdf that contains both the preview and the full score.
$5.99 ≈
5.36€
Leaves From The Vine
Leaves From The Vine
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Harpe
#
INTERMÉDIAIRE
#
Benjamin Wynn and Jeremy Zucke
#
Rachael Acheson
#
Leaves From The Vine
#
TheHarpLibrarian
#
SheetMusicPlus
Lever Harp - Level 3 - SKU: A0.1390693 Composed by Benjamin Wynn and Jeremy Zuckerman. Arranged by Rachael Acheson. 21st Century,Broadway,Children,Film/...
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Lever Harp - Level 3 - SKU: A0.1390693 Composed by Benjamin Wynn and Jeremy Zuckerman. Arranged by Rachael Acheson. 21st Century,Broadway,Children,Film/TV,Musical/Show,Video Game. Score. 5 pages. TheHarpLibrarian #974247. Published by TheHarpLibrarian (A0.1390693). This is my slightly more complex arrangement of Leaves from the Vine from the beloved animated series Avatar: the Last Airbender, as well as the more recent Netflix live-action adaptation by the same name. It is appropriate for intermediate harpists working with an instrument as small as 26 strings, ranging from the C below middle C to the third G above Middle C (though it can obviously also be played on a larger harp, as well). It is written in the key of B-flat Major with no accidentals or lever changes. As such, it could work on an instrument model without levers, so long as the instrument is tuned with Bs and Es flat. My own instrument is a Harpsicle Fullsicle Harp. But I believe it could also work, with one or two very minor modifications, on a Harp-E, some of the Roosebeck Pakistani harp models (though check your range to be sure), Dusty Strings Ravenna 26, or Musicmakers Sonnet 29.The intro, outro, and transitions of the song weave in a medley of other themes from Avatar: The Last Airbender, including excerpts from The Avatar's Love, Four Seasons, and the main title theme. The core of the arrangement, however, centers around on variations of Leaves from the Vine.I also have a simplified, beginner-appropriate arrangement of this piece published seperately. That simplified version is NOT included in the purchase of this document and will need to be purchased from its own link.Please note that the preview cuts off after the first half-page of score. When you download your purchase, you will recieve a pdf that contains both the preview and the full score.
$5.99 ≈
5.36€
Whimsical Witches' Waltz: A Composition for Small or Beginner Harp
Whimsical Witches' Waltz: A Composition for Small or Beginner Harp
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Harpe
#
FACILE
#
Rachael Acheson
#
Whimsical Witches' Waltz: A Co
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TheHarpLibrarian
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SheetMusicPlus
Lever Harp - Level 2 - SKU: A0.1380924 Composed by Rachael Acheson. Classical,Film/TV,Halloween,Medieval,Spiritual. Score. 3 pages. TheHarpLibrarian #96...
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Lever Harp - Level 2 - SKU: A0.1380924 Composed by Rachael Acheson. Classical,Film/TV,Halloween,Medieval,Spiritual. Score. 3 pages. TheHarpLibrarian #965699. Published by TheHarpLibrarian (A0.1380924). This is my first original composition for small solo harp. I like to think it gives spooky filmscore / Wednesday Addams vibes, with a neoclassical air, while still remaining very accessible to a less-experienced musician with a small, simple, or budget instrument.It is in the key of A minor (i.e. no sharps or flats) with no lever changes. It should also already fit the range of most common small harp models, including Harpsicle harps (even if your model has no levers!), Roosebeck Pakistani harps (it goes no lower than the F below middle C), Harp-E harps (it goes no higher than your high E), Dusty Strings Ravenna, Musicmakers Sonnet Lap Harp, and others. It can also, obviously, be played on any and all larger harp models.Played at full-speed, some of the turn-arounds in the right-hand, as well as the octave jump in the middle, can prove tricky (as you can see from my own playing in the video!). But played under tempo and more expressively, it could be accessible even to beginner/early-intermediate harpists, so long as you are learning to replace fingers and change directions.Please note that the preview cuts off after the first half-page of score. When you download your purchase, you will recieve a pdf that contains both the preview and the full score.Also note: If the preview shows a 4/4 timing, this is a software rendering error. I have already uploaded a new pdf with the correct preview, in 3/4 waltz time. But know, in the meantime, that the actual, full score itself is, and has always been, rendered correctly in 3/4 timing.
