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Vous avez sélectionné:
Fugue on B A C H
Partitions à imprimer
22 partitions trouvées
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1
Fugue on B-A-C-H
Fugue on B-A-C-H
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
J
#
Keith Terrett
#
Fugue on B-A-C-H
#
Cimarron Music Press
#
SheetMusicPlus
By J. Albrechtsberger. Arranged by Keith Terrett. For brass quintet. Quintet music. Score and parts. Published by Cimarron Music Press ...
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By J. Albrechtsberger. Arranged by Keith Terrett. For brass quintet. Quintet music. Score and parts. Published by Cimarron Music Press
$18.00 ≈
16.12€
Prelude and Fugue on B.A.C.H
Prelude and Fugue on B.A.C.H
#
Orgue
#
Camil Van Hulse
#
Prelude and Fugue on B.A.C.H
#
Schott Music - Digital
#
SheetMusicPlus
Organ - SKU: S9.Q5564 Composed by Camil Van Hulse. This edition: Sheet music. Downloadable. Op. 150. Schott Music - Digital #Q5564. Published by Schott ...
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Organ - SKU: S9.Q5564 Composed by Camil Van Hulse. This edition: Sheet music. Downloadable. Op. 150. Schott Music - Digital #Q5564. Published by Schott Music - Digital (S9.Q5564).
$16.99 ≈
15.22€
Fugue on B-A-C-H
Fugue on B-A-C-H
#
Marimba
#
Johann Georg Albrechtsberger
#
Keith Terrett
#
Fugue on B-A-C-H
#
HaMaR Percussion - Digital
#
SheetMusicPlus
By Johann Georg Albrechtsberger (1736-1809). Arranged by Keith Terrett. 5 players. For 4 marimbas, 1 Bass marimba. Moderate. Bass marimba part. Duration 3'. Pub...
(+)
By Johann Georg Albrechtsberger (1736-1809). Arranged by Keith Terrett. 5 players. For 4 marimbas, 1 Bass marimba. Moderate. Bass marimba part. Duration 3'. Published by HaMaR Percussion - Digital
$1.99 ≈
1.78€
Fugue on B-A-C-H
Fugue on B-A-C-H
#
Marimba
#
Johann Georg Albrechtsberger
#
Keith Terrett
#
Fugue on B-A-C-H
#
HaMaR Percussion - Digital
#
SheetMusicPlus
By Johann Georg Albrechtsberger (1736-1809). Arranged by Keith Terrett. 5 players. For 4 marimbas, 1 Bass marimba. Moderate. Marimba 4 part. Duration 3'. Publis...
(+)
By Johann Georg Albrechtsberger (1736-1809). Arranged by Keith Terrett. 5 players. For 4 marimbas, 1 Bass marimba. Moderate. Marimba 4 part. Duration 3'. Published by HaMaR Percussion - Digital
$1.99 ≈
1.78€
Fugue on B-A-C-H
Fugue on B-A-C-H
#
Marimba
#
Johann Georg Albrechtsberger
#
Keith Terrett
#
Fugue on B-A-C-H
#
HaMaR Percussion - Digital
#
SheetMusicPlus
By Johann Georg Albrechtsberger (1736-1809). Arranged by Keith Terrett. 5 players. For 4 marimbas, 1 Bass marimba. Moderate. Marimba 3 part. Duration 3'. Publis...
(+)
By Johann Georg Albrechtsberger (1736-1809). Arranged by Keith Terrett. 5 players. For 4 marimbas, 1 Bass marimba. Moderate. Marimba 3 part. Duration 3'. Published by HaMaR Percussion - Digital
$1.99 ≈
1.78€
Fugue on B-A-C-H
Fugue on B-A-C-H
#
Marimba
#
Johann Georg Albrechtsberger
#
Keith Terrett
#
Fugue on B-A-C-H
#
HaMaR Percussion - Digital
#
SheetMusicPlus
By Johann Georg Albrechtsberger (1736-1809). Arranged by Keith Terrett. 5 players. For 4 marimbas, 1 Bass marimba. Moderate. Marimba 2 part. Duration 3'. Publis...
(+)
By Johann Georg Albrechtsberger (1736-1809). Arranged by Keith Terrett. 5 players. For 4 marimbas, 1 Bass marimba. Moderate. Marimba 2 part. Duration 3'. Published by HaMaR Percussion - Digital
$1.99 ≈
1.78€
Fugue on B-A-C-H
Fugue on B-A-C-H
#
Marimba
#
Johann Georg Albrechtsberger
#
Keith Terrett
#
Fugue on B-A-C-H
#
HaMaR Percussion - Digital
#
SheetMusicPlus
By Johann Georg Albrechtsberger (1736-1809). Arranged by Keith Terrett. 5 players. For 4 marimbas, 1 Bass marimba. Moderate. Marimba 1 part. Duration 3'. Publis...
(+)
By Johann Georg Albrechtsberger (1736-1809). Arranged by Keith Terrett. 5 players. For 4 marimbas, 1 Bass marimba. Moderate. Marimba 1 part. Duration 3'. Published by HaMaR Percussion - Digital
$1.99 ≈
1.78€
Fugue on B-A-C-H
Fugue on B-A-C-H
#
Marimba
#
Johann Georg Albrechtsberger
#
Keith Terrett
#
Fugue on B-A-C-H
#
HaMaR Percussion - Digital
#
SheetMusicPlus
By Johann Georg Albrechtsberger (1736-1809). Arranged by Keith Terrett. 5 players. For 4 marimbas, 1 Bass marimba. Moderate. Score and parts. Duration 3'. Publi...
(+)
By Johann Georg Albrechtsberger (1736-1809). Arranged by Keith Terrett. 5 players. For 4 marimbas, 1 Bass marimba. Moderate. Score and parts. Duration 3'. Published by HaMaR Percussion - Digital
$13.45 ≈
12.05€
Fugue on B-A-C-H
Fugue on B-A-C-H
#
Marimba
#
Johann Georg Albrechtsberger
#
Keith Terrett
#
Fugue on B-A-C-H
#
HaMaR Percussion - Digital
#
SheetMusicPlus
By Johann Georg Albrechtsberger (1736-1809). Arranged by Keith Terrett. 5 players. For 4 marimbas, 1 Bass marimba. Moderate. Score. Duration 3'. Published by Ha...
(+)
By Johann Georg Albrechtsberger (1736-1809). Arranged by Keith Terrett. 5 players. For 4 marimbas, 1 Bass marimba. Moderate. Score. Duration 3'. Published by HaMaR Percussion - Digital
$5.95 ≈
5.33€
Fugue on B-A-C-H
Fugue on B-A-C-H
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
J
#
Keith Terrett
#
Fugue on B-A-C-H
#
Cimarron Music Press
#
SheetMusicPlus
By J. Albrechtsberger. Arranged by Keith Terrett. For woodwind quintet. Quintet music. Score and parts. Published by Cimarron Music Press ...
(+)
By J. Albrechtsberger. Arranged by Keith Terrett. For woodwind quintet. Quintet music. Score and parts. Published by Cimarron Music Press
$18.00 ≈
16.12€
Fantasie and Fugue on the name of " B-A-C-H "
Fantasie and Fugue on the name of " B-A-C-H "
#
Orgue
#
AVANCÉ
#
Classique
#
Franz Liszt
#
Jean Guillou
#
Fantasie and Fugue on the name
#
Schott Music - Digital
#
SheetMusicPlus
Organ - difficult - SKU: S9.Q6227 Syncretic Version. Composed by Franz Liszt. Arranged by Jean Guillou. This edition: Sheet music. Downloadable. ...