$5.99 ≈
5.36€
Star Trek(R) - The Inner Light
Star Trek(R) - The Inner Light
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Harpe
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FACILE
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Jay Chattaway
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Rachael Acheson
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Star Trek(R) - The Inner Light
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TheHarpLibrarian
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SheetMusicPlus
Lever Harp - Level 2 - SKU: A0.1370432 Composed by Jay Chattaway. Arranged by Rachael Acheson. 20th Century,Celtic,Film/TV,Irish,Pop,Video Game. Score. ...
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Lever Harp - Level 2 - SKU: A0.1370432 Composed by Jay Chattaway. Arranged by Rachael Acheson. 20th Century,Celtic,Film/TV,Irish,Pop,Video Game. Score. 3 pages. TheHarpLibrarian #954803. Published by TheHarpLibrarian (A0.1370432). This arrangement of Captain Picard's Air from the Star Trek: The Next Generation episode The Inner Light is fitted specifically to the range of a 26-string lever harp, like Harpsicle Harps or Dusty String Ravenna. While there are some complex rhythms and silences to count through, the notation itself is relatively simple -- intended to reflect the sparse, lonely/hopeful nature of the original song, which was played on a solo pennywhistle.It is written in the key of G Major (one sharp), which means it can be played on Harpsicle models that are not fully levered (e.g. Sharpsicles, as well as Fullsicles), and there are no lever changes or accidentals. If the harmonics are omitted, and the dotted rhythms counted carefully, this piece could be accessible to a late-beginner, at least from a technique standpoint. Beginner harpists who have little or no prior background in reading sheet music might struggle with the leger lines, though.Please note that the preview cuts off after the first half-page of score. When you download your purchase, you will recieve a pdf that contains both the preview and the full score.
$5.99 ≈
5.36€
Mozart Clarinet Concerto in A major, K.622, 2. Andante for Clarinet Choir
Mozart Clarinet Concerto in A major, K.622, 2. Andante for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Classique
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Craig Slegel
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Craig Slegel
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Mozart Clarinet Concerto in A
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Craig Slegel
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1405118 By Craig Slegel. By Wolfgang Amadeus Mozart. Arranged by Crai...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1405118 By Craig Slegel. By Wolfgang Amadeus Mozart. Arranged by Craig Slegel. Chamber,Classical. 23 pages. Craig Slegel #988158. Published by Craig Slegel (A0.1405118). A clarinet classic, Mozart's Clarinet Concerto in A Major, K.622 is one of the most well known pieces to any musician. Â This arrangement of the work for Clarinet Choir is designed to be as close of a transcription to the orchestral version as possible. Â No cuts or abbreviations have been made, but for the convenience of the player, the piece has been transposed into concert B-flat.Included here is Mvt. 2, Andante from the concerto. Â It's scored for Solo Clarinet with Clarinet Choir accompainment, with parts including: Solo Clarinet in Bb Clarinet in Eb (Optional, but recommended) Clarinet in Bb 1 Clarinet in Bb 2 Clarinet in Bb 3 Clarinet in Bb 4 Alto Clarinet (Optional) Bass Clarinet Contrabass Clarinet (Optional) The Solo B-flat Clarinet part is designed to be fully compatible with the soloists preferred edition of the concerto. Articulation used is fully open to the interpretation of the soloist. The provided solo part is meant as a guide.The E-flat Soprano Clarinet part is not required, but highly recommended. In general, the E-flat Alto Clarinet part is similar to the B-flat Clarinet 4 part, and the B-flat Contrabass Clarinet part is similar to the B-flat Bass Clarinet part. Therefore, the E-flat Alto Clarinet and B-flat Contrabass Clarinet parts are optional.
$16.99 ≈
15.22€
Mozart Clarinet Concerto in A major, K.622, 1. Allegro for Clarinet Choir
Mozart Clarinet Concerto in A major, K.622, 1. Allegro for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Craig Slegel
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Mozart Clarinet Concerto in A
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Craig Slegel
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1405110 Composed by Wolfgang Amadeus Mozart. Arranged by Craig Slegel...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1405110 Composed by Wolfgang Amadeus Mozart. Arranged by Craig Slegel. Chamber,Classical. 94 pages. Craig Slegel #988149. Published by Craig Slegel (A0.1405110). A clarinet classic, Mozart's Clarinet Concerto in A Major, K.622 is one of the most well known pieces to any musician.  This arrangement of the work for Clarinet Choir is designed to be as close of a transcription to the orchestral version as possible. No cuts or abbreviations have been made, but for the convenience of the player, the piece has been transposed into concert B-flat.  Included here is Mvt. 1, Allegro from the concerto.  It's scored for Solo Clarinet with Clarinet Choir accompainment, with parts including: Solo Clarinet in Bb Clarinet in Eb (Optional, but recommended) Clarinet in Bb 1 Clarinet in Bb 2 Clarinet in Bb 3 Clarinet in Bb 4 Alto Clarinet (Optional) Bass Clarinet Contrabass Clarinet (Optional) The Solo B-flat Clarinet part is designed to be fully compatible with the soloists preferred edition of the concerto. Articulation used is fully open to the interpretation of the soloist. The provided solo part is meant as a guide.The E-flat Soprano Clarinet part is not required, but highly recommended. In general, the E-flat Alto Clarinet part is similar to the B-flat Clarinet 4 part, and the B-flat Contrabass Clarinet part is similar to the B-flat Bass Clarinet part. Therefore, the E-flat Alto Clarinet and B-flat Contrabass Clarinet parts are optional.
$18.99 ≈
17.01€
Mozart Clarinet Concerto in A major, K.622, 3. Rondo for Clarinet Choir
Mozart Clarinet Concerto in A major, K.622, 3. Rondo for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Craig Slegel
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Mozart Clarinet Concerto in A
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Craig Slegel
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1405119 Composed by Wolfgang Amadeus Mozart. Arranged by Craig Slegel...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1405119 Composed by Wolfgang Amadeus Mozart. Arranged by Craig Slegel. Chamber,Classical. 73 pages. Craig Slegel #988159. Published by Craig Slegel (A0.1405119). A clarinet classic, Mozart's Clarinet Concerto in A Major, K.622 is one of the most well known pieces to any musician. Â This arrangement of the work for Clarinet Choir is designed to be as close of a transcription to the orchestral version as possible. Â No cuts or abbreviations have been made, but for the convenience of the player, the piece has been transposed into concert B-flat.Included here is Mvt. 3, Rondo from the concerto. Â It's scored for Solo Clarinet with Clarinet Choir accompainment, with parts including: Solo Clarinet in Bb Clarinet in Eb (Optional, but recommended) Clarinet in Bb 1 Clarinet in Bb 2 Clarinet in Bb 3 Clarinet in Bb 4 Alto Clarinet (Optional) Bass Clarinet Contrabass Clarinet (Optional) The Solo B-flat Clarinet part is designed to be fully compatible with the soloists preferred edition of the concerto. Articulation used is fully open to the interpretation of the soloist. The provided solo part is meant as a guide.The E-flat Soprano Clarinet part is not required, but highly recommended. In general, the E-flat Alto Clarinet part is similar to the B-flat Clarinet 4 part, and the B-flat Contrabass Clarinet part is similar to the B-flat Bass Clarinet part. Therefore, the E-flat Alto Clarinet and B-flat Contrabass Clarinet parts are optional.