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Organ - difficult - SKU: S9.Q6227 Syncretic Version. Composed by Franz Liszt. Arranged by Jean Guillou. This edition: Sheet music. Downloadable. Duration 13' 30. Schott Music - Digital #Q6227. Published by Schott Music - Digital (S9.Q6227). In his 'Art of Fugue' Bach himself introduced a theme based on the four letters of his name: the notes we know as Bb A C B correspond to the German note names B A C H. Since that time, many composers have expressed their admiration for incomparable master by writing their own pieces of music on this theme. The work based on this theme by Franz Liszt is without any doubt the most important of them all - indeed, it represents a major landmark in the whole of the organ repertoire. It was composed in 1855 and given its first performance in the cathedral of Merseburg by Alexander Winterberger, to whom the work was dedicated. Liszt produced a second version of the work in 1869/70 and in 1870 he also wrote a piano transcription. It was a pity that the organist should not be able to use the ideas with which Liszt subsequently enriched his own adaptation. That is why, without adding anything that was not written by Liszt himself, Guillou has incorporated everything contained in the organ composition and the piano transcription in this 'syncretic' version of the work.
$16.99 ≈
15.22€
Schumann: Fugue 1 from Six Fugues on BACH for String Quartet
Schumann: Fugue 1 from Six Fugues on BACH for String Quartet
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE
#
Robert Schumann
#
James M
#
Schumann: Fugue 1 from Six Fug
#
jmsgu3
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1422774 Composed by Robert Schumann. Arranged by James M. Guthrie. 19th Century,Cha...
(+)
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1422774 Composed by Robert Schumann. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 15 pages. Jmsgu3 #1004127. Published by jmsgu3 (A0.1422774). The Six Fugues on the Name BACH, Op. 60 was Schumann's only work composed explicitly for the organ (or the pedal piano). Schumann composed this work in 1845, late in his career, as he turned to more conventional musical forms like the fugue with encouragement from his wife, Clara. The work uses the four-note B-A-C-H motive, which Schumann used to incorporate Bach's name into the music symbolically. The fugues demonstrate Schumann's mastery of the fugal form despite his reputation as a quintessential Romantic composer. Analysts have noted Schumann's innovative use of time and structure in the fugues, such as potential references to the golden section.In summary, Schumann's Op. 60 is an essential late-career work that showcases his command of the fugal form and innovative approaches to musical structure, all while incorporating the symbolic B-A-C-H motive.
$42.95 ≈
38.46€
Schumann: Fugue 3 from Six Fugues on BACH, Op. 60, for String Quartet
Schumann: Fugue 3 from Six Fugues on BACH, Op. 60, for String Quartet
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE
#
Robert Schumann
#
James M
#
Schumann: Fugue 3 from Six Fug
#
jmsgu3
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1424210 Composed by Robert Schumann. Arranged by James M. Guthrie. 19th Century,Cha...
(+)
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1424210 Composed by Robert Schumann. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 9 pages. Jmsgu3 #1005396. Published by jmsgu3 (A0.1424210). The Six Fugues on the Name BACH, Op. 60 was Schumann's only work composed explicitly for the organ (or the pedal piano). Schumann composed this work in 1845, late in his career, as he turned to more conventional musical forms like the fugue with encouragement from his wife, Clara. The work uses the four-note B-A-C-H motive, which Schumann used to incorporate Bach's name into the music symbolically. The fugues demonstrate Schumann's mastery of the fugal form despite his reputation as a quintessential Romantic composer. Analysts have noted Schumann's innovative use of time and structure in the fugues, such as potential references to the golden section.In summary, Schumann's Op. 60 is an essential late-career work that showcases his command of the fugal form and innovative approaches to musical structure, all while incorporating the symbolic B-A-C-H motive.