$18.99 ≈
17.01€
Mozart Clarinet Concerto in A major, K.622, Complete for Clarinet Choir
Mozart Clarinet Concerto in A major, K.622, Complete for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Craig Slegel
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Mozart Clarinet Concerto in A
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Craig Slegel
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1405120 Composed by Wolfgang Amadeus Mozart. Arranged by Craig Slegel...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1405120 Composed by Wolfgang Amadeus Mozart. Arranged by Craig Slegel. Chamber,Classical. 186 pages. Craig Slegel #988160. Published by Craig Slegel (A0.1405120). A clarinet classic, Mozart's Clarinet Concerto in A Major, K.622 is one of the most well known pieces to any musician. Â This arrangement of the work for Clarinet Choir is designed to be as close of a transcription to the orchestral version as possible. Â No cuts or abbreviations have been made, but for the convenience of the player, the piece has been transposed into concert B-flat.Included here are all 3 movements, Mvt. 1, Allegro, Mvt. 2, Andante, and Mvt. 3, Rondo from the concerto. Â It's scored for Solo Clarinet with Clarinet Choir accompainment, with parts including: Solo Clarinet in Bb Clarinet in Eb (Optional, but recommended) Clarinet in Bb 1 Clarinet in Bb 2 Clarinet in Bb 3 Clarinet in Bb 4 Alto Clarinet (Optional) Bass Clarinet Contrabass Clarinet (Optional) The Solo B-flat Clarinet part is designed to be fully compatible with the soloists preferred edition of the concerto. Articulation used is fully open to the interpretation of the soloist. The provided solo part is meant as a guide.The E-flat Soprano Clarinet part is not required, but highly recommended. In general, the E-flat Alto Clarinet part is similar to the B-flat Clarinet 4 part, and the B-flat Contrabass Clarinet part is similar to the B-flat Bass Clarinet part. Â Therefore, the E-flat Alto Clarinet and B-flat Contrabass Clarinet parts are optional.
$49.99 ≈
44.77€
Mozart Clarinet Quintet in A major, K.581, 3. Menuetto for Clarinet Choir
Mozart Clarinet Quintet in A major, K.581, 3. Menuetto for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Classique
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Craig Slegel
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Craig Slegel
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Mozart Clarinet Quintet in A m
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Craig Slegel
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1405592 By Craig Slegel. By Wolfgang Amadeus Mozart. Arranged by Crai...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1405592 By Craig Slegel. By Wolfgang Amadeus Mozart. Arranged by Craig Slegel. Chamber,Classical. 38 pages. Craig Slegel #988651. Published by Craig Slegel (A0.1405592). A clarinet classic, Mozart's Clarinet Quintet in A Major, K.581 is surely in most clarinetists' repertories.  This arrangement of the work for Clarinet Choir is designed to be as close of a transcription to the orchestral version as possible.  No cuts or abbreviations have been made, but for the convenience of the player, the piece has been transposed into concert B-flat.  Included here is Mvt. 3, Menuetto from the quintet.  It's scored for Solo Clarinet with Clarinet Choir accompainment, with parts including: Solo Clarinet in Bb Clarinet in Eb (Optional, but recommended) Clarinet in Bb 1 Clarinet in Bb 2 Clarinet in Bb 3 Clarinet in Bb 4 Alto Clarinet (Optional) Bass Clarinet Contrabass Clarinet (Optional) The Solo B-flat Clarinet part is designed to be fully compatible with the soloists preferred edition of the concerto. Articulation used is fully open to the interpretation of the soloist. The provided solo part is meant as a guide.The E-flat Soprano Clarinet part is not required, but highly recommended. In general, the E-flat Alto Clarinet part is similar to the B-flat Clarinet 3 part, and the B-flat Bass Clarinet and B-flat Contrabass Clarinet parts are similar to the B-flat Clarinet 4 part. Therefore, the E-flat Alto Clarinet, B-flat Bass Clarinet, and B-flat Contrabass Clarinet parts are optional.
$16.99 ≈
15.22€
Mozart Clarinet Quintet in A major, K.581, 1. Allegro for Clarinet Choir
Mozart Clarinet Quintet in A major, K.581, 1. Allegro for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Classique
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Craig Slegel
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Craig Slegel
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Mozart Clarinet Quintet in A m
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Craig Slegel
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1405584 By Craig Slegel. By Wolfgang Amadeus Mozart. Arranged by Crai...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1405584 By Craig Slegel. By Wolfgang Amadeus Mozart. Arranged by Craig Slegel. Chamber,Classical. 53 pages. Craig Slegel #988643. Published by Craig Slegel (A0.1405584). A clarinet classic, Mozart's Clarinet Quintet in A Major, K.581 is surely in most clarinetists' repertories. Â This arrangement of the work for Clarinet Choir is designed to be as close of a transcription to the orchestral version as possible. Â No cuts or abbreviations have been made, but for the convenience of the player, the piece has been transposed into concert B-flat. Â Included here is Mvt. 1, Allegro from the quintet. Â It's scored for Solo Clarinet with Clarinet Choir accompainment, with parts including: Solo Clarinet in Bb Clarinet in Eb (Optional, but recommended) Clarinet in Bb 1 Clarinet in Bb 2 Clarinet in Bb 3 Clarinet in Bb 4 Alto Clarinet (Optional) Bass Clarinet Contrabass Clarinet (Optional) The Solo B-flat Clarinet part is designed to be fully compatible with the soloists preferred edition of the concerto. Articulation used is fully open to the interpretation of the soloist. The provided solo part is meant as a guide.The E-flat Soprano Clarinet part is not required, but highly recommended. In general, the E-flat Alto Clarinet part is similar to the B-flat Clarinet 3 part, and the B-flat Bass Clarinet and B-flat Contrabass Clarinet parts are similar to the B-flat Clarinet 4 part. Therefore, the E-flat Alto Clarinet, B-flat Bass Clarinet, and B-flat Contrabass Clarinet parts are optional.
$16.99 ≈
15.22€
Mozart Clarinet Quintet in A major, K.581, Complete for Clarinet Choir
Mozart Clarinet Quintet in A major, K.581, Complete for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Craig Slegel
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Mozart Clarinet Quintet in A m
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Craig Slegel
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1405596 Composed by Wolfgang Amadeus Mozart. Arranged by Craig Slegel...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1405596 Composed by Wolfgang Amadeus Mozart. Arranged by Craig Slegel. Chamber,Classical. 154 pages. Craig Slegel #988655. Published by Craig Slegel (A0.1405596). A clarinet classic, Mozart's Clarinet Quintet in A Major, K.581 is surely in most clarinetists' repertories. Â This arrangement of the work for Clarinet Choir is designed to be as close of a transcription to the orchestral version as possible. Â No cuts or abbreviations have been made, but for the convenience of the player, the piece has been transposed into concert B-flat. Â Included here are all 4 movements, Mvt. 1, Allegro, Mvt. 2, Larghetto, Mvt. 3, Menuetto, and Mvt. 4, Allegretto con variazioni from the quintet. Â It's scored for Solo Clarinet with Clarinet Choir accompainment, with parts including: Solo Clarinet in Bb Clarinet in Eb (Optional, but recommended) Clarinet in Bb 1 Clarinet in Bb 2 Clarinet in Bb 3 Clarinet in Bb 4 Alto Clarinet (Optional) Bass Clarinet Contrabass Clarinet (Optional) The Solo B-flat Clarinet part is designed to be fully compatible with the soloists preferred edition of the concerto. Articulation used is fully open to the interpretation of the soloist. The provided solo part is meant as a guide.The E-flat Soprano Clarinet part is not required, but highly recommended. In general, the E-flat Alto Clarinet part is similar to the B-flat Clarinet 3 part, and the B-flat Bass Clarinet and B-flat Contrabass Clarinet parts are similar to the B-flat Clarinet 4 part. Therefore, the E-flat Alto Clarinet, B-flat Bass Clarinet, and B-flat Contrabass Clarinet parts are optional.