$42.95 ≈
38.46€
Schumann: Fugue 2 from Six Fugues on BACH for String Quartet
Schumann: Fugue 2 from Six Fugues on BACH for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Robert Schumann
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James M
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Schumann: Fugue 2 from Six Fug
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1424141 Composed by Robert Schumann. Arranged by James M. Guthrie. 19th Century,Cha...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1424141 Composed by Robert Schumann. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 23 pages. Jmsgu3 #1005325. Published by jmsgu3 (A0.1424141). The Six Fugues on the Name BACH, Op. 60 was Schumann's only work composed explicitly for the organ (or the pedal piano). Schumann composed this work in 1845, late in his career, as he turned to more conventional musical forms like the fugue with encouragement from his wife, Clara. The work uses the four-note B-A-C-H motive, which Schumann used to incorporate Bach's name into the music symbolically. The fugues demonstrate Schumann's mastery of the fugal form despite his reputation as a quintessential Romantic composer. Analysts have noted Schumann's innovative use of time and structure in the fugues, such as potential references to the golden section.In summary, Schumann's Op. 60 is an essential late-career work that showcases his command of the fugal form and innovative approaches to musical structure, all while incorporating the symbolic B-A-C-H motive.
$42.95 ≈
38.46€
Schumann: Fugue 4 from Six Fugues on BACH, Op. 60, for String Quartet
Schumann: Fugue 4 from Six Fugues on BACH, Op. 60, for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Robert Schumann
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James M
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Schumann: Fugue 4 from Six Fug
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1427547 Composed by Robert Schumann. Arranged by James M. Guthrie. 19th Century,Cha...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1427547 Composed by Robert Schumann. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 16 pages. Jmsgu3 #1008279. Published by jmsgu3 (A0.1427547). The Six Fugues on the Name BACH, Op. 60 was Schumann's only work composed explicitly for the organ (or the pedal piano). Schumann composed this work in 1845, late in his career, as he turned to more conventional musical forms like the fugue with encouragement from his wife, Clara. The work uses the four-note B-A-C-H motive, which Schumann used to incorporate Bach's name into the music symbolically. The fugues demonstrate Schumann's mastery of the fugal form despite his reputation as a quintessential Romantic composer. Analysts have noted Schumann's innovative use of time and structure in the fugues, such as potential references to the golden section. In summary, Schumann's Op. 60 is an essential late-career work that showcases his command of the fugal form and innovative approaches to musical structure, all while incorporating the symbolic B-A-C-H motive.
$42.95 ≈
38.46€
Schumann: Fugue 5 from Six Fugues on BACH for String Quartet
Schumann: Fugue 5 from Six Fugues on BACH for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Robert Schumann
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James M
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Schumann: Fugue 5 from Six Fug
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1428102 Composed by Robert Schumann. Arranged by James M. Guthrie. 19th Century,Cha...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1428102 Composed by Robert Schumann. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 15 pages. Jmsgu3 #1008910. Published by jmsgu3 (A0.1428102). The Six Fugues on the Name BACH, Op. 60 was Schumann's only work composed explicitly for the organ (or the pedal piano). Schumann composed this work in 1845, late in his career, as he turned to more conventional musical forms like the fugue with encouragement from his wife, Clara. The work uses the four-note B-A-C-H motive, which Schumann used to incorporate Bach's name into the music symbolically. The fugues demonstrate Schumann's mastery of the fugal form despite his reputation as a quintessential Romantic composer. Analysts have noted Schumann's innovative use of time and structure in the fugues, such as potential references to the golden section. In summary, Schumann's Op. 60 is an essential late-career work that showcases his command of the fugal form and innovative approaches to musical structure, all while incorporating the symbolic B-A-C-H motive.
$42.95 ≈
38.46€
Schumann: Fugue 6 from Six Fugues on BACH Op. 60 for String Quartet
Schumann: Fugue 6 from Six Fugues on BACH Op. 60 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Robert Schumann
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James M
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Schumann: Fugue 6 from Six Fug
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1429451 Composed by Robert Schumann. Arranged by James M. Guthrie. 19th Century,Cha...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1429451 Composed by Robert Schumann. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 36 pages. Jmsgu3 #1010138. Published by jmsgu3 (A0.1429451). The Six Fugues on the Name BACH, Op. 60 was Schumann's only work composed explicitly for the organ (or the pedal piano). Schumann composed this work in 1845, late in his career, as he turned to more conventional musical forms like the fugue with encouragement from his wife, Clara. The work uses the four-note B-A-C-H motive, which Schumann used to incorporate Bach's name into the music symbolically. The fugues demonstrate Schumann's mastery of the fugal form despite his reputation as a quintessential Romantic composer. Analysts have noted Schumann's innovative use of time and structure in the fugues, such as potential references to the golden section. In summary, Schumann's Op. 60 is an essential late-career work that showcases his command of the fugal form and innovative approaches to musical structure, all while incorporating the symbolic B-A-C-H motive.
$42.95 ≈
38.46€
Schumann: Six Fugues on the name BACH Op. 60 Complete for String Quartet
Schumann: Six Fugues on the name BACH Op. 60 Complete for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Robert Schumann
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James M
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Schumann: Six Fugues on the na
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1429486 Composed by Robert Schumann. Arranged by James M. Guthrie. 19th Century,Cha...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1429486 Composed by Robert Schumann. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 114 pages. Jmsgu3 #1010181. Published by jmsgu3 (A0.1429486). The Six Fugues on the Name BACH, Op. 60 was Schumann's only work composed explicitly for the organ (or the pedal piano). Schumann composed this work in 1845, late in his career, as he turned to more conventional musical forms like the fugue with encouragement from his wife, Clara. The work uses the four-note B-A-C-H motive, which Schumann used to incorporate Bach's name into the music symbolically. The fugues demonstrate Schumann's mastery of the fugal form despite his reputation as a quintessential Romantic composer. Analysts have noted Schumann's innovative use of time and structure in the fugues, such as potential references to the golden section. In summary, Schumann's Op. 60 is an essential late-career work that showcases his command of the fugal form and innovative approaches to musical structure, all while incorporating the symbolic B-A-C-H motive. YouTube Playlist Link: https://www.youtube.com/playlist?list=PLT9KtY0S7DRBZOVDKAJZAWv5auRCmS-6v.
$82.95 ≈
74.29€
Prelude and Fugue on the B-A-C-H
Prelude and Fugue on the B-A-C-H
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4 Tubas
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Classique
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Johann Sebastian Bach
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Steven Cross
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Prelude and Fugue on the B-A-C
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Cimarron Music Press
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SheetMusicPlus
By Johann Sebastian Bach (1685-1750). Arranged by Steven Cross. For Tuba Quartet (EETT). Published by Cimarron Music Press ...
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By Johann Sebastian Bach (1685-1750). Arranged by Steven Cross. For Tuba Quartet (EETT). Published by Cimarron Music Press
$18.00 ≈
16.12€
Twenty-four Exercises for Two Cellos, Op. 159
Twenty-four Exercises for Two Cellos, Op. 159
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2 Violoncelles (duo)
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INTERMÉDIAIRE
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Johann Justus Friedrich Dotzau
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Carl Hüllweck
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Twenty-four Exercises for Two
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Cellos - Level 3 - SKU: A0.1042144 Composed by Johann Justus Friedrich Dotzauer. Arranged by Carl Hüllweck. Children,Classical,Instructional,Romantic...