$59.99 ≈
53.73€
Mozart Clarinet Quintet in A major, K.581, 2. Larghetto for Clarinet Choir
Mozart Clarinet Quintet in A major, K.581, 2. Larghetto for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Craig Slegel
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Mozart Clarinet Quintet in A m
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Craig Slegel
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1405588 Composed by Wolfgang Amadeus Mozart. Arranged by Craig Slegel...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1405588 Composed by Wolfgang Amadeus Mozart. Arranged by Craig Slegel. Chamber,Classical. 28 pages. Craig Slegel #988647. Published by Craig Slegel (A0.1405588). A clarinet classic, Mozart's Clarinet Quintet in A Major, K.581 is surely in most clarinetists' repertories. Â This arrangement of the work for Clarinet Choir is designed to be as close of a transcription to the orchestral version as possible. Â No cuts or abbreviations have been made, but for the convenience of the player, the piece has been transposed into concert B-flat. Â Included here is Mvt. 2, Larghetto from the quintet. Â It's scored for Solo Clarinet with Clarinet Choir accompainment, with parts including: Solo Clarinet in Bb Clarinet in Eb (Optional, but recommended) Clarinet in Bb 1 Clarinet in Bb 2 Clarinet in Bb 3 Clarinet in Bb 4 Alto Clarinet (Optional) Bass Clarinet Contrabass Clarinet (Optional) The Solo B-flat Clarinet part is designed to be fully compatible with the soloists preferred edition of the concerto. Articulation used is fully open to the interpretation of the soloist. The provided solo part is meant as a guide.The E-flat Soprano Clarinet part is not required, but highly recommended. In general, the E-flat Alto Clarinet part is similar to the B-flat Clarinet 3 part, and the B-flat Bass Clarinet and B-flat Contrabass Clarinet parts are similar to the B-flat Clarinet 4 part. Therefore, the E-flat Alto Clarinet, B-flat Bass Clarinet, and B-flat Contrabass Clarinet parts are optional.
$16.99 ≈
15.22€
Mozart Clarinet Quintet in A major, K.581, 4. Allegretto con variazioni for Clarinet Choir
Mozart Clarinet Quintet in A major, K.581, 4. Allegretto con variazioni for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Craig Slegel
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Mozart Clarinet Quintet in A m
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Craig Slegel
#
SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1405593 Composed by Wolfgang Amadeus Mozart. Arranged by Craig Slegel...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1405593 Composed by Wolfgang Amadeus Mozart. Arranged by Craig Slegel. Chamber,Classical. 41 pages. Craig Slegel #988652. Published by Craig Slegel (A0.1405593). A clarinet classic, Mozart's Clarinet Quintet in A Major, K.581 is surely in most clarinetists' repertories. Â This arrangement of the work for Clarinet Choir is designed to be as close of a transcription to the orchestral version as possible. Â No cuts or abbreviations have been made, but for the convenience of the player, the piece has been transposed into concert B-flat. Â Included here is Mvt. 4, Allegretto con variazioni from the quintet. Â It's scored for Solo Clarinet with Clarinet Choir accompainment, with parts including: Solo Clarinet in Bb Clarinet in Eb (Optional, but recommended) Clarinet in Bb 1 Clarinet in Bb 2 Clarinet in Bb 3 Clarinet in Bb 4 Alto Clarinet (Optional) Bass Clarinet Contrabass Clarinet (Optional) The Solo B-flat Clarinet part is designed to be fully compatible with the soloists preferred edition of the concerto. Articulation used is fully open to the interpretation of the soloist. The provided solo part is meant as a guide.The E-flat Soprano Clarinet part is not required, but highly recommended. In general, the E-flat Alto Clarinet part is similar to the B-flat Clarinet 3 part, and the B-flat Bass Clarinet and B-flat Contrabass Clarinet parts are similar to the B-flat Clarinet 4 part. Therefore, the E-flat Alto Clarinet, B-flat Bass Clarinet, and B-flat Contrabass Clarinet parts are optional.
$16.99 ≈
15.22€
Arrietty's Song
Arrietty's Song
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Harpe
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AVANCÉ
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Cecile Corbel
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Rachael Acheson
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Arrietty's Song
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TheHarpLibrarian
#
SheetMusicPlus
Lever Harp - Level 5 - SKU: A0.1452234 By Cecile Corbel. By Cecile Corbel, Simon Caby, and Yoko Ihira. Arranged by Rachael Acheson. Celtic,Children,Film...
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Lever Harp - Level 5 - SKU: A0.1452234 By Cecile Corbel. By Cecile Corbel, Simon Caby, and Yoko Ihira. Arranged by Rachael Acheson. Celtic,Children,Film/TV,Folk,Irish,Multicultural,World. Score. 7 pages. TheHarpLibrarian #1031550. Published by TheHarpLibrarian (A0.1452234). This solo harp arrangement of Arrietty's Song from Miyazaki/Studio Ghibli's film The Secret World of Arrietty is wonderfully versatile, while preserving the key and overall character of Cecile Corbel's original piece. It can be played on a lever harp as small as 26 strings, with the lowest note being the C below middle C and the highest being the third G above middle C. It only requires one lever (the A below middle C) to be moved to effectively simulate the chorus key change. It captures both the iconic original celtic harp part, as well as the full melody (with Japanese lyrics taken into account), and also the building/shifting energy that the original piece achieved by adding additional instruments. I think it also successfully solves the problem of remaining interesting and dynamic throughout despite the song being so repetitive. In short, I am particularly proud of this arrangement.In part because it is so note-y, and because it just keeps moving with no room to rest or breathe, this is definitely one of the harder and more advanced pieces I have arranged for small/lap lever harp. It would still sound nice played under tempo, but you will need to maintain a consistent rhythm throughout. I advise practicing the left hand as blocked chords and paying particular attention to the right-hand octaves in the second rendition of the chorus.Please note that the preview cuts off after the first half-page of score. When you download your purchase, you will recieve a pdf that contains both the preview and the full score.
$5.99 ≈
5.36€
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Voix Soprano, Piano
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AVANCÉ
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Opera
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Classique
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réch
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95 ≈
8.02€
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
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Voix Baryton, Piano
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AVANCÉ
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Gioachino Rossini
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Nicole Elyse DiPaolo
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Largo al factotum
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Nicole Elyse DiPaolo
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Op...
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95 ≈
8.02€
The Medieval Castle: A Composition for Small or Beginner Harp
The Medieval Castle: A Composition for Small or Beginner Harp
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Harpe
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DÉBUTANT
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Rachael Acheson
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The Medieval Castle: A Composi
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TheHarpLibrarian
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SheetMusicPlus
Lever Harp - Level 1 - SKU: A0.1468124 Composed by Rachael Acheson. Celtic,Irish,Medieval,New Age,Renaissance,Video Game. Score. 3 pages. TheHarpLibrari...
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Lever Harp - Level 1 - SKU: A0.1468124 Composed by Rachael Acheson. Celtic,Irish,Medieval,New Age,Renaissance,Video Game. Score. 3 pages. TheHarpLibrarian #1046434. Published by TheHarpLibrarian (A0.1468124). This is an original composition for small or beginner harp. I wrote it on a 26-string lap harp, but the range (from the C below middle C to the C above middle C) would fit a harp as small as 22 strings. It is written in A minor, with no sharps, flats, or other lever changes. As such, this piece should be playable on pretty much any standard small or lap harp, regardless of whether it has levers.Suggested harp models include Harpsicle Harps, Dusty Strings Ravenna 26, Musicmakers Sonnet 29, Fireside Harps, Marini Made lap harp models, Roosebeck Pakistani harps, Heartland Harps Air Serenity, Harp-E harps, and so on.The piece was composed to cheer up a fellow harpist who is still at the beginning of their harp journey. It is meant to invoke a medieval castle, and, as such, could be the perfect piece to take to a renaissance fair, an outdoor wedding, a larp-ing event, or perhaps on vacation with you, if you plan on touring any old castles with your small/lap harp in tow and trying out the acoustics.The song is appropriate for beginner harpists. You may need to practice replacing in a few places to avoid buzzing. But the piece only ever requires you to place in one direction at a time and minimizes the amount of time both hands play simultaneously. You can play it slower than I do in the recording, if you choose, and it should still sound nice.Please note that the preview cuts off after the first few measures of score. When you download your purchase, you will recieve a pdf that contains both the preview and the full score.
$5.99 ≈
5.36€
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 page...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95 ≈
12.49€
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