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Cellos - Level 3 - SKU: A0.1042144 Composed by Johann Justus Friedrich Dotzauer. Arranged by Carl Hüllweck. Children,Classical,Instructional,Romantic Period. Educational Exercises. 112 pages. Artistic Score Engraving di Galvagno Michele #646942. Published by Artistic Score Engraving di Galvagno Michele (A0.1042144). The Twenty-four Exercises for Two Cellos, Op. 159, by Johann Justus Friedrich Dotzauer, continue and conclude the series dedicated to the neck positions. These, alongside the just published Twelve Original Pieces, Op. 58, cover the first four positions in all possible variations, using an incredible richness of forms, melody, harmony, and rhythm. After these thirty-six little gems, your students will be able to face much greater challenges with renewed strength and assertiveness. While Op. 58 focused mostly on Theme with Variations, Op. 159’s most used form is the rounded binary one, while no less than three full-fledged fugues enrich the practicing landscape. Due to the lack of the original manuscript, lost during Steiner & Bell’s acquisition of Augener & Co., this edition is based on two surviving editions, by Carl Hüllweck and Johannes Klingenberg, both published in the first decade of the XX century, about 40 years after Dotzauer’s passing. To provide you with the greatest flexibility and choice possibilities, this edition comes in several versions (only C available here, others available on Gumroad): - A: a score only one, based on Hüllweck; - B: two separate sets of parts, one per editor; - C: a score & parts bundle, based once more on Hüllweck; - D: finally, a Collector’s Edition, containing all this, plus a long chapter comparing all differences between Hüllweck’s and Klingenberg’s versions, and an interactive PDF where, at the press of a button, you will be able to switch to the other version of the current part! All PDFs have been optimised to be of the highest Press Quality and lightweight. I truly hope you are going to enjoy this beautiful music and that your cello playing will reach new heights thanks to it!
$34.95 ≈
31.30€
Sonata for Piano Quintet
Sonata for Piano Quintet
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James Albert Yeager
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Sonata for Piano Quintet
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James A. Yeager
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SheetMusicPlus
Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1499301 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. 9...
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Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1499301 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. 99 pages. James A. Yeager #1075356. Published by James A. Yeager (A0.1499301). Foreword:Each movement revisits classic paradigms—sonata form (I), ternary song form (II), and sonata rondo (III). The three movements of this piano quintet share a common element contained in the seed of a motivic idea—the interplay between the minor and the major 3rd : a tonal ambiguity or conflict of the minor 2nd. Stylistically, this Sonata pays modest homage to neo-classicism of 20th Century composers such as Poulenc (I), Prokofiev, Shostakovich (III), and perhaps even a touch of Gershwin (II). I hope this piano quintet will offer players and their audience chamber music that is a bit unusual yet worthwhile. The Sonata embraces the lightheartedness, the melancholy , and the whimsy of nostalgia. There is no separate piano part.Performance Notes:I Moderately fast, expresses dialogues of themes that move between piano and strings. The playfulness of the exposition (repeat is not optional) can give way to a more passionate building of the development to the climax at letter H. In the recapitulation the longer bridge remains steadily in tempo (no accelerando) relaxing just before letter N and theme two. The coda after letter O is a somber premonition of movement two.II Slowly, the bowings are ad libitum. The viola is chantlike and smooth. Violins glissando like the portamento of the Chinese stringed instruments, the Guqin or the Ehru type glissando leading to a very pure quiet long tones without any vibrato and the resulting fourth should be a pure tuning. The piano can use una corda ad libitum in softer passages, and the pedal (damper) ad libitum. In the B section (Letter D) pianist should treat the 64th notes like an ornament (upper mordent). Strings play the eighths after Letter G accents with strong bow changes. At the end, the piano lingers until the sound vanishes after the strings die away.III Introduction: Quick and spirited, the transition (Introduction) is measured and strict without alteration leading to letter A. The rondo theme, ‘A’ section, can slightly intensify in each successive repetition, but not slavishly. The small waltz or ‘B’ section, Letter C, the quartet might play to resemble a reed organ or harmonium—sweet, sonorous, and harmonious. The ‘C’ section, Letter G, big swell on short bridge passage, then pizz. strings become very rustic and like a peasant dance. Pianist can use una corda ad libitum in soft passages. Violins again after Letter I play similarly to non-vibrato of 2nd movement. The ‘B’ section at Letter L is now the grand waltz slightly faster and more indulgent with tiny rubatos tastefully allowed.James Albert Yeager (b.1946)James began his career as organist and choral conductor then harpsichordist and finally, professor of sacred music. As an organ major at The Ohio State University, he studied with Dr. Wilbur Held (B.Mus. 1969). Professor Joseph Goodman mentored him in composition at Union Theological Seminary in New York city (M. Sac. Mus, 1971). At the University of Colorado-Boulder, he returned to the organ, nevertheless, keeping composition as a mainstay (D.M.A. 1985). He was appointed Director of Sacred Music at the Pontifical College Josephinum (Columbus, Ohio) and rose to the rank of Professor (1984-2009). He retired as professor emeritus in 2009 and moved to New Mexico. While residing in Mountainair, New Mexico, he was organist/choral director for 12 years at a major Albuquerque church retiring again in 2021. His most recent compositions include Passacaglia & Fugue for Organ and Chamber Orchestra (2022), a Fugue for Piano and Orchestra (2022), a Sonatina for Flute and Piano (2023), and the Sonata for Piano Quintet (2024) as well as several smaller works for voice and piano.
$40.00 ≈
35.82€
Canticum Canticorum for Krzysztof Penderecki
Canticum Canticorum for Krzysztof Penderecki
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Orchestre de chambre
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AVANCÉ
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MohammadHadi Ayanbod
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Canticum Canticorum for Krzysz
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Rimorarte Edition
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and parts. 32 pages. ...
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Chamber Orchestra - Level 5 - SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and parts. 32 pages. Rimorarte Edition #5996921. Published by Rimorarte Edition (A0.1027777). Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is a musical piece based on the old text with the same name from Vulgate. The Canticum Canticorum text also known as Song of Songs, the Song of Solomon, the Canticle of Canticles, (Old Greek: Άσμα Ασμάτων, same meaning as song of songs). As David Berlo once beautifully put this into words: Meanings are in people … not in the messages …. The elements and structure of a language … are only symbols …. Meanings are not transmittable … Only messages are transmittable, and meanings are not in the message, they are in the message-users! Therefore, I needed to understand and interpret the text itself, even before I wanted to try setting it to the music. However, in order to understand the text correctly, one should comprehend the origin of the text and get to know its author(s), at first. In the case of Canticum Canticorum, both the author and the origin of the text are obscure. Furthermore, even the approximate date/century/era of the birth and the cultural context in which the text was created, are far from clear. According to the scholars, the creation of the text ranges from the tenth century B.C.; the era of Solomon, up to the first century B.C., and the origin of it considers from Indian, Tamil, or Ethiopic literature to Palestinian one. Because of these vast spectra of dates and cultures, I had to read and understand the text, compare with other sources, find similarities in other languages and cultures, hermeneutically interpret it and search for those non-written or metaphorical clues that may lead to unfasten the mystery has been attached to the text. In order to achieve the most accurate and faithful interpretation of the text I also had to answer few questions regarding the style, structure, medium, architecture and techniques of the music in relation to the text. I have used string orchestra and mixed choir to render the ideas, since that is among highly versatile instrumentations capable of providing small and delicate whispers, heavenly voices, and intonation changes that is hardly-reproducible by other mediums as well as thunderous sounds. Although Canticum Canticorum is single-movement work, but still possible to distinguish three different sections: the beginning choral part that is a long fugue in 5 voices with the material of serial music which helps orchestra to enter and grow, the a-capella middle section consists of two contrasting but invisibly related atmospheres and the third section – the recapitulation of the ideas already presented, in both the text and the music. The culmination of the work; 11-parts choral, takes place in the third section, somewhere near the end of the piece. Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is dedicated to the genius composer of our time, Maestro Prof. dr. h.c. Krzysztof Penderecki.
$24.99 ≈
22.38€
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